Soooo, I’m a lot happier with this design of Bill
Fair
bird thing is hot
Yall are thirsty over something that would eat you
LMAO
The Vast (3/15) “The Neverland”
The Vast (3/15) “Neverland”
The Neverland is a creature which never touches the ground, having stayed in the sky for its entire being, though this does not mean it doesn’t come close to the ground as that is how it gets its victims. The Neverland uses its strong legs and massive talons to snatch up victims when they walk alone. It does not eat them right away, instead tossing and dropping them through the air, devouring their fear before they devour the flesh. It was also known for dive-bombing small planes, ski lifts and gondolas, anything small that moves through the air. When no hunting, it flies among the clouds, the distance from the ground and general silhouette allowing it to disguise itself as a bird. It is likely you have seen the creature but were lucky enough to not walk alone.
So Arizona launched an “education hotline” that allows “concerned parents” to report “””critical race theory””” and other things like ~gender identity~ being taught in the classroom
It would be a shame if the number and email were spread to bad actors looking to prank call the AZ Department of Education
602-771-3500 or empower @ azed .gov 🤡
Oh I love this an ungodly amount
I don't owe you my heart
And I don't owe you my body
But you should know that I'm sorry
For being careless with you.
Lmaooo, yall always get a laugh out of me
Chaotic Minds (An AU I’m making) (small spoilers for Kayne/Intermezzo)
This is based around a couple “what if”s I thought about. “What if Kayne was in Arthur’s head instead of John?” “What if the story focused on ‘Darthur’ (dark Arthur)?” So, I combined the two to make the Chaotic Minds AU. In this AU, when the gate was opened, Nyarlathotep tries to come through and gets severed, trapping part of him in the book. The events play out mostly the same from there and Arthur opens the book, trapping the severed piece in his mind. From there, every situation that can be solved with a gun, will be solved with a gun. If not, the attempt will at least be made. The major turning point comes in the hospital during Arthur’s coma. Instead of the nurse making Kayne more human, a preacher comes to read bible stories. Listening to this triggers a hatred for the church in the piece within Arthur. This combined with Arthur’s previous religious trauma causes them to confront the preacher. The preacher calls Arthur a sinner and they decide to take on the mantle as they burn the church down. The piece within Arthur remembers the story of Cain and Able, the first murderer, so it takes on the name, twisting it into his own as Kayne.
The two of them, despite being the protagonists, are the villains of the story. Each feeding into a toxic relationship of codependency and completely unhinged nature. Arthur pulls away from his humanity and becomes more like Kayne.
John takes the place of Kayne in the original story, becoming a sort of exterminator and searches for any world where Kayne was the one to end up with Arthur. This John once had his own Arthur but lost him to Kayne, setting out to destroy any version of Kayne he can find that taints what Arthur was meant to be.
Sad boy Jonathan Sims the Jarchavist
“Colin? The computers are acting gay strange again..”
Bonus: Profile pictures for you and a lonely/ceaseless watching friend
They’re both messes that balance each other out.
The thing about jonmartin is that Martin wants to be a romantic, he loves poetry and probably watches romance but for him it is a fantasy, a silly game he plays. Martin is at his core very cynical. Things don't work out for him so he doesn't really belive in romance, it is a pretty dream but that's it. He is pratical and realist. Dating Jon he has to remind himself it is real and he actually struggles with romantic gestures, it is something he has to remind himself to do, to remind himself he can do even and honestly who even has the energy and what if Jon doesn't even like it?
Jon on the other hand wants to be cynical. His first coping mechanism was pretend the things he was afraid of weren't real and goddam if he isn't afraid of love. It didn't really work to him so far so it's easy to pretend he doesn't care. But he is a romantic at heart. He saw love and he read about it and he has enough evidence that it is undeniable. And to be honest Jon was always to much a bunch of mushy feelings hidden in a grumpy (and bitter and afraid) trench coat. Dating Martin he has to hold himself so he isn't too much. He plays the grumpy unromantic guy at first. But he just can't stop giving flowers and planing dates (this is the guy that saw a theme park on a fear domain and considered how he wanted to take Martin to a romantic ferris whell date [until he discovered Martin was afraid of them]) and making all the silly things one does when in love.
TR: Martin is deep down very cynical about love but wants to/pretends to be a romantic and Jon is deep down very romantic but wants to/pretends to be cynical about love.
This is actually something I considered when designing my Manager.
Some things I kept in mind with my manager was to make sure he paralleled my Kayne. My Kayne can split his face apart as a “mouth”, so I knew my Manager would not allow it to open. He doesn’t want to be scary, to be a monster, so he will do anything to keep it closed, even stapling his face closed. I also wanted it to look like he’s slightly nervous, like his smile isn’t completely happy. I also wanted his teeth to look “perfect” like he’s too strict with himself.
The Manager is deeply restrictive of himself and I wanted that to come across in his design.
Did y'all hear how the Manager kept choking off his laughs every time they got too loud or too genuine, refusing to sound like Kayne? Did y'all hear how he kept suppressing pieces of his nature out of fear and shame, even if those pieces were full of joy or comfort? Did y'all hear how he kept rushing to kill the parts of himself that he hates?