I Understand, But All Of The Horror In The Movie Was Because The Main Character Had Schizophrenia, 24

This is what I'm waiting for!!

New ‘AVENGERS: AGE OF ULTRON’ clip from premiere released!

A characterization of Mary Shelley's ''Frankenstein''

This famed author deserves to have her writings continuously celebrated.

Belly Dancing

NO. 1

The art of belly dancing is a Middle Eastern practice that has, over time, gravitated towards Western white American women. The way American women dance is this is a ‘glamorization’, and more focused on the power of reception, rather than cultivating it and respecting the practice. Originally, belly dancing is based on ancient folk and social dances in North African and Middle Eastern countries, particularly Egypt and Turkey. The dance is characterized by various hip, torso, shoulder, and chest movements. ‘‘The images projected by Westerners in the performance of belly dance and other forms of oriental dance raise the thorny issue of orientalism. The vocabulary of the dance and its position within the framework of the West, especially the United States, as ‘other’ provides an ‘empty’ location, as in ‘not part of my culture’, for the construction of exotic new fantasy identities. At the same time, as a repository of media stereotypes and thus Western fantasies of women, it also provides physical images via the femme fatale which the (generally female) dance emulates in order to play an assertive sexual role in a male-dominated Western society.’’

NO. 2

Of course, here in the West, its meaning has changed, especially in America when gained popularity over 100 years ago when ‘dancing girls’ from different countries showcased in Chicago’s World Fair. ‘‘Because of the movements of body parts, such as the stomach, that were expected to be tightly constrained during the Victorian era, controversy surrounded these performers, and belly dance became associated with burlesque, stripping and prostitution. Despite perceptions of belly dancing being associated with sex work, the dance has a variety of meanings for participants, like spiritual, communal, and feminine qualities. For most dancers in the United States, the dance is a form of leisure. Leisure is a voluntary activity that people pursue with a positive state of mind during their free time. For many dancers, belly dance is an enjoyable form of recreation, rather than a primary source of income. Women in most large and mid-size cities around the country take belly dance classes at studios, gyms, and recreation centers.’’

NO. 3

Belly dancing is a key icon of the Middle East and is a site for performing and interpreting. It is appealing because it expresses ‘imperial feelings’, or the complexity of psychological and political belonging to an empire that is often unspoken, sometimes subconscious, but always present, the ‘habits of heart and mind’ that infuse and accompany structures of difference and domination. We can call on U.S imperialism as an example, as it rests as a multicultural nationalism. Belly dancing has become a ‘‘site for staging a New Age feminism and liberal Orientalist perspective on Arab and Muslim women, illustrating what Edward Said called, ‘new-Orientalism’ of the present moment. Orientalism continues to be a deeply appealing, binary frame for imagining the ‘West’ in opposition to the ‘Orient’, or to the East—a Western style for dominating, restructuring, and having authority over the Orient’, through the production of an ‘idea that has a history and tradition of thought, imagery, and vocabulary that has given it a reality and presence in and for the West.’’

(😂😂😂😂)

Yes, Thor. You enjoy that relaxing bath…

🥲

Honorable mentions:

The last SAMURAI- white.

Prince of PERSIA- white.

Just shut up.

Krampus, the legend!

During the Christmas season, every young boy and girl awaits their presents and gifts with eagerness, hoping for Santa to make their way to their homes. The saying, you better watch out, you better not cry, you better not pout is the official song for Santa Claus as he is checking his list for all the good boys and girls. But for those who are naughty children, the invention of the famed horned goat Krampus who works together with St. Nick.

NO. 2

Created in Eastern European folklore, Krampus, meaning ‘claw’, is depicted as a horned, half-demon like monster who terrorizes naughty children, hitting them and beating them with whips, other versions having him with chains, sometimes shaking them to scare the children, equipped with a sack or a basket strapped to his back, to cart off the children chosen to be either eaten or dragged to Hell. He even has a holiday dedicated just to him, celebrated in Germany and now, because of the film, in America as well, called Krampusnacht, or Krampus Night, on December 6. In this long and very funny tradition, spectators dressed up as Krampus appears in the streets, visiting homes and business, along with his devilish accomplices, evil elves and imps, the total anthesis of Santa Claus, who help Krampus scare people and onlookers in the streets.

NO. 3

Because of the resurgence of the celebration of Krampus in the late 19th century, including popular greeting cards with his image and funny rhymes and poems, not to mention the many horror movies or TV shows in North America, gaining traction and popularity every time Christmas comes around. Or maybe it’s because of the intense, heavy commercialization around Christmas time, meant for family and friends. So, here’s the question, do you celebrate Krampus, or Christmas as a whole, or do you think he’s just a myth better left to the children?

Sing-Off Percy Jackson Style!

Okay, I have this thought that there would be a sing off in CHB, of course when Leo comes back with Calypso and stuff, and that after a few weeks, the Apollo cabin comes up with an idea that the heroes of the prophecy should have an ultimate competition called Battle of the Voices! (Because they were bored)

The only problem : They pick who's gonna be the ones to sing off. And the first are Leo vs. Nico. But Leo and Nico get to pick which songs, of course after Nico gets over how ridiculous this is. Based off their own personality, Leo picks Centuries by Fall Out Boy, and dresses up in complete black. With his voice, it sounded like a dead donkey, but he thinks it's good. But then Nico comes in, dressed up in red collar jacket, jeans and sneakers, and black hat that says, Foxy. Almost everyone is in shock when he comes up on stage and starts singing and dancing to Uptown Funk, and he completely kills it with his vocals. Even makes his own killer moves once the song is done. Then he drops the microphone in front of Leo, Jason, Percy and Will, and says, "Nailed it," before walking off the stage to his cabin

The History of Greek organizations in Black HBCU's.

NO. 1

Black Greek sororities: black fraternities and sororities have a significant impact on students and faculty, providing them with the tools to success and a good development/enhancement towards good leadership skills. These ‘organizations’, placed on many contemporary cases in the U.S produce hundreds of college future leaders. And though both fraternities and sororities produce academic success, lower dropout rates, and leadership opportunities for those members, one of the critiques is that it also excludes others from similar opportunities.

N0. 2

‘‘Among African American students, two student collegiate groups—Black student organizations and historically Black Greek-letter organizations (BGO’s)—have been found to be the benefactors of leadership experiences unique to their culture and to create unique leadership opportunities for their members. Despite these plaudits, fraternities and sororities have received increased negative publicity in recent years, causing many in society, and in higher education specifically, to question the rights of these organizations to exist, due to recent serious and widely publicized pledging (or hazing) cases.’’

N0.3

Hazing as a ritual is seen as no more than bullying and brings extensive problems to the life of a college student trying to fit in, as she/he is subject to peer pressure by other students. Many of these concerns of BGO’s were up to question and remained unresolved, like the legitimacy of ‘Greek life’ as it relates to the academic vision of higher education. ‘‘Between 1906 and 1920, eight of the most prominent Black Greek-letter organizations were established. The creation of the Black fraternity had a dual purpose.

No. 4

First, these organizations were established for the greater purpose of pooling the resources of African Americans in the hopes of acquiring an education. Second, these organizations were formed as an attempt by Black students to gain acceptance into American society. Despite the great influence and vast membership that these organizations possess, the activities of the Black Greek letter organization have included secret meetings, selective membership, and a preference for lighter-complexed members. Moreover, the failure and shortcomings of the Black Greek-letter organization have allowed Black elites to create a separate privileged society based on snobbery and arrogance and have thus enabled these organizations to perpetuate the vicious cycle of racial prejudice and White Supremacy.

Santa Muerte

NO. 1

A skeletal figure dressed in robes or dressed in the virgin’s shroud, Santa Muerte is both the Grim Reap-ress and the Angel of Mercy. She is the personification of death, and her full title, Nuestra Señora de la Santa Muerte as she is well known as, brings an ambiguous and malleable identity that is associated with healing, protection, and safe delivery to the afterlife by her devotees, as her following, especially in 21st century is being celebrated all over South America, but especially Mexico City to the United States and Canada.

NO. 2

Even though Christian missionaries and leaders condemned the religion, Santa Muerte ‘‘offers hope to a society threatened with hopelessness. In the colorful barrios of Mexican culture, the figure of Death is ubiquitous. With the lure and dangers of narco-culture, the violence among competing youth gangs, the haunting realities of an economy in collapse, and the gravel fight to survive in a Tepito marketplace; Mexicans face the reality of death on a daily basis. Santa Muerte, the image of death, protects them from uncertainties in their everyday lives. When Death is the only guarantee, it seems like Death is the only one to be trusted.’’ The worship of Santa Muerte began in the mid-20th century and was clandestine until the 1990s, were most prayers and other rites have been performed traditionally at home. Now in the 21st century, worship has become a more public thing. Santa Muerte has a male counterpart in the U.S, called the skeletal folk saints San La Muerte of Paraguay and Rey Pascual of Guatemala.

NO. 3

So, what caused the worship of Santa Muerte to become a massive, worldwide following? Drug violence, for one, and loss of faith in Christianity. ‘‘Former Mexican president Felipe Calderon’s declaration of war on the cartels in 2006 was received with praise by North American politicians, as in their view, it seemed that the Mexican government was finally taking a strong stand against the cartels and that there would be a swift resolution to the social problems associated with drug trafficking. This open war declared on the cartels resulted in an escalation of drug violence and forced several dramatic changes in the safety of Mexico and its already chaotic social scene. Military personnel, paramilitary groups, and the cartels have been fighting for control of the country and have created a state of panic in the border towns and beyond. The panic and violence in the north have begun to gradually make it’s way south and reach areas that were once ‘safe’. According to the BBC from 2006 to 2012, more than 50,000 individuals have died from drug-related violence. Amidst the drug-related instability, the once strong and influential Mexican Catholic Church has been losing credibility, support, and members. The loss of faith in the Catholic Church could be caused by many factors: general pessimism, individuals searching for other forms of faith, and the result of the church’s support for governing political parties.’’

NO. 4

Who is Santa Muerte? Anthropologists and historians J. Katia Perdigon Castaneda and R. Andrew Chestnut agree that the veneration of Santa Muerte is a combination of Catholic imagery and rituals from Meso-American pre-Hispanic gods and rituals. There is a common list of names for the goddess, such as Mi Nina, (My little girl), La Nina Bonita (the Pretty Girl), La Madrina (the Godmother), and Mi Amor (My Love)—adoring names that tighten the relationship between devotee and saint. There are darker allegations like Senora de la Sombras (Lady of the Shadows) or La Negra (the Black Lady). There is also La Hermana Blanca (The White Sister) and Hermana de la Luz (Sister of the Light). She is celebrated on the Day of the Dead, November 1st and 2nd. better known as Dia De los Muertos.