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rip Ray Bradbury, you would've loved reels and shorts and the endless for you page and raycon wireless earbuds and plasma tvs and fried attention spans and reaction channels and vr and parasocial twitch streamers
Gardening is the handiest excuse for being a philosopher. Nobody guesses, nobody accuses, nobody knows, but there you are, Plato in the peonies, Socrates force-growing his own hemlock. A man toting a sack of blood manure across his lawn is kin to Atlas letting the world spin easy on his shoulder.
Dandelion Wine, Ray Bradbury
You are all there, the people in the city. I can't believe I was ever among you. When you are away from a city it becomes a fantasy. Any town, New York, Chicago, with its people, becomes improbable with distance.
Dandelion Wine, Ray Bradbury
"It was a pleasure to burn."
“waiting out there, and waiting out there, while man comes and goes on this pitiful little planet. waiting and waiting.”
illustration for "the fog horn" by ray bradbury
“So while our art cannot, as we wish it could, save us from wars, privation, envy, greed, old age, or death, it can revitalize us amidst it all.”
— Ray Bradbury, “Zen in the Art of Writing”
"All things, once seen, they didn’t just die, that couldn’t be. It must be then that somewhere, searching the world, perhaps in the dripping multiboxed honeycombs where light was an amber sap stored by pollen-fired bees, or in the thirty thousand lenses of the noon dragonfly’s gemmed skull you might find all the colors and sights of the world in any one year. Or pour one single drop of this dandelion wine beneath a microscope and perhaps the entire world of July Fourth would firework out in Vesuvius showers. This he would have to believe."
Ray Bradbury, Dandelion Wine
From The Martian Chronicles, Ray Bradbury’s 1949 sci-fi classic.
“The wind outside nested in each tree, prowled the sidewalks in invisible treads like unseen cats. Tom Skelton shivered. Anyone could see that the wind was a special wind this night, and the darkness took on a special feel because it was All Hallows' Eve. Everything seemed cut from soft black velvet or gold or orange velvet. Smoke panted up out of a thousand chimneys like the plumes of funeral parades. From kitchen windows drifted two pumpkin smells: gourds being cut, pies being baked.” ― Ray Bradbury, The Halloween Tree
JOMP Book Photo Challenge || October 31 || Books and Candy:
Joseph Mugnaini - The Halloween Tree, 1972
"That country where it is always turning late in the year. That country where the hills are fog and the rivers are mist; where noons go quickly, dusks and twilights linger, and mid-nights stay. That country composed in the main of cellars, sub-cellars, coal-bins, closets, attics, and pantries faced away from the sun. That country whose people are autumn people, thinking only autumn thoughts." -Ray Bradbury, "The October Country"
The October Country - art by Joseph Mugnaini (1955)
“Doug,” he said, about five in the afternoon, as we were picking up our towels and heading back along the beach near the surf. “I want you to promise me something.
“Don’t ever be a rocket man.”
I stopped.
“I mean it,” he said, “because when you’re out there you want to be here, and when you’re here you want to be out there. Don’t start that. Don’t let it get hold of you.
“You don’t know what it is. Every time I’m out there I think, if I ever get back to Earth I’ll stay there, I’ll never go out again. But I go out and I guess I’ll always go out.”
“I’ve thought about being a Rocket Man for a long time,” I said.
He didn’t hear me. “I try to stay here. Last Saturday when I got home I started trying so damned hard to stay here.”
I remembered him in the garden, sweating, and all the traveling and doing and listening, and I knew that he did this to convince himself that the sea and the towns and the land and his family were the only real things and the good things. But I knew where he would be tonight: looking at the jewelry in Orion from our front porch.
“Promise me you won’t be like me,” he said.
ray bradbury, maclean's magazine, march 1, 1951
Ray Bradbury, Something Wicked This Way Comes
“Oh God, midnight’s not bad, you wake and go back to sleep, one or two’s not bad, you toss but sleep again. Five or six in the morning, there’s hope, for dawn’s just under the horizon. But three, now, Christ, three A.M.! Doctors say the body’s at low tide then. The soul is out. The blood moves slow. You’re the nearest to dead you’ll ever be save dying. Sleep is a patch of death, but three in the morn, full wide-eyed staring, is living death! You dream with your eyes open. God, if you had strength to rouse up, you’d slaughter your half-dreams with buckshot! But no, you lie pinned to a deep well-bottom that’s burned dry. The moon rolls by to look at you down there, with its idiot face. It’s a long way back to sunset, a far way on to dawn, so you summon all the fool things of your life, the stupid lovely things done with people known so very well who are now so very dead – And wasn’t it true, had he read somewhere, more people in hospitals die at 3 A.M. than at any other time...”
"That country where it is always turning late in the year. That country where the hills are fog and the rivers are mist; where noons go quickly, dusks and twilights linger, and mid-nights stay. That country composed in the main of cellars, sub-cellars, coal-bins, closets, attics, and pantries faced away from the sun. That country whose people are autumn people, thinking only autumn thoughts." -Ray Bradbury, "The October Country"
The stars are yours, if you have the head, the hands, and the heart for them.
R is for Rocket, Ray Bradbury
Illustration based on ray bradburys the fog horn
A Medicine for Melancholy, Ray Bradbury
The Illustrated Man, Ray Bradbury
The Small Assassin, Ray Bradbury
All Summer in a Day, Ray Bradbury
Dandelion Wine, Ray Bradbury
August 22, 1920
“I’ll make a sound that’s so alone that no one can miss it, that whoever hears it will weep in their souls, and hearths will seem warmer, and being inside will seem better to all who hear it in the distant towns.”
The Fog Horn, Ray Bradbury
“It’s a long way back to sunset, a far way on to dawn, so you summon all the fool things of your life, the stupid lovely things done with people known so very well who are now so very dead...”
Something Wicked This Way Comes, Ray Bradbury
“A stranger is shot in the street, you hardly move to help. But if, half an hour before, you spent just ten minutes with the fellow and knew a little about him and his family, you might just jump in front of his killer and try to stop it. Really knowing is good. Not knowing, or refusing to know is bad, or amoral, at least.
You can’t act if you don’t know.”
Ray Bradbury, Something Wicked This Way Comes