Is Will totally perfect in every way? Is he a jealous saboteur? Or a secret third option... neither. Let's discuss Will's flaws and nuances!
1. Emotional suppression
Will avoids his problems. He hates talking about both his emotional and physical danger because he doesn't want to be treated differently. From a young age, he was taught by Lonnie that he shouldn't express his emotions because that makes him "sensitive" and "weak." So now he likes to hide.
This emotional suppression causes his feelings to worsen over time. Once he finally lets it out, he explodes. Instead of healthy conversations, he says and does things that he'll probably regret later. He blows up at Mike, he yells at Jonathan, he destroys Castle Byers, he shows his hand (what about us?)
Will's avoidance doesn't only have consequences on him, but others. If he had told someone he was feeling the Mind Flayer earlier, they might've been able to save some of the Flayed. But he couldn't tell someone because that puts him in a place of emotional vulnerability. That's exactly why he waited until after he fought with the boys to mention the supernatural. He traded one vulnerable situation for another, allowing him to avoid opening up about his true feelings. It was a distraction.
This also doesn't let others to heal from their altercations. Both Lucas and Mike try to apologize to Will, but he brushes them off. Will thinks he doesn't deserve consideration. The walls he puts up forces others to hold onto their own guilt, leaving a sore spot in their relationship. We can see this soreness in Will and Mike's relationship in s4. They never healed from the rain fight. Well... not that Mike tried to apologize after the Mind Flayer debacle. Again, distraction on Will's part.
Will’s inability to handle change is also due to him bottling up his feelings. His trauma and suppression makes him stuck in the past. He doesn’t let himself move through each day where these emotions would be felt.
It's interesting how Will is deemed the emotional one when his sensitivity is actually a result of him keeping his emotions in. Once that dam is opened, it's hard for him to stop. He breaks, just as he fears.
2. Self-hatred
And all that emotional suppression leads to Will internalizing other people's view of him. Will's self-hatred stems from bullying and his father's abuse. He thinks he's to blame, that he's a mistake. As more people distance themselves from Will, he believes there's something wrong with him.
When he thinks he deserves mistreatment, his relationships crumble more. They're unable to reconcile. True forgiveness can't be achieved if he doesn't think he should be apologized to in the first place.
Will's hatred is the reason why he tried to sacrifice himself in s2 to save his friends. He doesn't think he deserves to be saved. This makes him an easy target for Vecna. It's very likely that Will's self-hatred will factor into his upcoming supernatural plot.
The more Will hates himself, the more he hides, the more he suppresses his emotions.
3. People pleaser
If Will is anything, he's a people pleaser. He's selfless. So much so that this is the first thing we find out about him. While admirable, it actually leads to more bad than good. His people pleasing tendency goes hand in hand with his emotional suppression. Will doesn't like to take up space and inconvenience other people.
Will's never ending effort to please others leads to him making assumptions. Wrong assumptions. Whether it be letting Max join them on Halloween or pushing Mike to give a love confession, Will tries his best to use his mediator role to give people what they want.
But he doesn't know what they want, does he? Will wanted to make Dustin and Lucas happy, but this created a rift with Mike. He thought Mike was itching to profess his love for El, but that wasn’t what either of them needed. In an attempt to help, he's making it worse.
He must be successful sometimes, though, because there's an expectation from his friends that he'll fulfill their needs at the flick of a wand. This vacancy from Will makes him a pushover. They think they can make fun of him and he'll just take it because that's what he does. When Will finally stands up for himself, they're shocked. That's out of character for him. It's like they want to say: “Why isn't he letting us be mean to him? :(”
Mike even expected Will to tell him that his own girlfriend was being bullied. Will's people pleasing explodes in his face. So now when he's unable to read their needs and fix it for them, he's to blame. Will takes on the weight of their problems too much. While it's good that they rely on him, there shouldn't be pressure for him to judge their every whim. But it's not exactly their fault because Will set the stage for this behavior.
Weirdly, Will's need to please others is the reason why he didn't call Mike. He thought Mike wanted nothing to do with him, so he didn't reach out. There he goes assuming things again! But Will was there, waiting for the rare occasion where Mike did want him. He went so far right that he ended up left.
Will's behavior towards El is also an instance of wrong assumptions. Will didn't like being treated differently in s2, so he assumed El would feel the same way. He used his own experiences to inform how he should treat others. Babying El would make her feel more ostracized. Instead, he offered emotional comfort, similar to the comfort he received, after the bullying. This doesn't really help her because she doesn't have the same emotional mechanics as Will.
So Will assumes things, pushes his own wants down, and lets people walk all over him all in the name of being pleasant.
4. Freeze, fly, fight. In that order!
When Will is scared, he freezes. This flaw is so significant that they talked about it textually multiple times. I'm not sure I would consider it a flaw since it has saved him more than it's harmed him, though.
The few times Will has decided to fight instead of freeze, he was kidnapped and possessed. Confrontation isn't an option for him. His body believes he'll be put directly in danger if he does anything but freeze/fly. Fight is only used as a last resort.
It only really enters flaw territory when it's an inconvenience. He froze during the sauna test, when El was being bullied, and when he should've shot the creature in the shed. Will is unable to help himself and others when he's scared.
When he snaps out of it, he cries and feels guilty for being so hesitant. He wishes he could do more but he can't. This wraps back around to his self-hatred.
5. Jealousy
When his best friend of 10 years that he's in love with starts to ditch him for some random girl, it's not shocking that there would be some jealousy! Will is the silent jealous type. His jealousy doesn't really manifest into resentment or outward action against the other person. Unlike a certain someone...
Will only shows it through rolling eyes, a snarky comment here or there, or an outburst at his most emotionally vulnerable. I mean, if Will really wanted to see El crash and burn, he could've kept his mouth shut the entire Rink-O-Mania day. Or he could've ignored her in the courtyard as she picks up the pieces of her project. But he didn't.
The worst we've seen Will's jealousy was during the rain fight. He called El stupid. There's no beating around the bush, he was in the wrong for that. But this came out of Will because his emotions were at an all time high. Why? Emotional suppression!
A lot of Will's snarky comments towards El are out of genuine confusion. He doesn't understand how El can have exactly what he wants, but she's willing to ruin it by lying. Unfortunately, he later learns that exact lesson. He's envious that she can do what Mike hates without major repercussions, while he's somehow blamed for her lies. And why does he get blamed? People pleaser expectations!
Will waited until a quiet moment to inform El of her mistakes. Will's goal isn't to humiliate El. He doesn't let his jealousy lead to resentment. Instead, he tried to (snarkily) lead her to make better decisions because it's not fair! It's not fair that she can have it all without working for it!
And now we're back at self-hatred. Some of his jealous moments make it bubble back up. He bends his painting, something he put his blood, sweat, and tears into, because he isn't enough for them. Their ideal day is without him. Will's art is an extension of himself. He's aiming his anger back at himself by hurting his art.
All of his flaws connect back to his low self-esteem in some way. This is why it's important for Will to receive and accept love in his life. A big part of his arc is self acceptance.
So there it is in all its glory! All of Will's main flaws in one post. What did we learn? Will suppresses his emotions, hates himself, pleases others to a fault, freezes, and is green with envy. And he wouldn't be Will without 'em!
miwi headcanons!!!
- we're always talking about miwi being cute (and they were!!) but i bet they were also those really weird kids that ate grass, sand and leaves
- mike would totally be grabbing random bugs and will would be kinda grossed out but also interested in it
- they would play pretend of the weirdest things like mike would play as a rock and will would be a little lizard
- will used to make little doodles all over mike's face and one time he mistakenly used a permanent pencil so they had to scrub at mike's face for a hour to get the ink out and even then there were still some doodles there the next day
- they used to have a little code that they've created that only the two of them knew about and sometimes their moms would find these little notes with cryptid symbols on them and would be very confused about it
- mike always shared everything he was eating with will, going from normal things to share like snacks to unhinged things like lollipops. once nancy caught them sharing a lollipop and was very grossed out by it, she went on a rant about all the germs they were sharing but they didn't care about it
- when will was at mike's house for sleepovers, sometimes they would sneakily get karen's cheesy romance novels to read because they thought it was super funny and embarrassing. they would keep quoting lines from the book to each other and lucas and dustin were always like....wth are those two on?🤨
- mike would get the weirdest things he could find to castle byers and they would look at them throughout the whole day in will's microscope, sometimes he would go out of his way to grab this one specific thing that he thought will would like to look at and he wouldn't stop bothering everyone who was around until he got it
- and obviously they were very touchy feely with each other and they would often find excuses to keep doing that, so one time they were having a sleepover and mike suddenly realized that he didn't have another sleeping bag so now unfortunately will would have to share with him :/ lucas was like...you know he can just sleep on couch right.?🤨 and mike went on this rant about all the negative points of will sleeping on the couch until everyone just gave up and let them do their thing
do not read if you know youre going to get mad if i say something you disagree with
the over feminisation and over-aggressive characterisations of sirius and remus are so left field it makes my eye twitch. like if you wanna write them like that then fine but don't tell me that one scene of sirius wearing something nice and one scene of remus throwing harry up a wall (while he's in the middle of like a twenty year war with all of his friends dead mind you) means that they were as people are interpreting them in cannon
the fandom isn't misogynistic. you just want everyone to care about the same characters the way you do despite the fact that very little of them (especially the girls really besides lily and the black sisters) have any character/story to care about to begin with
on that same note, it is not wolfstar and jegulus' shippers job to write dorlene and marylily fics. there are over 6000 fics tagged under dorlene and over 2000 for marylily which is really impressive and a really big number for ships containing two people who don't have any connection to one another
we cannot blame every death on dumbledore. dumbledore was manipulative and not a very good person but he wasn't out here deliberately getting all the people on his side killed
this fandom is obsessed with tragedy so much that tragedy has now become repetitive and boring. i love a good sad story but what is the point in taking every single character and making them live the worst life possible. its like yall are only capable in caring for a character if they have literally the worst ending ever
the marauders weren't child soldiers. They were young but they weren't children.
on the same note just because barty, evan and peter (and any other death eater) was young does not excuse them of their actions. I'm 20 and I know that i wouldn't betray all of my friends or help torture new parents into insanity
deciding that pandora somehow had to be a part of a death eater family was the worst thing this fandom did to her character
it pisses me off when the fandom will bend over backwards to try to connect the same 12 characters to every headcannon imaginable when there are so many other characters that you could use
despite this tho i hate the whole "ravenpuff" thing. As someone who actually cares about Emmeline, Edgar, Fabian, Gideon, Amelia, Benjy, Caradoc and all of that it annoys me to no end when the only time people post about them is to shove them all into the two least cared about houses and decides that they were all friends while giving them the most uncreative name out there. if you dont care about them then dont post about them
marlene is the most overrated character in the fandom
james and marlene being childhood best friends is my least favourite headcannon
mary obliviating herself is the worst headcannon
remus lupin is a bottom
sirius black is tall
marlene being in ravenclaw > marlene being in gryffindor
this fandom really needs to remember that barty and evan were villains. if you like them then that's completely fine but stop trying to make them secretly good
i can only ship sirius with remus but i can ship remus with literally anyone (so long as they are actually his age or older. for some reason i cant ship remus with people who are over a year younger then him)
i dont think its fair to say that if you like regulus then you cant shit on snape stans but it is utterly unfair to stan barty and evan but shit on snape stans
fancasting and commenting on normal peoples tiktoks is stupid and embarrassing. we are HATED by other fandoms and is it because we are unable to stay in our lane. stop getting into other peoples buisness by commenting "REMUS LUPIN" under a Spiderman edit
james would not have stopped talking to sirius after the prank. He'd be mad at him and he'd tell him off but he wouldn't stop talking to him. If James had to pick between Sirius and anyone he's picking Sirius
on that note i think the only people who weren't talking to sirius after the prank was remus and lily. mostly because i dont think anyone other then the marauders and lily would even have known that remus was a werewolf at the time
ALSO evan, barty and regulus would not befriend remus after the prank. firstly they wouldnt care and even if they did they would be more likely to abuse the fact that they know about him being a werewolf
im sick of seeing people try to shame others for shipping wolfstar but not marylily because "theyre the same ship." theyre literally not. just because YOU hc mary and lily to have a similar dynamic as remus and sirius doesnt mean that theyre the same and doesnt mean that everyone else should think so to. Same with literally every other ship that gets compared to another based on headcannons
this is getting really long so imma leave it there
Hello! :3 I love Zeldas new hairstyle so I decided to draw her (and I made some stupid scribbles which I will delete later) So here`s an ugly Zelda sketch! :D (actually I`m only posting this so I can download it on my phone, please don`t hate me! qwq also I´m sorry for my bad english xD) I don´t know, why I´m writing this because I will probably delete this later anyway
Canon Remus was not a hardened orphan living in a group home. He was a chronically ill child raised by loving parents that were willing to FIGHT DUMBLEDORE to protect him. (Literally, Lyall DILF Lupin thought he was coming to take Remus away when Dumbledore personally delivered Remus' Hogwarts Letter)
So no, Remus was not a smooth-talking 7-ft-tall Casanova badass sex God with rippling muscles. He had zero friends before attending Hogwarts due to the fact that his loving parents kept him isolated out of fear that their son's Lycanthropy would be discovered, which would have ruined his life.
Canon Remus was most likely a timid, awkward, sheltered kid that was afraid of his own shadow because Hogwarts would be such an overwhelming experience for a little boy that has never interacted with another child in his LIFE and probably never even left his own home before. I imagine that books were his only connection to the outside world, which is why I can't stand the HC that he is completely illiterate when he first arrives at Hogwarts
tldr, Remus Lupin is the love of my life and is one of the few Marauders era characters with an actual backstory and personality, but this fandom just refuses to move on from a singular fic that completely rewrote everything about him.
And I'm not even going to start on how the Alpha Male-ification of Remus has also resulted in the complete assassination of Sirius' character for the sake of internalized heteronormativity that runs rampant in this fandom.
I never listen to men’s opinions in general but ESPECIALLY when it comes to movies. you’re going to tell, as a man, that the barbie movie was bad? you just can’t possible understand the complexities of the transition between girlhood and womanhood that happens before it should. you have no idea what it’s like to cling so desperately onto your own imagination as an adult after spending your pre-teen/teenage years pretending that playing with dolls and wearing pink was so beneath you. you don’t understand fighting with your mother only to one day realize she is living through you and doing all that she can to make sure you go leap and bounds further than her. men couldn’t possible grasp the impact watching Barbie herself cry and say she wasn’t perfect or pretty anymore, when your whole childhood was built around carrying her in your backpack and knowing that one day you’ll be the president, an astronaut, and a model because she was. because she was yours and you were her! yeah, the movie was silly and funny and self aware and maybe you don’t think it’s “that deep”, but as a woman you just get it. as someone growing up still in your childhood bedroom that no longer has a dream house but the dolls are still above you in the attic because you can’t throw them out, you get it
I want it [Buck's next relationship] to feel fun, flirty, and lived in throughout its, assuming it's a long-term thing, domestication. I just want it to feel like a good time. – OLIVER STARK
We gotta figure something out with Eddie. But I think the next relationship should be something life-changing that it just throws him off for a loop. – RYAN GUZMAN
EVAN BUCKLEY AND EDDIE DIAZ THROUGH THE SEASONS
9-1-1 on FOX / ABC (2018 – ...)
miwi edit for the soul ☆
song: first day of my life - bright eyes
the thing that gets me about about barbie is that barbie land wasn’t even purposefully a matriarchy, barbie land came about because of the way little girls were playing with their barbies, it wasn’t created by mattel it was created by the people using the toys, so the fact that the barbies ignored the ken’s and had girls night every night wasn’t because they had some bias against him, it was just an accurate depiction of how kids play with barbies. I had some ken dolls as a child and they were essential to the plot in the sense that of course my barbie has a boyfriend because that represented the world i saw around me, but also he didn’t have any purpose in my dream world because i was only interested in what the girls were doing because they represented me and how i wanted to be, I wanted girls night every night I wanted the girls to be president and austronauts and not because of some inherent feminist idea but because I was a girl and I wasn’t thinking about boys, ken was an accessory. this movie wasn’t made to change the world but it showed a different perspective than what we usually see which I thought was fun. Men don’t have to be the centre of all our stories and its not even because we hate them, sometimes we’re just not thinking about them
daily affirmations:
i am kind
i am in control of my emotions
it does not bother me when someone is in the kitchen while i was planning to be in there alone
everyone in the house has the right to be in the kitchen
i am kind and in control of my emotions even when someone is in the kitchen while i was planning to be in there alone
Long post incoming, but I've been on and off it for days so you're gonna see it.
I think there's a lot more to Charles' reaction to Edwin's confession than what we may first assume.
Charles loves harder than anyone, but I don't think he even knows what it means or feels like to be IN love--or to be loved back. This isn't a dig at Edwin, so don't @ me. This has to do with Charles' past.
When Edwin first confesses on the steps of Hell, Charles doesn't even hesitate with his response: "Great, love you too, can we go now?" He does love Edwin, one way or another. He hasn't needed to examine that love any further. He doesn't think Edwin could mean it that way, because Edwin probably has never given any indication of feeling that for anyone. Perhaps he didn't think Edwin capable of love in that way. Perhaps it's his own repressed sexuality. Perhaps it's the feeling that he is inherently unlovable. Perhaps it's a combination of things.
Look, Edwin is clearly autistic and heavily emotionally repressed--he's British, from 1916, and male. That's the perfect storm of emotional repression. But he clearly feels and feels deeply--he just doesn't always let on about it. (Which is such a nice thing to see for autistic representation, the "unfeeling alien" trope ain't it.)
And even though they've been together for 30 years, they clearly do not talk about deep emotions much, because it makes Edwin uncomfortable and Charles probably wouldn't manage to get much out before cracking a joke instead--it's his defense mechanism.
As for his own repression, Charles grew up in the 80s as a biracial kid with an abusive father. He was also at least questionably queer while alive: he was part of an alt crowd, wore eyeliner, and wore a single dangly earring. Now that doesn't mean for certain he's queer or questioning, but it IS a pretty common code in media and storytelling. And I imagine no small part of his father's excuses for abusing Charles had to do with "beating the queer out of him." Of COURSE that led to repression--how could it not?
And the feeling that he's inherently unlovable? Does he really feel that way? I think so.
He wants it. He wants to be loved so badly. And because of that, he tries so hard. He tries to stay light and happy and kind, even when he's suffering underneath--he has his own flavor of emotional repression. Because if he can't be loved, he can at least be liked.
And he doesn't just want people to like him, he needs them to like him, because he needs to know he's likable. Because there's safety in being likable. There's safety in being funny and friendly and "a good sort of chap." It's proof he's not the monster his father was--the monsters his friends were. It's his shield. The shield he uses to protect himself from the world, yes, but also to protect the world from him. Or at least, who he thinks he is, deep down.
It's also, in his mind, his only chance at being loved. His only chance at staying loved. Because love is earned. Because love is the reward for good behavior. At least, that's how it was as a kid, right? And that's all he knows. He died before he could experience any other kind of love--besides the love between himself and Edwin, which is its own complicated matter.
The other difficult aspect of growing up in a household where love and affection were weaponized and where violence is an acceptable reaction to anger, is how it radically alters your perception of love and family.
You crave the love and validation you never received, but you also fear it and don't believe it's real when it comes without strings.
You struggle to identify love in healthy relationships because if it doesn't hurt, then is it really love?
And even though you crave it more than anything, you're afraid of it. You're afraid for things to get real, because real love--or your understanding of it--is dangerous.
Because love is a weapon and you can't bear for anyone to use it against you again.
Trauma manifests differently in each person. There are some commonalities, but it's never exactly the same. I know the saying is "hurt people hurt people" and that's not entirely wrong. But sometimes, hurt people heal people--or at least try to. Charles is in the second group.
Charles never, ever wants anyone to feel the kind of love he knew while he was alive. So he paradoxically loves openly while remaining guarded. His loyalty and devotion are unmatched. He went to Hell for Edwin. But he also never told Edwin the truth about his father until essentially forced to. Because that involves vulnerability. It involves, in his eyes, weakness. And what did vulnerability and "weakness" get him in life? Well...dead.
But he craves reciprocation. He needs to feel like he can be vulnerable, safely. I don't think that Edwin has done anything to make him feel unsafe, but being that they're both emotionally surpressed boys killed by other boys for perceived weaknesses at 16 and the lack of a ghost therapist...it's not all that surprising they haven't dealt with their issues in 30 years.
I think this is why he latches onto Crystal so quickly and easily. Firstly, she's alive: he can at least pretend to ignore his own death for a bit. Secondly, she's his age (sort of) and can see him, which is an uncommon experience at best. Thirdly, again--she's alive, so it can never last--never be real. Either she'll age beyond him, or she'll die and likely be taken to her afterlife. Which he'll happily ignore for the first two reasons.
I won't get too into this, because I'm in no way an expert in the wide variety of emotions attributed to love. But I will say this: Charles died at 16.
If we set aside the possibility of him being aromantic for now (which he absolutely could be), he may never have had the chance to fall in love while he was alive. If he could even recognize it for what it was. I mean, I'm in my 30s, been married and divorced twice, and I'm still not sure I've ever been in love. At 16, you're drowning in hormones and it can be hard to decipher feelings.
If you think about it, his death and subsequent ghostly afterlife are a supernatural version of the arrested development a lot of child abuse survivors experience. But his development arrested literally--he literally CAN'T grow up. At least, not physically.
He may have had 30 years to address his issues, but why would he have thought to? He doesn't have the same responsibilities or needs as a living adult. He's constantly on the job or on the run from Death, he's living with Emotional Repression the Person (my beloved), and frankly...it hurts to examine those problems. How many adults are actively avoiding their own issues?
Edwin, with the most heartwrenching tone of voice since David "I would like to spend" Tennant, makes clear that he's IN love with Charles. And for a moment Charles looks like he's been walloped in the gut with an iron bar, trying to process. But then the trauma-brain kicks in.
He finds the first "logical" explanation to someone (Edwin) telling him they love him: it's a literary reference, and Edwin is...maybe not "messing" with him, but maybe being extra dramatic about this? It can't be real.
But then Edwin gets upset--he's serious about this. And Charles sort of...short-circuits. He can't process this right now, not when they're running for their afterlives. Not when the Night Mother is waiting to split them up. Not when he's barely even begun to process his trauma. So he does everything he can to make sure Edwin knows that, no matter what, he loves him. Maybe not in the same way, but with the same depth.
Because they'll have time. They'll have all the time in the world to figure out what this means. Because they certainly don't right now, and everything Edwin is saying flies directly in the face of every opinion Charles has ever held about himself.
And what the hell is he supposed to do with that?