Within The Context Of Byler Fights, I See A Lot Of People Say That Mike Is Short-tempered And Like While

I want it [Buck's next relationship] to feel fun, flirty, and lived in throughout its, assuming it's a long-term thing, domestication. I just want it to feel like a good time. – OLIVER STARK

We gotta figure something out with Eddie. But I think the next relationship should be something life-changing that it just throws him off for a loop. – RYAN GUZMAN

EVAN BUCKLEY AND EDDIE DIAZ THROUGH THE SEASONS

9-1-1 on FOX / ABC (2018 – ...)

So what are Will's flaws?

Is Will totally perfect in every way? Is he a jealous saboteur? Or a secret third option... neither. Let's discuss Will's flaws and nuances!

1. Emotional suppression

Will avoids his problems. He hates talking about both his emotional and physical danger because he doesn't want to be treated differently. From a young age, he was taught by Lonnie that he shouldn't express his emotions because that makes him "sensitive" and "weak." So now he likes to hide.

This emotional suppression causes his feelings to worsen over time. Once he finally lets it out, he explodes. Instead of healthy conversations, he says and does things that he'll probably regret later. He blows up at Mike, he yells at Jonathan, he destroys Castle Byers, he shows his hand (what about us?)

Will's avoidance doesn't only have consequences on him, but others. If he had told someone he was feeling the Mind Flayer earlier, they might've been able to save some of the Flayed. But he couldn't tell someone because that puts him in a place of emotional vulnerability. That's exactly why he waited until after he fought with the boys to mention the supernatural. He traded one vulnerable situation for another, allowing him to avoid opening up about his true feelings. It was a distraction.

This also doesn't let others to heal from their altercations. Both Lucas and Mike try to apologize to Will, but he brushes them off. Will thinks he doesn't deserve consideration. The walls he puts up forces others to hold onto their own guilt, leaving a sore spot in their relationship. We can see this soreness in Will and Mike's relationship in s4. They never healed from the rain fight. Well... not that Mike tried to apologize after the Mind Flayer debacle. Again, distraction on Will's part.

Will’s inability to handle change is also due to him bottling up his feelings. His trauma and suppression makes him stuck in the past. He doesn’t let himself move through each day where these emotions would be felt.

It's interesting how Will is deemed the emotional one when his sensitivity is actually a result of him keeping his emotions in. Once that dam is opened, it's hard for him to stop. He breaks, just as he fears.

2. Self-hatred

And all that emotional suppression leads to Will internalizing other people's view of him. Will's self-hatred stems from bullying and his father's abuse. He thinks he's to blame, that he's a mistake. As more people distance themselves from Will, he believes there's something wrong with him.

When he thinks he deserves mistreatment, his relationships crumble more. They're unable to reconcile. True forgiveness can't be achieved if he doesn't think he should be apologized to in the first place.

Will's hatred is the reason why he tried to sacrifice himself in s2 to save his friends. He doesn't think he deserves to be saved. This makes him an easy target for Vecna. It's very likely that Will's self-hatred will factor into his upcoming supernatural plot.

The more Will hates himself, the more he hides, the more he suppresses his emotions.

3. People pleaser

If Will is anything, he's a people pleaser. He's selfless. So much so that this is the first thing we find out about him. While admirable, it actually leads to more bad than good. His people pleasing tendency goes hand in hand with his emotional suppression. Will doesn't like to take up space and inconvenience other people.

Will's never ending effort to please others leads to him making assumptions. Wrong assumptions. Whether it be letting Max join them on Halloween or pushing Mike to give a love confession, Will tries his best to use his mediator role to give people what they want.

But he doesn't know what they want, does he? Will wanted to make Dustin and Lucas happy, but this created a rift with Mike. He thought Mike was itching to profess his love for El, but that wasn’t what either of them needed. In an attempt to help, he's making it worse.

He must be successful sometimes, though, because there's an expectation from his friends that he'll fulfill their needs at the flick of a wand. This vacancy from Will makes him a pushover. They think they can make fun of him and he'll just take it because that's what he does. When Will finally stands up for himself, they're shocked. That's out of character for him. It's like they want to say: “Why isn't he letting us be mean to him? :(”

Mike even expected Will to tell him that his own girlfriend was being bullied. Will's people pleasing explodes in his face. So now when he's unable to read their needs and fix it for them, he's to blame. Will takes on the weight of their problems too much. While it's good that they rely on him, there shouldn't be pressure for him to judge their every whim. But it's not exactly their fault because Will set the stage for this behavior.

Weirdly, Will's need to please others is the reason why he didn't call Mike. He thought Mike wanted nothing to do with him, so he didn't reach out. There he goes assuming things again! But Will was there, waiting for the rare occasion where Mike did want him. He went so far right that he ended up left.

Will's behavior towards El is also an instance of wrong assumptions. Will didn't like being treated differently in s2, so he assumed El would feel the same way. He used his own experiences to inform how he should treat others. Babying El would make her feel more ostracized. Instead, he offered emotional comfort, similar to the comfort he received, after the bullying. This doesn't really help her because she doesn't have the same emotional mechanics as Will.

So Will assumes things, pushes his own wants down, and lets people walk all over him all in the name of being pleasant.

4. Freeze, fly, fight. In that order!

When Will is scared, he freezes. This flaw is so significant that they talked about it textually multiple times. I'm not sure I would consider it a flaw since it has saved him more than it's harmed him, though.

The few times Will has decided to fight instead of freeze, he was kidnapped and possessed. Confrontation isn't an option for him. His body believes he'll be put directly in danger if he does anything but freeze/fly. Fight is only used as a last resort.

It only really enters flaw territory when it's an inconvenience. He froze during the sauna test, when El was being bullied, and when he should've shot the creature in the shed. Will is unable to help himself and others when he's scared.

When he snaps out of it, he cries and feels guilty for being so hesitant. He wishes he could do more but he can't. This wraps back around to his self-hatred.

5. Jealousy

When his best friend of 10 years that he's in love with starts to ditch him for some random girl, it's not shocking that there would be some jealousy! Will is the silent jealous type. His jealousy doesn't really manifest into resentment or outward action against the other person. Unlike a certain someone...

Will only shows it through rolling eyes, a snarky comment here or there, or an outburst at his most emotionally vulnerable. I mean, if Will really wanted to see El crash and burn, he could've kept his mouth shut the entire Rink-O-Mania day. Or he could've ignored her in the courtyard as she picks up the pieces of her project. But he didn't.

The worst we've seen Will's jealousy was during the rain fight. He called El stupid. There's no beating around the bush, he was in the wrong for that. But this came out of Will because his emotions were at an all time high. Why? Emotional suppression!

A lot of Will's snarky comments towards El are out of genuine confusion. He doesn't understand how El can have exactly what he wants, but she's willing to ruin it by lying. Unfortunately, he later learns that exact lesson. He's envious that she can do what Mike hates without major repercussions, while he's somehow blamed for her lies. And why does he get blamed? People pleaser expectations!

Will waited until a quiet moment to inform El of her mistakes. Will's goal isn't to humiliate El. He doesn't let his jealousy lead to resentment. Instead, he tried to (snarkily) lead her to make better decisions because it's not fair! It's not fair that she can have it all without working for it!

And now we're back at self-hatred. Some of his jealous moments make it bubble back up. He bends his painting, something he put his blood, sweat, and tears into, because he isn't enough for them. Their ideal day is without him. Will's art is an extension of himself. He's aiming his anger back at himself by hurting his art.

All of his flaws connect back to his low self-esteem in some way. This is why it's important for Will to receive and accept love in his life. A big part of his arc is self acceptance.

So there it is in all its glory! All of Will's main flaws in one post. What did we learn? Will suppresses his emotions, hates himself, pleases others to a fault, freezes, and is green with envy. And he wouldn't be Will without 'em!

The legend of Zelda: breath of the wild fanart! ( ╹▽╹ )

Long post incoming, but I've been on and off it for days so you're gonna see it.

On Charles and Love

I think there's a lot more to Charles' reaction to Edwin's confession than what we may first assume.

Charles loves harder than anyone, but I don't think he even knows what it means or feels like to be IN love--or to be loved back. This isn't a dig at Edwin, so don't @ me. This has to do with Charles' past.

When Edwin first confesses on the steps of Hell, Charles doesn't even hesitate with his response: "Great, love you too, can we go now?" He does love Edwin, one way or another. He hasn't needed to examine that love any further. He doesn't think Edwin could mean it that way, because Edwin probably has never given any indication of feeling that for anyone. Perhaps he didn't think Edwin capable of love in that way. Perhaps it's his own repressed sexuality. Perhaps it's the feeling that he is inherently unlovable. Perhaps it's a combination of things.

On Edwin's and Charles' Repression

Look, Edwin is clearly autistic and heavily emotionally repressed--he's British, from 1916, and male. That's the perfect storm of emotional repression. But he clearly feels and feels deeply--he just doesn't always let on about it. (Which is such a nice thing to see for autistic representation, the "unfeeling alien" trope ain't it.)

And even though they've been together for 30 years, they clearly do not talk about deep emotions much, because it makes Edwin uncomfortable and Charles probably wouldn't manage to get much out before cracking a joke instead--it's his defense mechanism.

As for his own repression, Charles grew up in the 80s as a biracial kid with an abusive father. He was also at least questionably queer while alive: he was part of an alt crowd, wore eyeliner, and wore a single dangly earring. Now that doesn't mean for certain he's queer or questioning, but it IS a pretty common code in media and storytelling. And I imagine no small part of his father's excuses for abusing Charles had to do with "beating the queer out of him." Of COURSE that led to repression--how could it not?

On Feeling Unlovable

And the feeling that he's inherently unlovable? Does he really feel that way? I think so.

He wants it. He wants to be loved so badly. And because of that, he tries so hard. He tries to stay light and happy and kind, even when he's suffering underneath--he has his own flavor of emotional repression. Because if he can't be loved, he can at least be liked.

And he doesn't just want people to like him, he needs them to like him, because he needs to know he's likable. Because there's safety in being likable. There's safety in being funny and friendly and "a good sort of chap." It's proof he's not the monster his father was--the monsters his friends were. It's his shield. The shield he uses to protect himself from the world, yes, but also to protect the world from him. Or at least, who he thinks he is, deep down.

It's also, in his mind, his only chance at being loved. His only chance at staying loved. Because love is earned. Because love is the reward for good behavior. At least, that's how it was as a kid, right? And that's all he knows. He died before he could experience any other kind of love--besides the love between himself and Edwin, which is its own complicated matter.

The other difficult aspect of growing up in a household where love and affection were weaponized and where violence is an acceptable reaction to anger, is how it radically alters your perception of love and family.

You crave the love and validation you never received, but you also fear it and don't believe it's real when it comes without strings.

You struggle to identify love in healthy relationships because if it doesn't hurt, then is it really love?

And even though you crave it more than anything, you're afraid of it. You're afraid for things to get real, because real love--or your understanding of it--is dangerous.

Because love is a weapon and you can't bear for anyone to use it against you again.

Hurt People Hurt People...Sometimes

Trauma manifests differently in each person. There are some commonalities, but it's never exactly the same. I know the saying is "hurt people hurt people" and that's not entirely wrong. But sometimes, hurt people heal people--or at least try to. Charles is in the second group.

Charles never, ever wants anyone to feel the kind of love he knew while he was alive. So he paradoxically loves openly while remaining guarded. His loyalty and devotion are unmatched. He went to Hell for Edwin. But he also never told Edwin the truth about his father until essentially forced to. Because that involves vulnerability. It involves, in his eyes, weakness. And what did vulnerability and "weakness" get him in life? Well...dead.

But he craves reciprocation. He needs to feel like he can be vulnerable, safely. I don't think that Edwin has done anything to make him feel unsafe, but being that they're both emotionally surpressed boys killed by other boys for perceived weaknesses at 16 and the lack of a ghost therapist...it's not all that surprising they haven't dealt with their issues in 30 years.

I think this is why he latches onto Crystal so quickly and easily. Firstly, she's alive: he can at least pretend to ignore his own death for a bit. Secondly, she's his age (sort of) and can see him, which is an uncommon experience at best. Thirdly, again--she's alive, so it can never last--never be real. Either she'll age beyond him, or she'll die and likely be taken to her afterlife. Which he'll happily ignore for the first two reasons.

On Types of Love

I won't get too into this, because I'm in no way an expert in the wide variety of emotions attributed to love. But I will say this: Charles died at 16.

If we set aside the possibility of him being aromantic for now (which he absolutely could be), he may never have had the chance to fall in love while he was alive. If he could even recognize it for what it was. I mean, I'm in my 30s, been married and divorced twice, and I'm still not sure I've ever been in love. At 16, you're drowning in hormones and it can be hard to decipher feelings.

On Arrested Development

If you think about it, his death and subsequent ghostly afterlife are a supernatural version of the arrested development a lot of child abuse survivors experience. But his development arrested literally--he literally CAN'T grow up. At least, not physically.

He may have had 30 years to address his issues, but why would he have thought to? He doesn't have the same responsibilities or needs as a living adult. He's constantly on the job or on the run from Death, he's living with Emotional Repression the Person (my beloved), and frankly...it hurts to examine those problems. How many adults are actively avoiding their own issues?

On the Confession

Edwin, with the most heartwrenching tone of voice since David "I would like to spend" Tennant, makes clear that he's IN love with Charles. And for a moment Charles looks like he's been walloped in the gut with an iron bar, trying to process. But then the trauma-brain kicks in.

He finds the first "logical" explanation to someone (Edwin) telling him they love him: it's a literary reference, and Edwin is...maybe not "messing" with him, but maybe being extra dramatic about this? It can't be real.

But then Edwin gets upset--he's serious about this. And Charles sort of...short-circuits. He can't process this right now, not when they're running for their afterlives. Not when the Night Mother is waiting to split them up. Not when he's barely even begun to process his trauma. So he does everything he can to make sure Edwin knows that, no matter what, he loves him. Maybe not in the same way, but with the same depth.

Because they'll have time. They'll have all the time in the world to figure out what this means. Because they certainly don't right now, and everything Edwin is saying flies directly in the face of every opinion Charles has ever held about himself.

And what the hell is he supposed to do with that?

take life a little less seriously. learn a skill that isn’t resume-friendly. own your decisions without punishing yourself. both above average and average results are great; it’s good to do something at all. do many things, do many things badly. think about the big picture. the time is passing, regardless

**Update For the people asking I asked her and she bought the frog tea set HERE 🐸

I never listen to men’s opinions in general but ESPECIALLY when it comes to movies. you’re going to tell, as a man, that the barbie movie was bad? you just can’t possible understand the complexities of the transition between girlhood and womanhood that happens before it should. you have no idea what it’s like to cling so desperately onto your own imagination as an adult after spending your pre-teen/teenage years pretending that playing with dolls and wearing pink was so beneath you. you don’t understand fighting with your mother only to one day realize she is living through you and doing all that she can to make sure you go leap and bounds further than her. men couldn’t possible grasp the impact watching Barbie herself cry and say she wasn’t perfect or pretty anymore, when your whole childhood was built around carrying her in your backpack and knowing that one day you’ll be the president, an astronaut, and a model because she was. because she was yours and you were her! yeah, the movie was silly and funny and self aware and maybe you don’t think it’s “that deep”, but as a woman you just get it. as someone growing up still in your childhood bedroom that no longer has a dream house but the dolls are still above you in the attic because you can’t throw them out, you get it

Hello, Dean.

You know when Castiel visits Dean in his dream? What if he does it in his true form?

i did not think we'd be having this discourse in the year of lord 2024 THAT TOO IN JUNE but here we are

stuck in space with ur arch nemesis who u make out with sometimes