He Has Such A Soft Spot For Kids

Screaming crying and throwing up

anthony lockwood + the hand slide

Yearly Reminder that C.S Lewis encouraged his fans to write fanfiction about Susan Pevensie becoming a friend to Narnia and reuniting with her family once again.

Literally inviting his fans to write Susan’s adult, angsty character development with a happy ending.

Do your duty fans. Write that fanfiction.

Currently obsessed with Lockwood and Co. and after finishing the show I am now reading the series. I cannot recommend it enough, it was just the show I didn’t know that I needed right now.

While I’m hyper-fixating, I have some thoughts about fan engagement and a Netflix renewal. I noticed that even though there seems to be an influx of new fans, I don’t see the engagement on YouTube with reactors as much as I usually do with new Netflix shows.

I was wondering if there was any way to promote this? (Especially since Netflix did such a terrible job of it)

Reactors engage with a large audience and might be able to draw more fans with the hope of a Netflix renewal (I can’t help but be optimistic even though my heart is constantly broken by them).

Just thinking out loud! I know that there are other ways to get the viewership up but I’m thinking thoughts and wanted to put them somewhere.

Found Families and Why We Love Them

Dominic Toretto once said "I don’t have friends, I got family" with that in mind, that will be our intro for today! Although we find that iconic line cheesy as cheese, the audience loves a great found-family setup.

Something about how a bunch of misfits and inconsiderate douchebags developing to be a family of their own in spite of their quirkiness and tragic backgrounds makes us love them more than the typical and already functional groups. Like most families, there is the father, the mother, and the child. The rest is kind of subjective.

I've talked a little bit about actual families via [The Addams Family] but I think Found Families are a different breed. Let's discuss that and explain why we love them so much~

- Crows Never Forget -

While conversing with a friend I've met on Tumblr. My friend suggested that I should watch the show < Shadow and Bone > based on the Grisha Trilogy by [Leigh Bardugo] The story mainly follows Alina Starkov who lives in a world divided by the haunting dark cloud placed at the center of the three counties known as; The Fold.

Aside from the main plot you can already guess if you know enough fiction. The show features a merry band of dangerous outcasts. The Six of Crows from Ketterdam. Led by the cunning leader; Kaz "Dirty Hands" Brekker.

The team is supported by, Inej Ghafa The Assassin, Nina Zenik The Heartrender, Jesper Fahey The Sharpshooter, Matthias Helvar The Convict, and Wylan Van Eck The Runaway. Like every group that shares this type of beat. The teammates do not trust one another and are only united for the cause.

This will develop as the series goes on and their trust will change from strangers to allies to family beneath the backdrop of a sinfully cut-throat and exciting city. While the series only showed Five of the Six so far. I've grown very quickly to love this group for their chemistry and their respective motivations to stay as a team.

What's so interesting to watch is, despite how typical this trope is. I still couldn't keep my eyes off this concept. It's so much fun to see the Six interact even though for now, it's just Kaz, Inej, and Jesper (also, The Goat; Milo) planning a heist to kidnap our heroine. On the other end of the world, we learn about Matthias and Nina. The Convict and The Witch (Matthias's words, not mine)

Dysfunctional groups like these feel very human. They don't act like they care for the world or for one another but instead, grow in the process.

Similarly, another dysfunctional group called < The Guardians of The Galaxy > shares the same vibes as the Six. Their talent is great but it's their destructive tendencies or personal vendettas that make them less like heroes. Rather, they are people who just so happened to be doing heroics.

- Where is your Supervisor? -

Part of the trick in making fun found families is the will to condense the group down to about four or three characters. In most Shonen manga/ anime, the main character (eg, Naruto) is often supported by a lancer character (eg, Sasuke) and the heart (eg, Sakura) There is also the mentor/senior (eg, Kakashi) and it will always be these four. Other examples like Harry (Potter) and Co are good samples of the main trio with a mentor (Hagrid).

It's rare that we find trios with no mentor figure. Such is the case of another show I recently watched, < Lockwood and Co > based on the book series by [Jonathan Stroud] For a quick summary, Lockwood is set in London with one big exception. The city/ world at large is haunted by lethal ghosts (AKA The Problem) and only kids can sense them. Therefore, fight them.

The main cast consists of Anthony Lockwood, the cool and fearless badass gentleman who is strongest with Sight. George Karim, an all-rounder but a highly talented Researcher. Finally, our main character, Lucy Carlyle. An incredibly talented girl who's the most gifted with Hearing and Touch. Unlike the other agencies which are by the book and led by a Supervisor (an adult). Lockwood is purely independent but is unfortunately small and always in trouble with the law due to their incredibly dangerous methods.

Still, they are the best at what they do. Hunting ghosts while solving the bigger mystery behind The Problem. Despite their terrible coordination, the team has proven themselves to be better and far more personal with the cases they crack. Making it less like a job.

They are reminders that less is better. The cast plays the role of Hero, Lancer, and Heart very well and their chemistry is great and funny. Anthony and Lucy will sometimes bud heads, George will do his own thing making two of his partners incredibly proud and, you might see some tender/real moments between them.

Lockwood also removes the typical hero's journey of losing a mentor figure and instead makes the characters each other's mentors. The team relies on one other with their lives to survive every mission and navigate through life as a whole.

It felt more organic for them to grow together because there's a sense for when an adult shares a piece of advice (no matter how good it is) feels very smug and dull. The characters feel like actual teens because the setting for the agency sounds like something actual teens will do. Break the rules and do right for the fun or for some deep-rooted conspiracy that the world has yet to know.

- You Chose The Wrong Side! -

From the dysfunctional groups like the Six or the Guardians to the power of Three. There is one other interesting layer to the Found Family troupe. The Disbanded Found Family.

While most stories tell of how the team came to be, rare stories tell of how they split off and are no longer on speaking terms. For a while, The MCU's Avengers were at war with one another during < Captain America; Civil War > With Steve Rogers and Tony Stark budding heads harshly over the Sokovia Accords.

Seeing a well-rounded team break up is difficult for the characters and the audience because. For all the disagreements they had with one another, they've developed along the way to be close like a family. Seeing them split is like watching a divorce happening on screen and it's heartbreaking and sometimes a little bit awesome because you've got the best of the best competing to declare their superiority.

Perhaps one of the best examples I have seen is through < Kuroko No Baskue > where our main character; Tetsuya Kuroko entered High School and vowed to defeat/ beat some sense to his Former Junior High School Basketball Team with his newfound team; Seirin High

Kuroko's former team is famously known as The Generation of Miracles; an elite team of young talents that excel on the court, thus making them prodigies of their generation.

The Miracles consist of; Daiki Aomine (The Power Forward Beast), Shintarō Midorima (The Star Shooter), Atsushi Murasakibara (The Ultimate Center), Seijūrō Akashi (The Emperor's Eye) and Ryōta Kise (The Perfect Copycat) From the little we have seen, the team is passionate about the sport they play and they share a very brotherly relationship with one another.

As the series develops, we learn more about their personal relationships with Kuroko and with each other. We see the infighting between them and we learn about how their respective egos build. We learn about their vow during graduation and we get to see them reunited once again.

The series as a whole function in two ways. Kuroko develops new relationships with his new team and Kuroko confronts his old team to mend their relationship. It tackles the dysfunctional team setup at its lowest state and rekindles the flame for the respective parties to be healed. Also, it's really cool to see such a colorful cast together.

- I Didn't Pick The Damn Team! -

With that said, it's a wonder for why Found Families are a timeless troupe no matter the settings. But, like how Amanda Waller sets up Task Force X/ The Suicide Squad. Sometimes it's not by choice and it always starts out bumpy.

What I find fun in teams like the ones mentioned is that they share a common language in spite of their unique flavors. The teams are built on trust, a common goal, and the willingness to open up. For all the gimmicks, the core values stay the same.

We, the audience love a good Found Family because in an indirect way. We wanted a group like that. We longed to have a group that we can call family but, the reality of it all is. It's really up to how the characters interact with one another.

Every circle is different and no matter the status or the seasons. All are maintained by the will to reach out. It's something I hope to use for my own team in the process. To have [Them be there for you, Cause you're there for Them too]

Thanks for reading

- Caw4B -

🥲this is giving many feelings.

God I wish we had this more in the films

thinking about the sully siblings and how Spider was smaller than them physically, but he was still their big brother, and the pure shenanigans it must cause.

like. they're so much bigger than him, but they no doubt still act like they're little compared to their brother at times.

like you want to tell me they don't hide behind him or lean over so they can rest their head on his shoulder or tuck under his arm. tell me they don't lay on top of him like he's their personal pillow.

its not odd to see all his siblings gathering around him, Kiri resting her head on Spi, while Lo'ak holds his arm, Tuk tucked against his waist, while 'tey rests his chin on Spi's head (he loves all the attention, even if he huffs and puffs like any good big brother). they look silly cause the kids have to crouch and twist and bend to use their brother as a leaning post, and he practically disappears under all their blue.

and that includes rough housing, even if it's unintentional. the kids jumping up for a piggyback ride even when they're nearly double if not triple Spider's size.

Tuk wanting to be carried around by her big brother all the time. Kiri accidentally tugging her brother too hard when excited to show him something. the boys teaming up against their brother when playing, forgetting he can hardly handle one of them, let alone both at once.

his siblings getting the rare chance for a sleepover and cuddling around him like a bunch of big cats. they're tucked around him, under him, on top of him, with just enough care to make sure he doesn't suffocate in his sleep.

when they need some loving, Spider has to beckon them down to give their foreheads a kiss or to wrap them up in a proper hug. Spider likes to tuck his siblings head to his chest with both his arms and squeeze them tight.

when he's got to give them a big brother chat, the kids have to be kneeled down so Spider doesn't have to stare up at them (he tends to kneel too, so they're eye to eye, cause when he looks down on them, they tuck their little ears and he feels bad).

like. they're just big babies that need their big brother to take care of them and love them, even if they're giants compared to him.

Headcanon that Tara's backstory is for real basically the backstory she gave the psychic guy Rand in The Future Job, but it goes a little more like this: Tara worked for the FBI but when she got diagnosed with a brain tumor they fired her and she had to come up with the money to pay for brain surgery somehow so she turned her training to the other side of the law. This is why she agrees to help the team and why Sophie asked her in the first place and it's also why she's so set on getting paid (she's never going to be that desperate ever again and if she gave up her law-abiding-ness for crime it's most definitely going to pay).

I second this

i think that collective human culture has produced enough media where the protagonists forgive their abusive parents and from now on every abusive parent sublplot should end with their kid killing them with hammers and everyone telling them 'wow it was so cool and awesome of you to kill that bitch with hammers'

All I could think about when it showed the pit of Tartarus was that that young boy who tapped his mom on the shoulder to make her smile and makes jokes to hide his unease and loves blue food and just wants to be normal and that young girl who couldn’t pick which candy from the gas station and believes love is transactional and was a gift but then a problem and has never seen a movie are both going to fall into that massive hell.

And they are going to survive it. Together.

i LOVE the idea of "i can't win, but you can lose" in fictional confrontations it is SO fucking tasty. the human nature to self destruct and the human nature to survive by any means necessary combined at its finest.