Hii I'm Really Really Sorry If I Bother You With This, I Just Love Your Art And You Inspired Me To Draw.

I put together notes on what i know about drawing feet. It’s not 100% accurate or anatomically correct, but i hope it can help others who have difficulty drawing feet o/

How do I choose which details to draw in non-photorealistic art? I feel so tempted to try and draw everything, but then it looks too busy and cluttered. So many illustrators seem to have a balance of realistic proportions and stuff but not as many details

In semi-realistic styles, you have to choose what to keep and what to simplify. My advice would be to keep detail in the areas of focus (the face and the hands are good points of focus). Within the face, you also have smaller areas of focus, such as the eyes, nose, and mouth. 

If you’re having trouble with drawing TOO much detail, try this exercise:

1) Try to draw the body/object/face in as few lines as possible while still looking like the original. 

2) Then, figure out which parts look weird without the detail (the face, and eyes especially, will probably look flat or fake) and add in as much as needed. 

Also! Don’t be afraid to look at those illustrators you think are doing this well and studying where they put how much detail in their drawings. You can learn a lot from observing other artists! 

-Mod Future (ko-fi)

Here’s a little Art Tip about a very specific part of the body. Pop a squat and see how it looks on you.

francis how would you do a vampires teeth so that theyre like. more unsettling in ur opinion

i think honestly a good place to start would be just looking at blood sucking animals in nature, because in most cases their mouths would look pretty unsettling when applied to human anatomy

vampire bats are an obvious starting point but they dont look too uncanny for the most part until you take some liberties w/ it 

if youre thinking more along the lines of “nah id prefer to enact psychological warfare against anyone who calls vampires sexy” a lamprey is a GREAT starting point

or a tick

these are just ideas for starting points of course, theres no Rule That Vampire Must Resemble Animal but i think looking to nature is really helpful with creature design and combining animal traits onto human shapes is a great way to make a really fucked up scary looking creature.

but really all a vampire needs to do is to be able to access blood (either by opening a wound and lapping it up as the victim bleeds or getting its mouth into the body and sucking) so like you have a TON of options so you can kind of just go wild with it. 

do you have any tips on drawings noses? particularly non-white noses?? all the tutorials are european noses and i just want to learn how to draw my own nose!!

oh i feel you. the nice thing about being a poc is that you can always study yourself in the mirror to learn how to draw yourself better! but anyways:

if you’re wondering which kinds of noses are frequent for which race, i like to use this guide. I can’t verify how accurate it is, but it’s pretty damn comprehensive for racial traits around the world. I also really like this guide for learning how to draw a variety of East Asian noses (it’s not all flat!). Here’s an equivalent guide that includes drawing African noses. And there’s always Google images for more specific requirements.

+ 3D models are really helpful when drawing noses: x x x

+ here are some general nose tutorials by better artists lol: x x

Love your artwork!! :) as a professional illustrator, would you tell me some advice on developing potrait? im always mess up when it comes to potrait drawing. i really dont know how artist like you can be so precise in developing value for face. Thank you very much :)

Hello  and Thank You :)

The first thing if You want to do portraits is to know anatomy. Start with learning what is under the skin and understand how it affects the face. When You got that covered You must know how face is structured. That will give You the knowledge how to light head. Head is a cube-like object. (yea! NOT sphere!) On face we have other little cube-like object (nose).  

A great exercise is to find photos of a face and draw structure lines over it.

Example:

You see clearly now? The structure of a nose, where cheeks are, forehead etc.

After doing this You will be able to create the face from a memory using these helping lines.

Like here. This is Michael Hampton exercise:

You see how everything fits thanks to the structure lines?

Drawing a face requires TONS of practice. Find thousand photo references and practice.

Understand the anatomy and face structure first. It’s basic.That would be the things I would recommend for everyone who start drawing faces :)

I hope it helps a little!

doctors hate him. one simple trick for more lifelike expressions

for @breadygarden​, you can complement it with this other one I made long ago and SPECIALLY WITH REAL LIFE PICTURES! Mostly this is to point out the things you gotta pay attention. Always always check the head-torso radio. You can mix it up with more body fat too!

hi! i’m absolutely in love with ur OCs and ur art :0... how do you make ur characters so diverse? (currently struggling with same face syndrome lol)

TYSM <33 

I think it has a lot to do with big shapes and the relationship between the characters features. So with my OCs for an example I made the shape of their heads very distinct. None of them have the same shape, and the same goes for their eyes, noses and mouths. If you run out of shapes you can just change the relationships, like have one character with a square face, big round eyes and a small mouth while another has the same square face but with flat eyes and a low nose. 

This is used in siluettes and body shapes as well! One specific thing you can keep in mind is where a character’s weight is. Annix has a very square body with mass evenly distributed over her arms, chest and legs, while Aligra has all of her weight focused on her wide hips and big hands/feet. It helps to look at the body type of yourself and the people around you. I have long spindly arms and legs with most of my weight in my boxy hips!

Weight can also be used to vary the characters body language: Corvet has an exaggerated arch to her back while Kiropt pushes her pelvis out in a slouch. This movement in their spines completely defines how we read their personalities. Corvet looks high strung and snobby while Kiropt looks relaxed and careless.

When it comes to humans you get a lot of diversity for free if you make your characters different ages, etnicities, sizes etc. The most distinct differences between etnicities is the shape relationship I talked about earlier. If you make one of your characters white and one east-asian, the white character will naturally have thinner lips and a more pronounced browbone which already makes them different before you’ve even designed them.

Last thing I’m going to mention is perspective. Sometimes your characters faces look too similar because you always draw people from the same angle! Just making them look up, down or to the side a little can make a huge difference. Especially if you draw really stylized art since you can’t draw a nose viewed from the front with the same lineart as a nose viewed slightly from the left.

I know this explanation is a lil messy but I didn’t have time to do a proper tutorial. Thank you for asking though, and good luck with your art! :)