Eliot Spencer - Blog Posts

which fucking queer sat down in the writer’s room for leverage and wrote the rundown job huh ??? HUH ???

why is hardison fist bumping his “best friend” about how hot his girlfriend is ?? why is eliot grabbing hardison by the back of neck, pulling him in with the most intense stare ever, and then doing the verbal praise equivalent of making out with him ??? eliot is an obviously traumatized self reliant prickly bastard, and yet he decides to throw away his crutches and completely rely on the other two for support ???

god take me now. leverage writers had absolutely zero business drenching this episode with all this polyamorous energy in the year of our lord 2012– hell gay marriage wasn’t even federally legal yet. they knew exactly what the fuck they were doing and i am kissing them on the mouth for it.

Ok I just finished rewatching The Rundown Job and so far I have -

The most ridiculously peacocking display of competence porn. What do you mean "'sup Eliot." What do you mean "who needs luck". Where is your damn shame? Where is hundred more episodes of just like this? 10/10 worth every watch.

'I've got a hacker *enter bf*, and a thief *enter gf*'

Only Parker noticing 'too many cops'. It's such a cool detail throughout the show how observant she is just offhandedly, unlike Eliot who observes actively.

Parker pretending to promptly fall asleep as soon as they're in the truck, only to have the handcuffs off in seconds.

"What do they say about me? I hope they gave me a cool nickname." I'll bet all the kudos on my most popular fic that he hacks into his own pentagon file regularly to make up his own nickname.

"Hell your girlfriend's already out of the cuffs" *Parker smiling and sliding them off* AND IT'S DIRECTED NOT TO HARDISON, HER EXPLICITLY STATED BOYFRIEND, BUT AT ELIOT, THEIR BOYFRIEND.

Putting Hardison in those glasses. Those damn glasses. I need a glass of water jfc it's hot in here

'For better or worse, we change together'. Aaaaaand that's on wedding vows.

"I'll drive." "Hold on." "Exactly." "No, I mean hold on. (Our gf is a former gateway car driver)". "Oh. Oh you mean. Yeah."

The hand on the wrist and eye contact and saying 'I'm not afraid. I got the best thief and the smartest guy I know chasing this guy'

HAND ON THE BACK OF THE NECK AND PULLING CLOSER 'HEY LISTEN TO ME YOU'RE THE SMARTEST GUY I'VE EVER KNOWN HARDISON I NEED THAT BRAIN TO GET ME TO HIM. GET ME TO HIM'. Screaming crying frothing at the mouth et cetera et cetera

Figuring out the job TOGETHER

This is Hardison. Hardison likes his personal space. These are Parker and Eliot. Parker and Eliot also like Hardison's personal space.

The eyes on each other's lips during unlocking doors and saying thank you

'Kiss for luck?' the sequel: love boogaloo

HACKING THE MF CAR HORN WITH AN SOS THROUGH A MOBILE PHONE

"BOOM MY BOY THAT'S WHAT I'M TALKING ABOUT!!!" first of all that's his boy so jot that down

Also side note this episode shows the fascinating way Hardison uses his brain and I wish we saw more of it because it's fascinating how he derives what he does from the few bits of data he gathers

"He's on the train!" "Yeah well so am I." "When you pick him out of the crowd-" "No. I'm ON the train! 🙄 Never mind..."

Two good ole boys behind the wheel 🎶 chasing the target and their gf in a million dollar car 🎵 two good ole boys-

*Hanging by her fingertips from a running train roof almost mashed into pulp by signage" WOOOOOO HOOOOO

The way Parker picks him out, not by using thief sense, but mastermind sense that he's immune -> got vaccinated -> pain in the arm. Brilliant way to pick someone out from a crowd while not raising panic

Keeping him talking till she takes the briefcase that he HANDCUFFED to himself right under his nose. How? Well, she's Parker.

"I kept one diamond. Sorry." I love her

Finally "kiss for luck" the trilogy comes to an end

*casually endangers self* "Fire is the only thing that kills it right?"

"Don't do that to me, I can't lose you. Do you understand? I can't lose you. Don't scare me like that. I can't-"

Eliot Spencer: *Barks 'Alright!' at the guy touching him to literally patch up his bullet wound.* Also Eliot Spencer: *ditches crutches so he can lean on his girlfriend and boyfriend*

"I work with them now." Would you like to stay for dinner? "Honor among thieves? Something like that." WOULD YOU LIKE TO STAY FOREVER??!!!

"I don't do hospital." "I told you, he takes getting shot very lightly." Uh huh, you know what I smell? LOVE. In the air! Might be some blood from those bullet wounds too ig.

What a show.

Okay, okay. You all are probably ANNOYED about my Leverage posts- and I was on the fence about posting this one because I'm only on season 3. However, I just have SO many thoughts and I need to process them. So- here it goes;

*takes a deep breath*

Leverage is home. Like, I don't- I don't know to explain it. In another post I said the show was intoxicating and that's still true. But it's also- it's also home. Maybe I'm the only one, but when I watch it- I feel like I belong. Which is ridiculous. I'm not talented at all- but Leverage is almost like a security blanket. It's- it's safe and warm... it's home.

The only thing I can think of why it's home is because of them. Because they make it feel like home. They make feel safe and like your being cared for. Like your not alone. Even if you don't think your good at something- Leverage has your back. It gives you a sense of security. Which is weird because their criminals. But- like they said; Sometimes the bad guys are the only good guys you get.

I mean- you have Nate Ford who is always two to three spaces in front of the bad guy. Who sits there and listens to victims and gives them hope. Who talks to his team and bounces ideas off of them- instead of talking down to them. He's the kinda guy that watches from the background and sees all sorts of angles. Gets into the minds of both the victim and assailant. And if the con goes wrong- he has a second one ready to cover. Whose weakness is an empty bottle in an occupied barstool.

You have Sophie. A terrible actress whose good at acting. She can play any part. Be unseen- while being seen. Whose brave, kind, and gentle- but can kick butt when needed. She's not a damsel in distress- but she'll play the part. And the thing about that part is; it's so convincing- even she believes it too. Despite that- she's honest and sincere, she'll tell you what she thinks. Her heart is gold. Her trust is thin. She's like a snake- hypnotizing. Her weakness is the love she gave to a man who thinks too much and feels too little.

You have Eliot. A man that- if you just look at him- you'll just shrug him off. He's like any other brute. Big and brawny. And that's why you shouldn't ever judge a book by it's cover. He's so much more than that. Yes. He's brawn. A real southern charmer. But he has a brain and a heart. He's that big brother and gives you hugs and you can't help but melt into the security of that feeling. That feeling of safety that you just know has an ocean of anger underneath. But your not scared, you can't be scared. Not of him. He's the kinda guy you run towards- because you know he'll keep you safe. And yeah- maybe he'll use his brawn to keep you safe, but he'll also use his brain and his heart. He'll get you out of the situation in one piece with a grumble and a growl. His weakness is his kindness and that's why doesn't let it show.

You have Alec. The brainiac. The hacker- who isn't all that much to look at (compared to Eliot,) at least not at first glance. Yet, there's something about him that screams safe. Just as much as Eliot. He's outgoing and kind. Smart and funny. And the way that he's got everyone's back- even when it doesn't seem like it. He's your go to- to find any kind of internet mistakes and he's a good shoulder to cry on. He's that brother who is dorky, awkward, and nerdy- but he's honest and sincere. His weakness is not being able to be there when it really matters.

And- and you have Parker. The thief. The master thief- that didn't belong anywhere. Nimble and lean as she flips and slinks through vents. She's the little sister the family didn't know they even wanted. Until finally they realized she was what they needed. She's bright and cheerful despite how she grew up. Her life wasn't easy foster care and street living is a rough life- but she still believes in good things; Santa clause, Nate, Sophie, and Eliot. Most importantly she believed in Hardison. She was on her own until she was found and working with a team. Then she belonged to them. Everything she had done- was so that they knew she loved them. Her weakness is having the ability to not get caught.

To end this; Leverage is an amazing shoe- because it reminds us that no matter our background. No matter how many times we've messed up and haven't belonged- we are all human. It tells us that we will find our home, our tribe, our safety. That no matter our weakness- we'll always have somebody who can take our weakness and become our strength.

I'm only on season 3. I'll more than likely have more thoughts come by season 4/ season 5. (If you agree or disagree- don't hesitate to message me!

Okay, somebody can correct me if I'm wrong- but at the end of The Nigerian Job, when the team was convincing Nate that they should keep doing what they did- Eliot's whole argument was Nate. Nate falling apart. Nate needing the chance. Nate not being able to walk away. Nate.

Then, suddenly Eliot became the whole team's body guard. (Something he's grunt and gruffed about.) Yet. Yet. Somewhere (I say it was The Iceman Job and The Inside Job,) Eliot's brain switched from protecting the team to protecting Hardison and Parker. (Again correct me if I'm wrong.) Suddenly his job became more about having Hardison and Parker's back than having Nate's back. Maybe I'm the only one whose noticed- but Eliot become more softer with both Hardison and Parker after those particular jobs. Sure he keeps that gruff, sarcastic wit about him but there's often tones of... protectivness(?) when he interacts with them. Almost like he's telling other people around them- whose in ear shot- that Hardison and Parker are his. Like he's possessive.

Now, I'm not saying Eliot just stops caring about the rest of the team. I mean- he beats up Sterling for Nate and in Redemption Eliot is following Sophie around a handful of times. Their are even times where he has Breanna's back and Harry's. But he seems to treat those situations like a case. He compartmentalizes those situations. With Hardison and Parker- he doesn't. It's like his brain won't let him. He sees Hardison and Parker and it's like- all bets are off.

And on the flip side- has anyone noticed that Parker and Hardison seem to be the only ones that know how to... defuse (is that the right word?) Eliot? Like even Maria couldn't get Eliot to relax in The Hurrican Job. (Of course that's probably because Eliot was hiding who he was to her.) But Eliot always seems to be more relaxed when he's around those two.

In The Iceman Job after when Hardison tries to hug him? Eliot wasn't really fighting it. (I would know- I do that to my brother ALL the time when he tries to hug me.) In The Inside Job- when Eliot went to attack that employee- Parker stopped him. In The Double-Edge Sword Job, when Eliot is furious because an abusive ex comes after a women that they tried to hide- it's Parker that calms him down. It's Hardison who pays off the bartender when Eliot attacks Sterling. It's Parker who is always by his side or close to it. It's Parker who trusts Eliot when their in the back of the van with Vance. (Yes, Parker trusts Hardison too, but Hardison is a hacker- not a protector.) It's Eliot who Hardison listens to when he's not confident. It's Eliot who grabs Hardison from the coffin. It's Eliot who crouchs behind Hardison as Parker flips around him. It's Eliot whose hands are shaking when he they have half a second on a bomb.

Eliot Spencer is Hardison's and Parkers. They own him. In the same way Hardison and Parker are his. He owns them. (Does that make sense?)

For the record- I don't know why I'm pointing all of this out. It's just interesting to me... I guess.

"I'm glad you found a family." -Amiee

"W-what... those guys?" -Eliot sputtering

Yes, Eliot. Those guys. The very same guys who you couldn't walk away from. The same guys who get on your nerves- but for some reason you protect. Those guys who have you wrapped around their fingers. Who remind you that your smarter than you think.

Those guys as in;

Nate who needs protecting from himself.

Sophie who needs protecting from her past.

Hardison who needs protecting from his mind.

Parker who needs protecting from the monsters she's lived through but are still around.

You, Eliot- you big teddy bear- decided they were worth it. So you stayed for them. You sir, stayed because they needed you.

Those guys are your family.

I still can't get over how Eliot and Hardison do their "secret" handshake- even though Eliot is miffed that Hardison ate his sandwhich.

I still can't get over how Parker calls Eliot "Sparky," and he's scared enough to rip open his apple- because he actually thinks Parker somehow got a razor blade in it.

I still can't get over how Eliot tells Hardison that he won't help him if he goes to far with "Ice Man," and when Hardison calls him out on it- Eliot blames Parker.

I still can't get over how Hardison comes to Eliot when he needs help brushing up on wine.

I still can't get over how Parker goes to Eliot when she's looking for something to love and he teaches her to love food.

I still can't get over how Parker is allowed to poke and push Eliot.

I still can't get over how Hardison riles Eliot up and it's just reflex for Eliot to say; "DAMNIT Hardison."

I can't get over how they became a little family all on their own.

Hahah true

Sometimes when I'm cooking, I think to myself "would Eliot approve of this or would he have an aneurysm if he saw what I was putting in this meal?" Then I shrug and do it anyways because it's a win-win either way.

He has such a soft spot for kids

I adore them

Evolution of Eliot/Hardison hugs over the years.

And the one time that Eliot really needed a hug:

Leverage S02E08/S03E10/S04E01/S04E07/S04E10/S05E09/Leverage Redemption S01E16/S02E06.

Inspired by this post by @lemissingmask

The team holding Eliot back from violence, either with a simple gesture or by putting themselves in front of him.

And the time the violence was encouraged:

I love it on Leverage that Eliot is so gruff and grumpy all the time and you think he's so serious about his job but then occassionally he makes a joke or a quip after punching someone out and he grins to himself and gives a little chuckle and then you're like oh, ohhhhhh okay i get it now, he is enjoying himself. This is fun for him. And in that moment he becomes both a bit more normal and a bit more fucked up at the same time. My guy, Eliot Spencer.

I suddenly woke up stupid early on my day off with multiple weird random aches and pains and a revelation about the Leverage chess metaphors.

They’re all wrong.

Look, I obviously adore the white knight/black king motif, and it works really well for that very specific discussion of Nate’s shift in morality and position at the opening of the series. But the show as well as I and other fans have then tried to take that equation and apply it to other jobs and to the crew as a whole. This is fun and awesome, but I believe you’re going to get it wrong every time if you start from the white knight/black king line. 

Because in all other situations, Nate is not the king.

Couple important things about kings in chess: 1. They don’t move much. They can only move one space at a time, and for most of the game they stay in their own little box, well guarded by other pieces. This is because 2. When the king is checkmated (threatened with capture and no possible escape), it’s game over. There is no more hope. This is the sole requirement for losing the game. No matter who else is in play, if the king is down, you lose.

This is NOT how Nate operates. Yeah, he makes the plans, but he doesn’t just hide in the office while everybody else carries them out. He’s almost always right up in there playing the most obnoxious guy you’ve ever met or smashing windows or something. And if Nate gets captured, it’s not game over, in fact, it often isn’t even a PROBLEM. Let’s look at a few times that happens, just for fun: - In The King George Job, Nate’s getting beat up and Eliot slightly panics and is about to run to help, when Sophie says “NOPE, don’t do that, I can fix this without blowing our cover” and saunters in at her leisure. The jig isn’t up and she’s not even particularly concerned about him getting punched. I love it. - In the Maltese Falcon Job, Nate sacrifices himself to save the team. This is a classic thing to do in chess and chess metaphors, but, I cannot stress this enough, you cannot sacrifice your king. That’s just called LOSING. -In The Long Goodbye Job of course the whole con is structured around Nate getting caught. I guess this one kind of makes sense because the whole point is to look like they HAVE completely lost, but then at the end it appears that Nate’s going to secret prison and everyone else is escaping WITH the black book, so they STILL would be losing Nate but winning the job. 

So if Nate isn’t the king, who is?

Hardison.

Let’s look at our points about kings again:

1. Doesn’t move as far or as quickly: Yes, Hardison ALSO gets out there and participates in the cons, everybody does. But Hardison does stay in the background more often, because that’s where his power is. He does the behind the scenes tech stuff and the remote stuff, he can wreck your shop without showing up through the power of the internet. He also does the forgeries of identities and objects, which are also done in his own space. At the same time, he has less physical power and less range – you don’t want him in a fistfight, or a gunfight, and his grifts are notorious for being a little… uh… interesting. So he has limited physical range and power but at the same time… .

2. The game is over if you lose him. That far-reaching behind the scenes power is absolutely vital for 90% of the jobs. He does the massive amounts of research and hacking legwork needed just to START a job, even before you get to actually completing the job. You are pretty much dead in the water without Hardison. But that’s just from a practical standpoint. Losing Hardison is also a crisis from an emotional standpoint. He’s our moral compass and our sweet baby brother and when Hardison gets in trouble there is no “well he’ll be fine for a few minutes” and no “well he kinda had it coming.” No, when Hardison is in trouble everything else grinds to a halt and everyone comes running. (See: The Experimental Job, The Grave Danger Job, The Long Goodbye Job.)

So like, yes Nate is in charge. But the king isn’t in charge on a chessboard, the king is just a piece with a very unique role, which Hardison fills much better than Nate does. So, now that we have our real king, who are our other pieces?

Queen: Parker. This has nothing to do with her dating Hardison. The thing about the queen is she can do a little bit of everything – she can move in any direction, making her the most dangerous piece on the board. Parker’s whole character arc is about learning all the different roles and how to access the whole playing field. She’s the only one who plans and executes an entire episode-length job by herself (okay, with a little help from her girlfriend). Plus, the other cool thing about a queen is she has a built-in transformation story – a pawn that crosses the board can become a queen, which Parker mimics by initially being dismissed as “the crazy one” and ultimately becoming the mastermind.

Knight: Sophie. I know, I wanted Eliot to be the horsie too, but this makes more sense. The knight’s deal is that it’s sneaky – it’s the only piece that can turn corners – and it can jump over obstacles. Sophie’s whole philosophy of grifting is that she shouldn’t need to know about safes or security systems, she should be able to bypass (jump over) all that by insinuating herself with the mark (being sneaky by playing a character to get behind enemy lines)

Rook: Eliot. This is the straightforward one – it goes in a straight line. It also literally represents the castle walls. It’s also so, so fucking helpful to have around, I fucking hate losing my rooks. It’s your solid right hand man, basically. Is this a little reductive of Eliot? Absolutely, but I’m jamming five complex characters into five predetermined boxes, it’s not all gonna be nuanced. And I think Mr. Punchy would like being seen as the fortress that everybody depends on, and to let all the nuance go under the radar. That’s where he likes it. 

Bishop: Finally, here’s where Nate is hiding. While the rook can only go straight (lol), the bishop can only go diagonally. Nothing can be straightforward for the bishop, he always has to come at things from an angle. Like, you know, constantly looking at all the different angles of a situation and finding the right angle to come at a mark from. Also, the bishops sit right in the middle right next to the king and queen. I don’t know that this is historically accurate, but when my dad taught me to play he told me that was because the bishops were important councilors to the rulers, they were the ones who had important wisdom that would tell them the best plan of attack. So the king here isn’t necessarily the one making the plans – that’s the bishop. And finally, apparently the bishop is called lots of different things in other languages, but we’re operating in English, which means it makes Nate a priest, and that makes me happy.

Eliot: I stay close to protect Hardison and Parker. I suppose I’m third wheeling but if that’s what it takes to keep them safe then so be it

Hardison: Eliot is our boyfriend. We take him on dates all the time

Parker: he hasn’t figured it out yet

Hardison: I suggested we tell him

Parker: but this is more fun

Hardison: yeah it is

the dichotomy between an attack dog vs a guard dog is like. an attack dog is sent out to carry out violence. it's starved and abused to ensure aggression. it has no other purpose outside of Attacking at the whim of its master. it's constantly on guard because a threat can come from any direction at any time. it's the dog chained up in a basement that's only set loose when there's something to kill.

but a guard dog is protecting instead of attacking. instead of being sent out to fight, it comes home to defend the house. it may be constantly on watch for an external threat, but it is content to lay with the sheep until a wolf comes to the door. the guard dog has a warm place to sleep, and is well fed and treated like a member of the household. it's free to leave at any time but it stays to protect the house anyway. do u get it. do u understand.

he's fighting a beautiful buff lady. her shirt gets ripped and she's left in her slutty little tank top. "come on," you think. "why is the woman always wearing sexier things than her male counterparts." but fear not. now HE takes off his shirt and he's left in HIS slutty little tank top. equality. and then they kiss

Eliot Spencer, Parker, and Hardison- all skittish children/teenagers that Nate finds on the street.

Nate finding them in an alley in Boston. Eliot protecting Parker and Hardison- the meanest glare on his face. Snarling at Nate and using his body to shield them from this strange man. All three of the children look haggard and starving- Parker and Hardison holding onto each other with one hand- while the other is gripping Eliot's dirty torn shirt. Eliot whose blue eyes are hard as a stone- challenging Nate to come closer.

Nate, who has no qualms about three dirty, grimy, and... is that blood? Children in an alleyway. With placated hands in the air- looking directly at Eliot. Honesty on his face- "Come home with me."

They don't. Nate leaves.

The next day- Nate comes back. Asks the same thing. Same response. He leaves after leaving a bag of food behind.

Their wild animals and to get them to trust him- he needs to be gentle. So he continues to do this every time he passes the alley.

Something changes, when one day the girl- Parker- comes to the opening. She's gnawing on her bottom lip fear in her eyes.

"Please!" She begs, "Their hurt!"

Then she it's like a waterfall of words. Parker is explaining how Hardison tried to get food- but was caught and Eli fought the shopkeeper off- but had gotten shot and it's infected and Hardison tried to go for the gun and- and- and...

Nate follows Parker to the end of the alleyway and Eliot looks sick. Hardison isn't looking any better. Parker is crying. She's begging Nate to help.

He does. He convinces the EMT's that they are his adopted kids that ran away for three days. Somehow they don't question him. They take Hardison and Eliot in. Nate tells the doctors to keep them in the same room. He knows how protective Eliot is.

Somehow- they survive.

...Okay. That's all I got. 🙃