chuuya’s role in bsd is so funny to me. you’re watching this show and every 10 episodes or so this pretty guy drops in, and he’s the coolest most OP guy in the show so he can really only hang around for a few minutes before he makes any conflict obsolete. and he’s supposed to be part of the villains but he never really does anything that evil and is mostly helpful? he just appears and does something badass and fucks off again. and this is all already really weird but also every time he shows up it’s clear that he and one of the other main characters have like, definitely fucked, which adds a whole other layer of absurdism. and the best part is he accomplishes this in maybe 11 total minutes of screen time.
what they don’t tell you about writing is AAAAAAAAAAAAAAAAHHHHH!!!!! AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHH!!!! AAAAAAAAAAHH!!!
What do you mean. What do you mean Akutagawa didn't know why Atsushi saved him. What do you mean Atsushi saw how Dazai treated Akutagawa, thus adding a new layer of understanding between them. What do you mean Akutagawa wanted to kill Atsushi for fear he would never be accepted "and then—" And then what, you fell in love??? WHAT DO YOU MEAN DAZAI WAS THE DIRECTOR BECAUSE ATSUSHI TOO HAS TO ACCEPT HIS PAST—
War is bad. And we all know this. But I think that no matter what side of a war you're on, we can all agree on one thing.
All wars would cease to exist if both sides were sat down and given a bowl of hot soup.
It's such an underrated little detail that Atsushi, in fact, did not want to join the Agency, because he thought the job was too crazy and violent for him, and he firmly believed every single one of them was nuts (which he's not wrong). Dazai simply manipulated convinced him to join by pointing out the fact that Atsushi didn't really have money or friends. So he was stuck with the weirdos.
Like, he seriously just wants a paycheck and chazuke. Oh sure, he found a family in the ADA, but I'm sure he thinks he's the only sane one there.
Having the events of Dazai's entrance exam take place before the start of the series rather than during it really makes Kunikida's character make so much more sense. Specifically why, at the beginning of the series, he was really hesitant to save Atsushi, or have Atsushi save Kyouka. It's not out of rudeness or apathy. He won't let himself care, because he tried before. He tried to bring up a kid that had a bad life, and it only ended in failure. The events of the Azure Messenger arc really shape Kunikida's character into being someone who wishes he was a hero, but isn't. That he can't save everyone. So when Dazai saves Atsushi, at first, Kunikida doesn't want to grow close or allow himself to care because he feels that this too is only going to end in failure. Hence what he tells Atsushi about he and Kyouka both drowning if there isn't enough room on the boat (the metaphor admittedly makes more sense when he said it). It just adds so much in respect to his character if it happened before the events of the series as opposed to during it, because then it just makes Kunikida out to be super uncaring. But he's not. He just doesn't want to get his hopes up until he can truly accept the fact that this time, it might end better.
Aggravate - make something worse Irritate - to annoy
Alternate - to take turns Alternative - an option
Ambiguous - something unclear or vague Ambivalent - about something, you can take it or leave it
Aural - refers to the ear or hearing Oral - refers to the mouth or speaking Verbal - expressed in words, either spoken or written
Definitely - for emphasis Definitively - for the final say
Didactic - teaches a lesson Pedantic - just shows off the facts
Envy - when you want what someone else has Jealousy - when you’re worried someone’s trying to take what you have
Fortunate - lucky Fortuitous - by chance or accident
Gambit - a kind of sacrifice Gamut - a range
Gibe - to sneer or heckle Jibe - to agree (but, jibe is a variant spelling of gibe)
Historic - has a great importance to human history Historical - something is related to the past
Holistic - treatment of the whole person Holy - having a divine quality (e.g., related to a god)
Partially - implies bias in favor of one or the other Partly - more precise when portion or proportion is meant
Rob - focuses on the place or person from which the thing is taken Steal - focuses on the thing that is taken
Sound - something which you can hear Noise - when a sound is unwanted or unpleasant
Tortuous - marked by repeated twists, bends, or turns Torturous - describes something painful
Voracious - describes someone super hungry Veracious - means truthful
Who - acts (like "he" or "she") Whom - receives (like "him" or "her")
Wreck - to ruin something Wreak - to cause something to happen Reek - to smell bad
Sources: 1 2 3 4 5 6 ⚜ More: Writing Basics ⚜ Writing Resources PDFs
I hate to be the bearer of bad news, but there's a common misconception that's been permeating the fandom, even on the official wiki, that's just...not true.
Dazai met Akutagawa when he became an executive, which happened when he was 17-18. In both The Heartless Cur (the short story written by Asagiri about how Akutagawa and Dazai met) and Beast, which follows the original timeline, albeit with some changes, it flat out states that the interaction was only four and a half years prior to the main story. Which means Akutagawa knew Dazai for six months. He was already either fifteen or sixteen when they met, and they haven't known each other for that long. Not fourteen.
I love how, when the finale of season five aired, the Jailbreak arc shifted from a heartbreaking tragedy to the most unhinged comedy ever.
Stuck on your WIP? Unsure of how a scene should go? Feel as though your story is lacking substance? Enduring with the frustrations of writer’s block?
Why not try throwing in a plot twist?
A messenger brings bad news
Something important is stolen
Someone vanishes without a trace
An important item is damaged
Protagonist recognizes a face in the crowd
Someone seems to intentionally fail
Protagonist finds an item thought lost
A charitable act has a harmful result
A cruel act has a beneficial outcome
Someone unexpectedly returns the favour
A raging storm moves across town
A gift makes a character the target of a murderer
A fallen enemy makes one last attack
Only one character in danger can be saved
An enemy saves the life of Protagonist’s friend
A will from a long-lost relative appears
A secret rival seeks to replace Protagonist
A thief makes Protagonist their next target
An obscure law suddenly becomes important
Strangers mistake Protagonist for a fugitive
A tool breaks when needed most