oh my god season four of leverage is fucking DIABOLICAL. how the fuck are you gonna open with the long way down job, and then hit with the van gogh job carnival job AND the grave danger job in just the first half ??? i swear to god i was shaking out of my skin all through the second half of the grave danger job. and where is aldis hodge’s oscar ??? the shaky voice the constant tears the frantic ripping at the inside of the coffin ?? i was literally holding my phone at arm’s length trying not to cry for him i swear.
i have to appreciate the directors here because i think they did a fantastic job focusing on harrison’s situation and really emphasizing the peril and dread the whole team was working through. the fevered search of the city, the awful moment when parker and sophie have to abandon their shovels and duck for cover, and harrison is left panicked and alone— that shit HURT y’all. it HURT. (i will say that the way the coffin was apparently uncovered off screen was a bit off— they only got a few shovels in before the guy started shooting, i thought, but oh well)
and obviously the hugging at the end. fuck kissing on screen hugging is where it’s at. eliot literally diving over gravestones to get to the coffin and pull hardison out and then clutching him like he’s trying to absorb the poor guy into his bloodstream ??? i will simply never be the same. and the perfect touch of beth riesgraf looking absolutely fucking devastated before turning away because she’s so so so wrecked about this but she’s not ready for that hug…. leverage writers need to square up because that was one fucked up episode and it also delivered on every characterization front ever. leverage is the gift that fucking giving y’all
MAJOR DEAD RECKONING PART 1 SPOILERS
My second watch makes me feel much stronger about my theory about the Big Spoiler in this movie, and how Part 2 will follow it up.
At first I bought the movie’s basic reading, but now there’s no doubt in my mind it’s a fakeout: Ilsa Faust is absolutely alive.
I will fully be ready to look like an idiot if she’s not, because I’ve run down everything I’ve thought of that the movie could do to telegraph her death being a fakeout, without actually revealing it:
- establish the idea of IMF people successfully faking people’s deaths in general and Ilsa’s specifically ✅
- Have both plot and character reasons why Ilsa pretending to be dead would be necessary ✅
- Establish that the way she supposedly died wasn’t guaranteed to be fatal ✅
- Have a scene vaguely establishing that the IMF is getting ready to do a con, but not specify what ✅
- No last words or final moments for her character ✅
- Skip past what the IMF does immediately after she supposedly dies ✅
- No one in the IMF literally says “she’s dead” ✅
That last one is big: Christopher McQuarrie has gone on record saying “No one in the audience of a Mission: Impossible movie will accept something is true until Ethan Hunt says it”. He never says she’s dead, and the closest he comes is thinking of her in a montage with Marie (who we also never specifically are told is dead) and Grace (who we know is alive).
Meanwhile, when Grace says “she’s dead”, Luther says “No, you’re alive because of her, and that’s the truth”, which is very specifically calling attention to the beginning and end of that sentence.
People are angry at this decision, but McQuarrie has also gone on record as saying “We want the audience to think we’ve ruined Mission: Impossible”, and if you want ways to make people think you’ve ruined any franchise, randomly and cheaply killing the leading lady is an obvious place to start.
The part I appreciate the most in the Lockwood and Co show is how it handles depression and suicidal thoughts in teenagers. As a theme, it’s not often (ever) done well. Lockwood and Co is the only story I can think of that depicts it in a nuanced, realistic, non-romanticized way
but first, before I get into it: [if you’re in crisis or need someone to talk to and don’t want to/can’t use your national hotline, highly recommend Samaritans, genuinely saved my life] okay, let’s go
Lockwood is the most obvious, with his general disregard for his own life and admitted suicidal ideation. Lucy struggles with her self-worth and the intensity of the emotions she’s subjected to. George worries that he doesn’t belong, that there’s something useless or wrong about him. The show depicts these thoughts and feelings in a way that isn’t overblown or dramatized, it’s all but casual. Which is how it happens. Depression or suicidal thoughts don’t crash into you all at once, they creep into your life without you noticing
But more importantly (and again, something I’ve never seen anywhere else), the show also offers counterpoints to those thoughts and feelings. It shows that there is a way out, even though you may feel trapped and hopeless. This is crucial for the show’s target demographic. Bad media depictions of depression or suicide get internalized, contribute to the stigma, and make it harder for people to ask for help. This show doesn’t do that. This show tells its audience that, yes, things are scary and painful and it fucking sucks, but it’s not hopeless. And it says it so well
In the second episode, when Lucy wants to quit, she admits something that I’m almost certain she’s never told anyone
“sometimes I just think I’d be better off dead”
And when I watched this the first time, I expected Lockwood to react the way I’ve seen people react in my own life; with silence or panic or downright dismissal. But he didn’t. He stays calm and he says something that is so so important to hear when you’re struggling under the weight of feelings like this
“I understand that”
Keep reading
Here is the fudgiest brownie in a mug recipe I’ve found
Here are some fun sites
Here is a master post of Adventure Time episodes and comics
Here is a master post of movies including Disney and Studio Ghibli
Here is a master post of other master posts to TV shows and movies
*tucks you in with fuzzy blanket* *pats your head*
You’ll be okay, friend <3
so i haven't read the books but something i so far really love about lockwood & co is the costume design, particularly with Lucy and Lockwood.
Lockwood spends most of the show dressed up in a pretty, pressed suit, sleeves rolled up and tie removed as necessary, but every so often we see him in a plain white t-shirt, a hoodie, but only in his home, only with his team. But even his suit isn't perfectly formal, the fact that he's still kind of a kid peeks through- pink socks and worn-out sneakers and undone top buttons and rolled up sleeves like the layers frustrate him.
Lucy's outfits, once she escapes the ill-fitting, ugly, and ultimately not very protective uniform of her old company, wears clothes that are practical but still very feminine. Thick sweaters and leggings under her skirts and jackets that actually look as warm as they are cute. Her clothes never compromise that she is, at heart, a young girl, without getting in the way with too-tight fabrics or too-loose skirts or any other male-gaze-style costumes.
I dunno, I just love when costume designs reflect things about characters, especially in terms of practicality.
Okay so, I was watching Lockwood & Co right, as you do, specifically the episode after Lucy and Lockwood jump into the Thames to escape from glitter sword
So, when they get back we see them getting dressed out of their wet clothes and it’s such an important scene that they included and here’s why:
There’s the scene with Lucy and it shows her looking at the necklace, but not putting it on. She picks it up and she gives it a sad almost regretful look before she puts it down and we know that she was fiddling with it with the Penelope meeting which is what clued Penelope in so to her it signifies Lockwood and their relationship and she isn’t putting it on but she isn’t throwing it away either. She’s mad at him, she definitely hasn’t forgiven him, but she’s not tossing him away either.
Now Lockwood, this is the one that got me excited. We have seen him wearing “normal” clothes in front of Lucy before. It would seem to be the obvious decision that, since they believe everything is over and the next step is to go to sleep, to get into comfortable clothes. But Lockwood doesn’t do that. Lockwood is one of those individuals who use the way they dress as a defense, a sort of armor, and when Lockwood gets dressed he dresses in his usual suit and tie, in his armor before he goes down to talk with Lucy. He has no clue where he stands with Lucy anymore, that ease he shows earlier with that sweater and t-shirt is gone and he’s preparing himself for the worst case scenario. He’s preparing himself for Lucy to leave him and then he walks in and Lucy’s wearing regular Lucy clothes (but then again, she doesn’t use her clothes as armor) and she’s not facing him and he’s so nervous and scared and you can see it on his face. He’s not wearing his coat, he still has hope that maybe just maybe he hasn’t completely fucked everything up but he doesn’t know and it scares him
IDK Lockwood and him using clothes as armor makes me emotional everytime does anyone else see this???
Can we talk about Percy seeing his mom in the underworld?
Look at how horrified he is.
There isn’t even a sliver of relief at seeing his mom again. The only thing on his face is wide-eyed terror.
Now look at what Sally looked like:
Did anyone else think that it seemed kind of familiar?
Did anyone else think that it kind of looks like she’s frozen in gold?
Percy saw his mom and it instantly reminded him of being encased inside Hephaestus’s trap in Waterland. Paralyzed and awake while he suffocated slowly and painfully. He’s remembering the panic he felt when he thought he was going to die and how much it hurt when he was freed; Even though he was alive, his lungs burned with every inhale and his head spun from lack of oxygen.
Now he’s putting his mom in that position
Reblog if reading someone else’s fanfiction has helped you get through a hard day
My pettiest and most tenacious gripe with supernatural is that when Lucifer is not taking a vessel but projecting his own image of himself, he should be played by Jared Padalecki. I know that for whatever mysterious reason they wanted Mark Pellegrino back but I just think this was a huge missed opportunity.
Lucifer considers Sam's body his rightful vessel, as much his own body as it ever was Sam's. In the cage he should have presented himself this way when he wasn't actively possessing Sam, and Sam's hallucinations should have been of his own cruel smirk. It's consistent with Lucifer's characterisation, his objectification of and entitlement to Sam. And it's impact on Sam would be so powerful.
After Lucifer, he avoids mirrors. Looks away from the impala's night-darkened windows lest he catch his reflection. His stomach turns at old photos of himself. He doesn't have many, but he's held onto some of his family. In one with Dean, his arm is slung easily around his brother's shoulder, both of them with beers in hand and matching smiles. It's a rare memory of peace, an image he's treasured for years, and when he looks at it now he feels panic crawling up his throat. He grits his teeth to hold back the snarl of "get away from him". He never looks at his hands any more, when he changes the car's oil or cleans the guns. He touches other people as little as possible. Everything's different. His body makes him an invader in his own life. He was born unclean, a soul tainted from the start, but now he looks into his eyes and sees a monster.
Random stuff I love. Currently obsessed with Lockwood and co. Pls go stream it on Netflix we need season 2!!
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