What Food Would Go With The Necronomicon?

what food would go with the necronomicon?

Uh a single saltine on grey plate that you swear you ate but keeps popping up again, always tasting like it has a little more salt each time. 

More Posts from Claireoleson and Others

9 years ago

The Splinters Float

the pine-needle tea that she made before you  woke up and remembered the world flexes with green lines on its way to your lips.

the fire is low, orange, and smoking like your uncle used to.

you have brought candied orange slices cut so thin that they look like warped photographs of fruit rather than actual sugar.

you toss a rind into the fire the orange crinkles the orange and makes it go brown.

The citrus collapses in like an airless chest or a star that’s done being a star.

you take your tea up again, the tea that existed before you started the morning or believed in the sun for the seven-thousand-four-hundred-and-second time. that tea.

you woke up the same way you always have: mid-person, with human humming over your every bone, and a name that slips past your freckles and sinks, like an unskippable stone, into your rivered grey matter.

and then you had tea. and then you had tea.

                         - C. Essington 

10 years ago
Here’s Another Couple Of Photos From My Great Grandfather Axel’s Fishing Trip From 1928. 

Here’s another couple of photos from my great grandfather Axel’s fishing trip from 1928. 


Tags
7 years ago
She’s Small And Made Of Sodium

she’s small and made of sodium

(just lil new art o mine)

9 years ago

Memoirs Don’t Need Dedications

when Ahmed stopped being able to press on the morning, to work the light  into a way of seeing so he could do something drastic, like make it down the hallway, he took a moment  to donate his whole body back to himself.

he wrenched marrow and incisors and the corners of his dog-eared heartbeats (which he had been saving  to give to someone else) out of the intention of saving, and he put them back in his own chest and let them howl there.

when he realized that all this felt like stealing, he understood how far from his own lungs he must have been breathing.

                                  - C. Essington 

8 years ago

kayaking in the winter           means you’re confident or lonely

running uphill until everything, including your name, hurts          means that there is something in your body which          you’ve missed missing.

writing codes in plain english out of words that          symbolize nothing but themselves          means you’ve taken up poetry again          and should stop or get a kayak by this time, next december.

- c. essington


Tags
9 years ago
- C. Essington
- C. Essington

- c. essington

9 years ago

Advice for someone wanting to get published?

Okay, here are my top 3 tips based purely on my experience on both the submitting and accepting/ rejecting side of publications.

1. Proofread - nothing sets your piece back more if it’s on the fence of being accepted than grammatical errors that are easy to remedy.

2. Research publications before submitting - Databases for publishers like the one offered by Poets and writer’s (http://www.pw.org/literary_magazines) are really helpful for finding publications that may be looking for your style/ genre of writing.

3. Look for small, maybe even local publishers at first - They are more likely to have the time to really look at your work if you’re submitting for the first time and are much more likely, if they give you a rejection letter, to reject with reasons saying why and explaining what they also may have liked in the piece.

*Also know that rejection happens to everyone!! Keep writing and trying and researching. Sometimes thorough and kind rejection letters are even more helpful in the long-run than acceptance letters that tell you nothing of why you were accepted.

I hope this helps! 

Please feel free to send in any more college/ kenyon/ writing/ publishing questions! I have a lot of time today.

10 years ago

Your writing is gorgeous. I don't understand, and I do, and it doesn't matter because your lines make me ache. Thanks for spilling.

ahhhhh thank you so much. That’s what I do it for largely, the validation and transmitting of emotion from one body to others. Writing belongs to interpretation, and I may have made it, but it does not belong to me. It belongs to its readers’ thoughts and reactions. I just put my name at the bottom so people can know where it came from. 

9 years ago
- C. Essington
- C. Essington

- c. essington


Tags
8 years ago

I covered her neck with my left palm as I carried her up the hill. I’d been letting my hair grow and it had been growing fast, slipping my whole body back into the version of “girl” my grandparents understood. Oh, she wasn’t heavy, just cold and still. My hair grew down in tens of cowlicks, each edge gesturing out differently, looking like briar or a shoddy charcoal drawing. Underneath my palm, I could feel the pocket-knife slits of gill studding her thyroid. I knew the house, which burned and simmered in its yellow glow, was empty. I knew my hair ended around my clavicle, jutting off suddenly like scorpion tails.

Her rib cage was slight, her skin almost like a frog’s in its sheen and lichen-colored tint. I carried her up the hill and it didn’t even exhaust me. My hair got in my eyes, making it seem like I was hiking through a bramble patch. But the air was clear and the dark was building itself up like a good story. I wondered where I’d end. Her breathing seemed to come off from miles away, all of it slow and tired and as if it had touched the mountains before it bled out from her mouth. What she’d been doing, what she’d been being, I wasn’t sure. I’d never seen anything like her before, but I tend to be a calm person, so I am okay with what’s terrifying and what’s new and what’s soft to carry uphill.

Once we’re at the door, I kick the handle in and the yellow hits us like a pierced yolk pooling across ceramic. I set her on the table, her long body composing its life distantly. I get water from the tap and fill a glass and drink it while leaning on the counter. She turns once in her sleep. I think she can breathe the air. She’s been looking like she can. I suspect she’ll be up soon. I wonder what she speaks, if she speaks at all. I wonder if she’s ever killed someone. I wonder if her hair grows fast, jeweled here and there with clots of duckweed, slipping over her eyes when she works hard. I will go fill the bathtub. I will carry lilly pads up from the pond in my palms, holding their floppy lives close to my sweater. 

I will ask if she likes acrylics or the wind or staying in bed on saturdays. I’m sure we’ll be fine. I’m sure we’ll get over each other at some point. Years from now, after we’ve already divorced, I’ll see her in some cafe, her webbed toes cushioned in elongated oxfords, and we’ll do the thing where we hurt and then we nod and then I order my latte and walk out like fire. I’ve already left her, so I fill the tub and I smile at the water. It’s new and terrifying and so soft to carry uphill.

       -c. essington


Tags
  • veins0f-icedshadow
    veins0f-icedshadow reblogged this · 9 years ago
  • cruxymox
    cruxymox liked this · 9 years ago
  • claireoleson
    claireoleson reblogged this · 9 years ago
claireoleson - Claire Oleson
Claire Oleson

Queer Writer, Repd by Janklow & Nesbit, 2020 Center for Fiction Fellow, Brooklyn

202 posts

Explore Tumblr Blog
Search Through Tumblr Tags