Some Pose/colour Practice With Testament!

Nobody warned me Gundam Stardust Memory fuckin sucks lmao it has Cima though so that was cool

made this post before but “soldiers are wracked by the guilt of what they’ve done” is just absolutely not true because the second they get home they’re worshipped for their ‘sacrifices’. anti-colonial ex-soldiers are as rare as police abolitionist ex-policemen

One of my favorite manga ended 3 hours ago and I must talk about it

I actually wrote this two days ago and of course, the finale comes out RIGHT when I was about to post lol

On Twitter, I used to maintain a yuri manga recommendation thread to keep track of what I read and recommend my fav works to others. Now that I'm back on Tumblr, a platform that actually allows you to write why you like something, I want to start doing more in-depth recommendations. Starting with this one!

Koroshiya Yametai (I Wanna Quit Being a Hitman!) by Tonoki Sun

Rose is a hitman who dislikes her job, but she has one thing to look forward to: dates with her girlfriend, Benika. However, not wanting to go on dates with a guilty conscious, she always confesses her sins (murder) to a priest in a confessional booth that hides both their faces. The priest, Father Shirafune, happens to be Benika’s actual biological father.

Rose doesn’t know the priest she’s told about all her jobs to is Benika’s father. Benika doesn’t know Rose is a hitman, and is also keeping her queer relationship secret from her religious father. Shirafune is curious about his daughter’s new “boyfriend”, and has no idea the “boyfriend” is the person who keeps confessing murders to him.

The initial chapters of Hitman remind me of Spy x Family, where the comedy and appeal comes from the dramatic irony and near misses of each character trying to keep their own secrets, but the tone is different. There’s definitely lightness and comedy there, but underlying is a story of Rose, a refugee fleeing her war-torn home and being forced to work as a hitman in a rich country who doesn’t care about her people. She’s a pawn for greater political powers, and the story is how she tries to break out of that.

A quick, non-spoiler list of why I like this manga - if any of these appeal to you, I beeeeg you to read this comic:

Really cute loving relationship between the main couple! But also: well-fleshed characters outside the main couple! Father Shirafune is GREAT

Plot is more political than I expected, in what feels like a very grounded, real way. The main plot of the story is about refugees that are discriminated against and mistreated and what happens in a country when that mistreatment reaches a boiling point.

I need to think more about the story to be confident in talking about this outside of surface-level observations, so I desperately want smarter people to read it so I can also see their takes haha

The writing is just GOOD and appeals to me specifically. The plot is fast-paced with no filler. There’s a good balance of comedy, lovely moments between the couple, action where you can see Rose get out of tough situations (more on this in the spoilers), and scheming and double-crossing between various political powers.

I read this comic on Dynasty Scans, translated by Gouma-Den. The site’s tags are usually good for content warnings - the main ones are violence/killing/etc. There isn’t a ton of gore though. I believe the raws are here. I don’t think it’s licensed as of me writing this, but you bet I’m buying it all if/when it is.

I want to ramble more about what I like about it below, but it will contain **spoilers**! All images are from the Dynasty Scans translation.

The precise way action scenes are written

The action scenes are super fun to read. Most of them are about Rose escaping pursuers in clever ways that don’t give out her identity, and focus on the steps she took to prepare for these situations and how she outsmarts her enemies. There is a similar appeal here to detective or heist stories where Rose is put in a tough spot, and you see how her knowledge and wild amount of foresight let her escape.

In general, I like the scenes where characters are thinking to themselves and trying to problem-solve in any manga, and this happens a lot in this manga. One of my favorite scenes is when Rose tries to figure out if Benika’s new friend is another hitman, without tipping off either of them.

I just think this is soooo cool. The story is full of Rose’s cleverness in these kinds of situations that is so fun to read.

The romance

The romance is so sweet. The girls have an adorable meet-cute and throughout the story, you really see why Rose likes Benika- she’s kind and energetic but doesn’t hesitate to give Rose a piece of her mind when needed. Rose clearly loves Benika a lot and is always thinking of her. The characters’ interactions feel cute but realistic, and they’re fleshed out outside of the romance, which makes me like them more as people and root for them more.

But also (huge spoilers ahead, please skip this paragraph if you plan on reading this at all) it’s soooo yuri to have one girl try to make a huge high-stakes emotional sacrifice for the other one while confessing that it’s all for love. And it happens in the latest chapter and I went wild.

The themes the story tackles outside of the romance

This to me is both the most striking part of the story!

The first, smaller thing that stands out is Benika and her hesitance to tell her father about her relationship because she assumes her father is homophobic since he’s clergy. Father Shirafune is not homophobic actually and the two have a good relationship otherwise, but it stands out that this is a consideration Benika has. I feel like a lot of yuri is characterized by being only about romance, not identity or society. Characters will like girls, but not be gay. I don’t think this is a bad thing- it’s a characteristic of the genre and TBH in my head, it’s the difference between yuri and LGBTQ manga. However, that’s why this aspect of the story stood out to me- it serves to show queerness plays a bigger part of Benika’s character and the world, is an important motivator in the story, and is good worldbuilding. It also is important because it adds to the grounded tone of the story- it’d be weird to have a story that is full of politics and religion otherwise but say nothing about the two main characters’ queerness.

Speaking of the politics of the story, the main non-romance plot is about how the unspecified first-world country the story takes place in (probably Japan, even though they never say?) treats refugees. There are multiple chapters about how poorly the refugees are treated, and what will happen to the country if it goes too far unaddressed (and if the country deserves what it gets).

This sequence of panels in one of the latest chapters was really good!

That’s it! The Dynasty translation is nearing the end of the comic (EDIT: It got posted right before posting this LOL that's what I get for being slow) so it’s a great time to catch up! Please read this comic and talk to me about it!!!

the US war of independence was more about the worldwide conflict between the french and british colonial empires than it was about Freedom or Liberty. the US civil war was more about the competition of northern merchant-industrial capital and southern landed-agricultural capital than it was about Rights or Equality. wars aren't fought over ideology. of course those sentiments were real and existed, and of course no troops were actually charging into the battlefield out of personal love for one or the other segment of the bourgeoisie, but the sentiments supposedly behind these wars had existed long before the wars themselves came about. it was only when the actual centres of power wanted these wars that those sentiments and ideologies were able to come to the forefront. ideologies do not start wars, they are used to justify them. any benefit towards those ideologies is only coincidental insofar as it aligns with the real, material factors that create and maintain war. the US did not care about slaves, that much is clear from their antebellum treatment of black americans - they cared about slavery's economic effects, they cared about slaveowners

testament from guilty gear i guess idk it was a twitter request omg

I owe you an apology Hokazono, I wasn't familiar with your game...

Kagurabachi's Popularity: Familiarity Through Structure

Having a degree in writing and media is so fun because I can write an essay on why Kagurabachi can be defined as well written through craft standards and attribute its popularity overseas to its structure, which is framed similarly to western movies.

And I am!

After this interview confirmed that Takeru Hokazono, author of Kagurabachi, is a huge fan of western films, I went back to this idea I was playing with in October when KB had less than ten chapters. I had been reading since day one, and I knew it was good, and other overseas fan knew it was good. But what made it so good to us, overseas?

I made a quick thread on it on my Twitter account (that I never posted) where I mentioned Blake Snyder's Save the Cat book on script writing and story structure. I also brought up characterization and how it would've been really popular in my comic book class from undergrad. This thread discussed both Chihiro and Sojo, and the quick yet steady pace of the manga has given us more characters and moments to pinpoint. To not overwhelm myself, I'm not going to discuss the craft of characterization (maybe another time), and I'm not going to do a beat sheet for Sojo. For now, I'll try to stay under the first arc to map out why Kagurabachi has so far moved like a high budget film in manga form. So, spoilers ahead!

A quick lesson on Save the Cat, its three main characteristics are: Three act structure Fifteen plot beats Mostly applied to American Hollywood films

One of the biggest things I noticed right away was the resemblance a lot of the chapters, even the story as a whole, had to Snyder's beat sheet. This beat sheet that comes from Snyder's book is somewhat of an industry standard, so a lot of movies, even those that preceded Snyder, go through this structure of Act 1, 2, and 3. Snyder just identified the parts and broke them down to fifteen beats. Plus he dubbed the save the cat moment:

A decisive moment in which a protagonist demonstrates they are worth rooting for. Having the protagonist save a cat can be literal or figurative.

This was something KB needed and did have to have us warm up to Chihiro who post time skip, just gave gloomy orphan energy in the previous chapters. Here, Char would be our cat. Chihiro chose to save Char and chose to protect her, and continued to fight for her until she was rescued. He made this choice even before it's revealed that Char's mother died for her, something that would parallel Chihiro. This is what got readers to see him three dimensionally after being introduced to him. He's still the caring little 14 year old we saw at the start, who continues to take care of the innocent despite the tragedy he's been through. It is only natural for us to care for him, too.

Above are the fifteen beats of Save the Cat and although KB on occasion doesn't hit all fifteen exactly as specified, especially final image as it's continuing, the song and dance is quite similar. Here are examples of The Dark Knight (2008) and Inglourious Basterds (2009), two movies that have inspired Hokazono's work.

Before Chihiro meets Char, we get his opening image of him and his dad forging which is works well as the entire story revolves on the consequences of them creating weapons. We get the set up to his world where he lives with his dad who made famous katanas that wield the power to end a war. The theme is stated, and it's not kept a secret: The katanas they make are weapons made to kill people. Are they willing to carry the burden? In another variation of this question, is Chihiro willing to carry the burdens unintentionally passed down by his father?

The catalyst is his father's murder that catapults him into seeking revenge and recover the katanas.

Now, for the rest of the story, this structure can be applied to the first 18 chapters or even 1-3 chapters at a time which in my opinion, is kind of insane. There's story telling inside the story telling, and these moments are both subtle and grand, signs of a strong and captivating writer. Hollywood would kill for a script like this these days. In order to get you to believe me how prominent these beats are, I'm going to do arc one and Daruma's story. The main story line should be around act one and two right now as of chapter 20, if we want to get down into it, but if anything, this feels like it's moving like a second "movie."

Overall, this structure that comes from Hollywood movies can be identified in multiples parts of Kagurbachi's storytelling. I was going to do beat sheet's for Char and Sojo's stories as well, but I think this is enough of an example of a bigger picture versus smaller. Although other mangas also fall into three act structures, as most story telling does, KB masterfully uses the 15 beats to its advantage. I believe the familiarity of this pace is what hooked oversea audiences, and aside from that, the characters that quickly capture us.

Very quickly, because I don't want to make this about characterization, Chihiro is well written through his past, who he chooses to kill and save, his dialogue that can be surprisingly vulnerable at times, and his cool façade that melts because of how hot he truly runs. He is also straight up a badass. We get handed Char's background in an "all is lost" segment as well as some lore that can present her as a resource for the main cast. We see Azami's phone background photo that's minimum 3+ years old- a government employee with a soft spot for his friends, one who he is still clearly grieving. We get one tiny yet so fucked up bit of Sojo when we see him get a flashback where he's a child and his single dialogue of "I truly love Kunishige Rokuhira," that launched his type of villainy in the maniacal fanboy category. Who does it like that? Nobody but Takeru Hokazono.

Thank you for reading this essay! I do have two other essays drafted, one on Sojo's possible return (I'm a delusional Sojo fan) and just his overall significance and impact as the first villain even if he doesn't return, and on Hiyuki plus servant leadership versus self service.

It's still so little!

But look at her!

Maki Maki Maki Maki Maki Maki Maki

I shot Udom Bedford to death immediately. Corporate will be annihilated.

Testament I commissioned from @iaminjail​ who you can commission here