Worse, Actually - It Would Be From Fyodor's Perspective, Thus Would Include Opinions

YES SOMEONE ELSE NOTICED IT.

You cannot have Fyodor's entire fucking plan hinge on the vampires, over which only Bram and the person who has possession of Bram have any control, and then try and tell me that Fyodor lost because he didn't have faith in people.

it's long but go read it

P sure it's supposed to be Fyodor who writes down on the page, as iirc the handwriting is shown to be quite shaky? (unless it's alcohol tremors kek).

re: pilots: doesn't anime implicitly cover that by a shot of him bleeding himself out into a chalice (drama queen)? This would foreshadow pilots and signal C&P can be used remotely by blood.

Meursault could have been taken over preemptively, but then: why not just vamp everyone instead of Chuuya murdering a bunch of guards? As for communication, previous speculation came up with various book-based explanations. As for how information was passed inside - with food selection, presumably? The reader's attention was brought to it for seemingly no reason.

as for Fukuchi and Fyodor not being friends/allies: this completely disregards the angle that Fyodor is willing to risk being permanently stuck in Meursault to establish world government, meaning: one way of accomplishing Fukuchi's goal (to end all wars) would be good enough to give up his own. Also: 500 deaths' limit is something Fyodor just… kept to? This would explain why he had a bead on Dazai - percieved equal - and didn't get him shot. (the other option is being perfectly normal about Dazai for fujoshi-approved reasons, which in this context is rather weak; see above.)

ech Meursault was super fun but Chuuya not being a vampire the entire time retroactively sours the entire bit, along with the speech underscoring how the entire time both demons were framed as roughly equal, but the arc resolved by uncertainty working solely in Dazai's favor, making contrivance glaring (= willing suspension if disbelief breaks).

at it's heart, the problem is importing the anime, which notoriously dumbed things down and removed the quiet bits. As a consequence, Fyodor had to be rewritten from Johan Liebert knockoff (a gift that keeps on giving, speculation-wise) to Light Yagami knockoff (who doesn't work as an antagonist). The other problem with adapting the anime is that last time we see Dazai in the manga it looks quite gory - but anime can't show that, so it carries on with a broken leg. If one counts wounded hand in the anime as a 2nd-improved-take on the sequence, both work with what anime already has going for it - hiding in broadcast norms for the former and A LOT of foreshadowing for the latter. Like, Asagiri is perfectly aware that there are bits that anime will do better via color and motion, so why not take the L and write it out for static panels of the manga that has already been written?

As a result, we got this speech to the scene's detriment, instead of doing more show-don't-tell. ranted about this as well earlier (lel), but how about: Dazai - dumbfounded, incredulously - asking the vampire wtf, and him answering that Lord Bram ordered so (they can hide in the populace, so why not). To which Dazai murmurs - but close enough to hear - that Ranpo must have figured it out. Then be like 'i leave keeping an eye on the rat to you~' and just go talk to (freshly unvampirized) Chuuya/inject antidote, without care in the world. Leaving Fyodor to think/die mad about it.

It would work better to underscore the difference in manipulation style: Dazai hides his behind seemingly harmless/beneficial actions, Dostoy runs on FUD. Yes, Sigma bit is there - but they survive solely due to Fyodor deciding to be a good sport about it (this man routinely offs underlings, but someone with ALL HIS SECRETS is k?).

It's like there is an entire 'Fyodor not going to do the efficient thing because then only Deus Ex Machina could bail the protagonists out doing a suicidal life's goal wouldn't be fun for the character carrying it out.' thoughtline that makes sense only with the portrayal anime went for.

@peachymoriarty

imo not even that - the angle to reach that conclusion would be by referencing 'diamonds polishing diamonds' concept, and/or straight up scrimming for practice on the side, and/or showcasing where this works - mostly with Ranpo, ex: - having the motive to pull a Ranpo Ex Machina that just so happens to have the delayed side-effect of saving the world - early on him and Dazai iterating on plans, so now he can scheme on his own

But since both demons are already Peerless Anime Geniuses(tm), that ain't happening.

BSD 111.5: A Complaint (again)

All right. So.

I have criticized the S5 finale extensively, and now that the manga is following the same storyline almost exactly, I feel I want to air my grievances one last time, because it's just so bad. At least in my humble yet correct opinion (to quote Fyodor from the BSD dub). And it only gets worse the more I think about it. 

The writing here is...not good. I’m talking about the big “Chuuya was never a vampire to begin with” reveal, the retconned hand injury and what absolute contrived nonsense that is - and most of all, I’m talking about Dazai’s speech about why he “won” the "game," and how it makes no actual sense because what he says happened is not what actually happened. 

All of this is stuff I've talked about in other posts (I'll be repeating myself a lot here), but I really want to focus on Dazai's speech and why I just. Don't like it.

"You don't trust anything you can't control," Dazai tells Fyodor.

This is supposed to be the reason Dazai "wins": because he trusts people, and Fyodor does not. He relies on others he considers friends; Fyodor just uses others that he considers pawns.

And this is fine in theory. Indeed, it's been heavily foreshadowed. Personally, I think "Dazai wins because he has friends, Fyodor loses because he doesn't" is a super boring way to go with both Fyodor's character and with the conflict between him and Dazai, but whatever, we all knew something like this would be the reason for the ADA's victory over the DOA. Theoretically, it makes sense.

Except, it doesn't actually work the way they did it. It doesn't work because Fyodor's plan apparently hinges on the vampires, and Fyodor does not actually have control over the vampires.

In fact, Fyodor does not have direct control over any aspect of the Decay of Angels plot.

Fukuchi does.

First of all, the Decay of Angels plot doesn't begin until after Fyodor is already in prison. Fyodor is not the one who writes on the Page, and Fyodor is not the one in possession of the Page. Fyodor is also not the one who is in possession of Bram. All of this falls to Fukuchi.

Now, there is one interesting scene where Fyodor tells Dazai that he "added a line to the page":

But - unless I have my timeline mixed up - since the Page was not stolen and used until after Fyodor was sent to prison, this only suggests he told Fukuchi what to write. There is still no point where he actually had possession of the Page himself.

Fyodor is the one who set up the entire plot and arranged for all the pieces to be in place, but once it actually starts to unfold, he is no longer in a position to directly manipulate his pawns, because he's locked up underground thousands of miles away.

Of course, this does not mean he has been removed from play entirely; he is still communicating with the outside, and he is still able to manipulate the course of events to some extent, as we see when he (somehow; it's never explained) killed the pilots so Fukuchi could get his hands on the One Order:

But how is this any different from what Dazai is doing? Dazai lets himself be captured and locked away, too, to keep an eye on Fyodor and read his moves as things unfold on the outside. He is also in communication with his allies, and he is also able to do some string-pulling, as we see when he stops Fyodor's assassination attempt on Fitzgerald and the neutralization of the Eyes of God:

Basically, both Fyodor and Dazai have the same level of control over what is happening.

Dazai being superior to Fyodor because he "simply had faith" in Ranpo (and the rest of the ADA) implies that Fyodor did not have faith in Fukuchi. But that implies that Fyodor had some means of direct control over Fukuchi throughout the unfolding of the DOA plan and therefore did not have to leave anything solely in Fukuchi's hands. Or it implies that Fyodor had a plan independent of Fukuchi. Except he didn't. On both accounts. At least not that we know of.

In fact, in the anime (which I assume will be repeated in the manga in later chapters), Fukuchi says that Fyodor didn't have any direct control. Fukuchi tells Fukuzawa that he had Fyodor sent to prison for the purpose of preventing him from interfering in Fukuchi's actual plan. And Fyodor agreed to this. He got himself arrested on purpose. The reason he does this is suggested to be that the prison is essentially the safest hideout in the world. Except Fukuchi tells us that this action also severely hindered - though not outright neutralized - Fyodor's ability to influence events.

And I'm not trying to downplay Fyodor as the spider at the center of a complex web of manipulation, not at all. I'm simply pointing out that: a) Dazai is exactly the same, and is countering Fyodor move-for-move, and b) the plan still heavily relies on Fukuchi's independent actions.

As I mentioned, the DOA plot doesn't begin until after Fyodor is arrested and sent to Meursault. Fyodor was using vampires planted as guards as his means of communication (which doesn't even make sense itself, because when exactly would this have happened? When does Fyodor communicate with these vamps? Why did Dazai not notice this?), but Fyodor himself is not controlling those guards, Fukuchi is. Because Fukuchi is the one in control of Bram, and the vampires can only be controlled through Bram. It is certainly conceivable that Fyodor might have had these guards planted before his arrest, but the vampires are only usable as pawns as long as Fukuchi has control of Bram, or at least as long as Bram isn't in control of himself.

Using Chuuya as a pawn also requires Fukuchi to be in control of Bram. Therefore, Fyodor's entire escape plan relies on Fukuchi.

Fyodor literally cannot do anything with the vampires without Fukuchi. And if his entire plan rested on the vampires, that means his entire plan rested on Fukuchi.

In other words, Fyodor's entire plan rests on him having faith in Fukuchi.

It doesn't matter that Fyodor and Fukuchi are not "friends"; it doesn't matter that Fyodor thinks of Fukuchi as a "pawn" instead of an "ally" (although I should note we've been given no evidence of this, because we have never actually seen them interact and we don't know their relationship; we're just meant to assume this). The point is that Fyodor structured this plan of his to be centered around the actions of someone else. This is no different from Dazai. In fact, this is how the both of them usually operate. They just tend to have different ways of going about manipulating their "pawns"/"allies."

Then there's the "hand full of uncertainties" line:

How, exactly, was Dazai's hand "full of uncertainties" in a way that Fyodor's wasn't? How exactly did Fyodor have "the world in the palm of his hand" in a way that Dazai didn't? How exactly was Fyodor in more control of what was happening than Dazai was? As I've already pointed out, what we've been shown suggests they both had equal measures of influence on the outside, and therefore equal levels of manipulative power and equal amounts of uncertainties.

In fact, if we are to believe that Fyodor was surprised by Nikolai and Sigma, that was a whole hell of a lot of uncertainties being thrown at him. And just like Dazai, he just ran with it.

And the reality is that Dazai actually had a whole hell of a lot less uncertainties than Fyodor did, and a whole hell of a lot more control, because Chuuya was never a vampire to begin with. The moment Chuuya arrived, Dazai had the upper hand. It's not like he was ever in any actual danger from the point Chuuya showed up. He was in full control of the situation from that point on.

And you can say that's the whole point, Dazai was in control because he had an ally, but the point I'm making is that the only control Fyodor thought he had over the situation was also because of an ally that he believed he had. If he believed he was controlling Chuuya, he also had to believe that Fukuchi still had Bram and was still on his side. He was operating on faith in pretty much the exact same way Dazai was.

You can also argue that Chuuya showing up was proof for Fyodor that Fukuchi was still in control of Bram (even though he wasn't by that point) and that things were going according to plan. But I'd counter-argue that if at any point before Fyodor managed to escape Bram had had his will restored, Fyodor would have been fucked (had Chuuya actually been a vampire). The very act of using Chuuya as a pawn was a huge act of faith on Fyodor's part.

It's important to stress here that Fukuchi was not under Fyodor's "control" at any point, at least not so far as we've been shown. He is not brainwashed like Nathaniel. He is also not a throwaway piece. He is vital to the plan. And he has his own motivations. We aren't quite there yet in the manga, but we know from the anime what Fukuchi actually wanted, and we also know from the anime that Fyodor approached Fukuchi and propositioned him. They made a deal. Of course, Fyodor always had his own plan, but he knew what Fukuchi's real motivations were. Even so, he trusted that Fukuchi would carry out the plan as he instructed, at least so far as we've been shown.

The argument can be made that Fyodor doesn’t actually have any trust in Fukuchi, he simply trusts that he knows exactly how Fukuchi will act and that everything will go as he predicted. But how is that any different from Dazai? Ranpo negotiating with Bram and Bram ordering the vampires to attack Fyodor might not have been something Dazai and Ranpo set up beforehand, but it is certainly something Dazai planned for, because he purposefully set Fyodor up to be in a vulnerable position, anticipating that exact scenario. Again, they are both operating in the same exact way: not directly controlling their allies, but assuming that their allies will act as they expect. The only difference is that Fyodor’s “allies” did not meet his expectations and Dazai’s did.

I get that the point of this is supposed to be that Fyodor is undone by his cruel manipulation of others and his ruthless attempts to impose his own order upon the world. And that's fine. It's good, even!

The problem is...that's not what happened. Fyodor lost because he relied on something that was outside of his direct control: the vampires. Fyodor lost because he put too much control in the hands of Fukuchi.

And this in itself is a problem, because Fyodor should not have so heavily relied on Fukuchi. All of this would work for me just fine if everything didn't revolve around the goddamn vampires. You cannot have Fyodor's entire fucking plan hinge on the vampires, over which only Bram and the person who has possession of Bram have any control, and then try and tell me that Fyodor lost because he didn't have faith in people. Why would he use the vampires at all if he had no faith in Fukuchi?? Why would he get into a helicopter with the vampires piloting if he had no faith Fukuchi was still his ally and Bram was still under Fukuchi's control?? Why would he have agreed to go to prison in the first place if he had no trust in Fukuchi????? It doesn't make any sense.

And don’t try to tell me, “Well, Fyodor’s just arrogant.” That is the laziest fucking excuse you could possibly give to justify why Fyodor’s IQ points have been cut in half this arc. And, for the thousandth time I ask—how is this any different from Dazai, who also just assumed everything would go his way? Why is it "faith" when it's Dazai but it's arrogance when it's Fyodor?

Personally, I think BSD made a massive narrative mistake in putting Fyodor and Dazai in Meursault in the first place. It's over-complicated things.

Also, one thing that really bothers me about all this is that it's supposed to be a big character moment for Dazai, but...I don't see how this is any different from how he usually operates. Hell, this ruse Dazai and Chuuya set up is even something that SKK did before when they were a team in the Mafia. We've seen Dazai do this shit a thousand times. What's supposed to be the big deal here? The fact that he made a friendship speech this time?

It's just fallen really flat to me, and that's a bummer because I think Dazai is one of the most well-written and interesting characters I've ever come across, and I want to see great character development for him.

I've complained endlessly about Chuuya being in a Halloween costume the entire time so I'll just say here that it's really fucking dumb that Fyodor just. Didn't notice. That he was fooled by fake fangs and contact lenses. Dazai would have noticed, if their roles were reversed. Ranpo would have noticed. It really is just a case of Fyodor being made stupid out of nowhere so Dazai could win.

The retconned hand injury is also incredibly dumb, because first of all, in the manga it didn't exist until the last two chapters when it needed to exist. And second of all, the hand is clearly shown to be usable after the incident that is supposed to have injured it so severely that Fyodor needs the vampires - who, again, are not under his direct control - to pilot the helicopter so he can escape, and this is true for both the manga and the anime. It conveniently only becomes a problem when Dazai needs it to. Because plot, I guess. Because the universe is chaos unless Dazai is pulling another deus ex machina.

I really hate being so critical and so negative, especially about BSD, because it's been my favorite series for years now. But ever since the S5 finale I've been finding more and more things about this arc and it's conclusion (?) that make no sense to me. And considering that Fyodor and Dazai are my favorite characters and a large part of the reason I'm invested in this story, to see them both so poorly handled has left a very bad taste in my mouth.

In conclusion:

the reason people get tired of educating, explaining, reasoning, sounding out

is that it just never ends

and its the same shit over and over again

people just continually fuck your shit up

and you have to smile and grit your teeth and go, ‘yo thats actually fucked, please don’t do it’

and when people you like and admire do it

do and say the same stuff you are forced to devote your energy to fighting

its like being kicked in the teeth

this is why people have flash temper reactions to bullshit, even if it was done without malicious intent

a thousand micro aggressions building up over your life

‘why are you so angry’ 'why can’t you just explain it calmly' 

maybe its because it never ever ends

and you explain it to one person and they get it and you feel good, because thank fuck, someone listened! someone grew! someone changed! someone genuinely meant it when they said sorry

turn around

and there are more people doing the same thing

what are you supposed to do

what are you supposed to do, other then scream

What I think is really interesting about the papyrus account of the workers building the tomb of Rameses III going on strike to demand better wages is really fascinating to me because if you look at the description given by the royal scribe you see that there was an attempt to satisfy the workers by bringing a large amount of food at once but that was rebuffed by the workers who declared that it wasn’t just that they were hungry at the moment but had serious charges to bring that “something bad had been done in this place of Pharoah” (is poor wages and mistreatment). They understood themselves as having long term economic interests as a -class- and organized together knowing that by doing so they could put forward their demands collectively. It so strongly flies in the face of narratives that are like “in this Time and Place people were happy to be serve because they believed in the God-King and maybe you get some intellectual outliers but certainly no common person questioned that”. If historical sources might paint that sorta picture of cultural homogeneity it is because those sources sought not to describe something true but invent a myth for the stability of a regime.

i remember someone mentioning that a Sonia-like character would work to set up Dostoy for a redemption arc, but it couldn't be Sigma b/c they're wrapped around his finger. BUT NOW, their self-esteem should be improved via Dazai + they're being given all intel in a way that would prevent lying + apparently they're held in high esteem by Dostoy + being 3yo gives relatively biasless outlook.

bonus rephrasing: now Sigma has taken the offer to have their knowledge be equal to someone they percieve as having absolute control over everything.

or, you know, just flip them over and step on their trachea.

here various Big Important Authors occasionally take end-of-mandatory-education exams (the language/literary analysis part), including those whose works are in the curriculum AND on the exam.

Needless to say, they do not pass with full marks.

Or simply fail.

i learned that in 1963 a 16 year old sent a 4 question survey to 150 well-known authors (75 of which replied) in order to prove to his English tutor that writers don't intentionally add symbolic content to their books (x)

write. your. own. if not now, when? if not you, who? i certainly started crying at code out of sheer lack of gameplay as good as ruina; and implore you to do the same. The other option is to just be miserable, with no end in sight.

...that said, seems like this fandom needs to learn of the existence of Wisecrack:

It hurts

After talking with people in discord for the week that this has been going on, I think my feelings on the Project Moon situation are just. Like, this was a company I felt was "safe". Obviously corporations are not your friends, but this was a studio that consistently pushed out games with progressive - and at times even radical - messaging. This was a studio that has consistently written solid characters with gender as an absolute afterthought. Emma is a boy! Harold is a girl! That's how little gender matters, which, ironically, is something that matters.

I can't think of another franchise I've engaged with that just... writes women as people. I've heard George R.R. Martin is like that, but I never engaged with the TV series that introduced the US to the concept of filler or the book series it was based on. I'm gonna gloss over Lobotomy Corporation a bit here because the story only has 13 characters, but 12 of them return for Library of Ruina. In Ruina you have Binah, Angela, Nikolai, and Elena as assertive women that take control of the situations they're in. You have passive uwu smol beans like Hod and Eileen! You have characters who are war criminals and that's not a mark of a villain, that's just a part of their backstory! Some of the women here have just Done Crimes! One of the women IS a crime! And men are treated the same! There are characters with traumas and behavioral disorders who act like real people would! Lesti saw the aftermath of Love Town and started talking about food! Beef intestine no less! Philip saw his colleagues get murdered and physically manifested a mental breakdown! Xiao saw her husband get murdered and physically manifested literal burning rage!

All of the writing has been good! All of it! And it has consistently written women in a way that is flat out rare, even in 2023. And Limbus has been doing the same! Outis is assertive! Ryoshu is assertive! Hermann is assertive! Don is an idiot and Faust refuses to talk half the time! Heathcliff is assertive! Meursault is assertive! Gubo is assertive! Hong Lu is an idiot and Sinclair is/was a pathetic sop! Across the board, the character writing is just GOOD. As Lobotomy Corporation progresses, Ayin's shitty behavior becomes more and more apparent! And that all culminates with Angela being tossed aside like garbage once she's no longer useful to him, as you hear her desperate wishes to just be seen!

All of that, or at least most of that, was Kim Ji-hoon. But Kim Ji-hoon is also the person who hastily fired VellMori at 11 PM, over the phone, while he was out of office in Japan, because some incels accused his company of being sympathetic to feminists in 2023.

And it fuckin hurts that the source of those stories, the stories that I just spent three paragraphs praising, the stories that are so important to me, could turn heel in half a second like that. As if he was writing completely different stories than the ones I've been reading. And I hate that? I hate that. Because there isn't a replacement! I don't get Grandma War Crimes and Dumbass Justice Enactor in other stories! Like, maybe some will come close, maybe some will have the same exact character somewhere, but never all of it together. Never written as amazingly as the City is.

So it hurts. And the silence is loud.

eXCUSE YOU regarding YGO:

…and unless someone dumps the data to an unofficial DB you better have access to judge forums. Shoutout to my boi Prohibition - "cannot be used" requires 12 A4 pages of rulings handling every possible way of trying to get that card onto the field. And some interactions can be only explained by knowing rulings of other cards that have the same (non-kayworded) effect

AKSHUALLY all percieved incongruities are all explained on the official site! That is kept up-to-date! And it depends on placement of a semicolon, not a word! we have Problem-Solving Card Text Now!! So seven or so lines of text on a card are orderly now! Old cards are reprinted with it! Modern cards are interpreted like code!

[Citation needed], but official rule patches can and will be postponed until enough money is made from outdated rules making new cards OP AF (Sangan triggering on detach early into XYZ era)

Memes about collectible card games tend to treat Magic: The Gathering and Yu-Gu-Oh! as basically interchangeable, but the truth is that each of them is fucked up in completely different ways. In brief:

Magic: The Gathering –

Official rulebook that's about nine hundred pages long

Timing and priority framework with roughly a billion different steps and sub-phases that tries to account for every edge case and technicality like a video game developer trying to stop speedrunners from clipping out of bounds

Authoritative card text resides in a massive centralised database which receives constant updates and errata, such that what's officially printed on a card may bear no particular resemblance to what's physically printed on it

So densely keyworded that a single symbol in a card's text may expand to several paragraphs of rules

Yi-Gi-Oh! TCG –

Judges' rulings in major tournaments create binding precedent which is not subsequently incorporated into the rules, creating situations where fully understanding what a card does may require a knowledge of its complete history of use in tournament play

Multiple mutually incompatible priority, timing and targeting frameworks, such that which framework is used may vary not only from card to card, but among different effects of the same card, determined by differences as small as the placement of one word

Legacy cards may receive permission to resolve their effects according to what the rules were at the time of their printing

See the difference?

Are you ok with being tagged in posts? I'm working on a fan ID of sorts and wanted to credit your contribution to lu-is-not-ok's sin analysis for the reasoning behind the resistances. If not, should I just mention the handle without tagging (like with a /)?

sure, go right ahead

sauce since that sounded too spicy:

looks like a missing comma, tbh ¯\_(ツ)_/¯ moreover, why reveal who was affected (who and how gains from this 'fame')? what actions would be good enough to reverse the damage? Whoever is banned left. Quietly unremoving posts would mess with people's blogs, and PMs informing of it would not be viral - depending on for how long (very) and relentless (also very) this went on this may mean flipping through - by hand - thousands of posts while the current backlog grows.

what IS notable, however, hides lower: >Most importantly, and why she is banned from Tumblr for life, is she made threats of violence against Tumblr staff. translation: as long as you don't prod the mods you're good to go!

its dope how the CEO of this website can casually drop the fact that he had at least one content moderator on payroll who was accepting bribes to take down blogs on request, without revealing who was affected by this or what actions were taken to reverse the damage, and were all just supposed to be like oh ok thanks for taking care of that :D

re: Nikolai: nah i get what you mean by earning. There is no clear A->B->C that would course-correct early any assumptions readers may get from one appearance to another. Given having to hash out losing sleep over how legit is anything he says is, on every installment readers run the chance of reasoning their way into a perfectly valid read - only for the author to slap it down with a different conclusion. And yeah, mismanagement of expectations happens 100% because of lack of screentime, but doesn't this sort of look… anthropic principle-esque? i mean, when the reader peeks into the plot, Nikolai can only pop up if he's relevant to it. And for the character to be relevant, they do have to move it forward somehow (= plot device), or do things with the core themes and ideas (which tbh is a blind spot to me, but the vibe i'm getting is: he's only tangentially related, hence short screentime).

...themes of the story... ...endless pursuit of freedom... ...has flawor but it's bad... …trash opinions but poorly writt--

CONDEMNED TO BE FREE

-Jean Paul Satre super rough TL;DR: having any preference at all <=> making a decision. +If the only question in philosophy that matters is suicide (- Camus!!!), then continuing to exist is already a made decision +If one is not free, they would be unable to make decisions. but see above. +as a bonus not making a decision is a decision in an of itself ("living in bad faith")

if one assumes BSD is blasting us with absurdism/theme of "meaning/purpose of one's life" - as many wonderful tumblr analysts point out, of course Nikolai would be [vague hand gestures]! Existentialism is a completely different branch of philosophy/cluster of attitudes, of course he's jobbing! of course it comes off weird; freedom if basically already solved, as a concept! He just circles and circles and circles never reaching this point! And… now that "perfunctory fact check" lead me to good ol' Wisecrack, they bring up an interesting point: "MUH FREEDOM" at it's rawest conflicts very hard with social reality (and thus, goes against the grain of whatever social commentary Asagiri is going for, by the virtue of not giving a shit about any of that; the underdog is the character who disagrees with the author).

…where were we? ah yes, funni comic book about writer twinksonas. As for characters relegated to plot progression units: there is only a limited amount of screentime to be had; if the manga's flavor is unbreakable plot armors, instead of getting killed off characters will be shuffled to the side; it's not plotted too thoroughly (see also: nary a Fukuchi poster in any of the earlier chapters), so naturally the author will flip thru a rolodex for setups and resolutions that don't have to be properly introduced again. For sake of the core idea, why is plotdevicification bad? I haven't actually read Bleach, but didn't Tite Kubo like the characters introduced in anime fillers so much they occasionally popped up in canon later? When you put it this way, the writing style does have that energy. But without the meme/gossip of "the cure to writers block is new characters".

rephrase of previous query: what would be the in-canon proof that Asagiri Gets the essence of Gogol and is in dialogue with it? (and what would be the absolute worst you can imagine him do?) re: roots: On one hand: so what you liked is the introduction/comedy part of a comic before jokes run out and Cerberus Syndrome Serious Businesses-up the narrative. On the other: doesn't it kind of fit the in-story events? up to Cannibalism you could place arbitrary windows of unknown time between most of events. Even between Fitzgerald arriving and Moby Dick infiltration you could stretch it out a bit, as negotiations continue to break down, plans are made to capture Q etc. But with DoA, what ADA interfaces with is the tail end of the plan, where all the rapid, loud plays are backloaded to. As such, pace of the plot mirrors the hurried scramble of the focus characters. This is why demon duo were relegated to the comedy interlude: they're the only ones of the main characters/monster of the week faction for whom time passes like molasses. If played out properly, post-climax of DoA should give space for cleanup of loose threads (being detailed would slow down the perception of speed; i've seen a piece of writing advice that went for slow moments, use long, verbose, descriptive phrasing. high stress is short. fast. punchy.) or to decompress - if only because it wouldn't make sense for the characters to go brr at full speed for this long.

Also i've noticed that the manga gets unpleasant when one tracks details i.e. characters chapter to chapter to chapter. It is best when one vibes with (≠ focuses on) what's happening in the moment within the chapter. As for clusterfucks: doesn't this mean that his initial setups are delicious, but as more details are added all the flaws become more apparent? the mystery of 'what's in the box'; whatever the answer is, it's never as satisfying as the possibility space of all the ways the wave function can collapse, so to speak?

Asagiri researches everything for BSD. You obsess over Gogol alone. this skews perspectives

can we form a coup against asagiri and make you the writer instead? genuinely... I am not taking the Fyodor immortal information well.. please help............................ ( ´，_ゝ` )

Oh, I would absolutely not do BSD well either. I just wish Asagiri had stuck to his roots more. He was a great comedy writer, and the beginning of the story was great for it. It's the action and Death Note stuff he can't seem to get mastery of. But for the immortal part: I'm not entirely sold that Fyodor's immortal, yet. It seems like yet another twists that will twist to reveal oh, shocker, he faked his memories to confuse Sigma/the ADA... or something. Could very well be immortal, but not 100% guaranteed.