“Art Differs From Nature Not In Its Organic Form, But In Its Human Origins: In The Fact That It Is

“Art differs from nature not in its organic form, but in its human origins: in the fact that it is not God or a machine that makes a work of art, but an individual with his instincts and intuitions, with his sensibility and his mind, searching relentlessly for the perfection that is neither in mind nor in nature, but in the unknown. I do not mean this in an other-worldly sense, only that the form of the flower is unknown to the seed.”

— Herbert Read, The Origins of Art (via mesogeios)

More Posts from Dreams-and-nightmares and Others

4 years ago

“I sit here alone, burning,”

— Nikos Kazantzakis, from a letter to Yannis Stavridakis c. December 1917

3 years ago
― Haruki Murakami, Sputnik Sweetheart

― Haruki Murakami, Sputnik Sweetheart

3 years ago

maybe if you bundled yourself up and went for a walk out in the cold then came back inside with rosy cheeks and cool skin and warmed yourself up with a nice warm cup of herbal tea with honey maybe then you’d calm down

2 years ago

He asked me when I fell in love with him and I knew it sounded dramatic to say the moment I saw him, so I told him this story of my grandma who had Alzheimer's- she forgot her name and the words for fruit and food, she forgot her address and how to use the washroom, all her life lost to the disease. The only thing she remembered was her son's name and when that began to fade, the one thing she always remembered was that she loved him, even in illness, even in insanity. She saw this 6 foot 2 man with a scrubby beard and she didn't know him but she said she trusted him, she asked him to hold her hand when she died. When does memory end and love begin? All I know is- she loved him before she remembered him.

-Ritika Jyala, excerpt from The world is a sphere of ice and our hands are made of fire

2 years ago

lord grant me the serenity to do my laundry, the courage to do my laundry, and the wisdom to do my laundry

2 years ago
— Albert Camus, The Possessed

— Albert Camus, The Possessed

4 years ago
Summer’s Almost Over So Here’s Some Summer Themed Drawings~
Summer’s Almost Over So Here’s Some Summer Themed Drawings~
Summer’s Almost Over So Here’s Some Summer Themed Drawings~

summer’s almost over so here’s some summer themed drawings~

3 years ago

dam…….. that website “you feel like shit” (it’s like a questionnaire / troubleshooting guide for when you feel like shit) really works………………….. im not even all the way thru it and i even half-assed a lot of the suggestions and i already feel loads better

3 years ago

My relationship with content creation and hobbies, in general, got a lot better when I started learning to reframe it as a simple act of human creation, and not a metric of my own self worth.

We’re taught competition, and perfectionism, and shame. If I say “I cook” I must add “(but not well)”. If I say “I run” I must say “(but I am not good at it).” I say “I code (but I mostly know frontend).” I create and express and my first impulse is to guard against embarrassment. Lest I fall so short of marketable competence. Lest I subject myself to the mockery of being caught creating poorly. I wound myself first so others may not.

Even the advice that fights against this says “your only goal should be to be better than yourself yesterday.” But why must I be in competition with her? What happens, after the initial rapid climb in skill, when I plateau? What of injury, and atrophy, and depression, that flake these skills away? Must I return feeling compelled to over-achieve? To wallow in embarrassment until I can surpass my own previous record? To hate my work until the reception, the notes, the engagement outperform an ever rising bar? I do not want to be paralyzed by the mountains I built behind me. Why should I look behind myself when there’s a wide swath of untilled Earth that stretches far out of sight ahead of me? I want to enjoy my work, and my mediocrity, moving forward with all its ebbs and flows.

At my worst, I was nothing. I was not a writer. Because I had forgone writing for all the fear and stress and damage to my self-worth that it wrought. I was not a coder. Because I was only useful for the niches of my job, and didn’t have the heart to create something badly, on my own, for fun, lest it confirm my suspicions of mediocrity. I was not even a runner - despite the extreme and exhaustive amount of time I sunk into it - because I fell short of my previous self, and I could not hold a candle to the actually-skilled runners, and I was forced to speak of this hobby in all those guarded terms - “but i am not good” - because of how much that ate at me. 

I was no cook, and no homemaker, and no creator, because when I did those things, (I did them poorly.) 

And when all these came together, I wallowed in emptinesses. (I still do, sometimes. It’s hard and complicated). Because emptiness is what was left when I stripped myself of the things and the pursuits whose lack of value could be used to hurt me.

The change for me - the change, I think - came at the time I started to recognize that I do not deserve self-punishment for my mediocrities, for the failings of my current state of being. It was not a revelation all at once. It was a slow and progressive flirting with the idea, found almost by accident on self-help youtube channels of a very particular ilk. It came with the recognition that I had trapped myself, wiling away my time and my energy, in a state of constant apology, and shame, and self-correction for the mediocrities I dare not unleash onto the world. I boxed myself up with the promise “once I am good enough, I will be allowed to come back out”, and that was a lie. I would never have come back out. I was chasing punishing metrics of self-improvement that I did not need, and would never actually catch and maintain, and which would never love me back.

It took a long time to internalize this. It took a long time to get angry on my own behalf. It took a long time to act on it, and write again because fuck you. To run on my own terms, at my own pace, for my own enjoyment because fuck you. To create with my hands again because fuck you. To lean into the happiness of creation that I had not “earned”, because fuck you.

I like creating because it fills an emptiness that used to be there. It’s so simple, and so lovely, that humans are like this. That we want to build with our hands. That we want to assemble and construct. That we derive joy from stacking pieces together, and stringing words together, and assembling colors on a page, and moving, and singing, and baking, and knitting. Humans love to build little worlds around them. 

So why must we so actively try to cut people off from it off from it? Why do we condition ourselves to fear its mediocrity? Why does this still our hands? Why do we suffocate it for ourselves, before others can? I don’t have an answer. I can only recognize the monster. 

I want to make bad art today. I want to make bad art tomorrow. If I am a worse writer tomorrow, I want that to be fine. If I am never more than a mediocre runner, I want to be at complete peace with that. Because if not, then I might box away my hobbies again, and my loves, and my pursuits. I might go back to empty. I might go back to nothing.

I hate that emptiness I lived through. I hate that nothing. I want to make bad art for the rest of my life. 

5 years ago

being asexual with a lot of aesthetic attraction is like no i dont wanna fuck you im just gonna keep stealing glances and accidently walk into a door

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dreams-and-nightmares - lost in time and space
lost in time and space

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