Maomao Is The Consorts Pet Cat:

if in the new timeline in the manga there are no school mysteries then that means that the creation of the mysteries is related to the death of the twins? or is it to the pit god?

Going insane because my first thought at their similarities is that they could have gotten along in a different context, but without that context (Teru being an exorcist and Hanako being dead) they wouldn't even be similar.

More in depth analysis about the Spy x Family Manga Cover Chairs and Bonus Artworks (Or me just overthinking Endo’s decisions in everything and as always long post, please bear with me)

So I wanted to talk about something that I noticed about the various designer chairs that is featured on all manga covers.

Endo did say that he thought about how each chair matches the personality of the character, regarding it’s style, design or the color.

But I like to talk about something different about the chairs-it’s size or the seating capacity and how it reflects the characters relationship with others or their views about relationships. Also, I’m going to share something significant about the comedic bonus arts that also feature the chairs.

This focus mainly about Loid, Yor and Anya‘s Chair (including Fiona’s Chair) and the bonus illustrations that came with it.

Volume 1-Loid’s Chair: Le Corbusier LC2

There are two versions of this chair in the manga/anime, the love seat and the one seater. Loid is seated in the one seater chair in this cover, it means no one can sit there with him that reflects how reluctant he was in letting other people in his life. He wasn’t open for relationships (You can notice that those who are like him, intelligence assets; Franky, Fiona, Handler all sit in one seating capacity chair).

The bonus artwork was Anya sitting on the chair copying his pose. She’s the most fitting person to be in this seat because she can see through Loid’s mind, she basically knows who he really is and she likes him for that. Anya was fond of spies and she was excited about being part of his mission.

Volume 2-Anya’s Chair: Marshmallow Sofa

Anya’s chair has a large seating capacity and she was sitting at the middle, waiting for the empty spots on her both sides to be occupied. This depicts Anya’s anticipation for forming relationship with other people, about her wanting parents, a family, to be there for her.

The bonus artwork was drunk Yor lying face flat on Anya’s chair. This artwork, for me, reflects Yor’s unwavering affection for Anya and Anya’s appreciation of Yor. Even drunk, she’s determined to protect her, as if she was her real daughter as seen during the castle chapter. She is fond of Anya.

Volume 3-Yor’s Chair: La Chaise (Featuring Fiona’s Heart Cone Chair)

This is the chair I wanted to talk about and I have to use Fiona’s Chair for this analysis for Endo said that Fiona is designed to be Yor’s contrast and we can clearly see it in their chairs.

The seating capacity of Yor and Fiona’s chair greatly differ. Yor’s chair was big, Endo pointed how it didn’t even fit the cover, and even though Fiona’s chair is big too, she’s the only person who could sit in it. Other people can fit Yor’s chair but not with Fiona. I analyze this as Yor being open to genuine relationships and selfless while Fiona being closed off and selfish.

We know Yor’s motivation for being an assassin was for Yuri, for the sake of other people, and what is Fiona’s motivation? Clearly it was mainly for Twilight to marry her, love her and it was evidently show with all that stuff hiding behind her chair. I’m sure she experienced a lot of traumatic stuff that led to her being a spy but I don’t see other praise worthy and selfless motivations from her that was aside Twilight’s affection. Don’t get me wrong, she’s an interesting character and she isn't a bad person but I’m not really a fan of her personality just like I don’t like Yuri’s obsession with her sister.

In Yor however, she has nothing under or behind her chair. Just that blood that wasn’t even behind or below her chair. She wasn’t faking anything about her personality. It’s true that she accepted her marriage to preserve her assassin job but she genuinely wanted to marry Loid because he was the one who acknowledged her selflessness and that was enough for her to completely entrust her life to him. She welcomed Loid and Anya to her life because her longing for a companion to share her life with is as big as the size of her chair.

The bonus art in Volume 3 was Loid sitting on her chair. Despite the comedic set up of these illustrations, I think the people who tend to sit on the chair on the bonus arts were the ones who gets the person on the cover the most.

That is why Anya is in Loid’s (Because she can read his mind) Why Yor is in Anya's (Because Yor lost her parents at a young age too and she knows how to care for Anya because she did that to Yuri) and why Loid is in Yor’s chair (Because Loid understood her self sacrifice because he too, is the same as her) Also why Anya and Bond are in the bonus of Volume 4 because the two of them get each other, being both experimented on.

I also have some analysis about Volume 5-12 and the bonus artworks as well, but I might post them in another time since I haven't seen the translated bonus artworks in Becky and Emile and Ewen's Volumes.

But let me know if this analysis makes sense to you.

i like this theory so much, bc the picture perfect arc and the sacrifice of the grim reaper arc can be kind of explained.

like i know they are presented with reasons in the moment and they are triggers for the yorishiros to be destroyed (by yashiro or not). BUT in both of them hanako is put in a convenient position to do something about yashiro's lifespan.

in the PP arc we are shown why mitsuba is one of the "main characters", afterall that was setup by tsukasa introducing him to mei. then why is hanako the other main character? why is he there?

and in the shinigami arc, yashiro is the one that was supposed to be sacrificed, but n° 6 takes aoi instead for some reason, when yashiro was the one hearing his flute, and hanako just keeps it that way. one can also argue that n° 6 was always supposed to take aoi for the severance and yashiro being the original sacrifice was a lie that hanako was told (and in that case i would asume that it was invented by sakura, but anyway) and yashiro's lifespan was always intended to end with the destruction of the yorishiros... (i read this series for the first time like 2 days ago so i am actually confused about this lol someone helpppp)

I can't sleep so it's tbhk theory time

Okay so this is something i have posted before, but now i'm gonna lay more examples supporting my theory

The theory being that everything (or most of) what Tsukasa does is based on Hanako's wishes, based mostly on old chapters

So situation one: Chapter 19, The one where Mitsuba dies

So in this chapter we find out that Tsukasa grants wishes of supernaturals, and we also see that he does it in very unconventional and grotesque ways, as we see him granting Mitsuba's wish of having many friends by turning him into this weird ass monster. And I think in this chapter, we also see him granting Hanako's wish for the first time in the series, but we will get to that later.

Chapter 21, The Tea Party and the door dimension

Yashiro gets kidnapped by Tsukasa and the rest broadcasting room gang to a tea party, the reason being, apparently, to kill her by drowning her in the room, but even as Yashiro herself points out, it doesn't really seem like they actually want to kill her

The weird water that they drowned her in instead transported her to the door dimension that can lead her anywhere, and this is where she goes through the door that leads her to the dimension where Hanako is a living student at her school (and then she gets transported to the current year. oh well).

I know it's a lot of talk and no explenation but bear with me we will get there soon

Chapter 32, Then Mitsuba becomes a school mystery

So 11 chapter later we get direct confirmation that Tsukasa in fact does not want Yashiro to die

And most importantly, we find out Tsukasa actually remade Mitsuba

And this is where it gets to the connection point of the chapters discussed

Kou asks why did Tsukasa remake Mitsuba if he was the one to kill him, to which he answers:

""Just because?" "There was a movie I watched with Amane with an artificial human, I wanted to make one" "But, I dunno... pretty cool, right?"

A hell of an unsatisfactory answer, and he sounds really unpassionate and not really sure, forming the answer more like a question, almost like he's thinking about the reason at the spot, which is exactly what i think hes doing, and it's not the first time.

Chapter 21, the reason he wants to kill Yashiro. We know for a fact that's not how he views his relationship with Hanako, and he literally ends the sentence with "Well, whatever. Anyway."

Chapter 19, asked by Hanako why he turn Mitsuba into that weird ass monster, similiar to chapter 32, he starts with a "hmm..." and thinks for a minute, before actually answering (except this time, his actual answer seems more honest, in a way)

It's really easy to tell when he's hiding his actual motives. And the actual motives, what were they?

To get an answer to that, we don't exactly look for direct quotes for Hanako saying what he wishes for, we more start to speculate what he might be wishing for inside, what he doesn't say.

It's really not that hard, take for example, Hanako wishing he could have somehow met Yashiro when he was still alive, which is exactly what Tsukasa caused in chapter 21

This would be his true intentions behind sending Yashiro to the door dimension.

So how about the whole Mitsuba thing? Well, Hanako was never really happy about Kou having a crush on Yashiro. He has probably thought something like "I wish he would stick to someone else" at least once, right?

And then Kou brings over a ghost student his age to the bathroom stall, asking him how can he deal with him instead of exorcism

Hanako looks like hes getting a bad feeling about him (is he... you know...)

"I want friends. I want to stay with my friends..." Here we have the exact wish that allowed him to "kill" Mitsuba, while also granting his and Hanako's wish. If Tsukasa didn't do anything, Mitsuba would be free to go. He found a friend, and his unfinished business is done. But then, Kou wouldn't stick around with him anymore, so Hanako's wish wouldn't be granted, and also Tsukasa would have taken no part in granting Mitsuba's wish.

The actual way Tsukasa wanted to grant these wishes is by letting Mitsuba turn Kou into a supernatural similar to him, quote "If you make him just like you... you could be together forever, huh?" (THE PARALLELS THE PARALLELS UNRELATED TO THIS THEORY OHHH THE MITSUKOU PARALLELS GOD DESTROY ME SMITE MY BEING)

Directing Mitsuba, guiding him what to do, while also making it seem like it's his own choice, like it's what he wants.

But then Hanako comes over and kills him before that can happen. And he doesn't even look like his confused about whats happening, but he still asks Tsukasa, asks why is he doing this, like he want's a conformation.

Because he knows it was because of him.

Since Tsukasa could tell what Mitsuba wished for because Mitsuba already made a deal with him, it would mean Hanako made a deal with Tsukasa too, all these years ago, a wish that might have been "a little vauge". And also, Hanako doesn't know which one of his thoughts made Tsukasa do this, considering his ways of granting anything are very off the wall, and also, as we discussed before, Tsukasa won't tell him.

(Hanako touching his seal after Kou asks Yako about Mitsuba. His face looking sorrowful, like he's thinking about something)

All he knows is that this happened is because he met Yashiro. He hasn't seen his brother for 20-50 years, and he showed up right after Yashiro became his assistant.

His ghost "life" was boring, nothing really happened, and he stopped wishing for anything. He accepted that he had no future, he needed to take care of the school so he could gain god's forgiveness. But then Yashiro showed up, and his life suddenly was more eventful, he now had a girl to protect. Then after her Kou showed up, and now he had two friends who still had young hope in them.

And it rubbed off on him, it had awakened some hope in him too, made him start wishing again. And now his friends are paying the price of that.

And also it's almost 4 A.M. now as I'm writng this.

So yeah if you have any thoughts on this, other examples or something that contraries my theory please reblog and let me know, i would really like to hear it

(me right now)

Colored the new tbhk art!

are you gonna look me in the eyes and tell me Dazai doesn't have poor blood circulation? anyways happy belated valentines

I don’t understand how so many Teru fans acknowledge that he was abused and STILL agree with him that all supernaturals are evil, when that belief itself is a product of the abuse he experienced. Teru did not come up with the “there are no good supernaturals” concept on his own, that sentiment has been in the Minamoto clan since Hakubo served them. Abusive households will brainwash you into believing things in order to keep you in line, which we see with Teru in how he’s entirely unable to see nuance in the situation due to his upbringing. That black and white way of thinking has been ingrained in him as a way to mold him into the perfect child soldier

Compare him to Kou, who didn’t endure the same physical abuse that Teru did (physical as in being put in life-threatening situations, Kou was still neglected which is also a form of abuse). He wasn’t expected to be an exorcist and therefore those ideals weren’t pushed on him as heavily as they were Teru. He’s able to look at things more objectively that way, because his feelings on the matter aren’t the product of a trauma response (trauma or any form of mental illness can skew people’s perception of things)

Also keep in mind that Teru contradicts himself at multiple points throughout the series. He lets the mokke live because Tiara likes them, even keeping one as a pet. He allies himself with Akane despite his association with the Clock Keepers. He lets Hanako get away because he doesn’t want to upset Kou. If Teru truly believed that there were NO good supernaturals, he wouldn’t make exceptions. Because that would mean putting his siblings in danger, and we all know that’s the last thing Teru wants to do

To be clear, I’m sure Teru does genuinely think that all supernaturals are evil. It’s a known fact that Teru HATES supernaturals. However, I think he is at least subconsciously aware of his own hypocrisy. That’s why Akane’s betrayal hit him so hard, for once he relied on his own instincts rather than the beliefs his abusers spoon-fed him, and he paid the price for it. But that doesn’t mean he was wrong to trust his gut!! In fact it’s a GOOD thing that Teru was able to make an exception, he made friends that way and seemed to have some impressive character development. Even if he didn’t realize he was doing it, looking past his own beliefs helped him grow so much as a person. He found an escape that way, something he wouldn’t have found if he stuck with what he was taught

Anyways. Most people who give this take don’t gaf abt humanizing the supernatural characters so I wanted to show how it harms Teru as well. By saying “all supernaturals are evil” you are agreeing more with Teru’s abusers than Teru himself

I loved this episode and the Hanako blushing scene so much

injury recovery…

*break an arm or two out there kids!*

maybe the reason why i love tbhk so much isn't bc of the potential for theory discussion, the horror themes, the doomed lovers, the doomed by the narrative character, the queercoding of mitsukou, metaphor of cannibalism as love, identity issues (mitsuba), the yokai/spirits stories and their contrast with humans, the mystery, the romance, the art or any of the other things i like...

the reason i just became obsessed with this series is all of the above, yes. but more importantly is the siblings going through the horrors™ (and i think that's the reason why fmab is still my favourite animanga of all time. for me there is nothing more angsty than siblings)