- Tell me, is it true that in heaven everyone is talking about the ocean and sunsets? - No.. Actually, no. They mostly talk about God, the angelic hierarchy, how to overthrow all the demons of hell, about the second coming… - Aren't you bored? - No, it's not.. - Because you ignore everything and quickly run away from there to Earth? - "angelic smile" - Do you know where talk about the ocean and sunsets? - In hell? - Haha, silly angel. - Then where? - I can tell you this in secret. "Aziraphale moves close to Crowley and Crowley whispers something in his ear…"
Your face when, after 6,000 years, you decided to spend the night in a demon's apt. And spooky and sweet, isn't it?
Oh, Aziraphale, your bookshop burned down, I'm so sorry!
Crowley, you'll cry about your car later! Go do what I can do myself, but I want you to do it!
-I'd hate to see you getting into any trouble. I would love to help me.
-But one excludes the other, Angel. Can I choose the option with the word "love"?
-But I want both.
-Whatever you say, my Angel.
"i can't DISOBEY not do what i'm told". At first, these angels say such things, and then they are surprised there is more fan content than there are stars in the sky!
The fan community has noticed that Maggie and Nina's relationship parallels that of Aziraphale and Crowley. After a while, many agreed that Maggie mirrors Crowley, and Nina mirrors Azi. I've watched the series a thousand times and made my observations.
First of all, I think Maggie and Nina are the metaphorical souls of Aziraphale and Crowley - anima. The anima is the female part of the soul or psyche, the source of feeling and mood. And a conductor between a man's consciousness and his subconscious. So, I think Maggie is Aziraphale's anima. Here are my arguments. The store where Maggie works is called the "the small back room." It belongs to Aziraphale. There is always a "closed" sign on the door of Azi's store, but someone always comes to him. Maggie's door is always "open", but only Azi comes to her. I'm sure this store is a metaphor for the part of his subconscious where his inner female part lives. She is very kind and gentle, always ready to help and understand. She looks like Crowley in some external attributes, for example, she wears bright clothes, often changes outfits (almost every episode she has a new outfit). The place behind the counter where she spends most of her time looks like an old-fashioned car, like Crowley's (only this is a cute version of it. And this car is not going anywhere. It's like pieces of objects in dreams or in paintings by Salvador Dali). And what unites Aziraphale and Crowley is their love of music. That's why Maggie works in a record store. If you look closely, you can see jewelry on Maggie's neck. It's a heart with an eye inside, a snake biting its tail with a bird inside (a nightingale?) and a ring (an engagement ring?). Maggie is a complex and deep image that unites Aziraphale and Crowley into a single female loving image.
Maggie bluntly tells Aziraphale that she loves Nina. She gives him the record (clue) to finding love. And Azi is in fact making a pilgrimage to the place where the miracle of love happened. After this trip, his behavior towards Crowley changes a little and he becomes more courageous. Unfortunately, well-known events will not allow these things to develop.
Nina. So why is Nina not the prototype of Aziraphale, despite the fact that she is in a difficult relationship. I will say that Crowley is also in a difficult relationship. With Heaven, with Hell and Aziraphale himself. Aziraphale doesn't spare Crowley's feelings.
"We're not friends!"
"I don't even like you!"
"You're a demon - you're lying!"
"Come and help me with a naked archangel, and if you don't like something, you liberty to go!"
"I want to perform on stage - shoot me in the face! You're a demon, so you've shot people a hundred times!"
"I'll take your beauty car, and you look after the archangel you hate!"
I think Crowley has heard enough of this kind of nonsense in the last 6,000 years. Yes, as viewers we don't pay attention to it, because Aziraphale is cute and handsome. And it's served up like a comedy. But something tells me that such words often hurt Crowley. When Crowley talks to Nina alone for the first time, he asks her about Maggie. Nina makes a whole nervous speech about how they're not friends. This is very similar to how Crowley would express all the accumulated offensive words said to him by Aziraphale. Later, Maggie and Nina talk in the rain. Nina says, "Of course I'm not your type." Maggie replies that Nina is wrong, Maggie likes her. Nina looks incredulous - it is clear that she is pleasantly surprised. When Shax tells Aziraphale that he's not Crowley's type, Azi has a sarcastic "Of course" look on his face. He knows for sure Crowley likes him. By the way, in Wikipedia, the name Lindsay is of Scottish origin and means swamp (in very short). In the second private conversation, Nina asks Crowley: what exactly is the relationship between Crowley and Aziraphale? Just because Crowley is stunned doesn't mean he suddenly realized his love. He has known this for a long time. Songs from his repertoire pointed this out to us (such things reveal the inner world and motivations of the characters). I think Crowley is taken aback by how obvious and visible this relationship is from the outside. That you can talk about them so simply and casually. And that they can really be real. Here's my theory about Maggie and Nina. Through them, we were able to learn a lot about our heroes in one way or another.
There are only 2 small mentions of the 20s in the series:
00:29:19 S1E1
[Aziraphale]
"I have several very nice bottles of Chateauneuf-du-Pape in the back. I picked up a dozen cases in 1921, and there's still some left for special occasions."
00:38:04 S2E1
"You see, the record shop was opened by my great grandmother in the 1920s. Originally, our shop was in a corner of Mr. Fell’s bookshop."
I didn't find anything else. But it seems to me this time and the event that happened then are important.
In 1920s, great-grandmother Maggie's record store appeared at the Aziraphale bookshop. In 1921, Aziraphale somehow gets several bottles of French wine (it is stored in the back room, that's the name of Maggie's store). Who was Maggie's great-grandmother?
This wine is for special occasions. Aziraphale and Crowley drink it in 1941 in a romantic candlelit setting. The second time they drink it is in S1E1, when they decide to act together. (Even in the final episode of S1, they drink regular champagne at the Ritz.)
Everything French in the film is connected with love. And Aziraphale has certain difficulties with this. He talks easily about divine love for people and the like. But when it comes to romantic love, it confuses him. (and he couldn't learn French.)
In general, I would be interested to find out more about the events of the 1920s and I hope to see this flashback in S3.
Crowley dials the numbers on his safe: 31 10 and 66, or maybe 67. I've been thinking for a long time that these numbers mean something, because we can see them well. If you have your own version, please share it with me. My theory is that the last digit is 67 - that is, 1967 - it was this year that Aziraphale brought holy water for Crowley in this thermos, which is now in the safe. Maybe that day was October 31st, or is it just that Crowley loves Halloween?
This theory seems pretty logical, but while I was thinking about it, I went through some funny and slightly crazy versions. Here is one of them: 311067 is a color in hex format. Here it is:
We know that Crowley and Aziraphale's joint miracle was violet. I don't think the authors have complicated the safe code so much, but there is definitely something to think about the meaning of colors in the film - namely red, blue, violet, gold. These colors definitely have a semantic load in the series.
There are a lot of red and blue colors in the film. Often these two colors mark opposites and/or couples in one way or another. Crowley and Aziraphale, Sergeant Shadwell and Madame Tracy, Adam and Pepper, Maggie and Nina's shops, and so on. A cup of coffee and an apple of Eden. My interpretation of these colors. I assume that the color symbolism is taken from the Christian religion of the Renaissance.
In this case, the Red color means everything earthly, sensual, full of life, sexual, chaotic. Sometimes it's something aggressive (Anathema saw the red aura of an angry villager). But aggression can also be righteous bravery like Pepper, who stood up to the War. The color red does not appear symbolically in Hell and does not directly mean evil. The Blue color means everything unearthly, reasonable, calm. This is order, discipline, loyalty and stability. The blue color also does not symbolize Heaven and does not directly mean good.
I would add here the fact about two Christian saints - St. George and St. Andrew. Saint Andrew is the patron saint of the Scottish flag. The flag of Scotland has a white oblique cross on a blue background. And St. George the Victorious (the man who defeated the snake /dragon) patronizes the flag of England (this flag has a red cross on a white background. Saint George and Saint Andrew are also opposites of each other - one is a warrior (red), the other is a martyr (blue), respectively. I think it would be interesting to see these characters in the second coming?
One more color thought. Here is a screenshot. (S1E3 [54:24])
This is an image of a monitor in an office at a nuclear reactor. At the moment, there is no fuel in the nuclear reactor, there is a yellow candy that Adam placed there. The monitor shows that this yellow candy gives energy by splitting into blue and red colors. Yellow (gold) color in Christianity is a Divine color, the color of divine energy and grace. People who see it say "it's impossible". They witnessed a miracle. I associate this episode with another one.
(all subtitles are original) In this scene our angel and demon exchanged bodies and Death itself says that it is "ineffable". Death stated that it was a miracle.
I will also mention White color in my color reflections. He appears in the series four times (something I noticed.) White in this theory means purity, innocence and/or sacrifice.
1.The third baby in the S1E1. He was wrapped in a white blanket. He was a victim of circumstances. I haven't read the book, but fish were mentioned in the movie in the context of the baby. These few little facts lead me to think that this child may appear in the third season. And he will play a direct role in the second coming, as the new incarnate Christ (the fish is a symbol of Christ and also the white color his symbol too.)
2. In the theater with a red interior (1941), Aziraphale takes out a white handkerchief and theatrically waves it. I think it reflects the purity of his intentions to help his demon. And also the fact that he is the only one in this "vicious" place (where illegal alcohol is sold and people stare at half-naked girls) is a pure immaculate soul.
3. Gabriel wears a white fur coat when he goes out to the demons in the second season. He obviously intended to sacrifice himself for the sake of saving people.
4. Muriel - everything is obvious here. She's a blank slate. I really hope she doesn't fall victim to any dramatic circumstances in S3. I love Muriel).
There is also a Violet color. I have already talked about him a lot in my other posts, for example in the post about Gabriel's eyes or about the joint miracle of Azikro. I'll just mention a funny little fact here. When Aziraphale gets inside Madame Tracy, her sleeves turn violet (because she herself is marked in red, and the angel is blue, respectively.)
Violet color appears once more at the end of S2E6. When we see that Shax and Furfur are up to something together, they unite. And we see them disappearing into a violet haze. I think we need to find out exactly what this couple is up to in S3.
I assume that the violet color here means unification, union, expansion, reaching a new level.
When I was about to publish my theory, I decided to check if there were already similar ones. And I found this post. My respect. He was before mine. Now, with a clear conscience, I will publish my own.
In this painting by Leonardo da Vinci is Saint John the Baptist. He points to the sky. His gesture signifies the coming appearance of Christ. In Leonardo's painting, John has red hair and a tricky face. Crowley also makes a very similar gesture in the scene where he receives the infant Antichrist. this gesture does not correspond to what he is saying. It amuses me to think that this gesture means - yes, the Antichrist appeared today, but another baby also appeared today. I'm talking about the third baby, who was wrapped in a white blanket. Yes, I'm still hoping for a story about the second coming. Crowley must have met Leonardo. To prove this, he has a copy of the Joconda. His painting has an inscription (a whole sentence) and a signature at the bottom.
Unfortunately, it is impossible to make out what is written there. It would be funny if Leonardo painted his Joconda, and then St. John with Crowley. That's why they both have redheads and such sly smiles) And the letter J could mean Joconda or John. Although I prefer my other theory with the letter J.
- Angels aren't occult. We're ethereal. - So what's the difference? - Crowley, these are the basics! Occult means hidden and secret. This term refers more to the field of practice. It is the ability to manipulate natural laws to achieve certain goals. My essence is the etheric body, it retains the appearance of a physical body and is also in direct contact with my higher consciousness in heaven… Hey, are you listening? - Yeah it's very interesting.. Look at the statue right behind you. - Gosh, that statue… such… - Such obscene? Is that why you're speechless and can't give boring lectures anymore? - Uh well no not really.. - Is it such big? And you won't be able to drag it into your bookshop. - Crowley, this is ridiculous.. - Oh no, it's probably such retro? Therefore, you were visited by unconscious but pleasant thoughts. - "angelic groan of a martyr."
"Of all the gin joints in all the towns in all the world, she walks into mine"
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