Memoirs Don’t Need Dedications

                        - c. essington

poem excerpt on drawing excerpt.

Icing The Bruise

and we pressed the water till it gave way to bone and marble— you, with your voice coated in pond scum, say that muscle must be some afterthought of river and history. even if it’s only a statue’s legs and hurt, there is still a blood to stone if it’s  set up as a body.

empathy kicks up like a reflex the size of a carbuncle buried in the side of kneecap. 

we go into the forest and lay palms on a riverbed of clay, pushing as if on the chest of someone breathless;

there is a heart to this somewhere— and it can be called up from the sleep of the day like some story where Tiresias keeps his eyes open the whole time and doesn’t tell anyone why. 

              - C. Essington

This came a couple days ago, the fourth issue of Bridge Eight, and it’s beautiful and has a story of mine in it and it’s lovely to have a physical copy of.

I’m teaching this workshop with another published and accomplished author! We aim to teach what high school and most college students do not learn about writing and publishing their own work. 

Writing Workshop Launch!

We’re excited to announce that Siblíní is hosting a Summer Writing Workshop in Grand Rapids, Michigan over the month of July!

We’re currently accepting applications from high school and college-age students who are interested in learning more about creative writing and publication opportunities. For more information and to apply, please visit our website. 

http://www.siblinijournal.com/#!writing-workshop/o95nw

If able, any reblogging of this opportunity would be immensely appreciated!

The Desk Lamp as an MRI

waking up mid-self, she saw the window snarl with a girl in its teeth, skin and hair and eye-contact caked between the panes. it was her size, though grey and smeared, but not her girl.

afraid the light would hear, she kept her mouth half-closed in the shape of a cut, the depth of slick and coming rain. behind the window’s molars, the winter woods, white and black and curdled with the night: undrinkable.

beyond her body, in the shape of her chest, birches rose and fell like breathing. they kept tempo with her lungs but took in more air than she could ever court behind her throat.

the tree transposed behind her left eye hefts a knotted burl into her head, a whorl of bark, a way of stopping, a tumor in the brain, exactly her type of cold.

she diagnoses in the dark, in her mind of snowbank and its thoughts, unmigrated birds, that she wings over her dimmed out cells, those fallen branches, ribbed as though with veins.

she traces lengths of skin. the glass has a purl of flesh dressed up like the early morning and the storm that never came. waking up mid-self, she saw the window snarl it was her size, though grey and smeared, but not her girl.

                                                 - C. Essington

Toad-Stomach

a cream-with-mushrooms color; ducked, formless, curtaining an animal that isn’t too much more than a way of moving cold blood in and out of brain.  the whole little inch hints at mud and comfort and the paper-thick line between guts and ground.

- c. essington 

the sky unclenches a mouth or two —  water trips out of the night  with the same sort of muscle your mother unbuckled to drop the bread knife on the tile. it all goes streaking past the long grey howl of window.

tonight, the house is a sound, the edges where the  rain dies into water. the roof is a flat noise painted awake by a thousand needle-wide of shots in the dark. 

the shrapnel catches in the ears, stays to make a soreness, and replicates a cloud’s shaking by jostling an eardrum. 

no wounds wake up from dreams to populate your skin. the dog is scared like the world’s already been done and undone  at least seven times 

and it has but tonight this house is a sound and the tips of bodies shaking here  only mean that it is being heard and there is an architecture to the thunder. 

                                       - c. essington 

The Desk Lamp as an MRI

waking up mid-self, she saw the window snarl with a girl in its teeth, skin and hair and eye-contact caked between the panes. it was her size, though grey and smeared, but not her girl.

afraid the light would hear, she kept her mouth half-closed in the shape of a cut, the depth of slick and coming rain. behind the window’s molars, the winter woods, white and black and curdled with the night: undrinkable.

beyond her body, in the shape of her chest, birches rose and fell like breathing. they kept tempo with her lungs but took in more air than she could ever court behind her throat.

the tree transposed behind her left eye hefts a knotted burl into her head, a whorl of bark, a way of stopping, a tumor in the brain, exactly her type of cold.

she diagnoses in the dark, in her mind of snowbank and its thoughts, unmigrated birds, that she wings over her dimmed out cells, those fallen branches, ribbed as though with veins.

she traces lengths of skin. the glass has a purl of flesh dressed up like the early morning and the storm that never came. waking up mid-self, she saw the window snarl it was her size, though grey and smeared, but not her girl.

                                                 - C. Essington

today the air is dim, oyster-shell dim cut through with sheens of rain, coming from far off, nearly off-screen, with cold signed at the bottom of every cloud-bank.

the sky is longer than the word it takes up or the words it takes down when snow happens in front of the billboards, the ads, going white.

                              - C. Essington