Bowynn Gods: Bryathenaea

A Deeper Look into the God Aetenn

The symbolism surrounding Aetenn reveals profound layers of meaning, tightly entwined with esoteric principles and numerical significance. The ram, a recurring symbol in various mythologies, connects to themes of strength and assertiveness (often associated with the astrological sign Aries), but its horns can also symbolize stability and grounding—attributes that are essential for any protector or guardian. The duality of his nature as a guardian rather than a warrior suggests a transition from aggression (often represented by the warrior archetype) to stewardship, which can be explored through concepts like the Fibonacci sequence; just as this mathematical series illustrates growth and balance, Aetenn embodies the necessity of nurturing potential (the arms and armor of warriors) while safeguarding community.

Aetenn, as the guardian of arms, armor, and forest, embodies a unique synthesis of protection and communal harmony, reflecting deeper philosophical and psychological themes. His role as a protector rather than a warrior suggests an exploration of the concept of "strength through restraint"—the idea that true power lies not just in wielding weapons, but in guarding what is valuable and ensuring the readiness of warriors to engage ethically in their pursuits. This notion connects with the idea of inner peace before external action, highlighting the importance of mindfulness and preparedness.

The forest environment Aetenn inhabits symbolizes life’s complexities and the untamed aspects of nature, suggesting that protection extends beyond martial prowess to encompass nurturing the environment and community bonds. His drumming connection reinforces the theme of communication and rhythm in relationships—both human and nature, further emphasizing the interconnectedness of all beings. The rhythmic beat of drums can symbolize the heartbeat of the Earth itself, emphasizing the importance of maintaining harmony with one’s surroundings.

Additionally, the black berry wreath can be interpreted as a symbol of cycles—birth, death, and renewal—since berries signify nourishment but also decay. This cyclical nature could reflect the life of soldiers, who thrive under protection but also face the threats of mortality and transformation. Aetenn's guardianship over what is most prized underscores the significance of mindful intention in one's desires, serving as a reminder that safeguarding what one values often requires discernment and respect for the greater good.

The black berry leaves, adorned with thorns, contribute a rich layer of esoteric meaning associated with protection through hardship. This paradox reflects alchemical transformations, where something seemingly harmful can protect and empower—much like the journey through the "prima materia" to reach enlightenment. The act of guarding only what one values aligns with the principle of intention found in manifesting one's desires. This notion resonates with the Law of Correspondence in hermetic teachings, implying that one's inner state reflects their external reality.

Furthermore, the drumming aspect connects Aetenn with rhythm and vibration, fundamental elements of sacred geometry and sound healing, resonating with a numerical symbology in sacred chants or mantras that establish communion. The significance of drums as a communication tool echoes the mathematical concept of frequency and waves, where harmony can signify balance in both the physical and spiritual realms. Thus, Aetenn serves as a multifaceted archetype, embodying the necessity of protection, the complexity of nature's cycles, and the essential connection between intention and manifestation in the spiritual fabric of existence.

Exploring Aetenn through a deeper lens, one can uncover fascinating intersections between his symbolism and scientific principles, particularly in ecology, psychology, and the study of sound. As a forest god, Aetenn embodies the principles of ecosystems where interdependence is crucial; his guardianship can be likened to the role of keystone species in sustaining biodiversity. This speaks to the hidden meaning of protecting not just individual aspects of society (like warriors and their weapons) but the entire web of life, emphasizing the importance of ecological balance and resilience.

In psychological terms, Aetenn might represent archetypal concepts that resonate within the collective unconscious. As a protector and guardian, he aligns with the Jungian idea of the "Self" as a harmonious balance of different aspects of the psyche. The caring nature of his duties could suggest the psychological principle of empowerment, where true strength lies in fostering the potential of others rather than exerting control or dominance, reflecting a more nurturing approach to leadership.

Scientifically, the drums associated with Aetenn can be examined through the lens of acoustics and vibration. The rhythmic patterns of drumming are known to influence brainwaves, promoting sensation alteration, introspection, and communal bonding—facilitating group cohesion and shared identity among communities, which is essential in military contexts. This reinforces deep cultural bonds and emphasizes the interconnectivity among its members, paralleling the principles of quantum entanglement in physics—where everything is interconnected at a fundamental level.

BOWYNN GODS: TARM

Tarm  (Tarm)  Tarm is the Mammont [Mammoth] god of invention. Tarm and the other mammoth gods were created by Brea and her siblings, along with all animals and humans.

     In the early days when the Giants ruled the world, Tarm was the giant of the winds and winter season. He brought on this season to let the earth rest and fertilize itself. This he did with Brea, his mother. But when the younger gods took over and the brothers of the winds were born, Tarm stepped down from this role, even though Tarm will accompany the god Arn in the winter. Tarm however remained with the Akua because he was a most wise god and would create inventions for the gods and later, he spent the Seven Sacred days with the first tribes and creating items they would need to survive. These inventions were items like brooms, rakes, hand mills and many other items needed to get by every day. Tarm is also the bestower of wisdom to create and discover, so Tarm’s role as a god is still vital.

     Tarm is seen as an older god, grandfatherly, with wild long grey hair. His clothes are simple, earthly colored traveling robes and a wood staff in hand. In his totem form he is seen as a burly mammoth. All items are sacred and offered to Tarm.  Also gifted to Tarm is bowls of milk and woven fans, as well as votive images of mammoths.

Bowynn Gods: Hern

Hern  (Hurn)  Hern is the Bowynn god of the sun and the hunt. He is the protector of woodland, the creatures that live there and Hunters. Despite his name and spelling, the Bowynn god Hern bares little to no semblance to the English ghost spirit Herne. Hern is the son of the earth goddess Brea and the sky god Unthar. 

     As a god of the hunt, Hern makes sure the hunt is justified, that hunters do not take more than what they need and at the same time protect them from vicious attacks and other woodland dangers. At the same time Hern protects the wildlife. He is also the one that blesses tools and implements used for hunting and initiates professional hunters. Contrary-wise, Hern will punish those that abuse the hunt and who treat animals maliciously.

As a sun god, Herne tamed the great sun mares once belonged to the deities Saul and Shayla, steadying their course across the heavens. Taming them to allow the sun to rise and set just once in a 24 hour period.

     Hern is one of the great epic gods that is most prominent in the Bowynn tradition. It is his birth, life and death that is worshipped throughout the year. The great sacred story explains that he was conceived in the dead of winter by the sky and earth on the holiday Kymyliea (Imbolc) and was born on the spring Equinox, Tsaquilla. It was when Hern was a young teen that he met the moon goddess Morrighynn and pledge his love to her on the day of Kyquilla. (Beltane) Their love we sanctified and united on Tsatarna. (Summer Solstice) Their honeymoon lasted all summer long, climaxing on Kytarna (Lammas). By Tsakora (the Autumn Equinox) Hern had noticed that humanity had become so lazy over the summer that they did not harvest enough food and wood to survive the winter. He journeyed to the great western mountains and spoke to Bia, the great creator force and realized what he had to do to help man survive. On the holiday of Kykora (Samhain), Hern proclaimed one finally great hunt to the mortal hunters. During the hunt, Hern turned himself into a mighty stag and gave himself to humanity so they may survive. Morrighynn grieved endlessly for the loss of her love Hern till at last, on Tsameliea (Yule) word came to Morrighynn that Hern will be born again and return to her. In turn Hern is reborn to the earth again each year.

Hern and his loved Morrighynn. With wolf cub and elk fawn at their feet.

As the god of the sun, his gloriousness and strength waxes stronger from Winter to Summer and then wanes weaker after the Summer Solstice into winter. It not shocking to find Bowynn praying to Hern throughout summer in force to ensure a gentle winter.

There are endless other legends of Hern but the Great Circle Saga is the grandest and also marks out the 8 celestial holidays of the year.  It is said that when Hern was first born to Brea, there was no cradle to hold the babe, so the Goddess Briathenaea made a swing-like hammock cradle made of elf antler and hide for the Mother Goddess to hold the babe.

     Hern is one of the horned gods of the Bowynn Pantheon. His head is crowned with elk/deer antlers, as his very totem is the elk. Some time he is seen also with elk or deer ears, giving him a softened and my friendlier appearance. other depictions have him without antlers. All cervidae animals are sacred to Herne and he often appeared to mortals as a might buck elk. Hern is also the creator of the Sunflower, a divine symbol of his love to Morrighynn on their wedding day, as well as a source of food. Wheat and corn is also a symbol of Hern, as a symbol of his devotion to Morrighynn, turning it from green to gold in color. during summer wheat and corn husks are woven and firmed into sun images to Hern and hung everywhere. Especially on and over doors and windows. The sword and the bow and arrow are also symbols of the god.

Bowynn Gods: Kyrra

Kyrra (Keer-Rah)  Kyrra (sometimes Jyrra) are bird-like Kii and Tii that resemble the Greek Harpies. Unlike Harpies, they can be good as well. Said to have a humanoid head and torso but from the hips down the lower half of a bird. Originally, the Kyrra were all good natured and were messengers of Brand and the other gods but the god Mano corrupted some and turned them to be as malicious as himself. Bad Kyrra are often responsible for missing items and malfunctions in the home and life.  Good or bad, they are seen in small bird size. Someone who is having a bad swing of misfortune us referred to as "Being scratched by a Kyrra." Waking up with a scratch is an ill omen that one has been scratched by a Kyrra and bad times are coming. At the same time finding a random feather in your home is a sign of great fortune. "Kyrra Blessed."

QUESTIONS & ANSWERS: Language

QUESTION: I have seen you using various words in your posts that you address as being Bowynn. Is there an actual language?

ANSWER: Yes we have a language we have been using since the formation of the tradition. the Bowynn dictionary is around 25,000 (I stopped counting decades ago) words. It's has come to the point where it is a first language for some of use and a second language for others. Some words in the dictionary have no English counterpart.

Question & Answer: Winter Solstice

Question: Are there any traditional Bowynn foods served on Tsa'Myliea?

Answer: Fish is the main traditional meal. Salmon or trout. Prawns are also common. Pecan Pie and Orange spice cake is also most common. But by in large there is no ONE staple traditional meal.

BOWYNN GODS: PANU

Panu (Pah-new)  Goddess of Gemcrafting. She is the daughter of Brea and Unthar and the sister of Vella. When it comes to gems, glass and lapidary work, no deity or mortal can compare. She is the goddess that creates fashions gems from the ground and bestows them with special magic powers that can be used in healing and metaphysical properties. She is the patroness of lapidaries and jewelers.

     Being a goddess with such gifts Panu often stayed in the halls of Alaway or walked the earth blessing the ground with her creations. But the sacred stories tell that one day she wandered a forest and came upon a grand hut of stonework with many chimneys. Curious, she walked inside and came upon the god Kalen hard at work carving gifts for the Akua and mortal man. Scared she hid and watched the god as he continued his work. Finally, she was spied by one of the giants that help out. Kalen turned and saw the goddess and fell instantly in love with her beauty. For days on end the two would meet at the hut. He would work in wood, and she would inlay the finish product with stones as she saw fit. When they stopped, they would kiss, and this would make the hearths blow 10 times as hot. After weeks of this passion, Kalen wed Panu in a most glorious wedding ceremony. Their wedding cart was created by their own hands of wood and gems. Together they still work along with Gondor and his bride Vella.

     Panu is a goddess described to be of raven black hair and eyes that change and glimmer like the gems she creates. Her clothes are said to be of simple make, being she is a god on crafts and earthly. The material is claimed to be of a purplish hue with green embroidery and edging. She is depicted as a young woman, matching with Kalen’s age range. She is one of the few goddesses that do not have a totem animal.

     Sacred to Panu are all gemstones, glass and lapidary tools; small hammers, files, chisels and such.

Bowynn Gods: Maenna

A Troop of goddesses standing before Maeanna

Maenna  (Main-nah)  Maenna, sometimes spelled and pronounced Maeanna, is the Bowynn goddess of order, law, truth, justice, just victories and balance in the pantheon. Created by Bia itself, she is the godly incarnate of Bia. Considered so blessed, all other gods honor her, including Anhur, King of the gods himself.

     There are no sacred stories of Maenna, as she cannot be persuaded to take a view or hold a view over another. When Ahnur holds court or stands in at a mortal hearing, Maenna is in attendance as well, Even if Ahnur is not present himself. In some way, Maeanna is Anhur's balance in this aspect. She is there to make sure truth is revealed, that justice is done, and balance is restored to those when a crime or injustice has been committed on.  Maenna, like Bia itself, represents the ethical and moral principle that every Bowynn citizen is expected to follow throughout their daily lives. They are expected to act with honor and truth in manners that involve the 7 virtues, family, the community, the nation, the environment, and the gods. Maenna as a principle was created by Bia to meet the complex needs of the emergening Bowynn tribes that embraced diverse peoples with conflicting interests. The development of such rules sought to avert chaos and it became the basis of Bowynn law. It was all this that Maenna taught the first tribes during her 7 days with them. From an early period the 7 tribal chiefs would describe themselves as the "council of Maenna" who decreed with their wisdom came directly from Maenna. Maenna represented the normal and basic values that formed the backdrop for the application of justice that had to be carried out in the spirit of truth and fairness.

     The goddess Maenna was more than just a goddess. She came to represent the concept of balance and order because many Bowynn needed to explain the balance of the world around them. Everything about their culture was centered on order and everything had its place in the world. This included religion, governmental affairs, and seasonal changes. Maenna is also known as the goddess of justice and truth. Her teachings can be compared to the conscience of a person. It’s reasonable to say that Maenna’s teachings aided the people into being good individuals. It was considered a crime against Maenna if a person practiced jealousy, dishonesty, gluttony, laziness, injustice, and ungratefulness.

     Maenna is depicted is a tall woman of motherhood age. Agile and regal in appearance. Sometimes depicted winged, her wings are massive and pure white. It is said when her wings are out right, the light of justice shines. It is Maenna's wings and light that attendants swear by before attending court. Maenna is seen with a crown of apple leaves (most sacred tree of the Bowynn faith) and in turn, when new judges are appointed, they too are crowned with apple leaf wreathes. In godly form she is seen with long flowing white robes and a white hladd over and a staff in her hands. In her totem form she takes the appearance of a white swan. Sacred gifts to the goddess come in the form of incense, flowers, herbs and crowns of apple leaves.

BOWYNN GODS: TARNA

Tarna with her sisters, Myliea, Quilla and Kora

Tarna  (Tar-nah)  Goddess of the summer season. She is the daughter of Morrighynn and Herne, sister of Kora, Myliea and Quilla and the consort to the god Saphon. Her name literally means "Summer."      Few tales are told of Tarna and her sisters as her role in nature keep her busy. She was born on the first day of summer. Tarna and her sisters were always bickering and contesting against each other over various things since their birth. Tarna contested with her sisters for which season they would rule over. In this contest Tarna created a field of sunflowers up from the ground. Tarna’s folks granted her the season of summer to govern over, judged by her gift. Thus, on the last day of Spring, Quilla departs the land, while Tarna appears on the first day of summer on a magnificent golden horse; bringing the greens and gold to the summer season and growing of sunflowers, marigolds and daisy.  The other sacred story tells of Tarna’s sacred marriage to Saphon, God of the South.

     Tarna is seen as a motherly female figure, refined with golden blond hair laced with a crown of ferns and sunflowers. She is clad in summer green colors and golden trim. Her hlad is of the same tones. Sometimes she is said to have a Daddalo [Stola] of golden yellows. In her hand is often seen a staff of Maple with ribbons wrapped on it of summer colors. Other times she is seen with a basket of summer flowers. Sometimes she is said to be winged with golden or yellow feathers. When about mortals she will take the image of a horse or a golden finch, her totem animals.

     Sacred gifts to Quilla are Milk, daisies and sunflowers, votive images of gold/yellow horses, sparrows, finch and of course incense. Most common gifts are wreathes and garlands of summer flowers.

Bowynn Gods: Owenn

Owenn  (Oh-when)  Owenn is the Bowynn god of healing, good health, surgery, recovery, medicine and herbalism and all other skills and attributes of mortal health. He is the patron god of Doctors, nurses, surgeons and those of the healing and health care professions. This includes shamans, druids, witch doctors and medicine men.

     Owenn was raised amongst the first tribes in childhood where he learned why people got sick and died. He was not a god but very much mortal. Owenn was one of those of the Great migration. And upon reaching Europe and settling in, he taught the first tribes of people the arts of medicine and healing and was beloved by all for his gifts. Sadly, on his travels, Owenn encountered a great snake, he was bit by the poisonous vermin and it was that which killed him. His body was found and cared for where he had fallen and a shrine was built in his honor. And yet, instead of the custom of cremating the body, the people found they could not carry out the task. Instead, the people wrapped his body in the most glorious of clothes and placed his body in the inner shrine. For 7 long months everyone from every tribe came to mourn Owenn’s tomb. Moved by this, the gods held a special council and answered everyone’s prayers. By Chumash and Kalma, with their grace and blessings, Owenn was resurrected as a god on the 7th day of the seventh month after his fall. He emerged from the shrine as a god and one of the Akua. In this form he has continued to bless mortals with his talents and divine gifts of healings.

Owenn and his 3 daughters of healing and health    

As a god and in time with the Akua, Owenn fell in love with a garden Kii and the couple had wed soon after. From their union, came forth three daughters who together were named "The Sisters." It is they who work with their father, Owenn, in his arts of healing. Not just for humans and the gods as well.

     As a god, Owenn is seen as a fully mature man, a father figure, with long teaming hair and thick beard. His head crowned with a copper circlet in the shape of a snake, symbolizing change from illness to health. Owenn’s demeanor is always gentle, never baring an ill word or hand to neither man nor animal. He is seen wearing a wayfarer’s robe of crimson and robes under that of various greens, representing the herbs he uses. His staff is wrapped with vines of herbs he uses in his healing brews. Often seen in his hand is a wood bowl which he makes medicine. In his totem form Owenn often appears in the form of a snake or frog, which is most sacred to him. Bowynn homes with altars and shrines to Owenn sometimes bare an image of a frog or snake with a coin in the mouth. Coins and herbs are the most divine of offers gifted to Owenn. Bowl bowls of herbs, clean water and incense are also the most common of gifts.