in a bite of lamplight, he stands up to say I love you. he says it slow so he can feel it in his mouth, rolling like a marble with no glass to put its body in. no one is there to take it, but it is still true. It is snow falling, looking for concrete.
- c. essington
color palettes
- c. essington
from here, the metal of the sink trips the bright of the afternoon into one blot of silver just thick enough to get dim on.
from here, sleep is below us like a manta ray is below the water. we feel wings, slick and cousined to a shark, slip across our eyes. we fall in and out of ourselves, hands very close to not touching.
from here, I’ve caught the picture of your eyes closed across the pillow, brain still shadowed, leg twitching on the rim of a dream. I woke up before you to find the world soft, to find a privacy, the bed dented lightly with the girl of it.
- c. essington
what food would go with the necronomicon?
Uh a single saltine on grey plate that you swear you ate but keeps popping up again, always tasting like it has a little more salt each time.
A tiny piece up on Moonsick Magazine
Sorry for the little hiatus. I was at a cabin. I am no longer at said cabin.
my dead uncle’s house gleams like a sore bone
a neighbor’s dog could have brought in, slicked with saliva and dedication.
the more-chip-than-paint walls stand skinned by the storm
that sawed through this county no more than two half-hours ago.
my dead uncle adjusts his death into the still-dying/ still-living cells
that hum on inside him without understanding. parts of him glimmer,
still bright, his hair growing like something shocking
that doesn’t know its shock— the silent video of those years-ago fireworks
pasted to the limp tongue of an elderly VHS tape, its fire
broken, vivid but mute, the cheers I know are there stuck in the air—
like the dark sticks to the night— I can’t see either. all those blank
shouts careening through the screen without their bodies or mine. my dead uncle’s hair
grows down to his knees, no one whispers the secret of his new reality to his follicles
so they all just go on spinning straw-colored beer-calories
into gold. I am outside the house and its long sore silence
which bends the water off its arthritic boards like an old victory I never fought for.
he was not a good uncle. it is july or it was about an hour ago. here is my uncle’s house
I am outside of it, trying to think up something new to call the place that doesn’t belong
to anyone anymore except maybe to those blond locks buttered across the floor like light.
I stand under the gutter and hit it with a stick. old rain,
which sat still long enough to lose its name, hits me cold.
I say hello, think about the hurt of throats in the old video from the picnic on the 4th,
how happy everything must be from behind the camera lens. my uncle doesn’t know he’s dead
like the cold in the gutter doesn’t know its name isn’t thunder any longer.
- c. essington
I wake up in my wetsuit as the dark wakes up in its cold— some things are like this, as unavoidable as a body swept across a brain.
I start early and hungry, all my cells feeling new and round but crushed: the shapes a church bell makes when it halves the air.
the pond sits in the morning like an ache pooling across an old joint, a leg unbends, the water throws one sore and jagged gleam up the hill side.
I follow the path of glow down to where it throbs, the leaf-patched shoreline gone blue like snow in a long evening or veins trailing home.
it’s steep, the oxygen tank is heavy with metal and wind pressed on itself like a dried flower compacted to paper. I tap the tank it rings its dull voice, full of pages where my breath will write me down.
I step in and secure the mask to my mouth, the light kiss of other air bleeds in and I walk until the ground is gone and the water asks for my body to melt into strokes; a church bell.
the middle is not far and I get there, cold and like the light: tracing the air for home. the below is dark. the above only has its one moon.
the dive involves going headfirst, breathing. the black is around me like an eyelid closing, I turn on a flashlight, scrape the dreamed landscape for an iris and pupil.
I rove and slip and feel my skin starting to become the same cold as the cold. I hug my name into my ribs and try to keep my body inside sensation.
and then I catch it, the white gathered haze of my flashlight wakes up across the desk chair which, last week, you sunk to the bottom with rocks tied to its legs. you’ve always been like that— lovely, impossible, inexplicable— I sit and read the morning’s paper as it flowers out to snow inside the numb water; my body does the same.
- c.essington
- c. essington
I work here — it’s been such a rewarding and interesting experience so consider it if you’re interested in publication/ human rights/ language.
candle on the wax of a boy’s face, hemorrhaging light, palpitating the picture into morse code. his eyes comes out on letters no one reads.
the bloom of skin skips in and out of the night — a scratched record or a good throw embossed into a flat stone sent, alive, across some river’s softest verse.
- c. essington
Queer Writer, Repd by Janklow & Nesbit, 2020 Center for Fiction Fellow, Brooklyn
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