Content Creators: Please, Please Create IDs For Your Content. Obviously Many Of Us Are Willing To Create

Also how can Arthur Conan Doyle write a character like Irene Adler 1891 and have her 1. Outsmart Sherlock Holmes and get away with it and 2. Be in no way a damsel or love interest to Sherlock.. But every modern retelling not only has her be a sexual /love interest character but she is posed as being very very smart… But never smart enough to just outwit him, get away with it and move on? Women can be smart, sure, but no one is allowed to be smarter than Sherlock.

It’s been over 120 years and Irene is, at her best, never as decently treated as the original.

reading romance as an aroace

*opens book*

"Let's get to the good stuff"

*flips past first meeting, kissing, smut*

*gets to a mature, understanding conversation between the couple in which they each apologize, explain their experience, work out the problem between them, and formulate a specific plan to make sure things will be better in the future*

"Now THIS is what I'm here for!" *happy stimming*

female characters not conforming to gender roles is great, but if they have to sneer at women who do fit into those roles in order to do it, it’s just misogynist.

i notice this in fantasy media and it’s fandoms quite a bit that what a ‘strong woman character’ means is often a woman who rejects things historically associated (in western culture) with women. she doesn’t like clothes or pretty things, she doesn’t want to fall in love, she doesn’t care for how she looks, she doesn’t like or want children, she rejects the domestic sphere entirely, etc.

and, of course, any woman should be allowed to do that, those are all valid things and she shouldn’t be constrained to any role, - but when we write these characters such that what makes them strong and valuable is that the people around them (and they themselves) consider them unlike the other women - all we do is reinforce that what those other women are is weak and without value.

so, of course, let’s write our swashbuckling, cursing, warrior women at home among soldiers ... but let us also write housewives and mothers and ladies in bejeweled gowns whom we respect as characters.

empowering a single kind of woman while putting down all the rest is of use to no one!

Every so often I think that I really need to get back to writing because I really enjoyed writing and, very excitingly, other people seemed to enjoy my writing too

Anyway, post-canon/resurrected/reborn/survival AU/Halls of Mandos Fëanor is much more interesting to write because that's the cooldown time, that's the time for character development, for consequences, for despair, for moving onwards. Some people are so caught up in their own burning sense of single-minded purpose that they need to burn out before they can even begin to change.

Who takes Middle-Earth-born Celebrian under their wing and make her feel at home in Valinor, and why is it Finrod?

90% of arguments about media could just be solved by saying “different people like different things in their stories” and leaving it at that

Fic idea:

There is a hall of waiting for men in Mandos too, right? For them to wait for their loved ones before they go on together? (If I made that up it’s just the fic premise now, but isn’t this where Beren was chilling when Luthien came for him?)

Anyways Elros figures out while he’s waiting for his kids that he can use his Descendant of Luthien powers to pop over to the Elvish side and meet all the dead elvish relatives he wouldn’t get a chance to know until the breaking of the world otherwise.

He realizes most of them are either gonna be there forever cause they demonstrably Can’t Get Over Their Shit, or Valinor will end up a burning pile of rubble as they are released and forced to face their shit whilst alive.

This is a problem because Elros knows his brother craves family, and while they both accept he and his twin cannot be together forever in life or death, he expects these layabout relatives to get off their dead asses and start making up with each other, so when his brother ends up in Valinor, whenever that may be, he has a loving supportive family that isn’t dragging him in a hundred different directions.

Cue dead Elros playing life (death?) coach to a bunch of dead elves. Some of them are conscious enough it’s like having a normal conversation. Some of them are in soothing or disturbing dreamscapes, with various degrees of awareness of where they are, what they’ve done, and what has happened since they died.

Helpful sidekicks include:

- Soon to be released Glorfindel!

- Finwe, cause he’s sick of his family being idiots and sad his BFF Elwe isn’t talking to him.

- Elros’s extremely argumentative wife, who’s a little confused, but she got the spirit.

- Namo very deliberately Not Helping, because they are Breaking Rules, but who keeps giving them hints like “It would be a shame if you dragged this person’s soul by it’s metaphorical ear to talk to that person’s soul, which of course is interfering which is Bad, I hear.”

- A maia representative sent by Nienna (who thinks this is brilliant). It’s a Maia who really loves elves, and is really interested in how to get them to stop self sabotaging with their own stupidity, and yeah. It’s Gandalf.

Pervading questions:

What happened to Dior and the first set of Peredhel twins?

Where are the Feanorians? Did they really get sent to the void?

Why would anyone want to live forever dealing with this nonsense, is Elrond a martyr or just an idiot. It’s just Finwean family drama? forever?!?!Elros is very confident he made the right choice.

I’ll definitely write this outside my head >>

but if i don’t hyperfixate i’ll get depressed and die

do earthquakes exist in middle earth. do they have tectonic plates