- c. essington
what food would go with the necronomicon?
Uh a single saltine on grey plate that you swear you ate but keeps popping up again, always tasting like it has a little more salt each time.
the fire going down until its just loose heat and fruit, the quick lisps of faces caught at its edges, those missed-stitches of expression, the looping sugars of eye-contact swimming softly, breathing glow.
maybe this has been one of those nights that I’ll come back to later, to outline in crayon and label softly, drawing looks out from the eyes like water from a well. well,
all days have sore ribs, burnt nerves, places which go tender under threat but this one feels like something particularly loose and abused enough already, something which will just go to heaven if it’s ever touched again.
there is something memorable about hours way too made of blood to ever bleed.
it’s not going to hurt to put fingers on this: the dim around the pizza box around the carpet around the working anatomies around the exactly seven kidneys.
it’s not going to hurt it’s just going to all come back in through the palm, one pressure at a time, working just like the un-music a heart makes to keep a head.
- c. essington
agh my finger slipped and I’ve
changed my icon againsosorry
the blue house catches on fire and passes it on like a secret, making lips out of wind, whispering its neighbor to charcoal.
in the basement of the house that heard and caught, a boy is already lighting something of his own and signing it off in kerosene as if that clear, chemical wash of to-be light is exactly what letters are made of.
he goes up to his bedroom on the third floor to wait for the rise. the ceiling caves in as the carpet starts to fester with heat. the room is biting down, rafters and floorboards chew in towards heartbeats. the boy forgets his name, tries to say it to himself, but without air to inhale, the sounds he keeps his brain in feels too see-through to say.
he stands up, waiting, his biology screams. he manages to squeeze out a sentence, one sentence to himself once he figures that two fires are at work. it’s a little question, and it happens over and over running over tongue it until it smokes, like a match that goes too black to light. he asks: “which one, which one, which one?”
- C. Essington
the fire going down until its just loose heat and fruit, the quick lisps of faces caught at its edges, those missed-stitches of expression, the looping sugars of eye-contact swimming softly, breathing glow.
today the air is dim, oyster-shell dim cut through with sheens of rain, coming from far off, nearly off-screen, with cold signed at the bottom of every cloud-bank.
the sky is longer than the word it takes up or the words it takes down when snow happens in front of the billboards, the ads, going white.
- C. Essington
What books have you been reading?
Thank you for the ask, here are my most recent ones:
1. Bird by Bird - Anne Lamott
2. On Writing - Charles Bukowski
3. Currently reading: Infinite Jest - David Foster Wallace
tiny painting for a small day/
it’s not sunday but it felt like one because
work is sloww
I want to do a thing where people can send me asks of five objects someone is carrying with them, a little personal inventory, and I’ll write a little flash fiction piece developing a person around the things.
Please maybe?
Queer Writer, Repd by Janklow & Nesbit, 2020 Center for Fiction Fellow, Brooklyn
202 posts