“Have you…ever been in love?”
Steve blinked. That…wasn’t what he was expecting. Still, there’s only one definitive answer.
“Yep,” he answers, popping the ‘p’. “Nancy Wheeler. First semester, senior year.” His mimicked gunshot doesn’t even cover how that felt, but he does it anyway.
“Oh my god,” he hears from the other side, “She’s such a priss.”
Nancy Wheeler is a lot of things; priss, she is not. And maybe she doesn’t need him to defend her, but, still, he hums, “Turns out, not really.”
Robin scoffs as if that’s unbelievable, and maybe it could be. Then, she asks, “Are you still in love with Nancy?”
No, is the first thought in his mind. And, well, it’s strange to think his answer would’ve been different at the beginning of the year, as much as he’d told himself he’d moved on back then. But, the months in between have just made him realize that how he feels for her has changed a lot since October. He loves her, of course he does, and he’ll never really get over her. But, he doesn’t think he’ll ever love her like he did again.
So, after a moment, he says, “No.”
Then, of course, she asks the question he’s been avoiding thinking about: “Why not?”
There’s a lot of answers to that question, but Steve…well, he knows the one that’s most responsible, even if it’s been thrown to the back of his mind. He’s never really brought it to the light of day before—if bathroom lights could be called that. But there’s just something about this moment, sitting with Robin on a probably disgusting bathroom floor with his mind still kinda floating, that makes him feel like it’s safe here. They just went through hell—there wasn’t a better time, right?
“I think,” he starts, “it’s because I found someone who’s a little better for me.” He huffs a laugh, “It’s funny, you know? Ever since Dustin got home, he’s been saying, like, you gotta find your Suzie, you gotta find your Suzie.”
“Wait, who’s Suzie?”
“It’s some girl from camp, I guess his girlfriend. To be honest with you, I'm not 100% sure she's even real.” Steve shakes his head and kinda wishes he’d thought up a better analogy. “But that’s not really the point. Uh, the point is…I think I already found my Suzie. You know—this person is someone I didn’t even talk to in school, and I don’t know why. Maybe Tommy H. would’ve made fun of me, or I wouldn’t be…prom king. It’s stupid.” He sighs. “I mean, Dustin’s right, it’s all a bunch of bullshit anyways. I should’ve been hanging out with this person the whole time. I wish I did. I mean, they’re so cool and hilarious—I feel like, the past few months, I’ve laughed harder than I have in a long time. And they’re smart, and a dork, but so passionate—you know, they can talk on and on about so many things, it’s amazing.” Captivating, really, but the second it takes to reminisce about those moments are enough to make him realize he’s been rambling for like, minutes, and he’s gotta stop at some point. So, “They’re honestly unlike anyone I’ve ever even met before.”
Steve smiles to himself for a second, his head still feeling a little flighty—but the silence keeps dragging on beyond that. The smile falls a bit, and Steve really hopes he was careful enough with his words. He really hopes he can trust Robin if he wasn’t.
“Robin?” Steve taps on the stall wall between them, the sound echoing through the bathroom. When the silence just gets heavier, it’s with genuine concern that he asks, “Robin, did just OD in there?”
“No.” He breathes a sigh of relief, then hears it echoed, though weighted, from the other side. “I…am still alive.”
Still, there’s something so heavy in her tone, and a visual confirmation that she is alive becomes essential for him. So, shuffling over to grip the wall between them, Steve slides underneath the stall and lands a little to the left of where she sits, alive and breathing. She smiles a bit.
“The floor’s disgusting.” He huffs and glances down at the sailor uniform that has (probably) seen better. “Yeah, well. I already got a bunch of blood and puke on my shirt, so…”
She breathes a bit of a laugh, and, at the very least, some of the heaviness is gone. Alive and breathing.
“What do you think?” he asks her, almost intentionally vague.
“About?”
“Am I in love with Nancy Wheeler?”
“No,” she grants. Then, very decidedly, “But, I think you’re on drugs and not thinking clearly.”
And the look she gives him feels too significant, too weighted, and he really, really hopes he was careful because the possibility he wasn’t is starting to loom over him. He can’t argue that his mind was in stellar shape a few minutes ago, and everything she’s done since then is just working to form a pit of dread in his stomach. It feels like wishful thinking to consider that nothing she’s said has been outwardly accusing, but it’s still there.
Why did he have to say so much?
No, no, right. The drugs. Robin may be right, he probably wasn’t thinking clearly. And, damn it, this may not be entirely his fault but he does not want the repercussions for it.
“Well, I think I’m thinking pretty clearly now.” Wishful thinking, it is.
“You’re not.” Somehow, her expression feels like an echo of his own worries. “Steve,” she starts, and the dread gets worse, “you’re not thinking clearly about this. Look, you don’t even know this person—” Wait, what? “and if you did know them, like, really know them—I don’t think you’d even want to be their friend.”
Steve blinks. That—That’s what she was talking about? How did she even know who he was talking about? He shakes his head, honestly baffled. “Wait, what? That’s not true.”
She speaks again before he could ask what about everything he said was so revealing, “Listen to me, Steve. It’s shocked me to my core, but I like you—” Harsh. “I really like you. But I’m not like your other friends. And I’m not like Nancy Wheeler.”
Well, Steve thought he was thinking clearly, but he is lost. Somehow, this conversation has escaped him within the span of two seconds, and the moment feels wrong to ask how they got here. But, if he’s going to take any guess at her meaning, he much prefers thinking she’s…supportive, maybe. Indifferent, even. So, he doesn’t think of the ball of dread winding through his chest, and he tries to follow what Robin may be saying. “Robin, that’s exactly why I like you.”
And that is the truth, really. He’s never had a friend like her, if they could be considered friends. This summer has carved a small space for her in Steve’s heart, and the past few days have done numbers on expanding that space. She’s funny and smart and definitely not like Nancy Wheeler, wherever that came from. And he really doesn’t want to lose her, not right now. If they get out of this, he wants to be her friend. He wants to know her better than ice cream shifts can tell him.
Robin scoffs lightly as if that’s not what she needed to believe him. “Do you remember what I said about Click’s class? About me being jealous and, like, obsessed?”
“Yeah?” He nods slightly.
“It isn’t because I had a crush on you,” she says, slowly, as if a plea to make him understand. He doesn’t. “It’s because…” she continues, hesitant in her words, and he desperately wants to know how to make this better because his heart breaks for the expression she has. Then, quickly, like ripping off a bandaid, “...she wouldn’t stop staring at you.”
He blinks. “Mrs. Click?”
A breath of a laugh at that, but her eyes plant themselves on the wall. She clarifies, almost resigned, “Tammy Thompson. I wanted her to look at me. But…she couldn’t pull her eyes away from you and your stupid hair.” She looks back at him, with watery eyes. “And I didn’t understand because you would get bagel crumbs all over the floor and you would ask dumb questions and you were a douchebag!” She shakes her head lightly and he really is trying to understand. “And…And you didn’t even like her, and I would go home and just…scream into my pillow.”
Steve stares for a second, trying to will his brain back into place, his thoughts to something clear, because something is being said here, something important and—
The puzzle pieces click together.
Oh.
Oh!
“Holy shit.”
“Holy shit,” she echoes.
Unwillingly, Steve laughs. A bark of laughter just bursting out of him because, jesus-–this entire situation is so botched. But her face falls and he immediately stops in a wave of guilt and throws himself at reassuring her. “No, no, that’s not what I meant! I didn’t mean to do that.”
Robin looks away again, shrugs. “It’s fine.”
No, that won’t do. Steve shakes his head, vehemently, and taps her hand. “No, Robin, seriously—there’s been a huge misunderstanding here. I don’t have a crush on you.”
That makes her look back at him, eyebrows furrowed “What?”
“I think you’re awesome, Robin, and super cool and smart. I really want to be friends with you, seriously. But I wasn’t talking about you.” And Steve could stop there, but she just revealed…herself to him and he owes it to her to do the same. He knows how terrifying that is. “I was— Jesus.” He laughs again, brushes a hand down his face. And, still, knowing about her doesn’t make it any less terrifying to say it out loud. “I was talking about, um,” Like a bandaid, right? “...Eddie Munson.”
Her eyebrows seem to go to her hairline, but he celebrates the light that’s back in her eyes. “What.”
“Yeah, we uh—” There’s warmth in his cheeks. This is the first time he’s saying any of this out loud. “I don’t know how it happened, but we ran into each other one day and just started talking and…like, hit it off, super surprisingly. It’s crazy, he wasn’t even on my radar back then and now he’s—” Steve cuts himself off before he can start rambling again, rubs the back of his neck. “I really like him. I was talking about him.”
Robin grins. “Holy shit.” She shakes her head, repeats, “Holy. Shit,” enunciating, as if for good measure. He matches her grin.
“I had no idea what you were talking about.” He explains, “I mean, maybe I don’t really know Eddie, but how do you know that? And then you started talking about Mrs. Click’s…” he mimics an explosion in his head. “I thought the drugs completely fried my brain.”
She laughs, finally, her head falling back onto the wall, and he can’t help but follow her lead. It’s a good few moments before they stop, Robin suddenly sobering to hold a hand, saying “Wait, wait, Eddie Munson? You’re hanging out with drug dealer, total nerd, band dweeb Eddie Munson?”
“Hey, hey, I didn’t say you could criticize my taste, Miss Tammy Thompson.”
She scoffs, sounding just a bit offended, “What’s wrong with Tammy?”
“I mean, she’s cute and all but she’s a total dud.”
“She is not!”
. . .
Today we transferred my little daughter to the hospital because she is suffering from an infection that is affecting his breathing and causing him pain. I hope that every living conscience will help us save my little daughter’s life and donate any amount we can.
@90-ghost @el-shab-hussein @sayruq @nabulsi @neptunerings @flower-tea-fairies @appsa @a-shade-of-blue @sar-soor @commissions4aid-international @paper-mario-wiki @dlxxv-vetted-donations @gaza-evacuation-funds @writerqueenofjewels @the-ballerina-battle @riding-with-the-wild-hunt @girlinafairytale @khanger @magnus-rhymes-with-swagness @maoistyuri @dykesbat @acepumpkinpatrick @thetownwecallhome @tsaricides @feluka @brutaliakhoa @kordeliiius @queerstudiesnatural @the-bastard-king @aria-ashryver @malcriaada @vakarians-babe @bat-luun @mangocheesecakes @nightowlssleep @self-hating-zionist @staretes @friendshapedplant @yokohama-crackhouse @omiteo777
Reblog if your blog is boopable-safe so you can get all the (probably new) achievements. I don’t care about notes I just want boops
The people of Gaza are asking for YOUR help today. Here are some VETTED campaigns you should donate to and share widely.
(may 23rd):
Help Almoghrabi family to evacuate Gaza strip (@amjad20011) - Amjad needs to evacuate with his wife and his son, who isn't even 3 years old.
Support Ruba's family's urgent evacuation (@rubashaban) - Ruba's family are lacking the basic necessities of life; she has an elderly father who desperately needs to be evacuated.
Save little Yusuf and his family (@ahmednabubake) - Yusuf is in an intensive care unit fighting for his life in Gaza; he needs urgent evacuation alongside his family.
Help Belal and his family to evacuate from Gaza (@alaajshaat) - Belal has lost too much to this war and needs to support himself and his family.
Help Ahmed's family evacuate (@malkzaeem) - Ahmed needs to save his wife, 4 children, and severely injured father.
Help Ezzideen Shehab and his family evacuate (@helpezzideen) - Ezzideen, a young doctor, and his parents, siblings, and young brother Mazen urgently need to evacuate.
Help Iman’s family find safety (@imaneyad) - Iman has a family of 7 who need to find safety.
Support three orphaned children and their mother (@abedbahlool) - TW Graphic image. Asmaa is a mother of three and lost her husband due to the aggression.
Help save Bassam and his family (@lailashaqoura) - Bassam has five young children and has already lost 9 members of his wife's family.
Save Firas' family (@prosolitudeeee) - Firas is a of two children, a 10-month-old boy and a two-year-old girl, who are in need of safe haven in Egypt.
Help Hani's family evacuate (@skatehani) - A Palestinian skater trying to evacuate 10 members of his family.
Help Omar evacuate (@omarsobhi) - Omar is a 20 year old Palestinian student who wants to save himself and his family from this genocide.
Help Tahseen and his family (@tahseenmush) - Tahseen and his family are from northern Gaza and need urgent help to survive this genocide.
Help Nader's family to evacuate from Gaza (@nadershoshaa) - Nader and his family, consisting of six members, are currently displaced in the south; help them evacuate and survive.
Marah needs to save her family (@marahsalem) - Marah is trying to get reunited with her family, which consists of 5 members who need to urgently evacuate.
Help Mahmoud's family evacuate (@mahmoud0qassas) - Mahmoud and his family need to get to Egypt. His brother in law needs medical attention ASAP.
Yosof's family needs to evacuate (@yosofzaeem) - Yosof’s family needs to evacuate urgently; member of their family needs medical attention.
This list is supposed to call you to action. Please do not scroll past without contributing. Choose at least one fundraiser to support today. $5 can save lives. If you cannot donate, share these campaigns.
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So I stumbled across this really useful thing which I use for writing and wanted to share it with you all.
(source: changingminds.org)
The eyes are often called, with some justification, ‘the windows of the soul’ as they can send many different non-verbal signals. For reading body language this is quite useful as looking at people’s eyes are a normal part of communication (whilst gazing at other parts of the body can be seen as rather rude). When a person wears dark glasses, especially indoors, this prevents others from reading their eye signals. It is consequently rather disconcerting, which is why ‘gangsters’ and those seeking to appear powerful sometimes wear them.
Looking Up
When a person looks upwards they are often thinking. In particular they are probably making pictures in their head and thus may well be an indicator of a visual thinker.
When they are delivering a speech or presentation, looking up may be their recalling their prepared words.
Looking upwards and to the left can indicate recalling a memory. Looking upwards and the right can indicate imaginative construction of a picture (which can hence betray a liar). Be careful with this: sometimes the directions are reversed — if in doubt, test the person by asking them to recall known facts or imagine something.
Looking up may also be a signal of boredom as the person examines the surroundings in search of something more interesting.
Head lowered and eyes looking back up at the other person is a coy and suggestive action as it combines the head down of submission with eye contact of attraction. It can also be judgemental, especially when combined with a frown.
Looking Down
Looking at a person can be an act of power and domination. Looking down involves not looking at the other person, which hence may be a sign of submission (‘I am not a threat, really; please do not hurt me. You are so glorious I would be dazzled if I looked at you.’)
Looking down can thus be a signal of submission. It can also indicate that the person is feeling guilty.
A notable way that a lower person looks down at a higher person is by tilting their head back. Even taller people may do this.
Looking down and to the left can indicate that they are talking to themselves (look for slight movement of the lips). Looking down and to the right can indicate that they are attending to internal emotions.
In many cultures where eye contact is a rude or dominant signal, people will look down when talking with others in order to show respect.
Looking Sideways
Much of our field of vision is in the horizontal plane, so when a person looks sideways, they are either looking away from what is in front of them or looking towards something that has taken their interest.
A quick glance sideways can just be checking the source of a distraction to assess for threat or interest. It can also be done to show irritation (‘I didn’t appreciate that comment!’).
Looking to the left can indicate a person recalling a sound. Looking to the right can indicate that they are imagining the sound. As with visual and other movements, this can be reversed and may need checking against known truth and fabrication.
Lateral movement
Eyes moving from side-to-side can indicate shiftiness and lying, as if the person is looking for an escape route in case they are found out.
Lateral movement can also happen when the person is being conspiratorial, as if they are checking that nobody else is listening.
Eyes may also move back and forth sideways (and sometimes up and down) when the person is visualizing a big picture and is literally looking it over.
Gazing
Looking at something shows an interest in it, whether it is a painting, a table or a person. When you look at something, then others who look at your eyes will feel compelled to follow your gaze to see what you are looking at. This is a remarkable skill as we are able to follow a gaze very accurately.
When looking at a person normally, the gaze is usually at eye level or above (see eye contact, below). The gaze can also be a defocused looking at the general person.
Looking at a person’s mouth can indicate that you would like to kiss them. Looking at sexual regions indicates a desire to have sexual relations with them.
Looking up and down at a whole person is usually sizing them up, either as a potential threat or as a sexual partner (notice where the gaze lingers). This can be quite insulting and hence indicate a position of presumed dominance, as the person effectively says ‘I am more powerful than you, your feelings are unimportant to me and you will submit to my gaze’.
Looking at their forehead or not at them indicates disinterest. This may also be shown by defocused eyes where the person is ‘inside their head’ thinking about other things.
The power gaze is a short but intense gaze that is used to impose one’s will on another, showing power without aggression.
It is difficult to conceal a gaze as we are particularly adept at identifying exactly where other people are looking. This is one reason why we have larger eye whites than animals, as it aids complex communication.
People who are lying may look away more often as they feel guilty when looking at others. However, when they know this, they may over-compensate by looking at you for longer than usual. This also helps them watch your body language for signs of detection.
The acceptable duration of a gaze varies with culture and sometimes even a slight glance is unacceptable, such as between genders or by a lower status person.
Non-visual gaze patterns (NVGPs) involve rapid movements (saccades) and fixations while we are ‘inside our heads’, thinking. Rapid movements happen more when we are accessing long-term memory and fixations more when we are accessing working memory. This is useful to detect whether people are thinking about older events or recent events (or old events that are already brought to working memory).
Glancing
Glancing at something can betray a desire for that thing, for example glancing at the door can indicate a desire to leave.
Glancing at a person can indicate a desire to talk with them. It can also indicate a concern for that person’s feeling when something is said that might upset them.
Glancing may indicate a desire to gaze at something or someone where it is forbidden to look for a prolonged period.
Glancing sideways at a person with raised eyebrows can be a sign of attraction. Without the raised eyebrow it is more likely to be disapproval.
Eye Contact
Eye contact between two people is a powerful act of communication and may show interest, affection or dominance.
Doe Eyes
A softening of the eyes, with relaxing of muscles around the eye and a slight defocusing as the person tries to take in the whole person is sometimes called doe eyes, as it often indicates sexual desire, particularly if the gaze is prolonged and the pupils are dilated (see below). The eyes may also appear shiny.
Making Eye Contact
Looking at a person acknowledges them and shows that you are interested in them, particularly if you look in their eyes.
Looking at a person’s eyes also lets you know where they are looking. We are amazingly good at detecting what they are looking at and can detect even a brief glance at parts of our body, for example.
If a person says something when you are looking away and then you make eye contact, then this indicates they have grabbed your attention.
Breaking eye contact
Prolonged eye contact can be threatening, so in conversation we frequently look away and back again.
Breaking eye contact can indicate that something that has just been said that makes the person not want to sustain eye contact, for example that they are insulted, they have been found out, they feel threatened, etc. This can also happen when the person thinks something that causes the same internal discomfort. Of course, a break in eye contact can also be caused by something as simple as dried out contacts or any new stimulus in one’s immediate area, so it’s important to watch for other signals.
Looking at a person, breaking eye contact and then looking immediately back at them is a classic flirting action, particularly with the head held coyly low in suggested submission.
Long eye contact
Eye contact longer than normal can have several different meanings.
Eye contact often increases significantly when we are listening, and especially when we are paying close attention to what the other person is saying. Less eye contact is used when talking, particularly by people who are visual thinkers as they stare into the distance or upwards as they ‘see’ what they are talking about.
We also look more at people we like and like people who look at us more. When done with doe eyes and smiles, it is a sign of attraction. Lovers will stare into each others eyes for a long period. Attraction is also indicated by looking back and forth between the two eyes, as if we are desperately trying to determine if they are interested in us too.
An attraction signal that is more commonly used by women is to hold the other person’s gaze for about three seconds, Then look down for a second or two and then look back up again (to see if they have taken the bait). If the other person is still looking at them, they are rewarded with a coy smile or a slight widening of the eyes (‘Yes, this message is for you!’).
When done without blinking, contracted pupils and an immobile face, this can indicate domination, aggression and use of power. In such circumstances a staring competition can ensue, with the first person to look away admitting defeat.
Prolonged eye contact can be disconcerting. A trick to reduce stress from this is to look at the bridge of their nose. They will think you are still looking in their eyes.
Sometimes liars, knowing that low eye contact is a sign of lying, will over-compensate and look at you for a longer than usual period. Often this is done without blinking as they force themselves into this act. They may smile with the mouth, but not with the eyes as this is more difficult.
Limited eye contact
When a person makes very little eye contact, they may be feeling insecure. They may also be lying and not want to be detected.
In persuasion
Eye contact is very important for persuasion. If you look at the other person and they do not look back at you, then their attention is likely elsewhere. Even if they hear you, the lack of eye contact reduces the personal connection.
If you want to persuade or change minds, then the first step is to gain eye contact and then sustain it with regular reconnection.
Staring
Staring is generally done with eyes wider than usual, prolonged attention to something and with reduced blinking. It generally indicates particular interest in something or someone.
Staring at a person can indicate shock and disbelief, particularly after hearing unexpected news.
When the eyes are defocused, the person’s attention may be inside their head and what they are staring at may be of no significance. (Without care, this can become quite embarrassing for them).
Prolonged eye contact can be aggressive, affectionate or deceptive and is discussed further above. Staring at another’s eyes is usually more associated with aggressive action.
A short stare, with eyes wide open and then back to normal indicates surprise. The correction back to normal implies that the person would like to stare more, but knows it is impolite (this may be accompanied with some apologetic text).
When a person stares at another, then the second person may be embarrassed and look away. If they decide to stare back, then the people ‘lock eyes’ and this may become a competition with the loser being the person who looks away first.
The length of an acceptable stare varies across cultures, as does who is allowed to stare, and at what. Babies and young children stare more, until they have learned the cultural rules.
Following
The eyes will naturally follow movement of any kind. If the person is looking at something of interest then they will naturally keep looking at this. They also follow neutral or feared things in case the movement turns into a threat.
This is used when sales people move something like a pen or finger up and down, guiding where the customer looks, including to eye contact and to parts of the product being sold.
Squinting
Narrowing of a person’s eyes can indicate evaluation, perhaps considering that something told to them is not true (or at least not fully so).
Squinting can also indicate uncertainty (‘I cannot quite see what is meant here.’)
Narrowing eyes has a similar effect to constricted pupils in creating a greater depth of field so you can see more detail. This is used by animals when determining distance to their prey and can have a similar aggressive purpose.
Squinting can be used by liars who do not want the other person to detect their deception.
When a person thinks about something and does not want to look at the internal image, they may involuntarily squint.
Squinting can also happen when lights or the sun are bright.
Lowering of eyelids is not really a squint but can have a similar meaning. It can also indicate tiredness.
Lowering eyelids whilst still looking at the other person can be a part of a romantic and suggestive cluster, and may be accompanied with tossing back the head and slightly puckering the lips in a kiss.
Blinking
Blinking is a neat natural process whereby the eyelids wipe the eyes clean, much as a windscreen wiper on a car.
Blink rate tends to increase when people are thinking more or are feeling stressed. This can be an indication of lying as the liar has to keep thinking about what they are saying. Realizing this, they may also force their eyes open and appear to stare.
Blinking can also indicate rapport, and people who are connected may blink at the same rate. Someone who is listening carefully to you is more likely to blink when you pause (keeping eyes open to watch everything you say).
Beyond natural random blinking, a single blink can signal surprise that the person does not quite believe what they see (‘I’ll wipe my eyes clean to better see’).
Rapid blinking blocks vision and can be an arrogant signal, saying ‘I am so important, I do not need to see you’.
Rapid blinking also flutters the eyelashes and can be a coy romantic invitation.
Reduced blinking increases the power of a stare, whether it is romantic or dominant in purpose.
Winking
Closing one eye in a wink is a deliberate gesture that often suggests conspiratorial (‘You and I both understand, though others do not’).
Winking can also be a slightly suggestive greeting and is reminiscent of a small wave of the hand (‘Hello there, gorgeous!’).
Closing
Closing the eyes shuts out the world. This can mean ‘I do not want to see what is in front of me, it is so terrible’.
Sometimes when people are talking they close their eyes. This is an equivalent to turning away so eye contact can be avoided and any implied request for the other person to speak is effectively ignored.
Visual thinkers may also close their eyes, sometimes when talking, so they can better see the internal images without external distraction.
Damp
The tear ducts provide moisture to the eyes, both for washing them and for tears.
Damp eyes can be suppressed weeping, indicating anxiety, fear or sadness. It can also indicate that the person has been crying recently.
Dampness can also occur when the person is tired (this may be accompanied by redness of the eyes.
Tears
Actual tears that roll down the cheeks are often a symptom of extreme fear or sadness, although paradoxically you can also weep tears of joy.
Weeping can be silent, with little expression other than the tears (indicating a certain amount of control). It also typically involves screwing up of the face and, when emotions are extreme, can be accompanied by uncontrollable, convulsive sobs.
Men in many culture are not expected to cry and learn to suppress this response, not even being able to cry when alone. Even if their eyes feel damp they may turn away.
Tears and sadness may be transformed into anger, which may be direct at whoever is available.
Pupil Size
A subtle signal that is sometimes detected only subconsciously and is seldom realized by the sender is where the pupil gets larger (dilates) or contracts.
Sexual desire is a common cause of pupil dilation, and is sometimes called ‘doe eyes’ or ‘bedroom eyes’ (magazine pictures sometimes have deliberately doctored eyes to make a model look more attractive). When another person’s eyes dilate we may be attracted further to them and our eyes dilate in return. Likewise, when their pupils are small, ours may well contract also.
A fundamental cause of eye dilation is cognitive effort. When we are thinking more, our eyes dilate. This helps explain ‘doe eyes’ as when we like others people, looking at them leads to significant thinking about how we may gain and sustain their attention.
Pupils dilate also when it is darker to let in more light. Perhaps this is why clubs, bars, restaurants and other romantic venues are so dingy.
People with dark irises (the colored circle around the pupil) can look attractive because it is difficult to distinguish the iris from the pupil, with the effect is that their dark pupils look larger than they are. People with light irises make the pupils easier to see, so when their pupils actually do dilate then the signal is clearer to detect, making them more attractive ‘at the right time’.
The reverse of this is that pupils contract when we do not like the other person, perhaps in an echo of squint-like narrowing of the eyes. People with small pupils can hence appear threatening or just unpleasant.
Rubbing
When a person is feeling uncomfortable, the eyes may water a little. To cover this and try to restore an appropriate dryness, they person may rub their eye and maybe even feign tiredness or having something in the eye. This also gives the opportunity to turn the head away.
The rubbing may be with one finger, with a finger and thumb (for two eyes) or with both hands. The more the coverage, the more the person is trying to hide behind the hands.
https://gofund.me/5954916f
Vetted by @gazavetters, my number verified on the list is ( #31 )
Hello, my name is Iman, a mother of five children, the oldest is 15 years old and the youngest is two. I live with my family in northern Gaza. Our life has turned into a battlefield. We lost our home and were forced to flee and escape with our lives. We have been displaced eight times, moving from one school to another, and we are now living a life of homelessness and hunger. Even clean water is unavailable 💔😭. My children are suffering from starvation and malnutrition, going to bed hungry every day. I cry for my little daughter, who is two years old, when she asks for milk, which we don't have, and her frail body survives only on flour and stale bread. She has been deprived of everything. My children long for vegetables, meat, and fruit, which we haven't had in 11 months since the war began. Our bodies have been worn down, our bones are brittle, and my son Mohamed's chest bones are now protruding along with his spine. His body is covered in scabies due to a lack of cleanliness and the absence of medicine. Our bodies are swollen from the intense heat as we live with 40 people crammed into a small classroom filled with displaced people. My children have been deprived of education, even though they are all excellent students. On top of everything, there's constant bombing, fear, and hunger every day 🥺. This is why I am reaching out, as I have no income to provide for their basic needs as we try to rebuild our lives
Your donations will be the lifeline for my children, offering them a chance to survive and live through these difficult and harsh conditions. Even a very small contribution will make a difference in their lives. Every dollar counts in helping them through this crisis. Please, join in lending a helping hand during this tough and challenging time.
We are in northern Gaza, bodies without life, starvation is killing us, from the youngest to the oldest. We need your support, even if it's something
Hello, I am a human medicine student from Gaza City. I am asking you for urgent help in publishing the link for my family and delivering it to people interested and able to help us. I did not want to do that, but the tragic situation we are living in is what made me have to do this. I feel sad and helpless, after we had Everything, we are now homeless on the streets, we live in a tent next to a dilapidated public toilet and there is sewage, filth and waste everywhere, we sleep on it! We suffer from terrible heat, insects and scorpions, the danger of death, bombs and missiles, in addition to hunger of course, and the danger of pollution and terrible diseases.Especially digestive, respiratory and reproductive! My younger siblings are suffering and very sick. They are terrified of everything, especially scorpions and insects. My father and mother cannot bear it any longer. You have the right to imagine that when you spend your life building for yourself and your children to live a decent life, all of this goes away in the blink of an eye, and now when you reach the age you should To rest in it, you are forced to start over !!? , but the most important thing now is to try to stay alive and protect your children from all the factors of death that surround us! I ask anyone who has humanity or conscience to feel our situation and put himself in our place. How can a person who has lived with dignity all his life accept this? We are dying slowly every day. Please, if anyone can help, even if just a little, do not delay! Your little means a lot to us!
https://gofund.me/5f12ba33
donate what you can!!! and reblog regardless, help this spread, and it'll reach someone else who can donate! anything helps!!!!
the world's greatest actor animatic for stanley pines :]
(song by Milk In The Microwave)
finally done with this!!! im not 100% happy with the final result but overall i like how it turned out :D this took about two weeks (?) of work with some breaks
See also, "We're in a drought; conserve water!" Meanwhile, bottled water companies and golf courses for rich folk empty the aquifers.