Trying to explain a particular nitpick I have with some typographic designs lead me to make this to illustrate what I’m talking about instead of trying to explain it in words.
Specifically, I really dislike it when people break up words like “Macchiato” into illegible crap that makes you pause for a bit, and then you’re stuck there for twice as long, trying to read what the fuck the word is. (Also, legit, I actually don’t like the Supercell logo that much, and it’s a perfect example of what I’m talking about.)
I may try to experiment with a similar square grid later on, but something more legible--because I do like how effective the economy of space is in things like this, I just hate it when it’s illegible as fuck, and I wouldn’t have made this if it weren’t for illustrative purposes.
I am pretty happy with the color scheme, though.
I’m almost done with the coloring for the main character of the webcomic I wanna work on (specifically, how he appears on the intro “cover” page)—but then I realized that I was using the exact same colors as the Jazz Dixie Cup for some components of rendering, and then I kinda devolved this into something that would fit in a bad vaporwave YouTube video.
E N J O Y T H E B A D A E S T H E T I C.
M Y T R A S H C H I L D D E S E R V E S I T.
For real though, this made me happy. I enjoy making jokey stuff with my own work sometimes. It relieves stress.
I’m so glad that I managed to finish this tonight! It’s been something I’ve been wanting to finish for a while now. That said, I’ve learned that my current stamina for drawing without getting hand cramps is somewhere in the ballpark range of about 6 straight hours.
Anyway, enjoy these sad saps.
So, I’ve decided to work on the roughs for an old comic project I’ve wanted to do for years, and @plaguenurse did a remix with the baby being punched today.
It’s very dark humor, and it’s like…it makes me feel bad, but it’s also hilarious, and it’s just one of those things where I don’t know how to respond to it.
I’m more or less satisfied with this, but this ultimately demonstrated a huge problem in graphic design. Specifically, when you find a really good font, but you have to either pay money or contact someone to use it for commercial use.
I say this because the left one is completely freeware fonts (Milkshake + Ostrich Sans), but the right one uses Blacksword, which is only free for personal use. I COULD do my own handlettering, but that’s time consuming on my end, and I want to turn this into a card ASAP...so in terms of my time, that’s not an option.
I’m kinda sad that I can’t commercially use the right one at this time. At least I have a cute corgi in a bowtie staring at me to reassure me that it’s all gonna be ok.
(And for the record, I am aware that you cannot actually give alcohol to doggos. Truffles had no wine, and the wine is only there as a photoshoot prop. My roommate drank the wine later. Truffles got to have a couple of crackers, though.)
I can’t begin to express how happy I am to make a composition where I can line up a sword with the italics of a font just right, pretty much immediately in the concept sketch stage, but I am.
I’m also pleased with sketching out a late-30s/early-40s-ish high elf with a demonic looking sword and a lot of swagger...(and the two unfortunate saps he’s dragging along for his mission.) I’m coming to like this guy’s character design.
Also, I can’t draw furries to save my life. Help me.
So, I decided to buy Hirohiko Araki's "Manga in Theory and Practice: The Craft of Creating Manga" book with an Amazon gift card I got for completing a survey...because my accidental splurges tend to to entail buying art books that I buy in the hopes that artists better than I am might rub off on me, and I really like Hirohiko Araki and JoJo's Bizarre Adventure a lot.
Anyway, lemme just say that I found myself saying "Bless your heart, Araki...", because of one particular paragraph in the book (on page 69, in Chapter 3).
I don't know if Araki realizes that "Stein" and "Berg" are stereotypically Jewish last name endings or not, or if this is the translator's own commentary, but just...
... I can't help but laugh with pity, because it's just...why? Perhaps he doesn't know that specific thing about Western culture or something, idk, but it's something that warrants a very stern "oy vey" and laughing because of just how naive it comes across as. If anything, I'd imagine people with -stein and -berg last names as being minor characters in Seinfeld.
Most of the advice seems pretty similar to what's offered in Scott McCloud's "Making Comics: Storytelling Secrets of Comics, Manga, and Graphic Novels", with some clear cut differences on things like execution of the book itself, opinions on digital versus traditional art, differing takes on the important components of what makes good sequential art good, etc.
Otherwise, the books is relatively similar to any other book on sequential art, and it's still interesting to take a glimpse at his opinions, especially when I'm leaning towards the assumption this is more of a minor faux pas with Araki being kind of a Westaboo than anything. He still ultimately strikes me as a man who's really dedicated to his craft more than anything else.
It’s finally InkTober, and I ended up going peak millennial with the Day 1 prompt of “Ring” for some reason—probably because I was waiting on the Chinese food I order and I was really hungry for dinner.
Anyway, have this peak 2010s onion ring and banner thing.
The first panel is almost done! That said, aiming to the hatching look vaguely like medieval woodcuts is not as easy as I was hoping it would be, so it seems like this might be another one of those time-sink pages. :/
So, I finally got to making the base vector for my webcomic’s logo...other little fixes aside. Also, this means that the name of this project is out there. :P
(That said, I have learned that it’s actually significantly harder to make wordmarks in Adobe Illustrator that look like wood carvings than it is to do more curvy handlettering in it. Yikes.)
Even though I rarely use my main Tumblr for anything, but shhhh, it's what I like everything with.
Anyway, I was tagged by @asphodel-night-adder, and it's posting about five things that make you happy, and tagging the last ten people in your notifications (I'm not counting any bots, galleries, or people that Tumblr seems to refuse to let me tag, FYI)
So, in no particular order, five things that make me happy include
Time spent with my friends playing tabletop RPGs
Cooking with the boyfriend
Petting cute cats and dogs
Pokemon GO
Days off from work where I get art things done
Consequently, I'm tagging @loveisjustabloodsportson @arzeron @plaguenurse @scyllaxcharybdis @saikou0taku @galacticglaciers @violet-ks-garbagery @schreiliebe @goldenspaceoddity and @extinctgender because they meet this criteria.
Greetings and salutations! I'm a graphic designer/illustrator, and this is my Tumblr. Feel free to check my about page for more info about me. Also, I only post my own things here—almost all reblogs will go to @dandyreblogs. Check that out if you're into aesthetics and other curious things.
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