mellissa rejecting their past, rejecting the wilderness, rejecting shauna, only shauna won't let her. she cuts her, she fights her, she pins her, she bites her. she forces her into submission with a knife in her hand, just like she did against that tree decades ago. she threatens to kill her again, but this time she's intent on killing this new melissa---the one that's scared of her, the one that doesn't love her, the one that doesn't like the dark parts of her anymore. and she does it by ordering melissa to eat herself, forcing cannibalism back onto her, to collapse the boarder between adult!melissa and teen!melissa just as shauna has with herself. to drag melissa down to her level, to destroy what little comfort and happiness she has built for herself. you don't get to leave---you don't get to leave me, not while I'm still trapped here
Joni Mitchell: A Woman of Heart and Mind (2003), dir. Susan Lacy
“what’s the song of the summer” ?? it’s DANCING IN THE DARK by bruce springsteen for the 41st year in a row
People on this website will really mock anti-vaxxers and flat earthers for ignoring scientists and getting their alternative facts from facebook, and then turn around and insist they know more history than historians and more archaeology than archaeologists because they read an unsourced tumblr post once
Paramore is literally the king of live only outros and I wish they would make into into the studio version of the tracks. But at the same time it makes the live versions special. But honestly: the “million miles away” outro for here we go again; the “our father” outro for let the flames me begin; I remember they did a sick live interlude during the brand new eyes 2009 tour; the misguided ghosts extended outro; the 2018 after laughter tour crushcrushcrush outro; the crave outro that truly elevates that song from nostalgic rock lyrics to head banging emotional screaming and guitar riffs. I guess what I’m trying to say is see paramore live
theater kids
decode by paramore and vampire money by mcr are like two ends of a spectrum i won’t explain myself
BRIT AWARD WINNER CHAPPELL ROAN Best International Song - Good Luck Babe! International Artist of the Year
every ask to neil gaiman goes about like this:
greetings sire, i am but a worm beneath you, but my dear sister is deathly ill and your work is the only thing that brings her happiness still. anywho, in season 2 of good omens do crowley and aziraphale have fucknasty butt sex? thank you!