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OR potentially violent deviants. Because humanity is a social species and we have a strong sense of normal/natural. So if behavior is not normal then its unpredictable thus dangerous.

It's TOH theory time!

(Probable spoilers for 2x8)

So, ep 8 had King's "what kind of demon am I?" part. And Hooty established that he is some unknown type or a completely unique one.

Aaaaaand I just had an insight on what exactly he might be.

I present you all with

King is a bird demon theory!

So, what evidence do we have?

1. His supposed family member has bird wings

2. His powers are based on screaming which may be seen as bird trait

3. Hunter/GG called him a bird, in that one scene

We all thought it funny and gg being a troll or a bit confused. But what if he was right and knew. He is supposed to be a nerd that studied a lot, and I mean like a lot.

4. Bird theme is the owl house residents main theme. And King is a Clawthorne now. So.

Aaaand that's it for now

Edit: there is some more in the notes now

Tumblr having a normal one about Luke Black

YES

I didn't even notice until op said it!

When I was watching that one scene in Avengers it felt so gross, I was immediately disgusted and had such a strong urge to turn it off and forgetforgetforget and pretend I didn't see anything. I guess it worked cause op made me remember it, but if I was asked out of nowhere what the worst show off feminism have you ever seen in cinema I wouldn't be able to tell. The Trauma. Ugh.

Anyway, again, I didn't really see that as something exceptional. It felt so normal and natural to me.

Usually I do pick up on BAD performance and all this bullshit female characters just for check. They don't have a story. They feel empty and unnecessary. The only quality that is important for the story with them is their sex/gender. Or there is nothing important for the story at all.

The point is the Mandalorian did a great job. Its female characters never felt bad like that. That fight included. The performance was good as expected. Therefore it never clicked as something special in modern social media. WHILE IT CERTAINLY IS. It is special!

Because right off the bat I can only remember Hannibal was such quality female writing where the were just right. Tbc it also depends on shows writing and perfomance level in general, so there are some more, but imho they are written less great in general.

And the amount of good female writing is truly saddening yet the good news are it grows! With time there is and will be even more great stuff!!

Non-performative inclusion and “The Mandalorian”

This post contains minor spoilers. Proceed with caution.

In the season two finale of “The Mandalorian” there is a scene near the beginning of the episode in which a strike team (minus Mando himself) storms onto an Imperial ship, blasts stormtroopers, etc. It’s an extended action sequence. Two of the characters are helmeted.

I was well into the scene before it hit me that all four of the characters on this strike team were women.

The fact that there was this all-female action team wasn’t new. I’ve seen that before. What was new about it was that this was the first time I’d seen a team of women that didn’t feel performative.

Remember that scene in “Avengers: Endgame”, the “she’s not alone” scene where All The Lady Characters Assembled, and you could tell the filmmakers were getting some kind of weird boner of “looooook at how many Strong Female Characters we have, let’s put them all together and have them be Strong Female Characters at the same time” and it felt super gross? That was performative.

I’ve heard and used that term before but I’m not sure I really grokked what it meant until I saw what its absence looked like, in “The Mandalorian.” 

It didn’t feel performative because each of those characters had been part of the narrative in their own time over the previous two seasons, with their own agencies and backstories. They were characters in the story as it needed to be told, they weren’t Strong Female Characters introduced for the purpose of being that (in a sexy way, of course). There was never a sense of ticking off the “kickass lady character” boxes. When Cara Dune is introduced, or Fennec Shand, or Bo-Katan, there was never that subtext of “Okay here is our Lady Character, isn’t she such a great Lady Character, look look we’re Doing the Thing you want us to do with having Womens in our Boy Stuff.”

No. It was, here’s a Rebel soldier. Here’s an assassin. Here’s a Mandalorian exile.  Here’s a Jedi. Here’s a magistrate. They have functions to perform and stories to tell in this narrative. Those functions and stories happen while these characters are women, not because they are women.

And it’s so, so subtle, the difference. It’s hard to put your finger on how it’s usually done wrong until you see it done right. It’s not just the writing although that’s a big part of it. It’s in how they were filmed, framed, shot, costumed, and lit. It’s in how they were directed, how the camera treated them - i.e. no differently than the male characters. None of these women were sexified, either. Not that they weren’t being portrayed by attractive women, but that wasn’t remotely played up or displayed in how they were styled, costumed, and made up.

Unfortunately now that we’ve all seen how non-performative inclusion of women into a narrative can be done right, everything else is going to seem that much more insufferable.

had to be there i guess

rats are friends, not food. i’m looking at you, corvo

(It's Alfred)

reverse harem, but the mc is a cute old lady who loves spoiling the very young and very hot boys to death because she’s never had grandchildren. The guys are all fighting over her because it’s the most genuine love and validation they’ve ever received in their lives and they also lowkey want to be adopted by her.

We have two unwritten rules here:

1.

2.

i just feel like “what if the trauma we go through is usually not noble but purposeless and terrible and the things we develop to keep us alive often change us for the worse” is one of the most important realizations you can come to in terms of like. empathizing with your fellow man and yet whenever that theme shows up in fiction so many people are immediately like its either PERFECT VICTIM OR IRREDEEMABLY EVIL. open the door and walk out of the dichotomy