Redemption Arc - Blog Posts

Guys, it's nothing of that sort I swear!

@blu3berry4non needs to be put into containment

Got an idea for an Artificer redemption AU... It gets pretty dark. I feel like a lot of people forget that slugcats and the ancients aren't the only organic creatures that go through unending cycles...

I am, unfortunately, not immune to the power of reformed baddies in TV! What about you -- do you love this trope as much as I do? 👀 Thanks for reading the 35th episode of Slices of Gremlin, my weekly webcomic! It currently releases every Tuesday here, on Webtoon, and on Tumblr! Please consider supporting me and the comic if you like what you see, and check out my Ko-Fi -- there's a link in my bio!

Unredeemable Hope

This is not what I originally opened Procreate to do, but Hans kinda sneaks up on you like that.

Frozen (c) Disney — fanart by @sunflowers-and-sandwiches. Please do not repost or use my art without permission.

Emptiness Machine

Starscream X Reader (mech pilot AU)

Author note: sorry for not updating for awhile but here is chapter 2! Might release chapter 3 today…

Chapter 2

Spinister. That name meant nothing to you but clearly he was a force to be reckoned with. You look sideways at the lambo twins just in time to see them shift anxiously on their peds. You look to Bee for confirmation.

“Are we rushing them or are we going to regroup.”

There was a moment of silence and then a deep rumbling started behind you. You turned to see sideswipe with his denta bared in rage. You remembered the bot had revealed the Decepticons had razed his town back on cybertron. The twins lost everyone they knew. His servos flexed at his side.

“I’m taking them NOW!”

Before anyone else could react he darted from behind the iron doors and into the cavern.

“Wait Sides no!”

Bee shouts after him. His twin on his heels and Cliffjumper cursing in Cybertronian as he launches himself in as well. Michael whoops from behind you and dives forward leaving only you and Bumblebee. The scout mumbles a muted “Primus…” before gesturing for you to follow him. The scene is in chaos. Both lambo twins had jumped Spinister and had the con firing aimlessly trying to shake them off. Shockwave was aiming his cannon at Cliff who was occupied trying to grab the humans who hadn’t been turned into red goop.

Michael leapt at Shockwave, grabbing his cannon in his mech’s massive servo and crunching the barrel on the end so it couldn’t fire. He looked at Michael as if he hadn’t seen him before. Tilting his head and examining him before taking action. The con took a swing, knocking Michael to send him sprawling into Cliffjumper who had just seconds ago safely tucked the two survivors in his subspace. The two knocked into Spinister who brought his ped down hard on Michael’s arm. You launch yourself at Shockwave who turns as if surprised to see you just as he had done with Michael.

‘Is he partially blind?’ You think as he examines you before muttering to himself. The fins on his expressionless faceplate flaring out as he brings a massive servo up to swat you out of the way. Instead his digits close around the arm of your mech and he begins dragging you towards a familiar circle of light. A ground bridge. When did that open up? Alarm jangles through you as you realize what’s about to happen.

“Spinister stop playing. It’s time to go. We got what we came for.”

Came the growling, deep voice from above you. Shockwave didn’t even look at you as you struggled in his grip. The other Decepticon breaking free of the twins and joining the scientist near the bridge. You desperately com the others, screaming into your mic for help. The expression of horror on Bumblebee’s faceplate was the last thing you see as you are dragged through the ground bridge to wherever the cons are taking you. His voice cut off as the swirling light envelops you.

“Sera! Wait shockwave! That’s not—”

The awful pulling sensation of the ground bridge nearly makes you pass out as Shockwave drags you along. You aren’t even standing now, the scientist has his fist locked around your wrist. The sound of scraping metal and the smell of ozone cloud your senses. It’s dark here. The halls lit with an almost sterile purple glow. You pass drone after drone. None looking your way as you dangle from the fist of the enemy. After passing through several corridors and through double doors, you enter what you think must be his lab. The feeling you get when you enter makes the hair on the back of your neck stand up. You can feel it even through the split consciousness. Goosebumps erupting on the skin of the small body inside you. Insidious was an understatement. Tools and gadgets lined shelf after shelf. An assortment of wicked looking drills lay on a tray next to an inverted table.

Without saying a word or even glancing your way, Shockwave lifts you to rest against that inverted table. As if you weigh nothing at all. Cuffs lock around your hand, pinning it in place. You try to keep your other hand out of his reach. Using the fact that his cannon is damaged to your advantage and kicking at him with your peds. He takes the blows, not even moving when you kick at him. Reaching around he wrenches your other arm up to join the other. You let out a growl deep within your chest. Fear mixing with anger now as you watch him above you. Just observing you. Quietly curious and unsettling.

“Your energy signature is non existent. But you do not have an active cloaking device.”

He pauses for a moment to scan my chassis.

“What are you.”

It was framed more as a statement than a question. Gritting your denta you snarl back at him. Trying to make seem like none of this scares you. He doesn’t react when you make the sound. Rather, he turns to the display mounted near the table and studies the scan. You can see that it reveals the tiny organic body inside your chest. Your body, you remind yourself. Sometimes it’s hard to remember that you aren’t Cybertronian. He whips around digging a massive servo into your chest plating and prying open the compartment. It hurts. Pain ripping through your receptors to make you scream. Writhing against his grip as you fade in and out of consciousness from the sudden trauma. Energon leaks from the proto-armor underneath your plating protecting your small form inside. You vent raggedly as he grabs a scalpel and slices at your metal flesh to reveal the cockpit where you sit. Unconscious and slumped over in the gel seat, your body feeling delicate and exposed again.

“Stop stop stop! You can’t!”

And he’s reaching again. Gentle digits now curling around your body before you even have a chance to run disconnection protocols. You can feel your consciousness bouncing back and forth between the two vessels as the pneumonic needle slides uncomfortably out of the back of your neck. Gasping in a breath, you open your eyes. Wet with tears as you try to come awake. White light clouds your vision and sounds are muffled as the red glow of the scientist’s lone optic bathes you in ruddy light. Groaning incoherently, you hear him make a deep rumbling sound. One you’ve heard before when the auto bots speak Cybertronian to one another. Your mech had been translating this whole time. You shake your head trying to clear it. You didn’t know any Cybertronian and couldn’t communicate with him without your mech.

Before you can process what’s happening, he dumps you into a glass tube and sets it on a table next to your mech. You watch as he walks towards the door and leaves you there disoriented and unable to move. Your limbs feel achy and you can still feel the phantom pain of your chest being ripped open. Hands moving over your body you don’t feel any actual injuries. He hadn’t been rough with your actual body now that you think of it. His hands had been warm and gentle when he lifted you free of your mech. Looking around you try to get your bearings. It takes a moment for you to get your feet under you to stand, your legs shaky and weak. You only topple back down to the cold glass floor of the container when you try to move. Giving up, you lay there hoping sleep will take you and the pounding in your head will cease.

When Zuko apologized to uncle Iroh in the tent cause he was so ashamed of his actions and what he’d done to the only person who unconditionally believed in his ability to do good >>>>>

Cozy Glow as a character frustrates me. Moreover, how we never even sniffed in the direction of a redemption arc for her. (Outside of the shared one with Tirek and Chrysalis in S9 that lasted a whole entire 3 minutes). We never get to see her backstory, learn about her family, and we don’t see any motivation for her actions other than simply wanting more power. We see some other villains who do the same throughout the series, but as far as we aware, cozy glow is just a little girl. Literally just a filly. And she never gets a redemption, or help, or learns a valuable lesson.

She is a kid that hates for the sake of hating until eventually she is turned to stone. I can see from one perspective that this was intentional: having a character that is just bad to be bad can be a refreshing break in the well-built stereotype throughout this show that everyone and anyone can be redeemed. But also. She’s a kid. I don’t like it. I would even argue that that throwing a 10 year old into a horrible, vile, dungeon meant for the most vile criminals and beasts, and then turning her to stone, is inherently immoral. But that’s just me.

I’ve read around about theories that Cozy Glow isn’t actually a filly, and is instead some bigger more-ancient evil being trapped in a filly’s body, or just looking like one. When we first met her character, this is also what I thought. All things considered, she totally could be! In which case, I would probably like the way her story ended a lot more. But in canon, we don’t really get anything that hints this is true. She is a cunning and manipulative foal, and her cutie mark is a chess piece. It tracks. She is kind of just evil because she wants to be, and this little kid gets sent to a horrible prison, and then turned to stone

I didn’t mean to start a debate, but since we’re at it . . . .

Starlight was a broken and lonely pony. She didn’t want to be alone, and she hurt people in an obscene way to achieve that. Obviously, the things that she did was terrifying and I also think her redemption was rushed (discords redemption arc is the only one I truly adore in FiM) but after her initial redemption she struggles to fit in and cope with how terrible she was to ponies. We see how her horrible actions hurt her later in life as well. Chancellor Neigh Say literally flipped like a switch (I have only finished season 8, so if his redemption is more fleshed out in season 9 I may backtrack this opinion, but don’t give me any spoilers). He went from extremely racist and hell bent on destroying Twilight and everything she has built, and one incident toppled him on his head and turned him into a good guy without any repercussions for the things he did and said and how he treated literal CHILDREN. Do y’all realize that? He chained up innocent CHILDREN. He doesn’t deserve a redemption arc because his only justification for his horrible treatment of non-pony creatures was simply that. Because they were non-ponies.

If a character has such violently hateful opinions of other species and his entire personality was written around him being a pony supremicist, then no, I don’t think he deserves a redemption arc. No one changes that easily, especially on that kind of opinion. If it was taken more slowly and dug a little deeper into his rooted dislike for other creatures, I could give him a chance. But not with the knowledge I currently have of him. But again, I’ve only seen up until season 8, so any actions he may take in season 9 could very well change this opinion.

I just finished season 8 of FiM.

Chancellor Neigh Say shouldn't have been redeemed.

Discord has one of the best redemption arcs I have ever seen. Everything that drives him is the true and honest kindness he received from Fluttershy from the very beginning. She gave him genuine friendship that he didn’t have to fight for, unlike with the other mane 6. Don’t get me wrong, their wariness and distrust was 100% valid. Especially considering how discord betrayed them more than once after his initial redemption. But this betrayal is exactly what I love most about his growth. It wasn’t instantaneous. He didn’t immediately change into a good person or a good friend, He lapsed back into his bad habits and his old lifestyle because that is where he felt safe. He didn’t know how to be a good friend. And certainly didn’t know the first thing about changing. But he worked to become better anyway. Despite his poor choices, Fluttershy stuck by his side as he worked to turn himself around and break away from the lifestyle he used to rely on.

It is such a real representation of what it takes to change. Mistakes, grace from those around you, and most importantly, it takes time. The writers captured all of this and more while still staying true to the whimsy and the chaos that makes Discord who he is. I love this show.

I feel like people forgot that redemption arc doesn't mean making the fans forgive the character.

Redemption arc is a process of a character actively trying to change their ways in order to redeem themselves from their past dids.

It's not just "I did bad things but I'm good now" (AHEM CATRA FROM SHE-RA).

If I killed a person but saved a life it does not compensate the life I took, I'm not "redeemed".

I LOVE good redemption stories but sometimes I feel like society forgot what redemption arc stands for. A lot of times it became to just making a bad character do good things so people will like/forgive them, not an actual redemption.

Yeah, I think I'm still bitter about this…

Why Abby never redeemed herself (and what that means for the story)

As divisive as the discourse surrounding Abby as a character and The Last of Us Part 2’s story as a whole is, I have felt the need for quite some time now to properly put into words why much of the intended effect the highly ambitious narrative attempted to achieve has unfortunately never occurred for me. This is due to a single central problem: Abby does not have a redemption arc. A redemption arc consists of two equally crucial aspects: a) the character undergoing the arc realizes that they made a mistake/have been acting morally reprehensible b) they make the conscious decision to do/be better Abby doesn’t do either of those things. Regarding the first aspect, the only instance where Abby alludes to feeling some type of guilt or shame or regret regarding any of her actions (both in terms of what happened in Jackson and what’s going on in Seattle) is on day 2, while she descends the hotel with Lev. When asked by him why she’s helping them, Abby says she “needed to lighten the load a bit”. This is most commonly interpreted as her feeling guilty. This one sentence, however, is so incredibly vague that it’s impossible to determine definitively what she’s talking about here. More than likely, she is referring to having slept with Owen. Not only did that happen mere hours ago, meaning it would still be on her mind, but additionally, Abby has remained consistently defensive, almost aggressively so, when being questioned or challenged in the slightest about Jackson (nearly all her conversations with Mel and Manny during the first day showcase this), so why would she out of nowhere admit any feeling of guilt concerning Joel? Furthermore, nothing occurred that could have acted as a trigger for Abby to start looking back on her actions with self-reflection/self-criticism. And for precisely these reasons I didn’t take that line as an allusion to Joel. (Again, it is possible to interpret it this way, I’m just illustrating why I deem it unlikely.)

Her decision to save Lev and Yara, as is implied by the narrative, is motivated by her feeling like she owes them for having saved her life. And thus (since they would likely die otherwise) she felt somewhat obligated – against her better judgement – to help them in return. Abby doesn't feel the need to change her mind about the Seraphites, she merely makes an exception for these two. Even when interacting with Lev and Yara, she continues to be reluctant, judgmental, and condescending throughout the majority of the first two days (we can spontaneously think of snide, condescending comments Abby makes toward Lev whenever he is talking about his faith), again showcasing that she clearly has no desire or intention to change her mind about their faction, as well as continuously refusing to take them seriously/treat them respect. And while on the subject of Lev and his faith, we do see Abby learning quite a bit about the Seraphites’ religion, but it’s always through the lens of Lev, who makes an effort to distance himself from the rest of his people. When explaining himself to Abby, he makes it clear that this is his belief, and that the Seraphites deviated from their original beliefs/teachings some time ago, thus only reinforcing Abby’s previously held beliefs. She is given no reason to look at the conflict between the two factions from an objective/distant perspective, possibly realizing that misunderstandings, prejudices and year-long, one-sided, vicious rhetoric might have blown the conflict out of proportion (and that she may have been complicit in that). As a result, Abby continues to have no qualms with slaughtering Seraphites. On the morning of the first day, Abby doesn’t hesitate because they're all just religious lunatics to her, and she continues to have this attitude at the end of the third day, Lev being the only exception. There's complete absence of self-reflection, admittance of fault, or desire to change her way of thinking from Abby's side, so where exactly is her supposed character growth? Ultimately, Abby believes to be 100% justified and her enemies to be 100% at fault (this goes for both the Seraphites and Ellie). But there is another problem. Even if Abby had undergone a decent arc, learning the error of her ways, or at the very least realizing how her years of blind loyalty and narrow-mindedness led to unjust, meaningless bloodshed, it would ultimately be irrelevant unless she also drew a connection to her misdeeds against Joel and Ellie. Her supposed “redemption arc” during the three days in Seattle is entirely removed from what she did in Jackson. Thus, even if her arc was well-written and brilliantly executed, she would have at most redeemed herself with regard to the WLF/Seraphite conflict. Let me quickly illustrate why: in a hypothetical situation where I set your house on fire and then immediately afterwards cross the street to give a homeless person 100 dollars, would I have repented myself in your eyes? Would you absolve me of my crimes against you? No, because these two acts are entirely independent of each other. I have not shown repentance towards you or made amends for the injustice you suffered because of my actions. Similarly, Abby has not redeemed herself in my eyes, even in the hypothetical best-case scenario where she undergoes a well-crafted and fantastically executed redemption arc in Seattle (which would give me something to work with at least). Unless she makes the connection and expresses some sort of regret or remorse for what she’s put Ellie through, it is impossible for her to redeem herself regarding this offense and that’s the redemption I was interested in seeing. Some players seem to hold the belief that Abby doesn't need to redeem herself for killing Joel. I cannot argue with that. All I can do is illustrate my position, I believe that her actions were wrong, particularly regarding Ellie who had absolutely no part in killing her father. Hence, I expected – in some way even demanded – a redemption arc, at least if I was ever expected to come around to Abby.

I went into her section looking forward to seeing things from her perspective, wanting to latch onto her personality and get engrossed in her arc, but was ultimately let down. And I wanna make this absolutely clear: Abby does not need to regret having killed Joel in order to redeem herself (both in the audience's and in Ellie's eyes). Her motivation is after all understandable, much like Ellie's is. Still, I would have liked to see her feeling regret for having killed Joel in such an exceptionally and unnecessarily brutal and sadistic way. Perhaps Abby could realize that Isaac's years of training turned her into a heartless, unfeeling killing machine, and that this “darker side” of her came even more to the forefront during that highly emotional moment in the ski lodge. Perhaps, in retrospect, the fact that, despite Ellie's repeated crying and pleading, Abby still went through with killing Ellie’s father figure right in front of her eyes, is slowly starting to gnaw at her conscience (since Abby has been in a similar situation). Just imagine a confrontation between these two women where they actually get to have a conversation with each other. Imagine Abby eventually expressing regret, apologizing to Ellie for having caused her so much suffering. How would that effect Ellie who has been desperate to kill this woman up until this point (in this alternative, hypothetical story)? I cannot express how much potential for compelling dialogue and really powerful drama lies in this alternative scenario. In this version, Abby, who gave into her darkest impulses due to her anger and sadness and insatiable need for vengeance, could ultimately, through self-reflection, realization and asking for forgiveness (a.k.a. actual character growth), prevent Ellie from going down a similarly dark path. And I am in no way implying that this is the only direction this story could have gone that I would have accepted, but I needed to be given something at least. But we were denied all of this. No critical self-assessment, no admission of guilt, no want to redeem herself in the eyes of the people whom she wronged. And thus, Abby's potential redemption arc turns to dust. Now I feel the need to address another incredibly large issue I have with Abby, not as a character within a story, but as a person within the universe. Because unfortunately I am not convinced that I’d be capable of coming around to her even if all these major issues were fixed. And the reason for this being numerous independent acts which I am not able to overlook or excuse. Beginning with her sleeping with Owen. Completely ignoring the fact that him and Abby talk about torturing someone only to 5 seconds later do the devil’s tango (which is quite frankly one the most disturbing things I’ve ever had to witness), I personally find infidelity an inexcusable offense. There is not a single good reason not to be honest with your partner, not to resist your impulses, not to do the right thing. The fact that Mel is about to bring Owen’s child into this world is not exactly helping either. And with this one act (of which I’m to this day unsure why it was included in the game at all? What purpose did that sex scene serve apart from traumatizing me for life?) the writers pretty much sealed the deal for me regarding my opinion of Abby, all the goodwill that might have been left completely eradicated. But I had no idea what profoundly disturbing and repellent things were yet to come. On Day 3, after Abby followed Lev onto the island and he just lost his sister, Abby, in order to ensure they escape the island together, goes on to mow down WLFs and Seraphites alike. For one, the matter of fact is that there would have been plenty other ways to get out of that situation, for instance: a) Why do they not return to the boat with which they came (and landed on a very remote part of the island with)? I know they offer some bs throw-away line from Yara about hearing gunshots coming from there, but honestly anything would be smarter than going through the main battle that’s going on in Haven.

But no, we can’t have characters make rational decisions, we need another cool action set piece, goddammit. b) In that confrontation with Isaac (I still can’t get over how they actually ran into him, like what are the odds of this) why wouldn't Abby just tell Isaac that she wants Lev to herself, that she wants to take her sweet time torturing him? Don’t tell me Isaac wouldn’t be on board with that. But then Abby and Lev would be able to escape the island no problem, and we need to show how much Abby cares about Lev (who she met 24 hours ago btw) by having her willingly accept getting shot to protect him. We can’t have Abby making rational decisions that would ensure both her own and the kid’s survival she apparently so desperately cares for, we need another cool action set piece, goddammit. What I am trying to illustrate is that there would have been more than one alternative to avoid having to kill her own comrades. But no, Abby instead opts for the way that not only takes longer and is much riskier but is also the one that forces her to kill her own comrades/friends. (Me criticizing the stupidity of the character's actions is obviously by extension a critique of the poor writing, since a more creative/more talented writer would have come up with logical, sensical ways to get to this plot point/action set piece. I'm not criticizing the fact they prioritize a certain plot point, but there's ways to reach those in more organic, logical, non-contrived ways.) And what does Abby have to say when Lev asks her about just having killed dozens of her own people? “It doesn’t matter.”. Mind you, these are the people she has spent the past four years with, the family and the home she was granted after having lost that in Salt Lake City (keep in mind how much effort they put into showing us how chummy Abby was with literally everyone during Day 1 too). And she ploughs through them with absolute apathy. No hesitation, no moral dilemma, no inner conflict, nothing. This woman is a literal sociopath. And I know it sounds like it couldn’t get any worse, and yet. I think my absolute favorite thing about Abby has to be how selfless and empathic she is. Only take the scene at the end of day three where she finds Owen and Mel dead in the aquarium. What is the next thing Abby does? She drags a 13-year-old child into a combat situation, a child who has recently been through five – count them five!!! – severe traumatic events within the last three days. a) He was excommunicated from his community, whose members then went on to hunt him and his sister down for sport. b) His sister lost her arm trying to protect him, nearly dying in the process. c) He had to kill his mother in self-defense because she was so unable to accept him for who he is to the point of attempting to kill him. d) He lost his sister whose last act was saving his life once again. e) He watched the community he’s been a part of his entire life being slaughtered in front of his eyes while his home and the physical manifestation of his faith, their place of worship, burned and razed to the ground. This 13-year-old child needs all the affection, attention, compassion, support and time in the world to be able to cope with all this. But unfortunately, Lev is stuck with Abby, who couldn’t care less. As soon as she finds her two friends dead, Lev’s struggles are immediately brushed aside. So much so that she drags him along, willingly putting his life at risk again while also expecting him to be capable of focusing enough to assist/aid her. “I know you – a literal child – just lost everything that made up your sense of identity and belonging, but I really liked my two friends, so shut up, we need to focus on me first.” And people expect me to like this person? Of all the things Abby did that make her the most psychotic, despicable, and morally reprehensible person, this one might take the cake for me personally. How far up your own a**, how far removed from any capability of showing empathy do you have to be to act this way?

It seems to me that she does not care about Lev after all (only when we need a cool action set piece where she kills all her friends – she does it out of love for this random kid though, so it’s okay). And yet there remains one final moment, one decision, one act that we need to talk about – when Abby reacts with glee upon hearing she is about to slit a pregnant woman’s throat. And once again, if it wasn’t for the presence of a literal child, she would have gone through with it. I've heard claims in defense of this heinous act such as she deems it retribution for Mel's death. And I don’t know about you, but I didn’t get the impression she liked Mel all that much, especially considering she barely bestows a glance at Mel’s lifeless body, she instead cries over Owen. Let's compare her to Ellie for a moment, as people often tend to, thinking it would benefit their defense of Abby: When Ellie confronts Mel and Owen in the aquarium, she makes it clear from the very first second that she is not interested in them, but in Abby (prioritizing the actual perpetrator as opposed to mere (somewhat innocent) bystanders). And I’m gonna have to rant for a second about how utterly dumb and contrived this whole scene is: a) Why exactly is Mel there to begin with? Why is a woman as heavily pregnant as she is even allowed outside the base, much less in a combat situation? (It almost seems like the writers needed to make sure there’s a pregnant woman around for Ellie to kill, no matter how nonsensical and contrived it might be, especially considering we’re in a post-apocalyptic world where pregnant women would be the most valued (and thus most protected) members of society, seeing how they literally ensure the survival of humankind.) b) Mel conveniently wears a big ass coat that hides her belly, when every other second we see her throughout the game she has it on full display so that everyone can immediately tell how heavily pregnant she is. c) Why in the world would the first thing out of Mel’s mouth not be that she’s pregnant? Someone’s holding a pistol to her face and she doesn’t even consider pleading to Ellie to spare her and her child? That Owen doesn’t say anything is even funnier, but we already knew that he doesn’t care about Mel and his own child, so. d) Why would they refuse to give Ellie the information? Not only has it been established that Mel doesn’t care too much about Abby, there should be no dilemma for her when it comes to choosing between protecting her own child and ratting Abby out. But also: Abby is on the Seraphite island where an attck is currently taking place? What are the odds of a) Abby surviving that in the first place, b) Ellie actually managing to get there, and c) Ellie surviving, finding and killing Abby? You have absolutely no good reason to not give up Abby's location, you have nothing to lose and only your own and your child’s life to save. e) Why the hell would Owen approach Ellie who is holding a gun to his pregnant girlfriend’s face? Yeah, sure, don’t comply with her, she can only kill the three of you within milliseconds. (Like, I want so badly to empathize with these people, but it’s really difficult when they continue to be so utterly stupid and incompetent.) f) Ellie, if you threaten someone with a gun, you make sure they don’t come within a two-meter radius of you. And if they don’t back the f*ck up, you shoot them in the kneecap. Then you point the gun at the preggo lady and tell her you’re gonna kill Owen unless she gives you the information you want. Why are you suddenly the most idiotic and incompetent human being? You see, we can’t have characters make rational decisions, we need to show that Ellie is the evilest person to ever exist, no matter how contrived and nonsensical all the events leading up to it are (including discarding Ellie of her core characteristics and skills). Look, she killed an unborn child! Yeah, sounds fine in theory, only problem being:

a) Ellie didn’t know Mel was pregnant b) they attacked her first, she killed them in self-defense c) she had a complete mental breakdown when she found out Kinda the exact opposite of Abby, wouldn’t you agree? Abby knew Dina was pregnant, neither Ellie nor Dina was a threat to her any longer, and she was thrilled to take Dina’s (and her baby’s) life. You can try however hard you like to convince me that Abby is somehow justified here or that she’s a morally grey character, but no matter how you slice it, chief, that is not morally grey, that is repellent and disturbing. I have now done everything in my power to illustrate as detailed and thorough as I was able to why Abby did not have a redemption arc and why both the absence of her arc as well as her deeds independent of it led me to have as strong a negative opinion of her as I do, both as a character within a story and a person within the universe the story is set in. Another question that could be posed, however, and the final thing I wanna address, is whether Abby even needs a redemption arc. After all, there’s a plethora of despicable, morally reprehensible, detestable, and downright loathsome characters in popular media who are widely beloved regardless (we collectively have a soft spot for villains it seems). And I think I’d be much more forgiving if the overall consensus was that yes, Abby is a horrible person, but some people enjoy her regardless because she’s still a well-written character. And if that is your personal stance I would never bash you for that. It only gets exceptionally annoying when the game itself seems to imply that I am a bad person if I do not end up liking Abby. And not for their lack of trying, no, they really tried to a comical degree. This essay is way too long already so I will just quickly outline a fraction of all the cheap and manipulative tactics this game uses to trick us into siding with Abby. a) Play fetch with the dogs that you were forced to kill in earlier parts of the game, don’t you feel bad? No, I do not. The alternative was dying, I did what anyone in that situation would have done. I do not feel bad for protecting Ellie's life. b) Do you hear that sweet Gustavo soundtrack? The one that so many players associate with all the good feelings the first game elicited in them? The one that so well encompasses the “The Last of Us” experience? Yeah, we’ll play it mostly during Abby’s parts of the story and leave it out of Ellie’s (except for the prologue/epilogue), so you feel more inclined to sympathize with Abby. c) Look at how precious Abby is with her kid side character, it’s such a lovely and heartwarming dynamic, reminds me of someone else but I can’t quite put my finger on it. No, we couldn’t have possibly written a different dynamic that doesn’t play on the player’s preexisting emotional associations. How could the audience possibly empathize/connect to a dynamic that isn’t a replica of Joel’s and Ellie’s? d) Look at all those mechanics and weapons in Abby’s gameplay, the strangling people, the shivs, the ladders, the flamethrower/hunting pistol (El Diablo), isn’t it reminiscent of playing as Joel in the first game? Yes, we will continue to shamelessly exploit your emotional investment in characters from the first game (while simultaneously doing everything to thoroughly obliterate said characters you have such a strong connection to). e) Who would have thought? Abby had a dad who was such a good guy, saving Zebras in his spare time (which by the way is so laughable, that’s something a 10-year-old would come up with to make his character sympathetic). Doesn’t really cancel out the fact that he got a hard-on at the chance of killing a 14-year-old child, but he was such a good guy though.

And don’t you love how we once again feel the need to replicate Ellie’s and Joel’s relationship to such a comical degree? Collecting artefacts (cards/coins), bonding over an exotic animal (giraffe/zebra), teasing my daughter about her potential boyfriend (Jesse/Owen), the day trip to a place that becomes like a safe haven to us (museum/aquarium). The main problem I have with these tactics/parallels is that they do not serve any narrative function. They never amount or lead to anything, never play a part in a character’s arc (e.g.: one them reevaluating their opinion of the other because they share similar origins/motivations) or serve to elevate the themes/message during a crucial emotional pay-off. None of these things ever influence the plot, influence a character’s motivation/goals, heightens/showcases/elevates the themes of the story, meaning they do not serve any narrative purpose. And thus, their only remaining function is to manipulate the audience. All these framing devices ultimately reveal that the writers were clearly biased towards one of our two protagonists. They do not hold Ellie and Abby to the same standard. Abby gets her revenge, never aims to forgive Ellie or be the bigger person, and still gets off nearly scott-free, with her life, Lev by her side and the promise of finding the Fireflies. Compared to Ellie who doesn't get her revenge, is expected to be the bigger person by forgiving Abby and still loses everything in the process. Pretty biased for a story that is supposedly about how there's no good or bad side – the writers clearly seem to think there is. Compare this to our introduction to Joel in the first game. One of the first character defining actions we see him take is abandon another family on the side of the road because Joel is the kind of guy that prioritizes taking care of his own. That is who he is. And the game simply presents this to us, never telling us how to feel about it. Similarly, I think it would have worked much better if they made Abby a character defined by clearly setting herself apart from Ellie (instead of ham-fisting all these not-so-subtle parallels in) and letting me make up my own mind about her, instead of constantly and patronizingly forcing me to feel a certain way. If you write a complex, multi-dimensional, compelling character, chances are I will be able to connect to or at least appreciate that character, no matter how villainous, despicable, and loathsome they might be. I personally adore Cersei Lannister from Game of Thrones. And she is an absolute c*nt. I actively despise her within the confines of the story because she continuously tears down my other favourite characters in the most horrific ways. Yet I absolutely adore the artistry, talent and creativity put into creating such a complex and intriguing character, so much so that she is my all-time favourite character. I know the difference between liking a character because they're well-written and liking a character because they're a good person. However, “I don’t like this character because they’re a shitty person, no matter how well-written they might be” is a strong enough argument regardless. A character being a horrible person is justification enough for someone to not like that character. If Abby were well-written, the writers would not have felt the need to resort to blatant and transparent emotional manipulation to force us to feel a certain way about her. The fact that such a large portion of the audience still failed to connect to Abby is not a reflection of the audience’s inability to feel empathy for morally grey characters (again, even the most horrendous villains are often beloved, as long as they are well-written), but instead a reflection of how much the writers failed to create a complex, compelling character we would want to root for.