My relationship with content creation and hobbies, in general, got a lot better when I started learning to reframe it as a simple act of human creation, and not a metric of my own self worth.
We’re taught competition, and perfectionism, and shame. If I say “I cook” I must add “(but not well)”. If I say “I run” I must say “(but I am not good at it).” I say “I code (but I mostly know frontend).” I create and express and my first impulse is to guard against embarrassment. Lest I fall so short of marketable competence. Lest I subject myself to the mockery of being caught creating poorly. I wound myself first so others may not.
Even the advice that fights against this says “your only goal should be to be better than yourself yesterday.” But why must I be in competition with her? What happens, after the initial rapid climb in skill, when I plateau? What of injury, and atrophy, and depression, that flake these skills away? Must I return feeling compelled to over-achieve? To wallow in embarrassment until I can surpass my own previous record? To hate my work until the reception, the notes, the engagement outperform an ever rising bar? I do not want to be paralyzed by the mountains I built behind me. Why should I look behind myself when there’s a wide swath of untilled Earth that stretches far out of sight ahead of me? I want to enjoy my work, and my mediocrity, moving forward with all its ebbs and flows.
At my worst, I was nothing. I was not a writer. Because I had forgone writing for all the fear and stress and damage to my self-worth that it wrought. I was not a coder. Because I was only useful for the niches of my job, and didn’t have the heart to create something badly, on my own, for fun, lest it confirm my suspicions of mediocrity. I was not even a runner - despite the extreme and exhaustive amount of time I sunk into it - because I fell short of my previous self, and I could not hold a candle to the actually-skilled runners, and I was forced to speak of this hobby in all those guarded terms - “but i am not good” - because of how much that ate at me.
I was no cook, and no homemaker, and no creator, because when I did those things, (I did them poorly.)
And when all these came together, I wallowed in emptinesses. (I still do, sometimes. It’s hard and complicated). Because emptiness is what was left when I stripped myself of the things and the pursuits whose lack of value could be used to hurt me.
The change for me - the change, I think - came at the time I started to recognize that I do not deserve self-punishment for my mediocrities, for the failings of my current state of being. It was not a revelation all at once. It was a slow and progressive flirting with the idea, found almost by accident on self-help youtube channels of a very particular ilk. It came with the recognition that I had trapped myself, wiling away my time and my energy, in a state of constant apology, and shame, and self-correction for the mediocrities I dare not unleash onto the world. I boxed myself up with the promise “once I am good enough, I will be allowed to come back out”, and that was a lie. I would never have come back out. I was chasing punishing metrics of self-improvement that I did not need, and would never actually catch and maintain, and which would never love me back.
It took a long time to internalize this. It took a long time to get angry on my own behalf. It took a long time to act on it, and write again because fuck you. To run on my own terms, at my own pace, for my own enjoyment because fuck you. To create with my hands again because fuck you. To lean into the happiness of creation that I had not “earned”, because fuck you.
I like creating because it fills an emptiness that used to be there. It’s so simple, and so lovely, that humans are like this. That we want to build with our hands. That we want to assemble and construct. That we derive joy from stacking pieces together, and stringing words together, and assembling colors on a page, and moving, and singing, and baking, and knitting. Humans love to build little worlds around them.
So why must we so actively try to cut people off from it off from it? Why do we condition ourselves to fear its mediocrity? Why does this still our hands? Why do we suffocate it for ourselves, before others can? I don’t have an answer. I can only recognize the monster.
I want to make bad art today. I want to make bad art tomorrow. If I am a worse writer tomorrow, I want that to be fine. If I am never more than a mediocre runner, I want to be at complete peace with that. Because if not, then I might box away my hobbies again, and my loves, and my pursuits. I might go back to empty. I might go back to nothing.
I hate that emptiness I lived through. I hate that nothing. I want to make bad art for the rest of my life.
clio m.w. hamilton, “still life as a dreamscape on pause”
me, an autonomous adult in college: *looks up tips for managing adhd on a deadline*
every single result: AS A PARENT to help YOUR CHILD WITH ADHD monitor YOUR CHILD'S behavior and reward HIM for doing work because CHILDREN WITH ADHD need constant support-
I put my sadness in a box. The box went soft and wet and weak at the bottom. I called it Thursday. Today is Sunday.
Richard Siken, from “The Field of Rooms and Halls” (via voirlvmer)
What are some of your favorite poems/pieces of writing?
general disclaimer that im much less well-read as my carefully curated internet persona might lead on... but these are some pieces of writing that make up the mycelium network of my mind’s undergrowth:
tim riggins speaks of waterfalls - nico alvarado
as from a quiver of arrows - carl phillips
what the dragon said: a love story - c. valente
hunting season - steven chung
yes, think - ruth stone
from blossom - li-young lee
psalm - dorianne laux
sleeping in hte forest - mary oliver
percy wakes me (fourteen) - mary oliver
here there are blueberries - mary szybist
try to praise the mutilated world - adam zagajewski
de profundis - christina rosetti
new bones - lucille clifton
morning love poem - tara skurtu
forfeiting my mystique - kaveh akbar
that kind of good - natalie wee
the mower - philip larkin
valentine - carol ann duffy
happiness from paul schmidtberger’s design flaws of the human condition
we ate the birds - margaret atwood
i want to tell you yes - kallie falandays
ode to buttoning and unbuttoning my shirt - ross gay
not the beloved from anne carson’s erso the bittersweet
after the movie - marie howe
accident report in the tall, tall weeds - ada limón
in tennessee i found a firefly - mary szybist
when i put my hands on your body - david wojnarowicz
the mystery of grocery carts - john olson
your night is of lilac - mahmoud darwish
a dead thing that, in dying, feeds the living - donika kelly
please read - mary ruefle
dudes, we did not go through the hassle of getting these fake ids for this jukebox to not have any springsteen - hanif andurraquib
we lived happily during the war - ilya kaminsky
while the child sleeps - ilya kaminsky
the forgotten dialect of the heart - jack gilbert
what the living do - marie howe
eleven - sandra cisneros
revolutionary letter #4 - diane di prima
elegy for my sadness - chen chen
I leave, I leave— At the end of this story, I walk into the sea and it chooses not to drown me.
— Jihyun Yun, from "The Leaving Season," Some Are Always Hungry
Joan Didion, “On Keeping a Notebook”
Me shortly,
Anaïs Nin, from “The Diary of Anaïs Nin, 1955–1966”
emotional processing is so funny because sometimes you’ll be violently sobbing on your bedroom floor over something that happened 4 years ago and then you’ll just. get up and make coffee. and go to the grocery store. and take all this fundamental sadness for a walk. and ponder the cosmic experiences of humanity while eating a sandwich. and that’s healing.