i went on a deep dive of the Steve & Hopper ao3 tag yesterday and and it got me thinking about what would happen if Chief of Police Hopper ran into Steve and Eddie while he was on patrol after pseudo-adopting Steve, and it’s been long enough that Hopper is sort of a safe-person for Steve so Steve goes into full-fledged bitch mode when Hopper tries to pull cop stuff on them, and Eddie (who knew about none of this because Steve is a chronic under-sharer) is so totally baffled.
He’d spent years watching Steve sweet-talk his way out of trouble. Even before they started hooking up it used to drive Eddie goddamn insane, because if (when) Eddie pulled any of this shit Steve gets away with, he’d be totally screwed, but all Steve has to do is flash a sheepish grin and run a hand through his hair once or twice and say, all baleful, “I really didn’t mean any trouble,” and he’s home free.
It has its perks though, or so he's learned during his last few months of hanging around with Steve, so when Steve and Eddie’s make-out session is interrupted by the tell-tale red and blue lights of a cop car pulling up behind where Steve parked the Beemer a few hundred yards down a maintenance road, Eddie’s not all that worried. In fact, he’s got a pretty good amount of faith in Steve’s ability to spin up some story to keep them out of any real trouble, and as Chief Hopper ambles over to them, Eddie prepares himself for a whole show of, “Yes Chief, sorry Chief, it won’t happen again Chief.”
So imagine Eddie's complete and utter surprise when Hopper barks, “Hey, morons! What the hell do you think you’re doing?” and Steve only rolls his eyes and says, “What’s it to you?”
Eddie feels his jaw drop.
“Steve,” he mutters through gritted teeth. He tries to elbow Steve into shutting the hell up, but he misses because Steve has already taken several steps forward to meet Hopper, his face turned up in a kind of defiance Eddie doesn’t think he’s ever seen on him before.
“What’s it to me?” Hopper repeats, glowering at Steve, “It’s midnight. I’m on patrol. You’ve got one of the most recognizable cars in this entire damn town parked in a restricted-access zone with this idiot–” Hopper gestures at Eddie (Eddie didn’t think the pointing or the idiot were necessary, but clearly, clearly, he’s missing something here), “–who’s been dragged into my station more times than I could count.”
“The town line, Hop, is over there,” Steve says, pointing at an indiscriminate spot over Hop’s shoulder that may or may not be part of the Hawkins town line, “We’re not even in Hawkins anymore. You’re totally out of your jurisdiction.”
“You wanna know something about jurisdiction, smart-ass?” Hopper asks, “If my report says shit happened in my jurisdiction, it happened in my jurisdiction.”
“Wow,” Steve deadpans, “Way to not sound totally corrupt. Nice work, Chief.”
Hopper’s jaw twitches for a second, and he’s clearly debating if he wants to keep arguing with Steve who, to Steve’s credit, looks like he’s got debate in him for days. Ultimately though, Hopper decides against it and stalks back over to his squad car.
“If you’re not home by one there’s gonna be hell to pay. You hear me, Harrington?” Hopper yells, “One AM. Hell to pay.”
“Oh, sure,” Steve rolls his eyes, “Totally hear you. One AM. Loud and clear or whatever.”
Steve flips the cruiser both birds as it peels away, which Hopper only flashes his high beams at a couple times before he’s gone, kicking up a bunch of dirt and mulch and leaves in his wake, and Steve is wearing an exasperated expression as he turns to face Eddie again.
“God, he’s so annoying. Let’s just go to my house.”
Eddie gapes at him.
“What the fuck was that?”
“Huh?”
“What the fuck was that?” Eddie repeated, gesturing wildly towards where Hopper’s car had just been.
“Wha– you mean with Hop?”
“Uh, yeah?!?”
Steve just brushed him off, “Whatever, just ignore him. He’s basically my dad.”
“What?”
just a few random similarities between them
they're the ‘cool guy’
and babygirl
but they’re massive dorks
they're also really bitchy
they fight monsters with their weapon of choice
but they're not scared to use improvised weapons
they're the driver and take care of their car
they're smarter than people around them give them credit for
Bi Panic caught in 4K
they both have a best friend who's a nerdy lesbian badass
they have single mother energy
they're a little too eager to sacrifice themselves
and they have a scruffy lookin’ man that’s in love with them
✨ aimz' 4.5k celebration ✨
@softasawhisper requested 📸 + Steve Harrington & My Favourite Outfit Per Season
ROBIN BUCKLEY in STRANGER THINGS 3.02 | Chapter Two: The Mall Rats
I wanna be babied!!!!!!! I need to not think about anything for awhile!!!!!!!!!!
One of the reasons why I love Steddie is how sweet Eddie was with Steve in the forest scene. That’s what got me into this ship. It was nice to see someone being patient and kind to Steve like that and it coming from someone like Eddie who viewed Steve so differently means a lot.
I loved how he told him how much Dustin looks up to him, making Steve smile and even after that wanting to joke around a little to make Steve laugh as well.
It was such a nice change, because all the other scenes we just see him bickering with someone or people making him seem stupid when he asks questions. Eddie didn’t make fun of him for not knowing Ozzy like he probably would have prior to things and instead let it be and called Steve cool. I love them.
Supernatural and Tracker parallels (or Jensen never letting go of Dean and SPN)
Eddie: Come on, I'm one of the most responsible people you know.
Steve: I agree. Usually, when something happens, you're the one responsible.
Eddie and Steve had a will they/wont they going on for years while Eddie did the whole famous rockstar thing. And now he’s on a break. Two platinum records with Corroded Coffin behind him, Eddie can finally concentrate on Steve. And the miracle is that Steve never resented Eddie for focusing on his career. That wasn’t a problem for him. He waited (sometimes patiently and sometimes not) until it was his turn, and when they got together, it was just as incredible as both had expected it would be.
So you can’t blame Eddie for writing his first solo album all about Steve. He’s done hiding in the closet for his career, so it’s he/him pronouns and filthy imagery. Shockingly it sells like you wouldn’t believe. In fact, he’s getting picked up in markets he never reached before. And when he gets the numbers for radio stations, he’s killing it on stations totally unfamiliar to him. But he’s still completely wrapped up in Steve so he’s not paying a lot of attention and he lets his manager take care of everything.
The mystery is revealed the day they get a package from Wayne. It contains clippings from newspapers and magazines, and a note that just says, “Something you want to tell me, boy?” All the headlines are some variation of “Former Satanist Eddie Munson Releases Worship Album quietly signaling his conversion to Christianity”
Eddie is furious and Steve has to watch him throw a tantrum yelling and screaming. When he eventually calms down Steve reminds Eddie that doing zero press and releasing songs like, “On My Knees in Worship” and “He is my Sunrise and my Salvation” might in fact be a little misleading.
They spend the rest of the night giggling about all the good Christians listening to songs about their sex life.
CJ | he/they | 26 | bi, queer | multifandom chaotic mess | 18+looking for friends to yap with about canon
289 posts