When Aziraphale and Crowley talk about their work in Edinburgh, camera shows the stage again. At this time, Hamlet utters lines from the monologue "to be or not to be":
- The pangs of despised love,
and the insolence of office,
and the spurns that we are…
These lines speak of not approved love and oppression by arrogant and unfair bosses. Crowley can be seen emphasizing these words of Hamlet when he convinces Aziraphale safe the agreement.
Staged S2E8 «Until They Get Home»
Michael and David say goodbye for a long time, while taxi is waiting for a David. He has to drive away to work. Michael tries to hold him back and talks about books and love. For a person who is ready to see references everywhere, this is a very fertile material (I hope the word "fertile" is appropriate here).
1 The ending of the book The Crow Road, which Crowley advised to read, is very similar to this scene. The characters come to mutual love at the end of the book, but they need to break up because one of them has to drive away to work. And a taxi is waiting for her. The hero tries to keep his beloved at least for a short time, comes up with something else to say and prolonging the conversation. If it's not a coincidence, it's very sweet.
2 The simplest thing. Michael talks about Ouroboros and how everything starts where it ends. With these words, the series begins, and the desire of many is for everything to end in the garden. Ouroboros is a symbol of eternity and the cyclical alternation of life and death. We can always see it on Crowley's belt.
3 Michael asks David if he has read The Last Question. This is a short fantasy and philosophical-theological story by Isaac Asimov. It starts with two friends drinking and arguing about eternity. One claims that there is enough energy for eternity. The second one says nothing lasts forever >< (because of the damn entropy). Then millions of years pass and each new civilization asks the same question. Is it possible to stop entropy, not to let death take its toll? The book ends with the words: "let there be light! And there was light-"
So I am waiting for a new round of Ouroboros and the birth of a new universe. Like a "LIGHT!Camera!Action!" and the love ending of course.
1.Lesley. Is Lesley the prototype or spirit of the Tigris River? The Tigris River is one of the most famous and significant in the world. It flows through several countries in the Middle East. The Tigris and Euphrates are biblical rivers. From the Bible, you can learn that the Garden of Eden was located between the Tigris and Euphrates. The Tigris River (from ancient Sumerian - fast water) had a fast flow, unlike the Euphrates - a smooth flow. For this reason, the Tigris River was of great importance in ancient times in terms of transport and trade. What is not an international means of communication, like the company Lesley works for?
2.Maud. How can the Maud be conceptually related to the Tigris River? Matelda (abbreviated Maud) is a character in Dante's Divine Comedy. Dante meets her when he visits the Garden of Eden. She stands near the Lethe River and collects flowers. Moreover, in some texts it is found that the Tigris and Euphrates rivers flowed inside the Garden of Eden and were respectively the rivers of Lethe and Eunoe. Matelda acts as a mentor, she knows the answers to many questions and encourages Dante to ask her questions. Secondly, she is a priestess, she offers the soul to drink water first from the Lethe and then Eunoe (repentance and healing).
3.Symbols and hints. On the bedside table of the Maud are: -the apple (of Eden) -nightingale (symbol of love) -a glass of water (what Matelda brings to the souls in the garden) -books and glasses (symbol of knowledge) -flowers on the bed linen (like Dante, we first meet her near the Tiger and in flowers) -the painting on the wall (it is poorly visible, but obviously has African or Oriental motifs)
4.Another divine couple. There is a huge mirror opposite the bed, behind which there is darkness and no wall. I assume, Lesley and Maud are the prototypes not only of the Tiger and Matelda, but also of the Nile River and the goddess Maat. The Nile River is consonant with the name Neil Gaiman. Maat is the egyptian goddess of justice and divine law (about this and not only in more detail in the second part). Here I will once again mark the books on the bedside table. The bottom book is blue like a river. And on top there is a red and white book. Maat is often depicted in red and white clothes.
There are only 2 small mentions of the 20s in the series:
00:29:19 S1E1
[Aziraphale]
"I have several very nice bottles of Chateauneuf-du-Pape in the back. I picked up a dozen cases in 1921, and there's still some left for special occasions."
00:38:04 S2E1
"You see, the record shop was opened by my great grandmother in the 1920s. Originally, our shop was in a corner of Mr. Fell’s bookshop."
I didn't find anything else. But it seems to me this time and the event that happened then are important.
In 1920s, great-grandmother Maggie's record store appeared at the Aziraphale bookshop. In 1921, Aziraphale somehow gets several bottles of French wine (it is stored in the back room, that's the name of Maggie's store). Who was Maggie's great-grandmother?
This wine is for special occasions. Aziraphale and Crowley drink it in 1941 in a romantic candlelit setting. The second time they drink it is in S1E1, when they decide to act together. (Even in the final episode of S1, they drink regular champagne at the Ritz.)
Everything French in the film is connected with love. And Aziraphale has certain difficulties with this. He talks easily about divine love for people and the like. But when it comes to romantic love, it confuses him. (and he couldn't learn French.)
In general, I would be interested to find out more about the events of the 1920s and I hope to see this flashback in S3.
- Tell me, is it true that in heaven everyone is talking about the ocean and sunsets? - No.. Actually, no. They mostly talk about God, the angelic hierarchy, how to overthrow all the demons of hell, about the second coming… - Aren't you bored? - No, it's not.. - Because you ignore everything and quickly run away from there to Earth? - "angelic smile" - Do you know where talk about the ocean and sunsets? - In hell? - Haha, silly angel. - Then where? - I can tell you this in secret. "Aziraphale moves close to Crowley and Crowley whispers something in his ear…"
-Are you sure you are sure? There you were offered a casket with a nightingale. Angel, why don't you at least take a look?
-Well, no. There's probably a French textbook or the end of the 3 season. Let's get a big gun and you shoot me in the face on stage! Let's be cool!
-Well, I think it would be cool if we kissed. But I don't really care how I spend my time, as long as I'm with you.
Crowley dials the numbers on his safe: 31 10 and 66, or maybe 67. I've been thinking for a long time that these numbers mean something, because we can see them well. If you have your own version, please share it with me. My theory is that the last digit is 67 - that is, 1967 - it was this year that Aziraphale brought holy water for Crowley in this thermos, which is now in the safe. Maybe that day was October 31st, or is it just that Crowley loves Halloween?
This theory seems pretty logical, but while I was thinking about it, I went through some funny and slightly crazy versions. Here is one of them: 311067 is a color in hex format. Here it is:
We know that Crowley and Aziraphale's joint miracle was violet. I don't think the authors have complicated the safe code so much, but there is definitely something to think about the meaning of colors in the film - namely red, blue, violet, gold. These colors definitely have a semantic load in the series.
Aziraphale and Crowley arrive at the Tadfield Manor. Aziraphale feels love in this place. The picture shows a man wrapped in a snake, and on top of the gate there is a small angel (simulate the Cupid). The word Tad is also an old-fashioned word for a little boy.
As soon as the heroes pass through the gate, they are shot at. Crowley was hit squarely in the heart, and Aziraphale was hit in the shoulder.
After that, Crowley and Aziraphale's behavior changes - they begin to behave more playfully and even a little flirtatiously. At least two scenes filled with sensual tension take place in this location. If you know what I mean:
I also know one four-letter word. It starts with L...
- No, no, we're not giving her a lift. - Hey, she can hear you. Is it decent? - I'm not jealous at all! - What? - What?
"Of all the gin joints in all the towns in all the world, she walks into mine"
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