I like Mulan better
The tactics and strategies that the Irish Republican Army used were expecting volunteers to go up against the British army in the fight against neo-colonialism and imperialism in the hopes for a socialist movement without other European interference. The Irish Republican Army started during the rise of guerilla warfare, from the last resort to a defeated enemy, or the archaic resource of thieves and bandits, it has now become the most advanced method of political mobilization. ‘‘Theories of guerilla warfare are common property and can be reduced to fairly simple formulate—perhaps to one word, diffusion. Diffusion in space, in that conventional military principle of the concentration of force, is replaced by dispersion, and diffusion in time, in so far as rapid military decisions thus become impossible, and an indefinite time-perspective is adopted. The purely military effects of guerilla warfare will usually be seen as subordinate to its political and psychological effects. Victory is achieved not so much by knocking the enemy’s sword from his hand as by paralyzing his arm. It might be argued that consciously modern guerrilla methods first emerged successfully in Ireland, where, between 1917 and 1921, a subversive movement grew up from grassroots and fought it’s way to the substantial achievement of its political program—the I.R.A.
Throughout its history, the IRA carried out a high-intensity campaign of terrorism, with the stated goal of bringing about the unification of the six countries of Northern Ireland with the Irish Republic and the end of British involvement in Northern Ireland. Growing out of a much longer history of conflict, the Provisional Irish Republic Army belongs separately from the Republican movement in 1969 when the group split off from what became known as the Official Irish Republican Party (Official IRA). Beyond the activities of Republican groups, the conflict also involves violence perpetrated by Loyalist organizations, which support continued English involvement in Northern Ireland.
Their words were very blunt in explaining that anyone wanting to join could die for their country; ‘’Tactics are dictated by the existing conditions. Here again, the logic is quite simple—the rule of thumb for all our actions can therefore be clearly seen to be that we must explain by whatever means we have at our disposal why we bomb, why we punish criminals, why we execute, etc. A War of attrition against enemy personnel, which is aimed at causing as many casualties and deaths as possible so as to create a demand from their people at home for their withdrawal; A bombing campaign aimed at making the enemy’s financial in our country profitable while the same time curbing long term financial investment in our country; To make the Six Counties as at present and for the past several years ungovernable except by colonial military rule; To sustain the war and gain support for its end by National and International propaganda and publicity campaigns; and by defending the war of liberation by punishing criminals, collaborators and informers.’’
That's amazing!
Happy Black History Month!
I swear to God😂😂😂
THIS IS THE BEST THING I HAVE EVER SEEN
A hero can go anywhere, challenge anyone, as long as has the nerve
#percyjackson#heroesofolympus
There are a lot of accounts about the ‘demon-ness Lilith’, and her origin story leads a lot to be desired. Apparently, she was the first wife of Adam in Sumerian folklore, and because she did not want to be under Adam’s control any longer, and became, depending on which account you read, a vampire, a demon-ess, or a harlot, or all three, for not wanting to be apart of ‘God’s plan.’ The Sumerian accounts, taken from the 3rd millennium, were the first accounts of what happened to her before the biblical Hebrews surmised of her.
She is described as a ‘beautiful maiden’ but was believed to be a harlot, who once took a lover, offered no satisfaction to him, nor would she ever let him go. According to the Sumerian epic, dating from around 2000 B.C, ‘Gilgamesh and the Huluppu Tree’ and was ‘‘believed to appear to have human eyes. She is slender, well-shaped, beautiful, and nude, with wings, and owl feet. She stands erect on two reclining lions which are turned away from each other and are flanked by owls. On her head, she wears a cap embellished by several pairs of horns. In her hand, she holds a ring-and-rod combination. Evidently, this is no longer a lowly she-demon, but a goddess who tames wild beasts, and as shown by the owls on the reliefs, rules by night.’’
Apparently, the earliest mention of the ‘she-demon, whose name is similar to that of Lilith is found in the Sumerian king list which dates from around 2400 B.C. ‘‘It states, that the father of the great Gilgamesh was a Lilu-demon. The Lilu was one of four demons belonging to an incubi-succubae class. The other three were Lilitu (Lilith), a she-demon; Ardat Lili, or her handmaiden, who visited men in the night and bore them ghostly children. There is also the tale of the Irdu Lili, who was her male counterpart and would visit women and beget children by them. Originally these were storm demons, but because of a mistaken etymology, they came to be regarded as night demons. On one brief reference to Lilith in the Bible, Isaiah 34:14, in describing Yahweh’s (God) day of vengeance, says: The wild cat shall meet with the jackals, And the satyr shall cry to to his fellow, Yea, Lilith shall repose there, And find her a place of rest.’’
I understand, but all of the horror in the movie was because the main character had schizophrenia, 24 personalities to be precise. Trauma does terrible things to people.
isn't it insane though how schizophrenic people are viewed as violent and dangerous by the majority of society when in reality schizophrenic people are nearly 14 times more likely to be on the receiving end of violence than to be the perpetrators...
This could seriously be a whole video essay series cause many folks raised in the Global North (Western-oriented countries and communities) will frame all history as a matter of black/white events when, in actuality, history is informed by our indigenous, immigrant, and diaspora pasts and their present day afterlives.
I'll keep my thoughts about executive director Pinkett's spiritual bypassing on private for now, BUT I will say this: Egypt is a part of Africa and Africa belongs in our garden of history cause there are enough miracles, memories, and magic across our African histories and their cultures that we don't have to produce miseducated docuseries that try to pass as Pan-African history pieces or afrofuturist reimagings (when in actuality they are just reinventing bougie versions of well-worn imperial histories).
Egypt is a part of Africa and Africa belongs in our garden of history.
70 years of being a boss. Yeah
What is the meaning of life?
There are stony creatures that you see on the top or sides of great architectural buildings and churches in Europe. There are stone-carved grotesques with spout designs to convey water from a roof and away from the side of the building to prevent water from running down masonry walls and eroding the mortar between. Architects often used multiple gargoyles on buildings to divide the flow of rainwater off the roof to minimize the potential damage from a rainstorm.
NO. 2
Despite their frightening appearances, Gargoyles are, according to the French legend mounted on the walls of a newly built church to scare off evil spirits and used for protection. Due to this, churches, which were considered holy places, often had these creatures on the roof to ward off the devil and demons. They are also suitable as guardians, as they have a high defense from their stony skin making them difficult to wound. The legend involves St. Romanus the former chancellor of the Merovingian king Clotaire II who was made bishop of Rouen, and how he saved the country around Rouen from a sinister monster called Gargouille, a typical dragon with bat-like wings, a long neck, and the ability to breathe fire from its mouth. Multiple versions of the story are given, either that St. Romanus subdued the creature with a crucifix, or he captured the creature with the help of the only volunteer, a condemned man. In each, the monster is led back to Rouen and burned, but its head and neck would not burn due to being tempered by its own fire breath. The head was then mounted on the walls of the newly built church to scare off evil spirits, and used for protection.
NO. 3
They were useful and designed by artists who created them by sheer necessity, carefully skilled by sharp hands, and made to improve the silhouette of the buildings. ‘‘The gargoyle is a marker in the march of civilization. It was a great thought and a distinct mark of regard for the common people when it was thought best to provide means of throwing the water from the roofs of great public buildings well away from the walls rather than to allow it to trickle down upon the passers-by. The gargoyle had its development in regard to human comfort. It is the kind of an idea that would breed revolution. The first decorative gargoyle of the middle ages was of the year 1220, and the earliest type is found at Laon, France.’’
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