I've got a piece published in the second issue of werkloos, an online journal. It's a flash fiction piece starting on page 17 called “Red Velvets”. Give it a look if you have a moment and a speck of interest, thanks!
PS I adore hearing what people think, so feedback is uber welcome.
(https://issuu.com/werkloosmag/docs/werkloos_spring_2016?e=22031949/36085278)
I wake up in my wetsuit as the dark wakes up in its cold— some things are like this, as unavoidable as a body swept across a brain.
I start early and hungry, all my cells feeling new and round but crushed: the shapes a church bell makes when it halves the air.
the pond sits in the morning like an ache pooling across an old joint, a leg unbends, the water throws one sore and jagged gleam up the hill side.
I follow the path of glow down to where it throbs, the leaf-patched shoreline gone blue like snow in a long evening or veins trailing home.
it’s steep, the oxygen tank is heavy with metal and wind pressed on itself like a dried flower compacted to paper. I tap the tank it rings its dull voice, full of pages where my breath will write me down.
I step in and secure the mask to my mouth, the light kiss of other air bleeds in and I walk until the ground is gone and the water asks for my body to melt into strokes; a church bell.
the middle is not far and I get there, cold and like the light: tracing the air for home. the below is dark. the above only has its one moon.
the dive involves going headfirst, breathing. the black is around me like an eyelid closing, I turn on a flashlight, scrape the dreamed landscape for an iris and pupil.
I rove and slip and feel my skin starting to become the same cold as the cold. I hug my name into my ribs and try to keep my body inside sensation.
and then I catch it, the white gathered haze of my flashlight wakes up across the desk chair which, last week, you sunk to the bottom with rocks tied to its legs. you’ve always been like that— lovely, impossible, inexplicable— I sit and read the morning’s paper as it flowers out to snow inside the numb water; my body does the same.
- c.essington
- C. Essington
to the new followers. Just broke 600 so, you know, it’s a whole bundle of lovelies. Let me know if you’ve got any questions!
- C. Essington
what food would go with the necronomicon?
Uh a single saltine on grey plate that you swear you ate but keeps popping up again, always tasting like it has a little more salt each time.
what should I call it when I wake up feeling like three red strings tied to a lobster tail hung to the rafters, drifting, plated, out of salt?
what should I call it when I knock at skin expecting a girl to answer the door of body, stutter something about self or assembly or congregation, but only get a dull wafer of silence that melts on my tongue before I can put it to language?
how do you name the not-having, the unstringing of marrow until you come to in the dark as crustacean-meat bound in sowing thread the same color that your heartbeats used to be?
what should I call it when my ribs unfurl like damps towels wringing bloodless water out into the bucket of chest and I hear it, all of it hitting a metal bottom, but don’t feel wrong or scared or even displaced— instead, I just feel out of ghosts to give.
- C. Essington
Questions? You should send in questions, I have five hours of being alone in a house, I can’t do homework the entire time without breaks. Send questionnnsssss.
(Especially about college, Kenyon, writing, publishing, books etc.)
she’s small and made of sodium
(just lil new art o mine)
- c. essington
in a bite of lamplight, he stands up to say I love you. he says it slow so he can feel it in his mouth, rolling like a marble with no glass to put its body in. no one is there to take it, but it is still true. It is snow falling, looking for concrete.
- c. essington
A tiny piece up on Moonsick Magazine
Queer Writer, Repd by Janklow & Nesbit, 2020 Center for Fiction Fellow, Brooklyn
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