CHUUYA NAKAHARA + SONGS
-> (insp)
OUTFIT SWAP BETWEEN THE VINSMOKES AND THE ASUL SIBLINGS YIPPIE
+yonji and Zoro because I didn't want to exclude him đź’šđź«¶
The resource on the mayoi wiki has them all sped up so I slowed them down to what I think is their original speed. Sharing is caring so here you go
literally though the fundamental misunderstanding that characterizing chuuya as someone who is too extroverted, or cant help getting attached, is. because he could actually! very easily!!! he already has trust issues! & it’s such a huge thing that for him, the fact that he has not yet become verlaine or become dazai is a choice, an effort, often at the expense of himself
One thing I would love to see happen in the future of bsd is Sigma and Mushitaro meeting. They would totally be best friends and no one can convince me otherwise
suegiku is absolutely insane like can we take a moment. at first their relationship is played off like a joke like haha tecchou watches ants and jouno hates him but man. man. the fact that tecchou is a man who places justice over everything, while jouno is a sadistic fuck who appears to have no moral code. but theyre partners!! tecchou reigns in jouno when he gets too out of hand. and THEN
tecchou wholeheartedly believing that jouno is a "hero that despises violence and protects the weak", when even the man who recruited jouno and inspired him to save others in the first place only did so because he thought jouno would be easy to use in villainy. of everyone, tecchou is the only one who believes in jouno:s goodness; the one who has spent the most time with him, the one who is known for being singleminded and terrifyingly focused when it comes to destroying evil, the one who's dumb as a brick and oblivious as hell. and he's right!! jouno refuses to join fukuchi. he proves fukuchi wrong. fukuchi was the one who originally saved him and gave him a second chance in helping others, and it was all so he could eventually use him as an assassin. and even though that was a lie, jouno still became a better person, and found someone that believes in him. GRAH.
the ada is such a loser compared to every other organization they go up against. they've got like eight members. they work out of a rented office above a coffee shop. half of them probably also live there. they're all broke. and yet everyone from the mafia to the government to the most powerful foreign gifteds see them as an equal opponent. and they're right.
Wonder who he got it from
Hrm hrm today I’m having thoughts about Kuina and her overwhelming Lost Boy vibes and how like. You NEVER GET Lost Girls like that. Narratively, she is The Girl Who Didn’t Grow Up. She will always be eleven and perfect, immortalized in memory. In Zoro’s mind, she is forever just a little bit older and a little bit taller than him. Even now when he remembers her, he pictures her face from an upward angle. She will ALWAYS be “older” and yet she will NEVER be more than eleven. I want to know what was happening in Zoro’s head when he turned 12 and realized he was older than she would ever get to be. I just. All the vibes, give them to me. This is one of the things that just gets me every fucking time!!!
(Sabo is also positioned like this, and is a fairly straightforward example up until it gets subverted by him ACTUALLY GROWING UP. Sabo is what happens when the lost boy grows up and it’s fucking FASCINATING.)
I think the key thing is, in order to be a "lost boy" narrative and not just a tragically dead child character, there needs to have been an expectation of greatness. It's not that little girls don't die in fiction, or that they aren't mourned. But this particular type of narrative emphasizes the specific grief of the loss of incredible potential, which isn't a thing dead little girl characters usually get. They're usually narratives about the loss of innocence or the fragility of life and the injustice of mortality, and Kuina has a little of that - how unfair it is for her life to be cut short. But it's also the bit of, if you'll let me get lyrical for a moment, you could have done so much more if you only had time.
as people grow up, one of the things we have to deal with is the loss of the possibilities of what we could have been, because we can only become one of our possible selves. Even if you become great, even if you're happy, even if you made the best possible choice, you still have to make that decision that to become this I must give up on becoming that. Lost Boys don't ever get to become, so they are enshrined with all that potential still in them. All of the people they could have been, all of the paths they might have taken.
(A thing that drives me crazy: balancing the grief of growing up with the grief of not-growing-up. The tragedy of becoming and the tragedy of never getting to become. The dozens of ghosts of possible selves that every adult carries around with them. Not relevant to the current discussion, but still, a thing to think about!)
There's also the fact that she gets set up with a projected character arc - we can see how she might've grown and dealt with her insecurities and overcome the obstacles in her path, but she'll never get to do it. And Zoro can take their shared dream on himself and make that his responsibility, but he can't resolve her emotional baggage for her, because that's not how that works. And we don't know! Maybe she wouldn't ever have managed it! But Kuina-the-confident-adult is just one of the many possible people she'll never get to be.
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