Fic idea:
There is a hall of waiting for men in Mandos too, right? For them to wait for their loved ones before they go on together? (If I made that up it’s just the fic premise now, but isn’t this where Beren was chilling when Luthien came for him?)
Anyways Elros figures out while he’s waiting for his kids that he can use his Descendant of Luthien powers to pop over to the Elvish side and meet all the dead elvish relatives he wouldn’t get a chance to know until the breaking of the world otherwise.
He realizes most of them are either gonna be there forever cause they demonstrably Can’t Get Over Their Shit, or Valinor will end up a burning pile of rubble as they are released and forced to face their shit whilst alive.
This is a problem because Elros knows his brother craves family, and while they both accept he and his twin cannot be together forever in life or death, he expects these layabout relatives to get off their dead asses and start making up with each other, so when his brother ends up in Valinor, whenever that may be, he has a loving supportive family that isn’t dragging him in a hundred different directions.
Cue dead Elros playing life (death?) coach to a bunch of dead elves. Some of them are conscious enough it’s like having a normal conversation. Some of them are in soothing or disturbing dreamscapes, with various degrees of awareness of where they are, what they’ve done, and what has happened since they died.
Helpful sidekicks include:
- Soon to be released Glorfindel!
- Finwe, cause he’s sick of his family being idiots and sad his BFF Elwe isn’t talking to him.
- Elros’s extremely argumentative wife, who’s a little confused, but she got the spirit.
- Namo very deliberately Not Helping, because they are Breaking Rules, but who keeps giving them hints like “It would be a shame if you dragged this person’s soul by it’s metaphorical ear to talk to that person’s soul, which of course is interfering which is Bad, I hear.”
- A maia representative sent by Nienna (who thinks this is brilliant). It’s a Maia who really loves elves, and is really interested in how to get them to stop self sabotaging with their own stupidity, and yeah. It’s Gandalf.
Pervading questions:
What happened to Dior and the first set of Peredhel twins?
Where are the Feanorians? Did they really get sent to the void?
Why would anyone want to live forever dealing with this nonsense, is Elrond a martyr or just an idiot. It’s just Finwean family drama? forever?!?!Elros is very confident he made the right choice.
I’ll definitely write this outside my head >>
Oh- and let’s not forget the minus sign, that thing on your keyboard that can be misused as any one of the above!
It took me a long time to understand the differences.
The minus sign (-)
The hyphen (-)
The en dash (–)
The em dash (—)
Visually, not much in it, is there?
The minus sign is a mathematical symbol. That’s it. Don’t misuse it for anything else.
The hyphen is used to join two elements to form a compound word, like self-restraint. Numbers between twenty-one and ninety-nine should also be hyphenated when they’re spelled out. Sherlock Holmes-Watson or John Watson-Holmes (interesting to know which one wins in the battle). You should also use a hyphen in a compound modifier before a noun, as in The Crossed Keys Inn was a dog-friendly pub.
The shorter en dash is used when describing ranges and with the meaning “to” in phrases like “Dover–Calais crossing.” It applies to ranges of numbers, such as times, page numbers, or scores (I’ll schedule you from 4:30–5:00). That said, outside of formally printed documents, it is increasingly being replaced with a hyphen, so if you miss this one, Sherlock won’t hang you for it.
The longer em dash (—) is about as wide as the letter M (duh, now I get why it’s called this). It’s used to separate extra information or mark a break in a sentence. An em dash is most often used to indicate a pause in a sentence. It’s stronger than a comma, but weaker than a period or semicolon.
You can use a pair of em dashes to draw special attention to parenthetical information, as in
Sherlock—who was wearing the same purple shirt of sex—entered the room carrying his violin..
You can use a single em dash to add explanatory or amplifying information, especially when the information is surprising:
I opened the door and there she stood—Eurus, my long lost sister.
Em dashes can also signal a sudden interruption, particularly in dialogue:
“Wait! I forgot to tell you—” The door slammed shut between us and I missed whatever John was trying to say.
Interestingly, there is no firm rule about spaces around the em dash (either word—word or word — word). It’s a matter of style. Whichever style you choose, use it consistently throughout your document.
The em dash is a relatively artistic punctuation mark, compared to the more technical hyphen and en dash, both of which need to be used accurately in legal contracts, for example.
It is told that Curufinwë son of Curufinwë crafted for his brother a magnificent limb of metal to replace that which Fingon their cousin had rent in order to save him. Yet no lesser was the second of his cunning prosthetics: a palantír, small enough to be held between two fingers, a Stone to See by which Maedhros took and used for his own. For while one of his once-sharp eyes, now filmed milky white, lay still whole in its socket, its match had been destroyed and its place was sunken and empty.
Thus so did Curufinwë build his lord anew.
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Hiya ! For the art thing (if I'm not too late !) how about Sokka in 6 and 8? ^_^
not gona lie, this pained me a tiny bit to clour it because these colour are compleatly out of my comfort zone. liek so bright so nearly neon? but it was fun! look at this sleep cozy boy!
uhm... i had only 4 slots open so i am sorry for the one i couldn't do. maybe an other time! --- art - blog: @chiptrillino-art
[ID: Sokka from Avatar the Last Airbender, drawn from the chest up, curled up in a blanket. he is facing the viewer smiling with his eyes closed seeming sleepy. his arms are fisting the edge of a blanket he is wearing like a hood, resting on a table. on the left side on the border of the image above is a text saying "please don't repost" on the right side is a small yellow emoticon showing an expression and 6 circles filled with shades of yellow, orange and purple that are the reference for the drawing challenge. on the left side border of the image centre is the artist's signature "chiptrillino . 2022" End ID.]
new headcanon unlocked: Melkor killing by accident one of estë’s rabbits, trying to bring it back to life and accidentally creating a platypus
It's when Elrond shouted profanities in Quenya that Aragorn and the twins knew they were in deep shit.
—The Book of Very Lost Tales, pt. III
Ok but autistic Tolkien elves.
Elves who get so easily overwhelmed by all they can hear and see and sense. The Lord Elrond teaches them how to focus themselves on the waterfall of Imladris, and a small number of them go to its base every morning and close their eyes and focus in on just the rushing water. The Lady Galadriel teaches another approach–to climb the tallest tree in the Golden woods and sit in its high branches and watch wordless Arien or Tilion glide through Varda’s silent realm.
Autistic elves who stim with tree bark, tracing its intricacies and seeing how deep they can sense the textures. Elves stimming in the rivers and teaching the allistic elves how best to move with the water, and Ulmo blessing their dancing because while the allistic may have a connection to the waters, the autistic elves in their hypersensitivity discover new ways of moving that mimic the musics Ulmo still remembers in the Creation of the World.
Autistic elves finding a special kind of kinship with autistic humans and even dwarves, and wanting to help teach them how to be good and kind to themselves. Autistic elves whose special interests are language or autism itself writing tomes in human languages for doctors on what they’ve found makes them happiest and healthiest throughout the ages.
Autistic elves with special interests in orc and goblin culture helping travelers learn how to spot the signs that they could be walking into a dangerous area and using their knowledge to help keep travelers safe.
Autistic elves being a deeply positive part of elven society.
~ This was Beleg’s knife. It was more beautiful than any knife he had seen before, the blade covered with intricate designs of leaves and stars and the crossings of rivers and trees.
‘This looks like love,’ his father would have said. He said that about beautiful things wrought with care: knives and swords, baskets, shawls, quilts, jackets. His broken harp. Túrin still didn’t know what it meant. Not entirely. ~
***
Túrin woke to find himself alone. Beleg’s bed was made up, so were the others'. He got up and washed. He was close enough to Menegroth that there was no real danger if he did not run off alone. He drank sweet water and ate lingonberries and cheese and bread.
Beleg had not woken him early, so he would not study to hunt that day. Beleg had let him rest. Perhaps Beleg had gone to hunt without him. Túrin stepped out onto the small porch of the cabin in his nightshirt.
There Beleg sat, making arrows.
‘You’re awake,’ he said. Túrin nodded. He sat cross legged beside Beleg and stared at the sun. It was midday.
‘I slept a long time.’
‘You were tired.’
Túrin nodded again. He bounced his fingers on the bruises on his knees. He liked how his fingers felt as they bounced off his skin. Beleg did not ask him why he did it or call him strange. Túrin swept his hands up and down, turning his hands in the air, so that his fingers came down first facing his knees and then turned from them, again and again.
‘Do I go back to Menegroth today?’ he asked. He reached for mint leaves from the ground and pressed three into his mouth.
‘No,’ Beleg said. Túrin turned his face up to the sun.
‘When then?’
‘In two days.’
‘And then you will go far afield?’ Túrin said. ‘For all the winter?’ He let his hands fly again, bouncing off his knees. He chewed the mint leaves and swallowed their taste.
‘Not for all the winter, I don’t think,’ Beleg answered. ‘I would miss you.’
Túrin stopped bouncing his hands to pick mint leaves for Beleg. He handed them to him. Beleg took them and nodded his thanks. He ate them and kept making arrows.
‘Do you want to speak of which you dreamt?’ Beleg asked.
‘No,’ Túrin said. He waved his hand, letting it spin at his wrist. ‘I think everyone was dead. I was dead.’
Beleg patted Túrin’s knee gently. Túrin brushed the spot when Beleg had pulled his hair back. He didn’t like the lingering touch that seemed to tingle on his skin, even from those he loved. He tried to do it when Beleg wasn’t looking. He had brushed off his father’s touches and kisses. Sometimes he let his mother’s stay, but it agitated him to have a part of his skin even a little wet or a bit different from the rest. He didn’t know why being touched left an impression of the touch on his skin, but it did. He had asked Beleg if he could feel a touch after it was gone. Beleg had said yes, but he hadn’t been bothered by it.
Túrin looked at the yard. It was green and damp. Mud was spreading though. It must have rained a little when he slept. It was quiet, and it smelt like cold rain. Soon the leaves would change colour.
‘Are we alone?’ Túrin asked.
‘Yes,’ Beleg said. ‘The others left last night. They are needed farther North.’
‘Where you will go.’
‘Yes, where I will go.’
Túrin shoved his bare feet down onto the ground. It was soft enough that they sunk a bit into it. It was cold. The grass tickled his skin. Túrin stood and took a large step into the yard. His foot sunk down again, the ground giving a bit beneath him. He walked the yard around like that, in long strides, watching his feet leave impressions in the wet earth, feeling the cold of it.
He liked that the grass was green and not brown. He liked that the ground was wet and not frozen. He ran back to the porch and stood on it with his muddy feet.
‘Wash up,’ Beleg said. ‘You can’t go inside like that.’
‘I know.’ Túrin stood on his tiptoes to touch the very top of the porch where the two slanted roofs met each other.
Beleg patted his leg. ‘Wash. Then put some clothes on. Thingol and Melian will not be pleased if I bring you home ill.’
Túrin wrinkled his nose but threw some cold water from the rain barrel onto his feet and wiped them clean with a rag. He went back inside and came out dressed and with shoes on.
‘Don’t you look darling,’ Beleg said. Túrin had put this underneath ‘strange things that Elves say to each other and sometimes to you but that don’t need a response’ so he tramped off without a response to pee.
He came back to Beleg after and stared at his muddy footprints on the porch where he had been sitting. Beleg gave him a pointed look. Túrin wiped them up with the same rag and hung it over the side of the rain barrel to dry. He sat down again and took the knife that Beleg gave him.
This was Beleg’s knife. It was more beautiful than any knife he had seen before, the blade covered with intricate designs of leaves and stars and the crossings of rivers and trees.
‘This looks like love,’ his father would have said. He said that about beautiful things wrought with care: knives and swords, baskets, shawls, quilts, jackets. His broken harp. Túrin still didn’t know what it meant. Not entirely.
‘This looks like love,’ he said, for maybe Beleg knew the answer.
Beleg studied him. Beleg’s face was ancient but barely lined. It was his eyes that made it ancient. They were like the night sky and all the stars in it – maybe just as old, or maybe younger, but not enough that it would it matter to Túrin when he thought of the ages of the world.
‘Yes,’ Beleg said. ‘Care is love.’
Túrin said no more.
Thingol had the Silmaril the whole time he fostered Turin, right? Like, it was probably sitting down in his vaults somewhere and maybe sometimes he or Mablung would go have a peep to make sure it was still there.
But like. Turin. Smol baby. Bad luck charm. Walking doom magnet. Imagine if he’d gotten his hands on the shiny shiny jewel. How much chaos he could have started. The Tale of Turin Turambar and the Seven Sons of Feanor.
i know there are the 5 love languages but what about hate languages
she/her, cluttering is my fluency disorder and the state of my living space, God gave me Pathological Demand Avoidance because They knew I'd be too powerful without it, of the opinion that "y'all" should be accepted in formal speech, 18+ [ID: profile pic is a small brown snail climbing up a bright green shallot, surrounded by other shallot stalks. End ID.]
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