"You are the red of the sunrise, the yellow of high noon and the orange of sundown."
I did a double take when Wyll said that to Hemera as it suited her color palette really well.
That moment of feeling old when you hear a word you don't recognize and you have no idea if it's an app, a service, a product, a brand or a new slang term, etc....
In case anyone wants to hear it in game or keep his approval level low so that he never brings up romantic feelings, casting charm or friendship scrolls or spells on him will artificially lower it for you every time it's cast. Just make sure to stop once he hits Low Approval and you'll get to hear the disapproving snark in all its glory without him leaving the party.
Or just keep going if you want him to leave.
low approval/annoyed Halsin is so funny he's just
"I can NOT be assed to help you useless twats but FINE... I will anyway for FUCK'S sake"
Surprise! Tumblr just got turned into an epic fantasy RPG, just like [your favorite appropriate media franchise]. And the Tumblr RPG's plot needs to have all of its characters covered, in roles both large and small.
That means that you are assigned to a stereotypical RPG role inside our new fantasy world. Spin this wheel to find out what you are now doing for a living.
Ok, so I've never been able to get out of my head the thought of companions who have to tie Durge up every night as a safety precaution while whoever Durge romanced gives them an affectionate kiss at night on the forehead before saying goodnight.
Because then it means any bandit who is dumb enough to try to attack them will get to see not only the companions armed but one particular tied up person in their camp fish flopping out of their bedroll while shouting, "Let me up! I can help!"
While said companions are saying, "No! You're not allowed to disembowel like last time!"
Norm previu o futuro:)
I’ll start by stating the obvious (cuz apparently it isn’t a given to some of the folks on here, which is weird, but okay). We DO NOT condone abuse in any form. With that said, an explanation is not an excuse and many folks, almost all I’d venture to guess, have been abusive at some point in their lives (I know I wouldn’t have been on the receiving end of so much abuse if that were untrue - hurt people hurt people). We also DO NOT condone racism. I get the feeling people assume malice on the Ghoulcy shipper side because of disgusting comments that were made long ago about Rey and Finn (which was a similar dynamic that, I’d argue, made more sense than a Lucy/Max relationship but that’s also my 🌈 heart shipping him with Dane). These disclaimers also extend to the villains, which Barb is one of. We DO NOT condone misogynoir here either cuz while I haven’t seen much racism on Lucy/Max, I have seen a surprising amount about Barb. Being a fictional villain does not allow for any kind of bigotry, NOTHING does, but I digress.
So on Ghoulcy, I’ll say this. The foreshadowing is layered heavily throughout the story. Whether they are intended to be friends or partners is up for debate, but the writing makes it quite clear that these characters are destined to team up, bringing us to the end of Season 1 when Lucy walks off with Cooper. I’m brought back to what Wilzig said at the beginning of the season, when Lucy was by herself camping and he warned her several times to go home before finally saying:
“The question is, will you still want the same things when you’ve become a different animal altogether?”
Lucy is very distraught at the end of the season after learning everything she does about her dad and Vault-tec and, for her to return to the vaults and live out her days there, with or without Max, seems like a stretch when things are all said and done. This can be poignantly compared to Persephone going to the underworld (in Lucy’s case, the surface world) - she has eaten the proverbial pomegranate.
This isn’t the only dynamic which Ghoulcy has been compared to, either. I have also seen them compared to Beauty and the Beast, which brings Max back into the dynamic often as a Gaston. Personally, I don’t see that, but if he turned out to be a villain it would be an interesting storyline and Aaron Moten could play it off very well. But bringing Max back in, something about his character to me feels very incomplete and I’m not sure if a love interest is the way forward for him. We only know one of his wants:
“I want to hurt the people who hurt me.”
And at the end of the season it’s like he seems less convinced by that, even though it’s hard to guess exactly what he’s thinking when he is knighted (something he should want, but judging by his expression he seems disenchanted by it) and finds Lucy has left. Part of the reason I ship him and Dane is because Dane has been a rock to him, one who he can probably trust with doubts about the Brotherhood. But returning to Ghoulcy, Cooper has been exactly where Lucy is before. He was betrayed by the one person he trusted most and what did he love most about Barb before they divorced (remember there was talk about alimony in the first episode - not sure how people forgot that):
“I know you always try to do the right thing. That’s what I love about you.”
Who embodies that better than Lucy, I ask you. (Cooper very well could still care about his ex-wife so take that with a grain of salt) But when it comes down to it, and we don’t know who initiated the divorce so it’s up for interpretation like any good story, part of Cooper died when he listened in on Barb’s Vault-Tec meeting just like part of Lucy is dying after she learns what her father did to her mother and Shady Sands.
“If my dad found out that I destroyed an entire community to save him... that'd break his heart.”
That is likely what’s on repeat for her when she learns about the city. And when Cooper offers her his company to New Vegas, his tone notably softens. I think when they first met, the vile things Cooper did to Lucy made her realize very quickly what she would have to do to make it on the surface. Cooper is intrigued, maybe even put off by, her genuine goodness. And it’s not just that, but he sees part of his past self and seeks to kill it any chance he can get. I’d argue that’s a large part of why he’s so cruel to her (him shooting the Vault Boy poster was more than just a fuck you to Vault-Tec). And likewise, Lucy shows him that embracing his humanity again is not so bad - whatever morsel he has left. It begins with trust, though, whatever they have. When she follows him, he has his back turned to her and is walking ahead with the dog. Normally, he wouldn’t put himself in such a vulnerable position, but he is showing her that he believes in her golden rule. Or more accurately that he believes that she believes in it.
Anyway, I dare not risk turning this into an actual essay. It’s already long enough. I’m interested in exploring other aspects that I might have missed if y’all have any thoughts.
Don't get me wrong, I'm glad Larian doesn't abandon BG3 and continue making new patches and adding new content. Hovewer, I find it very exhausting: I played the game when it came out. I saw how unfinished it was. I played the prologue when they released it. But I still have either the same or similar issues with the game since the day they released it?
Halsin's trauma (and his personality somehow) is still being taken as a joke. He still isn't an origin companion and doesn't really have much lore behind him.
Astarion, as great as his story is written, still has the most interactions with the character you're playing as, the most quests. They poured a lot of resources into him at the cost of forgetting everyone else (especially Halsin and Wyll).
Lastly, what about people that can't bring themselves to replay the entire game for the second, third, fourth, fifth (etc) time? Why do I get to experience the "finished" game at the release and then a year, two years later I learn that there's tons of new content I'm missing on because it became clear that the devs actually didn't finish the game when it came out of Early Access?
Technically, I can replay the game. But I find it way too boring, exhausting, and overwhelming to do all the quests for the second, third time. I can't even push myself thought the main quests, knowing I'm missing on so many missions, and interactions, and leveling up, and romance. So I just... don't?
I just want to experience the game the way it's supposed to be. Like wiyh red Dead Redemption 2—what a masterpiece. Rockstar took their time and created exactly what they wanted people to experience. How is it too much to ask for BG3, too?
Yeah, patch 7 is live. That's great. They couldn't made it into the finished game, though? Upon release? The game should've been in early access for another year or two. And have much more closed beta testers of every kind. They wouldn't get such a huge feedback as they got after "full" releasing the game, but they could've still improved it tremendously.
I don't know, man. I'm sad and exhausted. I want to experience all those new interactions, but I don't have the energy and motivation to do so. It's way too repetitive and, as I already said, overwhelming.
*Me trying to write fanfic*: Tralalalala, plot, plot, plot, write cohesive script, double check character perso-
*HORNY THOUGHTS*
Me: .....Damn it, what was the point I was trying to make?
"The resources used to write Halsin could have been used to write more for Wyll!"
No. They literally could not. Wyll and Halsin were assigned to entirely different writers. If Halsin had never been made a companion, Wyll would have the exact same amount of content he does now. If anyone would have ended up with more content in the hypothetical alternate universe where Halsin wasn't a companion, it would have been Shadowheart, who shares the same writer as Halsin.
Criticize the lack of content for Wyll, because it deserves to be, but stop trying to make it sound like Wyll's storyline was scrapped in favor of the Gay Bear Sex Fund.