Tiny Hug

dictionary

Czeslaw Milosz, New and Collected Poems: 1931-2001

My relationship with content creation and hobbies, in general, got a lot better when I started learning to reframe it as a simple act of human creation, and not a metric of my own self worth.

We’re taught competition, and perfectionism, and shame. If I say “I cook” I must add “(but not well)”. If I say “I run” I must say “(but I am not good at it).” I say “I code (but I mostly know frontend).” I create and express and my first impulse is to guard against embarrassment. Lest I fall so short of marketable competence. Lest I subject myself to the mockery of being caught creating poorly. I wound myself first so others may not.

Even the advice that fights against this says “your only goal should be to be better than yourself yesterday.” But why must I be in competition with her? What happens, after the initial rapid climb in skill, when I plateau? What of injury, and atrophy, and depression, that flake these skills away? Must I return feeling compelled to over-achieve? To wallow in embarrassment until I can surpass my own previous record? To hate my work until the reception, the notes, the engagement outperform an ever rising bar? I do not want to be paralyzed by the mountains I built behind me. Why should I look behind myself when there’s a wide swath of untilled Earth that stretches far out of sight ahead of me? I want to enjoy my work, and my mediocrity, moving forward with all its ebbs and flows.

At my worst, I was nothing. I was not a writer. Because I had forgone writing for all the fear and stress and damage to my self-worth that it wrought. I was not a coder. Because I was only useful for the niches of my job, and didn’t have the heart to create something badly, on my own, for fun, lest it confirm my suspicions of mediocrity. I was not even a runner - despite the extreme and exhaustive amount of time I sunk into it - because I fell short of my previous self, and I could not hold a candle to the actually-skilled runners, and I was forced to speak of this hobby in all those guarded terms - “but i am not good” - because of how much that ate at me. 

I was no cook, and no homemaker, and no creator, because when I did those things, (I did them poorly.) 

And when all these came together, I wallowed in emptinesses. (I still do, sometimes. It’s hard and complicated). Because emptiness is what was left when I stripped myself of the things and the pursuits whose lack of value could be used to hurt me.

The change for me - the change, I think - came at the time I started to recognize that I do not deserve self-punishment for my mediocrities, for the failings of my current state of being. It was not a revelation all at once. It was a slow and progressive flirting with the idea, found almost by accident on self-help youtube channels of a very particular ilk. It came with the recognition that I had trapped myself, wiling away my time and my energy, in a state of constant apology, and shame, and self-correction for the mediocrities I dare not unleash onto the world. I boxed myself up with the promise “once I am good enough, I will be allowed to come back out”, and that was a lie. I would never have come back out. I was chasing punishing metrics of self-improvement that I did not need, and would never actually catch and maintain, and which would never love me back.

It took a long time to internalize this. It took a long time to get angry on my own behalf. It took a long time to act on it, and write again because fuck you. To run on my own terms, at my own pace, for my own enjoyment because fuck you. To create with my hands again because fuck you. To lean into the happiness of creation that I had not “earned”, because fuck you.

I like creating because it fills an emptiness that used to be there. It’s so simple, and so lovely, that humans are like this. That we want to build with our hands. That we want to assemble and construct. That we derive joy from stacking pieces together, and stringing words together, and assembling colors on a page, and moving, and singing, and baking, and knitting. Humans love to build little worlds around them. 

So why must we so actively try to cut people off from it off from it? Why do we condition ourselves to fear its mediocrity? Why does this still our hands? Why do we suffocate it for ourselves, before others can? I don’t have an answer. I can only recognize the monster. 

I want to make bad art today. I want to make bad art tomorrow. If I am a worse writer tomorrow, I want that to be fine. If I am never more than a mediocre runner, I want to be at complete peace with that. Because if not, then I might box away my hobbies again, and my loves, and my pursuits. I might go back to empty. I might go back to nothing.

I hate that emptiness I lived through. I hate that nothing. I want to make bad art for the rest of my life. 

I put my sadness in a box. The box went soft and wet and weak at the bottom. I called it Thursday. Today is Sunday.

Richard Siken, from “The Field of Rooms and Halls” (via voirlvmer)

are there any poems you have on home, if its ok to ask? i feel homesick for a home beyond my reach and thought i could come to you.

“I was in a place where nobody knew my heart even a little bit.”

— Carol Rifka Brunt, Tell the Wolves I’m Home

“it’s as if I had to go back home on foot, alone, barefoot not knowing where far away, everybody else went long ago”

— Hélène Cixous, Hyperdream (tr. Beverly Bie Brahic)

“[ON LOSING LOVE]: This is the model I propose. You are arriving home and as you approach the garage you try to work your routine magic. Nothing happens; the doors remain closed. You do it again. Again nothing. At first puzzled, then anxious, then furious with disbelief, you sit in the driveway with the engine running; you sit there for weeks, months, for years, waiting for the doors to open. But you are in the wrong car, in front of the wrong garage, waiting outside the wrong house. One of the troubles is this: the heart isn't heart shaped.”

— Julian Barnes, A History of the World in 10 and 1/2 Chapters

— James Baldwin, Giovanni’s Room

“‘I’m homesick all the time,’ she said, still not looking at him. ‘I just don’t know where home is. There’s this promise of happiness out there. I know it. I even feel it sometimes. But it’s like chasing the moon - just when I think I have it, it disappears into the horizon. I grieve and try to move on, but then the damn thing comes back the next night, giving me hope of catching it all over again.”

— Sarah Addison Allen, The Girl Who Chased the Moon 

“Wickedness has leaked into the home I made, / and I want to burn it down. Sister, tell me / how you stand the murderous fury. You there / still singing, I crave demolishing, to eat / explosives.”

— Ada Limón, Bright Dead Things; “Home Fires”

“At the core of all sighs is a name, a stone from the body’s last lost home.”

— Karen Solie, from “Days Inn,” Short Haul Engine

“To ask “Where is home?” as if there is one answer. To write home in a poem, like a poem could be a home—is this happy or sad?”

— Chen Chen, from “Craft Capsule: On Becoming a Pop Star, I Mean, a Poet”

“Feeling what we all feel: home is a forgotten recipe, a spice we can find nowhere, a taste we can never reproduce, exactly.”

— Richard Blanco, from “Mexican Almuerzo in New England”

— Ross Gay, from Bringing the Shovel Down; “Because”

“I want to ask was there ever one / moment when all of it relented, / when rain and ocean and their own / sense of home were revealed to them / as one and the same?”

— Eavan Boland, from In a Time of Violence

“I: Why not take the shorter way home. HT: There is no shorter way home.”

— Anne Carson, from Men in the Off Hours; “Interview with Hara Tamiki (1950)”

“Really, when I look back on it, I did exactly what I had set out to do. I changed my life. I woke myself up. I rediscovered passions of every variety. I forced myself to take a little time. I found a way to bring some of who I used to be into who I was.”

— Katherine Center, Everyone is Beautiful 

just thinking of how our meaning or purpose in life is merely to experience. eating an orange segment, hoping for snow, being in love, returning over and over to one painting, stepping outside for the full moon, submersion in water, having a favourite colour, knowing beauty, feeling alone, feeling connected, feeling longing… it is enough. 

shout out to me in 5 years…hope shes doing something cool i’m rooting for her

quotes that help me survive:

“You are not lost. You are here. Stop abandoning yourself. Stop repeating this myth about love and success that will land in your lap or evade you forever. Build a humble, flawed life from the rubble, and cherish that. There is nothing more glorious on the face of the earth than someone who refuses to give up, who refuses to give in to their most self-hating, discouraged, disillusioned self, and instead learns, slowly and painfully, how to relish the feeling of building a hut in middle of the suffocating dust.” — Heather Havrilesky, Ask Polly

this tumblr text post:

“To live in this world you must be able to do three things: to love what is mortal; to hold it against your bones knowing your own life depends on it; and, when the time comes to let it go, to let it go.” — Mary Oliver

From an interview with Kazu Makino:

Instructions On Not Giving Up, Ada Limon:

And this poster by Yumi Sakugawa

“You have to believe, in your heart, that even if you don’t work hard and exercise and think positive thoughts and make new friends and march triumphantly into the future, you are still enough. You will always have bad days. Being broken doesn’t make you a loser. You can crumble, and you will still be enough. Make that your religion moving forward. You are here to feel this moment. You are not here to become someone better. You are not here to impress or compete. You are not here to prove yourself. You are here to savor this life. Let down your guard. You are already enough. Believe it.” — Heather Havrilesky

“The first feminist gesture is to say: “Ok. They’re looking at me. But I’m looking at them.” The act of deciding to look, of deciding that the world is not defined by how people see me, but by how I see them.” -Agnès Varda

lyrics from the song Grow by The Oh Hellos:

“The world’s otherness is antidote to confusion, that standing within this otherness—the beauty and the mystery of the world, out in the fields or deep inside books—can re-dignify the worst-stung heart.” — Mary Oliver

“I hope you will go out and let stories, that is life, happen to you,and that you will work with these stories from your life--not someone else's life--water them with your blood and tears and your laughter till they bloom, till you yourself burst into bloom. That is the work. The only work.” — Clarissa Pinkola Estes

a little nostalgia for today