somebody else said this first (@make-friends-with-the-rats) but im thinking about race’s character being split across him and albert in the stage version.
but i think that explains so much about the twinkification of race (which so many people have so eloquently critiqued). all his anger and traditional masculinity is placed into albert, who’s only identifier in the script is ‘tough guy’. (again, somebody posted these character descriptions but unfortunately I can’t find that either, pls correct me if i’m wrong about this).
I love Albert and Race and their stage dynamic (particularly in livesies with sky and ben) so i’m not upset about this choice, but I do think it explains a lot of what bugs me about fandom interpretation of Race.
anyways, maybe that’s why i’m such a ralbert truther, because it brings these seperate halves back together. who knows.
something about Jack and David both presenting in the way the other is internally (Jack being chaotic and angry on the outside, but masking his fear, while David appears more proper and stereotypically anxious when he’s actually very frustrated). Growing up in vastly different environments with different social expectations, they’ve learned to cover up, but by becoming friends they offer each other the space to be themselves and ugh. i love them.
there are so many missing pieces of Katherine I can't stop thinking about.
Katherine who learned journalism through her father's eyes. Thought it could never be hers, could never be anything but money until she tries it and suddenly, for the first time, Katherine Pulitzer finds power of her own.
Katherine who meets a spitfire boy on the street, all elbows and flirty words and she hates him. But then there he is again, believing in something when he has nothing. She didn't know that was possible. She interviews him and no boy until this one has ever treated her like she was real.
Katherine going home late after the strike breakers, legs tired from running. She goes home and eats dinner with her father, only he isn't her father anymore; he's an abuser who sent police to beat children. When he meets her eyes she shivers and she sleeps with the knowledge her home can't be that anymore.
Katherine who makes a story and a plan, hair a mess and ink stains on her fingers. Who doesn't sleep because every time she closes her eyes she watches her reality crumble apart, revealing a world she wishes she knew sooner.
Katherine who finds Jack on a rooftop and begs him to care about more than money because in her world money has always come before people. But Jack is different and runs because of fear Katherine never knew existed. She learns it for him. Learns it because this awful mix of terror and anger is so much better than the emotionless world she was raised in.
Katherine who falls in love with Jack's heart and mind long before his looks. Katherine who falls in love with Jack because around him she's human and the world is alive.
I'm thinking of Paul beating up Ponyboy, cornering him in an alley, knowing it's him, and attacking anyway. Because in his eyes, this kid is the reason Darry is gone, hardened, shutting Paul out. Darry's responsibility for this ungrateful kid is the reason nothing will ever be the same again.
And Paul’s swinging on him and then this kid screams Darry’s name. For the shortest moment, Paul is comforted by the knowledge Darry is coming. Darry is coming back, with strong familiar arms to haul Paul off Ponyboy. And yeah, Darry will yell, and maybe even hit back, but at least he'll be here.
But then the gang gets there first and Paul has to scram, knowing Darry is going to hear about what he did and knowing he’s just ruined everything for good. No forgiveness anymore.
Might as well commit to it now. Might as well be the monster. Just to prove it never mattered to him anyway.
Nothing will ever bring me as much sadness as the shortened album versions of Seize the Day & King of New York. How am I supposed to video-broadcast the entire show in my head if you cut the dance sequences?? How am I supposed to cope with my day without: "hey, where's Les?" Chaos noises
i LOVE sarah jacobs. a nice girl with so much fight in her. a good girl who breaks the rules. ooooo my queen of contradiction sarah jacobs you are the perfect daughter and so so frustrated with the world.
working on a javey fic and yeah i’m gonna make them fight. physically. i wanna see these fuckers fight dirty and yell and spit and then get up and forgive. i love making them angry and in love.
The gang played truth or dare once and it ended with Dally in jail, a potential rumble between them and the Shepard gang, Ponyboy admitting to smoking pot with Curly underneath the school bleachers, and Darry drunkenly confessing to the gang his torrid love affair with Paul
the urge to write canon newsies fics is strong but my brain won’t let me start unless I have researched EVERYTHING like everything needs to be SO SO historically accurate and who has time for that?