Aziraphale and Crowley arrive at the Tadfield Manor. Aziraphale feels love in this place. The picture shows a man wrapped in a snake, and on top of the gate there is a small angel (simulate the Cupid). The word Tad is also an old-fashioned word for a little boy.
As soon as the heroes pass through the gate, they are shot at. Crowley was hit squarely in the heart, and Aziraphale was hit in the shoulder.
After that, Crowley and Aziraphale's behavior changes - they begin to behave more playfully and even a little flirtatiously. At least two scenes filled with sensual tension take place in this location. If you know what I mean:
I also know one four-letter word. It starts with L...
Oh, Aziraphale, your bookshop burned down, I'm so sorry!
Crowley, you'll cry about your car later! Go do what I can do myself, but I want you to do it!
Have you tried to give him gifts?
"Uh, does saving his human body count as a gift?"
No, it's not
Well, OK, what did you give your angel?
A fly.
Are you fecking kidding me?
Well, I also brushed my teeth.
A fly and a clean mouth? It won't work with mine.
A variant with memory loss?
It's kind of harsh.
Well, you know, everything is a little harsh for you - love spell, binding, molestation. Are you a demon at all?
Yes, I just have my own methods…
Whatever you say. Invite my and Gabri's grandchildren to your ineffable wedding.
"demonic growling"
"i can't DISOBEY not do what i'm told". At first, these angels say such things, and then they are surprised there is more fan content than there are stars in the sky!
I read The Crow Road, as Crowley advised. I noticed some funny parallels with the GO. I will try to list them briefly:
The hero talks a lot about religion and the injustice of this world. This is similar to the argument between Crowley and Aziraphale in S2E3 (1837).
There is a scene where the hero enthusiastically talks about the creation of the universe and how beautiful it is. This, of course, is very similar to the scene of the S2E1.
At the end of the book, the hero gets a Bentley. There is nothing special here anymore, the car does not play a big role. But a Bentley is a Bentley and not every hero has one.
The main character has a crisis of faith. He argues with God and wants to comprehend him. There is an episode in the book where the hero and his girlfriend are having a conversation about God. His girlfriend says that God is incomprehensible. When you try to understand one part of it, you inevitably miss something else. So it is in the film - Crowley is a disappointed and doubting character, and Aziraphale accepts God without understanding him.
Rory is the hero's missing relative. I draw a parallel with Gabriel here. He's gone, and the only thing left is a matchbox. The story about Rory in the book also looks crumpled. But I found another reference.
Rory's favorite movie is Queen Christina (1933). This is another story about tragic forbidden love. And one of the characters is named Anthony (in the Spanish - Antonio). It's like in the movie "Inception" or like in "Alice's Adventures in Wonderland" - we go deeper and deeper down the paper steps. In this story, Antonio and Cristina were going to board a ship and sail to the islands of moon and settle in a house on a cliff. (by the way the Islands of the Moon is an outdated name for the Comoros archipelago, located in the Indian Ocean). I like to think that Blackbeard and Stede Bonnet have taken over this cliff house.
Well, the main thing. The romance between the hero and his girlfriend. It is obvious throughout the book that the girl loves our hero. Our hero moves for a long time, but also comes to love. There is an explanation of love between the characters, a scene of intimacy, and then they are orced to part. But the reader can be sure that two lovers will definitely reunite. I think Crowley recommended this book in the first place because of the hopeful ending. Well, because of these few similar little things. P.s. I don't consider Rory's diary a clue (it's not even a diary , but separate notes . Rather, they are more like Agnes's predictions). But I would also like to see Aziraphale's diary in S3.
On the signs above the heroes it says "Honey sweets" and "Sky suits" (yes, there's an extra letter e, but who cares). Angels call the human body they are in on Earth a suit.
sweetest honey candies
-I'd hate to see you getting into any trouble. I would love to help me.
-But one excludes the other, Angel. Can I choose the option with the word "love"?
-But I want both.
-Whatever you say, my Angel.
1.Lesley. Is Lesley the prototype or spirit of the Tigris River? The Tigris River is one of the most famous and significant in the world. It flows through several countries in the Middle East. The Tigris and Euphrates are biblical rivers. From the Bible, you can learn that the Garden of Eden was located between the Tigris and Euphrates. The Tigris River (from ancient Sumerian - fast water) had a fast flow, unlike the Euphrates - a smooth flow. For this reason, the Tigris River was of great importance in ancient times in terms of transport and trade. What is not an international means of communication, like the company Lesley works for?
2.Maud. How can the Maud be conceptually related to the Tigris River? Matelda (abbreviated Maud) is a character in Dante's Divine Comedy. Dante meets her when he visits the Garden of Eden. She stands near the Lethe River and collects flowers. Moreover, in some texts it is found that the Tigris and Euphrates rivers flowed inside the Garden of Eden and were respectively the rivers of Lethe and Eunoe. Matelda acts as a mentor, she knows the answers to many questions and encourages Dante to ask her questions. Secondly, she is a priestess, she offers the soul to drink water first from the Lethe and then Eunoe (repentance and healing).
3.Symbols and hints. On the bedside table of the Maud are: -the apple (of Eden) -nightingale (symbol of love) -a glass of water (what Matelda brings to the souls in the garden) -books and glasses (symbol of knowledge) -flowers on the bed linen (like Dante, we first meet her near the Tiger and in flowers) -the painting on the wall (it is poorly visible, but obviously has African or Oriental motifs)
4.Another divine couple. There is a huge mirror opposite the bed, behind which there is darkness and no wall. I assume, Lesley and Maud are the prototypes not only of the Tiger and Matelda, but also of the Nile River and the goddess Maat. The Nile River is consonant with the name Neil Gaiman. Maat is the egyptian goddess of justice and divine law (about this and not only in more detail in the second part). Here I will once again mark the books on the bedside table. The bottom book is blue like a river. And on top there is a red and white book. Maat is often depicted in red and white clothes.
When I was about to publish my theory, I decided to check if there were already similar ones. And I found this post. My respect. He was before mine. Now, with a clear conscience, I will publish my own.
In this painting by Leonardo da Vinci is Saint John the Baptist. He points to the sky. His gesture signifies the coming appearance of Christ. In Leonardo's painting, John has red hair and a tricky face. Crowley also makes a very similar gesture in the scene where he receives the infant Antichrist. this gesture does not correspond to what he is saying. It amuses me to think that this gesture means - yes, the Antichrist appeared today, but another baby also appeared today. I'm talking about the third baby, who was wrapped in a white blanket. Yes, I'm still hoping for a story about the second coming. Crowley must have met Leonardo. To prove this, he has a copy of the Joconda. His painting has an inscription (a whole sentence) and a signature at the bottom.
Unfortunately, it is impossible to make out what is written there. It would be funny if Leonardo painted his Joconda, and then St. John with Crowley. That's why they both have redheads and such sly smiles) And the letter J could mean Joconda or John. Although I prefer my other theory with the letter J.
When Aziraphale and Crowley talk about their work in Edinburgh, camera shows the stage again. At this time, Hamlet utters lines from the monologue "to be or not to be":
- The pangs of despised love,
and the insolence of office,
and the spurns that we are…
These lines speak of not approved love and oppression by arrogant and unfair bosses. Crowley can be seen emphasizing these words of Hamlet when he convinces Aziraphale safe the agreement.
"Of all the gin joints in all the towns in all the world, she walks into mine"
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