Please read the whole thing.
Now I will argue that Batman’s motivations (protecting the innocent), level of preparedness, and the fact that he doesn’t kill people, put him miles above the current uniformed fascists charged with maintaining the status quo and protecting property. That being said I think this would be an innovative take on the Batman mythos, and have social commentary guaranteed to piss the wrong people (by which I mean the right people) right off. Personally I’d watch the shit out of that. 😉
unfortunately i do find this funny
Do you think Clark Kent's first few major articles were about the continued presence of lead pipes in parts of Metropolis' water system
Robin: Eddie, you have not had the full Steve experience until he makes the swan napkins for you
Lucas: or he just cooks for you in general
Nancy: orrrrrrrr when he starts driving really fast and there's like 8 people in the car + you and him and you have like 4 people making out, 1 is drinking, and the other is sitting on the edge of the window with their entire torso out the car. Bonus points if there's pop rock music in the background
Steve: Nancy-
Nancy: or when you're at his party and some drunk girl begins to strip on his table
Steve: Nance-
Nancy: OR whn you, Carol, Valkyrie, him, and Tommy are just chilling and you and Carol are talking and then all of a sudden him and Tommy are making out, fully sober then say "it's not gay if we have girlfriends"
Eddie: Steve, wtf
Steve: me and Tommy had a running gag where we would kiss and at the time it was funny because gay people but in reality we just wanted to kiss a guy
Dustin: I'm sorry excuse me?
Steve: the joke was that I was prettier than Carol and Tommy wanted to fuck me
Rhaegar married Elia Martell for her distant Targaryen ancestry to fulfil the Prince That Was Promised prophecy. This only happened because Steffon Baratheon was unable to procure a bride from Volantis from a noble line descending from Old Valyria - all with the silver hair and purple eyes. But then Rhaegar got obsessed with another prophecy and thought he had to have three children because "the dragon must have three heads".
When it was medically unviable for her to bear more children after two, he got obsessed with the "song of ice and fire" part of the prophecy and pursued Lyanna, a teenage Stark girl, to fulfil it with another child probably because of misinterpreting the failed Pact of Ice and Fire during the Dance of Dragons. I'm gonna bet he even convinced himself that the Starks had Targaryen blood because of it with all those rumours about dragon eggs being left under Winterfell. Lyanna died in childbirth because she was too young and physically unfit to bear a child just yet.
For all the romanticisation that certain parts of the fandom engage in, if his sister Dany was born sooner rather than after his death, Rhaegar would've ditched both women for her to make more prophecy children happen, which is why Jaehaerys II married his sister Shaera and had their children Aerys II and Rhaella marry each other. All in the name of prophecy.
Ultimately, Rhaegar stealing Lyanna and Aerys II's murders of her father and brother and key members of other Houses became the undoing of House Targaryen by triggering Robert's Rebellion. It turned out that Dany herself was that prophecy child and that prophecy might not even mean anything good because she is the Fire Threat personified with her dragons. And Rhaegar's little failed attempt at prophecy children will oppose Dany at the end for a variety of reasons. Thereby creating another kind of Dance of Dragons to wipe out dragons again and throw out the Targaryen dynasty again but also end it for good.
Targaryens didn't have to be like Maegor the Cruel, Aegon the Unworthy or Aerys The Mad King to be "mad". Targaryen "Madness" includes its obsession with greatness and willing to gamble a number of lives to make it happen.
It's the same reason Aegon V's actions to hatch dragons resulted in the Tragedy of Summerhall almost wiping out his family. The same reason Dany walked into that funeral pyre truly believing she would hatch her dragons when it has backfired a number of times within her family and she just lucked out. Aerion Brightflame believed he could survive drinking wildfire because "fire cannot kill a dragon" and Dany has the same mindset, even if she is a very different person.
Everyone: The covenant is a founding part of society. Vampires and witches can never be together. It would make them too powerful and the humans would notice, it puts all of us at risk. Only a fool would try.
Diana, a thirsty historian witch (read: the fool), 2.5 seconds after realizing the hot vampire with the profile of a Greek god was probably present for at least one (1) fall of Carthage:
Eddie is used to getting recognized in public, but it doesn’t mean he likes it.
And Gareth knows how much he doesn’t like it, so Eddie’s not really sure why his best friend has completely abandoned him like this. Well, maybe abandon is a little dramatic. He said he’d be right back, but that was half an hour ago, and there’s only so many times he can circle the park and dive into bushes anytime someone gets too close. Which is why Eddie left the park altogether and is now sitting at a bus station. No one would expect notorious Corroded Coffin frontman Eddie Munson to be at a bus station, right?
Except he’s not sure the hat and sunglasses and incongruous location are quite doing their job. A group of kids across the road have stopped and they’re all whispering amongst themselves as they look at him. Eddie really wishes he had something to conceal himself with, but his hand over his face would definitely look way too suspicious. He’s thinking he might just have to cut and run and take his chances back in the park bushes.
That is, until the most beautiful man he’s ever seen in his life sits in the seat next to him, unfurling a giant map that easily shields both of them. Eddie’s fucking savior.
“Hey, you wouldn’t happen to know how to get to Japantown, would you?” the guy asks.
As it happens, Eddie does know how to get to Japantown. He hasn’t actually ridden the bus in years, but he still remembers the route. “Yeah,” he says, pointing it out on the map. “You just get on line five headed east and ride it like nine or ten stops until you get to McAllister and Fillmore. From there you just have to walk a few blocks to get into the area.”
The guy looks at him with big eyes, brown and a little droopy. “McAllister and Fillmore,” he repeats, like he’s trying to memorize it. He has pretty pink lips, glistening a little like he’s wearing lipgloss.
Fuck, he’s adorable. And looks a bit prone to getting lost. And Eddie’s still kind of mad at Gareth for leaving him high and dry out here. So as the bus pulls up to the stop, Eddie figures what the hell?
“I’m actually headed that way,” Eddie says, standing. “I can show you.”
The guy’s whole face brightens and fuck, he really is gorgeous. “You don’t mind?”
“Not at all, big boy.”
The bus is blessedly empty other than one shriveled up lady sitting towards the front with her groceries and a teenager in the middle with giant headphones and their nose in a book. Eddie heads to the back with the guy, who now has a faint blush dusting his nose and cheeks.
“I’m Steve, by the way,” he says as he sits in the seat next to Eddie. “What’s your name?”
So that confirms that Steve doesn’t know who he is. It didn’t seem like he did from how he was reacting, but it’s a bit of relief to know for sure. “Eddie,” he says, bumping his shoulder into Steve’s. “Nice to meet you.”
Steve gives him a smile that’s about as radiant as the sun as he nudges Eddie’s shoulder back. “You too.”
“So what do you have going on in Japantown?” Eddie asks.
“I’m headed to a baby shower for some friends who live near there,” he says, “Well, it’s not a real baby shower.”
“No?”
“‘Cause it’s not a real baby. That is, it’s not a human baby.”
Eddie lifts his eyebrows. “I think you lost me.”
Steve twists in his seat and starts gesturing with his hands. “Well, it all started when they found out that one of their cats wasn’t actually spayed and had gotten knocked up by a stray,” he says, “And Robin was like, ‘Hey, more cats, that’s a good thing,’ and Nancy was like, ‘No, our neighbors already think we’re crazy cat ladies.’”
“Uh huh.”
“So they compromised and decided they would keep one kitten and give the rest away,” Steve says, “So it’s less of a come give us presents for our baby shower and more of a please take our babies away shower. You know?”
“Oh yeah, one of those,” Eddie says, and Steve laughs.
“Hey, are you in the market for a kitten?” he asks. “Cause if you are, I totally know where you can get one.”
It’s Eddie’s turn to laugh. “Honestly?” he says, “I’ve got nothing else going on. Why the hell not?”
Steve gives him another one of those radiant smiles and Eddie can’t help but hope he gets more than a kitten by the end of this.
just because alicent isn't complex in your understanding of her doesn't mean she isn't complex. all the claims i see of missing her one note, evil stepmother characterization from fire & blood are so fascinating to me, especially when the showrunners, actors, writers and directors have been so clear about the choices they've made for her in order to better expand her depth and worldview. despite that, we still have people claiming that the lack of portrayal of alicent as a clear cut villain is one that removes her "agency". do you really mean agency, or just your ability to simply hate her as a knee jerk reaction to your own bias and favorite characters in the narrative?
i really do find it so interesting when people claim they can only understand a female character's layers if she makes choices with clear intentions: purely villainous or purely good choices which then conveniently force her into one of the archetype boxes of madonna, mother, whore, bitch, etc, which are not particularly "complex" and in fact a very outdated form of storytelling most female characters suffer from. its the same shallow interpretation of a complex narrative that causes people to reduce a deeply tragic civil war between a family that results in the end of the dragons, mass death and war crimes on both sides into a narrative as simple and boring as "team green" or "team black" - rather than a commentary on the flaws of monarchy, patriarchy, etc.
just because a female character isn't making the clean cut narrative choices you want her to make to support your personal interpretations of "good" and "bad", does not mean she has had her agency or personality surrendered - but rather that you can only understand and process her as a caricature that fits into the judgements you already made about her.
adult life is crazy because you can be going through the most devastating and heartbreaking things while still having to go to work and do the laundry and grocery shopping