BRIT AWARD WINNER CHAPPELL ROAN Best International Song - Good Luck Babe! International Artist of the Year
“what’s the song of the summer” ?? it’s DANCING IN THE DARK by bruce springsteen for the 41st year in a row
Chai tea bag + lil but of brown sugar + apple cider packet + 16 oz. mug of hot but not quite boiling water
it will not Fix You but like. maybe. maybe.
if sue sylvester and the cheerios had crashed on that plane they would have been running a bar and grill by the end of the week i'll tell you that much
I've been asked multiple times, which Vincent Price films *I* personally recommend. Well... all of the above... Also, Theater of Blood...(Gif wouldn't load)
I can’t stop thinking about how perfectly Barbie portrays girlhood and growing up… How you’re born in a perfect pink world, where you make the rules and get to prioritise whimsies and friendship and beauty, and then you notice something has changed, you discover that something is wrong with you, and you’re offered an illusion of choice, but even if you’d rather keep wearing your heels and go home and be safe and comfortable, you have to choose the Birkenstock, you have to leave your home, you have to grow up. So you’re thrust into this gritty, unfeeling world, where you’re scrutinised and suppressed, where you want to disappear into yourself, because everything is harsh and big and you are tiny and fragile and inadequate. And as overwhelming and impossible as it seems, you survive it. You find truth in the things you believed in when you were young, the inherent good in humanity, connection and love; your friends who look at you while you are crying, and tell you that they cannot imagine what it is that you do not like about yourself.
“never too late to be who you might have been” by sara yukiko mon | still from i saw the tv glow, “there is still time”
hope everyone knows that gerard’s skirt suit tie is like. literally a vintage “women’s” tie. when middle class women entered the workforce with gusto the fashion of professionalism and suits etc had an existential crisis about what to do with the ties…… like the ties of skirt/women’s suits are specifically bows and ribbons. i can’t give any sort of statement as to why, aside from the fact of arbitrarily and subtly keeping gendered difference while “copying” men’s standard dress and attempting to move away from 60′s professional dress, which was largely the same as women’s social and public dress. anyway. the fact of choosing this tie
and the fact that the tie reveals itself to be a scarf only after the jacket is removed is amazing… idk. it reveals the distinction between men’s and women’s dress and how gender is forcefully adapted into all ways of life, even in movements to remove it. the same goes for the kitten heels,
kitten heels are another perfect camp example of gender adaptation imo. heeled and uncomfortable, explicitly gendered but “professionalized”, largely considered frumpy to a certain degree and unsexual due to their low height. translating the professional uniform of men to women’s attire was a sort of a second wave assimilation approach to gender.
50s’/ 60′s workplace attire, which emphasized busts, hips, and waist.
and then the more 70′s / 80′s look of gerard’s tie and heels - boxy, “androgynous”, padded and square shoulders, adopting suit jackets and patterns
the tour (mostly the dresses and skirts, designed outfits) has been largely 70s to me, even with the explicitly 60′s and ww II looks.
they’re incredibly boxy and have a “boyish” silhouette, a hallmark of women’s fashion of the 70s, considering women’s lib and the gender revolution. it’s so cool to see because part of that was a move TOWARDS androgyny, and now even the pants looks are identifiably “women’s” or androgynous. even the sunglasses are “women’s”.
“women’s” sunglasses, “women’s” ties, and “women’s” specially adapted uniforms, be it nurse or office worker. all of these looks are seeded from the historical urge to de-gender and androgenize fashion, yet to our eyes it’s unmistakably “women’s”
camp by my definition in its purest form is the re-contextualization of needlessly gendered practices, society, and fashion, and the shifting context is used to satirize the notion that things are “naturally” gendered and dimorphic. camp, when effective, describes the constructed nature of gender and sexuality. women’s suits DESIGNED to be “more masculine” are by modern standards (well i mean. by modern feminist standards LOL) still obviously so far from the mark of “genderless”. it highlights the fact that gender is so insidiously woven into EVERYTHING, even social efforts to be more egalitarian, so to speak. it makes us see the gender we quietly perform as “natural” in modern life.
i’m not a fashion historian or anything else so if i’m wrong i’m sorry LOL. but i give such a huge fuck about gendered fashion in camp and also gerard way
what a beautiful ending
Joni Mitchell: A Woman of Heart and Mind (2003), dir. Susan Lacy
for all the artists out there, here are my favorite resources i use to learn!
The Complete Famous Artist Course
Art Books and Resources
Art, Anatomy, and Color Books
PDF Files of Art Books
Internet Archive
My YouTube Playlist of Tutorials
How to Draw Facial Features
Drawing and Art Advice
Drawing Lessons
Art Fundamentals
Anatomy of the Human Body
2D Animation
Perspective Drawing
Pinterest Board for Poses
Another Pinterest Board for Poses
Pinterest Boards for References
Reference Angle
Figurosity
Sketch Daily
Line of Action
Human Anatomy
Animal Photo References
Humanae - Angélica Dass
Fine Art - Jimmy Nelson
Character Design References
CDR's Twitter Account
iamagco's Twitter Account
taco1704's Twitter Account
takuya_kakikata's Twitter Account
EtheringtonBro's Twitter Account
Drawabox
Color Wheel
Color Palette Cinema
Free Images and Pictures
Free Stock Photos
FILMGRAB
Screen Musings
William Nguyen Light Reference Tool
SketchFab - 3D Skeleton Model
Animation References - sakugabooru
Animation References - Bodies in Motion