I Think Perhaps The Most Annoying/exhausting Phenomenon In Existence Is When Something Kind Of Genuinely

To add to the rest of the list:

-Gale is surprisingly self aware for the most part on the stereotypes of wizard ambition causing their own ruin. He actively tried to tamp it down by looking for some small, but useful bit of the Weave to restore to Mystra. Sure it didn't go like he had hoped, but he was at least thinking about the impact of his actions and doing it in service of his goddess rather than personal power (at least until Act 3).

-Halsin isn't the slender, distant, spiritual, chaste stereotype of an elf. He's big, he's brawny, hairy and sexual without losing any of the kindness and serious devotion to his personal goals.

-Lae'zel is more academic than she's given credit for and more considerate than people would expect. She's harsh in her words, but her actions repeatedly show a patience and willingness to cooperate that we wouldn't expect from a race that has a reputation for stab first, question the corpse later.

-Minthara loathes Lolth, but doesn't worship Vhaeraun. She's a Paladin, a class that isn't something you hear of in Drow cities and she doesn't hate surface races the way Lolth Sworn Drow are expected to.

I love how Larian decided most of the companions in Baldur's Gate 3 will defy the stereotypes of their class and/or race.

● Shadowheart is a cleric, but not your typical peace, light, and love cleric. She worships the Goddess of Darkness, and is not looking to treat every stranger with kindess.

● Wyll is a Warlock, who are typically manipulative, deceptive and very edgy. Yet, he is the nicest man you will ever meet, helps everyone in need, and will begin to walk the thinnest line between his morals and doing his patron's bidding.

● Astarion, while he certainly does harbor typical rogue traits (stealing and sneaky) and vampire traits (haughty and bloodthirsty), he throws out enough quips, roasts, flirts, and one liners that could put every bard in a 100 mile radius to shame, and with a body count to supercede them. Even if most of it is an act, it's even more bard-like that he puts a performance on.

● Karlach is the big buff tiefling barbarian. She could have been 100% rage and stupidity, but decided to be 50% wholesomeness and love, and possibly the most caring companion on your journey.

And then there's Gale and Lae'zel...We love them for being the most stereotypical wizard and githyanki that ever did <3

Ok, so I've been giggling like a loon for the past hour at the thought of a Paladin decked out in full wartime armor, with fury in their heart and the wrath of heaven in their eyes, declaring in a voice that will command the heathens and sinners to listen:

"GET READY FOR MY ALMIGHTY SMITE-Y!"

Bonus points if they're smacking a wooden paddle in one hand while shouting that.

Defending my new favorite ship again because why tf not

I’ll start by stating the obvious (cuz apparently it isn’t a given to some of the folks on here, which is weird, but okay). We DO NOT condone abuse in any form. With that said, an explanation is not an excuse and many folks, almost all I’d venture to guess, have been abusive at some point in their lives (I know I wouldn’t have been on the receiving end of so much abuse if that were untrue - hurt people hurt people). We also DO NOT condone racism. I get the feeling people assume malice on the Ghoulcy shipper side because of disgusting comments that were made long ago about Rey and Finn (which was a similar dynamic that, I’d argue, made more sense than a Lucy/Max relationship but that’s also my 🌈 heart shipping him with Dane). These disclaimers also extend to the villains, which Barb is one of. We DO NOT condone misogynoir here either cuz while I haven’t seen much racism on Lucy/Max, I have seen a surprising amount about Barb. Being a fictional villain does not allow for any kind of bigotry, NOTHING does, but I digress.

So on Ghoulcy, I’ll say this. The foreshadowing is layered heavily throughout the story. Whether they are intended to be friends or partners is up for debate, but the writing makes it quite clear that these characters are destined to team up, bringing us to the end of Season 1 when Lucy walks off with Cooper. I’m brought back to what Wilzig said at the beginning of the season, when Lucy was by herself camping and he warned her several times to go home before finally saying:

“The question is, will you still want the same things when you’ve become a different animal altogether?”

Lucy is very distraught at the end of the season after learning everything she does about her dad and Vault-tec and, for her to return to the vaults and live out her days there, with or without Max, seems like a stretch when things are all said and done. This can be poignantly compared to Persephone going to the underworld (in Lucy’s case, the surface world) - she has eaten the proverbial pomegranate.

This isn’t the only dynamic which Ghoulcy has been compared to, either. I have also seen them compared to Beauty and the Beast, which brings Max back into the dynamic often as a Gaston. Personally, I don’t see that, but if he turned out to be a villain it would be an interesting storyline and Aaron Moten could play it off very well. But bringing Max back in, something about his character to me feels very incomplete and I’m not sure if a love interest is the way forward for him. We only know one of his wants:

“I want to hurt the people who hurt me.”

And at the end of the season it’s like he seems less convinced by that, even though it’s hard to guess exactly what he’s thinking when he is knighted (something he should want, but judging by his expression he seems disenchanted by it) and finds Lucy has left. Part of the reason I ship him and Dane is because Dane has been a rock to him, one who he can probably trust with doubts about the Brotherhood. But returning to Ghoulcy, Cooper has been exactly where Lucy is before. He was betrayed by the one person he trusted most and what did he love most about Barb before they divorced (remember there was talk about alimony in the first episode - not sure how people forgot that):

“I know you always try to do the right thing. That’s what I love about you.”

Who embodies that better than Lucy, I ask you. (Cooper very well could still care about his ex-wife so take that with a grain of salt) But when it comes down to it, and we don’t know who initiated the divorce so it’s up for interpretation like any good story, part of Cooper died when he listened in on Barb’s Vault-Tec meeting just like part of Lucy is dying after she learns what her father did to her mother and Shady Sands.

“If my dad found out that I destroyed an entire community to save him... that'd break his heart.”

That is likely what’s on repeat for her when she learns about the city. And when Cooper offers her his company to New Vegas, his tone notably softens. I think when they first met, the vile things Cooper did to Lucy made her realize very quickly what she would have to do to make it on the surface. Cooper is intrigued, maybe even put off by, her genuine goodness. And it’s not just that, but he sees part of his past self and seeks to kill it any chance he can get. I’d argue that’s a large part of why he’s so cruel to her (him shooting the Vault Boy poster was more than just a fuck you to Vault-Tec). And likewise, Lucy shows him that embracing his humanity again is not so bad - whatever morsel he has left. It begins with trust, though, whatever they have. When she follows him, he has his back turned to her and is walking ahead with the dog. Normally, he wouldn’t put himself in such a vulnerable position, but he is showing her that he believes in her golden rule. Or more accurately that he believes that she believes in it.

Anyway, I dare not risk turning this into an actual essay. It’s already long enough. I’m interested in exploring other aspects that I might have missed if y’all have any thoughts.

I finally got the Halsin proposition/sex cutscenes and I have no idea what some of you are talking about. "Oh he comes on too strong" "He's so pushy" like did we watch the same cutscene? He asks, and if you're already partnered, he asks you to go to them and see how they'd feel about it, and says he wouldn't do anything without anyone's permission. He's so kind and lovely about it. If you say no, or your romanced character says no, then nothing happens and he respects it. Playing the game with Halsin in my team just makes me more aware of some of the lies I've seen going around about my boy.

How do you think Ghoulcy would’ve went down if she had been there pre-war and they met?👉🏻👈🏻 (assuming this is after he’s separated from barb)

Thanks for your patience on this one, babe. I tried to go more general with the response, but the more I thought about it, the more I realized I actually have a fairly specific vision for how these two would have ended up meeting in a pre-war world...

Naturally, I think a Lucy from that era would be from somewhere in the middle-of-nowhere Midwest. Vault 33 is sort of supposed to be in/reminiscent of Nebraska based on the projected images of the corn field and everything, right? She'd grow up somewhere dinky, but not too small; big enough to have a few nice amenities and a tight community that adores her and her prominent father. But, much like we see in the show before her dad's exodus from the Vault prompts her to leave, she'd be restless and always secretly pondering what else could be out there for her. Dreaming of the sun on her face, so to speak.

She'd be restless from early on in her youth, from around the time of her mother's death, and no matter how hard she works trying to force herself to feel at peace, she never truly does. Maybe she goes to an in-state college to get her degree when the time comes, gets a small taste of the kind of freedom and variety living in a bigger city can provide and falls in love with it just a little bit. When she goes back home, she idealizes moving somewhere different, being literally anywhere else as she feels like her life is sort of passing her by.

Honestly, I think she'd be exactly the kind of twentysomething that decides she wants to move to one of the coasts to shake things up. She's exactly the type to get involved in some sort of internship or shadowing program, since that would provide some sort of protective plan to her desires to strike out on her own. Or maybe she'd just up and move to Los Angeles on a "What else am I doing with my life?" sort of whim, whatever savings she can scrape together hidden away amongst the few personal things she manages to drag halfway across the country with her. If she fails, she can always go back home, but she knows she'll never forgive herself if she doesn't take more risks and live her life properly while she's young.

Besides, she wants to be married some day, and her home-grown options for candidates aren't exactly impressive. All the prettiest people live in L.A., it seems...maybe she'll find her partner there.

Cooper, on the other hand, would be sworn entirely off of dating in the aftermath of the divorce; between the antagonism that lingers between he and Barb, the uphill battle he's fighting trying to revive his career, and his desire to protect Janey from the fallout of both, he doesn't have the time or proper effort to give to a potential partner. Nor does he have the desire, initially. Frankly, he's incredibly broken up about the (necessary) dissolution of a marriage that he thought he'd be part of forever, to the point that he's sort of operating under the assumption that he'll be single the rest of his days. If he weren't famous, he'd probably just pay for some company on the rare occasion he feels "lonely" enough to desire it and keep it to that, but he's too afraid of ending up an even bigger laughing stock than he feels he's already become. He can perfectly picture the headlines in his mind.

Instead, he spends the better part of a year working insane hours, taking pretty much any gig thrown his way and doing everything he can to cut expenses. Every dollar saved goes into a fund he's saving up to take Barb back to court...as well as a significant chunk he's hoping to eventually use to buy up some out-of-the-way property. He's dissatisfied with the custody agreement they reached during the course of the divorce; true, his irregular and sometimes brutal work schedule doesn't make him an ideal primary custodial parent, but he's pretty desperate to spend every second possible with his child, the knowledge that the world could end at any minute looming large over him, casting a dark shadow. Part of him fantasizes about picking her up for his visitation time and simply not returning her, disappearing somewhere safe. He can perfectly picture the headlines about that, too.

It all wears on him. He knows he's getting older, that he needs to be taking care of himself so he can be around for Janey, but between all the work and all the stress, he's drinking more and sleeping less.

The two meet once, maybe on some set Lucy's managed to find her way onto or something similar. She tries her very best to not absolutely swoon over meeting THE Cooper Howard, already embarrassed by her own enthusiasm; Cooper tries his best to be pleasant and charming, exhausted as he usually is. He finds their interaction strangely refreshing, though, and after that it's like he sees her everywhere. Her rather meager savings have run out even quicker than she had anticipated, so, like most non-wealthy people in L.A., she has multiple jobs and works whatever side gigs she can fit into her schedule. Sometimes that leads her back into his path, and he always wants to say hello, to chat and ask her about herself. Who is she to turn him down?

Eventually, he offers to hire her on to work for him, personally, both impressed by her work ethic and feeling rather sympathetic towards her situation (the fact that he thinks she's beautiful certainly doesn't hurt, but he refuses to look those thoughts in the face). He feels bad that he can't really pay her what he'd like to, what he thinks she's actually worth, but it's significantly more than she was already making between all her other jobs, so she's nothing but grateful. At first, she runs personal errands for him, returns calls he's too busy for, helps him schlep all his stuff back and forth when he works the "cowboy for hire"-type gigs.

Cooper greatly enjoys her company, enjoys once more having someone to help him tackle life's everyday struggles. Slowly, he begins to open up to her a little, allowing her to become privy to more of his personal problems. She hasn't met Janey, not yet, but he begins to talk more and more about her. Lucy has such a kind, empathetic nature that it's hard to not spill your guts to her just a bit. Soon, he realizes that he's developing actual feelings for her beyond appreciation for her physical beauty. Typically, he'd be able to see that his feelings are silently reciprocated, but his self-confidence has taken a pretty significant hit over the last couple years, leaving him feeling like an old creep salivating over his young personal assistant.

Fortunately, he manages to hide it well enough, though Lucy is quite preoccupied by her own thoughts, anyway.

Her own attraction to him is soaked in embarrassed guilt, as well; she already sometimes feels like a charity case with as kind as he is to her, so the crush she's developing feels like it could easily be contributed to his caring nature and his largesse. Besides, she had a bit of a crush on him as a girl, as well. He does often make her feel special, something she isn't used to on this level, and she tries to convince herself she's simply been taken in by the glamor of movie star Cooper Howard. However, the more time she spends alone with him, the more she realizes how physically attracted to him she is, as well. It makes her feel silly; what would a very established, famous, attractive older man want with her, some nobody from nowhere? You can't throw a stone in Los Angeles without hitting a gorgeous twenty-something. Surely if he wanted someone young, she tells herself, he'd have someone young, someone with more to bring to the table.

However, their twin denial and negative self-talk isn't enough to hide the way they see one another forever. Too many early mornings and late nights working together make them rather familiar with one another, and soon they're both far too comfortable in the other's presence for things to go unaddressed. They both try to put it off anyway, until things come to an eventual head.

When this happens, they don't so much as agree to give a relationship a try as fall into one another's arms and decide to think about the consequences in the morning.

Unfortunately, their relationship doesn't only progress from this point. Suddenly, Lucy isn't just his young employee who people theorize may be dating him...she is dating him. Before, the idea of Janey meeting her wasn't such a big deal, even if he secretly already had his eye on her; now, he'll be introducing his daughter to his girlfriend, which feels like a much more significant event. He loves being with her, but he's hyper-aware of how he knows people are going to respond if they decide to go public, how Barb is going to respond, and he finds it all overwhelming. Lucy notices his hesitance, but she misreads it as him being embarrassed of her, unwilling to claim her, and it hurts her feelings. He wants her to feel secure and validated, but he also doesn't want to rush things, knowing he isn't only making decisions about his personal future, and that there are consequences she can't possibly wrap her brain around until she really experiences them.

These two would have a fairly significant uphill battle to fight, all factors considered. He isn't as perfect as she may have once thought, and as mature as she may act, she's still lacking in real life experience, which sometimes limits her perspective. However, I think between Cooper's desire for a family and Lucy's desire to find somewhere she really feels like she belongs/is contributing to, they could manage to iron things out. Their life together may not look like every other nuclear family, especially as she supports him in his fight to see Janey more and he convinces her to give his Bakersfield dream some real thought, but life is what you make it!

*Halsin kissing Tav while holding them so tightly that not one mote of light could come between them, kissing them so deeply that there is no room for thought, only sensation of his scent, the calluses on his hands, the firmness of his body, the heat emanating from him. Every touch he gives is to bring them closer until it feels like they'll be consumed by his passion before it ends.*

Halsin: *smiling* Was there something you wanted, my heart?

Tav: 😶

Halsin: ....my heart?

Tav: .......I think I forgot my name.

This.

My adaptation of the God of Arepo short story, which was originally up at ShortBox Comics Fair for charity. You can get a copy of the DRM-free ebook here for free - and I'd encourage you to donate to Mighty Writers or The Ministry of Stories in exchange.

Again it's an honour to be drawing one of my favourite short stories ever. Thank you so much for the original authors for creating this story; and for everyone who bought a copy and donated to the above non-profits.

Hear me out. Falmer/Dwemer Ghoulcy!