*Me Trying To Write Fanfic*: Tralalalala, Plot, Plot, Plot, Write Cohesive Script, Double Check Character

idk my brain does somersault about these two

Oh God I'm making another poll

How do you think Ghoulcy would’ve went down if she had been there pre-war and they met?👉🏻👈🏻 (assuming this is after he’s separated from barb)

Thanks for your patience on this one, babe. I tried to go more general with the response, but the more I thought about it, the more I realized I actually have a fairly specific vision for how these two would have ended up meeting in a pre-war world...

Naturally, I think a Lucy from that era would be from somewhere in the middle-of-nowhere Midwest. Vault 33 is sort of supposed to be in/reminiscent of Nebraska based on the projected images of the corn field and everything, right? She'd grow up somewhere dinky, but not too small; big enough to have a few nice amenities and a tight community that adores her and her prominent father. But, much like we see in the show before her dad's exodus from the Vault prompts her to leave, she'd be restless and always secretly pondering what else could be out there for her. Dreaming of the sun on her face, so to speak.

She'd be restless from early on in her youth, from around the time of her mother's death, and no matter how hard she works trying to force herself to feel at peace, she never truly does. Maybe she goes to an in-state college to get her degree when the time comes, gets a small taste of the kind of freedom and variety living in a bigger city can provide and falls in love with it just a little bit. When she goes back home, she idealizes moving somewhere different, being literally anywhere else as she feels like her life is sort of passing her by.

Honestly, I think she'd be exactly the kind of twentysomething that decides she wants to move to one of the coasts to shake things up. She's exactly the type to get involved in some sort of internship or shadowing program, since that would provide some sort of protective plan to her desires to strike out on her own. Or maybe she'd just up and move to Los Angeles on a "What else am I doing with my life?" sort of whim, whatever savings she can scrape together hidden away amongst the few personal things she manages to drag halfway across the country with her. If she fails, she can always go back home, but she knows she'll never forgive herself if she doesn't take more risks and live her life properly while she's young.

Besides, she wants to be married some day, and her home-grown options for candidates aren't exactly impressive. All the prettiest people live in L.A., it seems...maybe she'll find her partner there.

Cooper, on the other hand, would be sworn entirely off of dating in the aftermath of the divorce; between the antagonism that lingers between he and Barb, the uphill battle he's fighting trying to revive his career, and his desire to protect Janey from the fallout of both, he doesn't have the time or proper effort to give to a potential partner. Nor does he have the desire, initially. Frankly, he's incredibly broken up about the (necessary) dissolution of a marriage that he thought he'd be part of forever, to the point that he's sort of operating under the assumption that he'll be single the rest of his days. If he weren't famous, he'd probably just pay for some company on the rare occasion he feels "lonely" enough to desire it and keep it to that, but he's too afraid of ending up an even bigger laughing stock than he feels he's already become. He can perfectly picture the headlines in his mind.

Instead, he spends the better part of a year working insane hours, taking pretty much any gig thrown his way and doing everything he can to cut expenses. Every dollar saved goes into a fund he's saving up to take Barb back to court...as well as a significant chunk he's hoping to eventually use to buy up some out-of-the-way property. He's dissatisfied with the custody agreement they reached during the course of the divorce; true, his irregular and sometimes brutal work schedule doesn't make him an ideal primary custodial parent, but he's pretty desperate to spend every second possible with his child, the knowledge that the world could end at any minute looming large over him, casting a dark shadow. Part of him fantasizes about picking her up for his visitation time and simply not returning her, disappearing somewhere safe. He can perfectly picture the headlines about that, too.

It all wears on him. He knows he's getting older, that he needs to be taking care of himself so he can be around for Janey, but between all the work and all the stress, he's drinking more and sleeping less.

The two meet once, maybe on some set Lucy's managed to find her way onto or something similar. She tries her very best to not absolutely swoon over meeting THE Cooper Howard, already embarrassed by her own enthusiasm; Cooper tries his best to be pleasant and charming, exhausted as he usually is. He finds their interaction strangely refreshing, though, and after that it's like he sees her everywhere. Her rather meager savings have run out even quicker than she had anticipated, so, like most non-wealthy people in L.A., she has multiple jobs and works whatever side gigs she can fit into her schedule. Sometimes that leads her back into his path, and he always wants to say hello, to chat and ask her about herself. Who is she to turn him down?

Eventually, he offers to hire her on to work for him, personally, both impressed by her work ethic and feeling rather sympathetic towards her situation (the fact that he thinks she's beautiful certainly doesn't hurt, but he refuses to look those thoughts in the face). He feels bad that he can't really pay her what he'd like to, what he thinks she's actually worth, but it's significantly more than she was already making between all her other jobs, so she's nothing but grateful. At first, she runs personal errands for him, returns calls he's too busy for, helps him schlep all his stuff back and forth when he works the "cowboy for hire"-type gigs.

Cooper greatly enjoys her company, enjoys once more having someone to help him tackle life's everyday struggles. Slowly, he begins to open up to her a little, allowing her to become privy to more of his personal problems. She hasn't met Janey, not yet, but he begins to talk more and more about her. Lucy has such a kind, empathetic nature that it's hard to not spill your guts to her just a bit. Soon, he realizes that he's developing actual feelings for her beyond appreciation for her physical beauty. Typically, he'd be able to see that his feelings are silently reciprocated, but his self-confidence has taken a pretty significant hit over the last couple years, leaving him feeling like an old creep salivating over his young personal assistant.

Fortunately, he manages to hide it well enough, though Lucy is quite preoccupied by her own thoughts, anyway.

Her own attraction to him is soaked in embarrassed guilt, as well; she already sometimes feels like a charity case with as kind as he is to her, so the crush she's developing feels like it could easily be contributed to his caring nature and his largesse. Besides, she had a bit of a crush on him as a girl, as well. He does often make her feel special, something she isn't used to on this level, and she tries to convince herself she's simply been taken in by the glamor of movie star Cooper Howard. However, the more time she spends alone with him, the more she realizes how physically attracted to him she is, as well. It makes her feel silly; what would a very established, famous, attractive older man want with her, some nobody from nowhere? You can't throw a stone in Los Angeles without hitting a gorgeous twenty-something. Surely if he wanted someone young, she tells herself, he'd have someone young, someone with more to bring to the table.

However, their twin denial and negative self-talk isn't enough to hide the way they see one another forever. Too many early mornings and late nights working together make them rather familiar with one another, and soon they're both far too comfortable in the other's presence for things to go unaddressed. They both try to put it off anyway, until things come to an eventual head.

When this happens, they don't so much as agree to give a relationship a try as fall into one another's arms and decide to think about the consequences in the morning.

Unfortunately, their relationship doesn't only progress from this point. Suddenly, Lucy isn't just his young employee who people theorize may be dating him...she is dating him. Before, the idea of Janey meeting her wasn't such a big deal, even if he secretly already had his eye on her; now, he'll be introducing his daughter to his girlfriend, which feels like a much more significant event. He loves being with her, but he's hyper-aware of how he knows people are going to respond if they decide to go public, how Barb is going to respond, and he finds it all overwhelming. Lucy notices his hesitance, but she misreads it as him being embarrassed of her, unwilling to claim her, and it hurts her feelings. He wants her to feel secure and validated, but he also doesn't want to rush things, knowing he isn't only making decisions about his personal future, and that there are consequences she can't possibly wrap her brain around until she really experiences them.

These two would have a fairly significant uphill battle to fight, all factors considered. He isn't as perfect as she may have once thought, and as mature as she may act, she's still lacking in real life experience, which sometimes limits her perspective. However, I think between Cooper's desire for a family and Lucy's desire to find somewhere she really feels like she belongs/is contributing to, they could manage to iron things out. Their life together may not look like every other nuclear family, especially as she supports him in his fight to see Janey more and he convinces her to give his Bakersfield dream some real thought, but life is what you make it!

I refuse to believe they didn’t know what they were doing when they made The Ghoul. You mean to tell me a good man and father with a fondness for dogs and in love with his wife, over the course of centuries and nuclear war, turns into an irradiated cowboy bounty hunter with flexible morals, quippy one liners, and a reluctant fondness for an earnest and kind (but total badass) young woman with whom he shares an equivalent exchange before they end the season with the promise of two unlikely parties joined together on a road trip quest…and people DIDN’T expect tumblr to go feral?

Bear: *licking paws* Halsin, you have odd companions. This one came over and wouldn't stop talking to me, but the honey he gave me is very good.

Gale: *Verrrrry carefully trying to slide away from the bear*

Concept: one of the companions chilling with Halsin in bear form just chatting about nonsense

then Halsin walks over

For those wondering what that looks like. It was made by a Syracuse University professor Sam Van Aken, who grafted several stone fruits together to create these trees. It takes approximately 8 years for the tree to grow and produce fruits for those with money to burn and buy one. (Corrections welcomed by anyone who wants to add more).

Me giving the highest compliment I can think of: "You're like the tree of 40 fruits!"

i haven’t been able to finish my current me3 playthrough yet due to my brother hogging the xbox so he can play ARC: Evolved but here’s a list of things i remembered i hate in the OT in no particular order

the elevators

the asari

mark meer’s voice acting in ME1

liara’s writing if you don’t romance her (wtf bioware)…especially considering that the reason i generally DON’T romance her is because in ME1 at least, it feels like an adult dating a teenage girl.

femshep’s romance options and how most of them get fucking shafted to shit in ME3

how heteronormative ME2 was

jacob taylor’s loyalty mission and how racist it was

how racist and lazy the writing for jacob taylor was in general (ofc there are many reasons i dislike jacob in and of itself, but some it can be chalked up to bad writing)

jack’s chuppy ass default outfit in me2 (really bioware??? a woman could have the smallest titties in existence and she still wouldn’t be able to strap ‘em down with just a fucking belt. even if this game was written by mostly men, that’s still dumb as hell)

miranda’s largely unnecessary ass-shots

thane’s death

kai leng

that fact that you can’t call out kaidan for his bullshit cheating accusations in ME3 if you DO choose to romance someone else in ME2 as femshep if you romanced him in ME1, but mshep can do that to ashley (????? BIOWARE!)

the fact that an aro ace shepard it practically impossible to play after a certain point in the series without being a complete dick (and if you play the citadel dlc, impossible as femshep! because if you don’t romance anyone you wake up next to javik! lmao)

the fact that the dlc for the ME2 and 3 literally never goes on sale on pc like it does for the console versions, forcing me to pirate shit i already fucking paid for because i am unwilling to shell out £200+ on this shit again because EA and bioware are lazy money-grubbing fucks thanks ea thanks very much for your business practices

related to the above, but why did they never sell me2 or 3 with all the dlc included? that shit would sell like no one’s business…oh wait, EA…again.

the elevators

Ok, so I came across one post that said that you can turn Mizora into stone as it doesn't count as damage against her (and I won't accidentally trigger Wyll into attacking even though he's technically free of his pact to her).

She has to fail 3 saving throws for this to work but my goodness, it is satisfying after she tried to kill Wyll's father and refused to leave camp when I told her to leave. No more stirring up trouble, no more taunting Wyll, no more spying on us.

Me after clicking on Halsin: WHAT THE-oh right. Patch 6. Hoo, that was unexpected.

Me 6 minutes later, selecting Halsin: YOU CAN TAL-Right. Right. He can now talk.

Me: ........

Me: *click* *click* *click* *click*