I really like revisiting the earlier chapters after reading the newer ones because it helps give new perspective on the earlier interactions of these two.
The way how Hanako speaks to Yashiro, even from the beginning of their partnership, is so cute and sweet in a way I don't know how to explain. Sure, he's definitely still a jerk at times, but the general manner in which he interacts with her makes me smile like an idiot.
I like how he's not even angry or too upset with her, he's simply like, "Stop the cap. Just fess up and I'll help."
GUYS, what if in the next chapter (123) there's other of those time fluctuations and yashiro is able to interact with the amane that's fixing the clock without time traveling and that gives her the info she needs so she doesn't jump with so little clues of what changed in the past
what if mori let dazai go at the end of dark era bc he wanted him to find something to protect?
Dazai didn’t care about yokohama, but with the years apart from the mafia and surrounded by the ADA he has started to care and he likes to help people now. I think it’s said in one of the antologies, but also there’s this quote in DA that i love bc it shows this. I don’t know how it is in english, but in the spanish translation it says that dazai had a face full of determination and duty (is the moment just before shibusawa stabbed him.
So mori knowing he can’t make dazai care through manipulation bc he is /too/ smart, he used his betrayal for this. Dazai will find reasons to protect yokohama and now he can really be the asset always wanted him to be.
I've been thinking a lot about Hakubo lately because of the season's annoncement and the importance of flowers for him.
His youngest appearance is him watering lotuses showned by the only thing he could have called his family
Flowers crowns have always been associated with Sumire in his life.
They are also always showed next to the Kannagi statuettes. He even brings flowers to Sumire's when he is not able to hold them for too long.
It's the first things he offers to Aoi, having the whole boat filled with them, to calm her after bringing her into an unknown place. Knowing that Sumire used to love them a lot and not understanding why she doesn't seem pleased with this offering.
Hakubo also spared the children who were weaving flowers baskets, creating the school rumor and tradition because of it.
He is the mystery confirmed to have been assigned by Sakura who is clearly associated to flowers (hence the Cherry tree in this chapter guiding Sumire to make them reunite)
Flowers are a leitmotiv throughout Hakubo's whole arc especially compared to any other mysteries which don't have any flowers in their boundaries, his being the only one with so many in it. (Yako's doesn't have flowers when it's under her command)
I just think it's so sad that he can't be in contact with something that has been present his whole life and reminds him of the only person important to him.
akutagawa giving rashoumon to atsushi to fight with but its animated like a magical girl transformation
Kobato and Osanai start their high school lifes with the goal of becoming "ordinary", while getting away from their pasts. But the duo time and time again ends up putting themselves in the middle of mysterys to resolve.
For starters I want to say I love this anime. It wasn't in my watchlist this season, but after I saw gifs of the first episode I got curious with how pretty it looked. So I watched it. And it enchanted me.
I have to admit that I love mysterys and slice of life, so after ep1 i thought this series was just that (specially if one makes expectations with hyouka), but I was actually surprised with the twist of the overall cases being a lot more complex and serious.
I still found it refreshing tho, not all mysterys have to be murderers, they can be simple like doing cocoa or finding a poshette; it touches something i was craving and it makes reality, the common moments in our lifes, a lot more interesting.
(I want to make this post more about the anime as an adaptation and make my thoughts on the story another one, where i talk about the novels,,, so i'll leave that there).
The anime in itself is just so good, is stunning; the animation, art, character design, backgrounds, music and sound, the voice actors, direction; everything works so well together and creates a feast not only for the eye.
Even if there are moments i wish would have made it to the anime, is obvious it won't be a 1:1 adaptation and tbh they aren't a big deal for the entire picture. Also, I have to point out that how it translastes the novels to such a different media is a bit fascinating.
Kobato is the one that narrates the novels and even if they could have used that in the anime anyways, i like that they didn't. Kobato's sarcastic comments or how his thought process goes is lost, but it doesn't change him as a character. We are shown the mask he is trying to create for himself, but fails to mantain. That mask that everyone around him sees.
Specially if we take in consideration how kobato is an unreliable narrator, so in the anime we have this chance to see what he really wants us to see of himself, but we can also see the things he hides.
Also, without him narrating the animators and team are able to create the myteryous atmosphere that is around the characters and specially in the relationship between Osanai and Kobato. that have such a unique dinamic.
I like that they don't give us the answers to the characters with just words, but showing. and if we take into account the type of media an anime is, I find this the right choice.
BUT, i do regret that some moments where lost, like kobato running outside of the school at the end of the spring tart case after osanai doesn't answer, even before kengo finishes talking or the panic attack he has in the elevator being changed to the moment under the bridge. i think taking away this moments belittles how important osanai is for him...
On other point I was curious how they'll adapt the story considering it was modernized and the climax on the first book is bc kobato has an old cellphone, but i think it was fine how they did it.
This is definetly one of my favorites animes, not just this season, but this year. I really recommend it for the mystery fans.
And I'm specially exited to see how they adapt the 3&4 novel and their relationships, can't wait!!!!
maybe the reason why i love tbhk so much isn't bc of the potential for theory discussion, the horror themes, the doomed lovers, the doomed by the narrative character, the queercoding of mitsukou, metaphor of cannibalism as love, identity issues (mitsuba), the yokai/spirits stories and their contrast with humans, the mystery, the romance, the art or any of the other things i like...
the reason i just became obsessed with this series is all of the above, yes. but more importantly is the siblings going through the horrors™ (and i think that's the reason why fmab is still my favourite animanga of all time. for me there is nothing more angsty than siblings)
pretty mentally unstable momma
kyubey i dont think human teen girls are the most emotionalest of everyone in the universe i think youre just a misogynist
IT'S DONE This was actually one of the very first ideas I wanted to draw for skk, because (as someone rightly pointed out in the tags) they are just so in synchro when they work together, I can't help but think that would translate for dancing as well
the apothecary diaries does such a great job of portraying how traumatizing it can be to be a victim of pedophilia and grooming, instead of romanticizing it like a lot of anime series do. it is disturbing, it makes audience uncomfortable and disgusted — which is how we must feel about pedophilia. you're not supposed to feel comfortable because it's 'normalized' or 'just fiction'; you're supposed to feel disgusted.
the creator didn't make anshi 'fall in love' with the previous emperor or develop a stockholm syndrome — instead, she took her revenge in the same way he hurt her and other girls, which he deserved. her anger, hatred and disgust towards him are rightly justified and realistic for a victim of pedophilia.
the older palace lady (who might or might not be a ghost) told the girls abt her story as a victim of the previous emperor at the ghost story gathering:
whether or not she was a ghost, she wanted her story to be heard, of how much the victims suffered at the hands of the previous emperor. they were imprisoned for the rest of their lives in the same place that ruined their lives. telling her story might be the only way for her to find peace within herself.
an abuser may die but the trauma he leaves on his victims will last forever. it does not go away.
it's even presented as a horror story because there's nothing more terrifying than SA.
(i may have missed a few points but im keeping this brief. thank you for reading my essay!)
reviews something something the only place where i'm not a hater @/myotsune on twt
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