Abbennaea (Ab-bhen-nay-ah) Goddess of all sorts of offerings and libation. She is the daughter of Phaenixx and Sumon. Abbennaea is a rather young goddess, mother-like in appearance, said to be graced with deep red hair. She is the goddess that receives the spiritual essence of the offerings sent to the gods by mortal men and in turn, turns them into “that which is good for all beings.” After the “Great Migration” of mankind, Abbennaea was said to have spent her “7 sacred nights” among the first tribes and taught them the arts of making incense and what offerings were allowed to be offered to the Akua. After the god Mano tricked mankind to sacrifice blood to the gods, it was Abbennaea that had to come back to mortal man, cleanse their altars and re-teach them all that what was acceptable.
In Alaway, Abbennaea is not only a messenger of the gods but has the duty to purge and cleanse the halls with incense daily; burning Tsa'hekas of incense to dispense the energies from the night before. It was Abbennaea that cleansed the great hall after the battle between Mano and his cousins after one fight took place in the halls of Alaway.
Abbennaea is said to be of a most loving face and of natural beauty, her garments often of reds and she is depicted always with either a single stick of incense in one hand (or a bundle of sticks). And in the other hand, a libation pitcher. She is often said to take the form of a bird or butterfly if she does mingle among men. The butterfly being her totem
O Daeth, God of Darkness and Shadows, I humbly approach your sacred presence, seeking solace in your embrace as the night descends. You, the primordial force born from the will of Bia, illuminate the balance of existence, where light yields to the beauty of darkness. In your gentle shadow, I find comfort and reflection as I explore the depths of my soul beneath the shroud of night. O Handsome Wielder of Shadows, whose hair flows like the void and whose eyes shimmer with the light of distant stars, guide me on this journey of self-discovery. In the stillness of the dark moon, I call upon your wisdom to confront my shadow self. Let your presence soothe my fears and illuminate the hidden truths that dwell within, revealing the paths that lead to greater understanding and harmony. With reverence, I offer the darkness of my heart, for it is in shadows that I encounter my authentic self. I lay before you tokens of respect—black stones from the earth, incense of night-blooming flowers, and images that symbolize the shadows I wish to embrace. May these offerings find favor in your eyes, reminding the world that darkness is not to be feared but celebrated as a vital force in the tapestry of life.
O Daeth, bearer of the night, bestow your blessings upon those who seek rest and dreams in the embrace of Naraea. May your gentle whispers guide them through the realms of consciousness, bringing forth visions of wisdom and tranquility. In your union with Tora, may the realms of night flourish under your protective shadows, weaving a sanctuary for all who dwell beneath your stars. As I recognize the pivotal role you play in the balance of existence, I pledge to honor the darkness as I do the light. O Daeth, may your elegance remind me that every shadow carries the promise of illumination, and in every dark moment lies the potential for renewal. Let me wear the cloak of acceptance, acknowledging the beauty in all aspects of life, for without your essence, the tapestry of creation remains incomplete. So shall it be, in reverence and love for Daeth, the gracious God of Shadows, forever guiding and nurturing the delicate balance of our universe.
Syember!
Owenn (Oh-when) Owenn is the Bowynn god of healing, good health, surgery, recovery, medicine and herbalism and all other skills and attributes of mortal health. He is the patron god of Doctors, nurses, surgeons and those of the healing and health care professions. This includes shamans, druids, witch doctors and medicine men.
Owenn was raised amongst the first tribes in childhood where he learned why people got sick and died. He was not a god but very much mortal. Owenn was one of those of the Great migration. And upon reaching Europe and settling in, he taught the first tribes of people the arts of medicine and healing and was beloved by all for his gifts. Sadly, on his travels, Owenn encountered a great snake, he was bit by the poisonous vermin and it was that which killed him. His body was found and cared for where he had fallen and a shrine was built in his honor. And yet, instead of the custom of cremating the body, the people found they could not carry out the task. Instead, the people wrapped his body in the most glorious of clothes and placed his body in the inner shrine. For 7 long months everyone from every tribe came to mourn Owenn’s tomb. Moved by this, the gods held a special council and answered everyone’s prayers. By Chumash and Kalma, with their grace and blessings, Owenn was resurrected as a god on the 7th day of the seventh month after his fall. He emerged from the shrine as a god and one of the Akua. In this form he has continued to bless mortals with his talents and divine gifts of healings.
Owenn and his 3 daughters of healing and health
As a god and in time with the Akua, Owenn fell in love with a garden Kii and the couple had wed soon after. From their union, came forth three daughters who together were named "The Sisters." It is they who work with their father, Owenn, in his arts of healing. Not just for humans and the gods as well.
As a god, Owenn is seen as a fully mature man, a father figure, with long teaming hair and thick beard. His head crowned with a copper circlet in the shape of a snake, symbolizing change from illness to health. Owenn’s demeanor is always gentle, never baring an ill word or hand to neither man nor animal. He is seen wearing a wayfarer’s robe of crimson and robes under that of various greens, representing the herbs he uses. His staff is wrapped with vines of herbs he uses in his healing brews. Often seen in his hand is a wood bowl which he makes medicine. In his totem form Owenn often appears in the form of a snake or frog, which is most sacred to him. Bowynn homes with altars and shrines to Owenn sometimes bare an image of a frog or snake with a coin in the mouth. Coins and herbs are the most divine of offers gifted to Owenn. Bowl bowls of herbs, clean water and incense are also the most common of gifts.
Mura (Mur-rha) Daughter of Chumash and Kalma, Mura is a goddess of the 1st Gate of Daunnat, the Gate of courage. She is one of the goddesses of Daunnat, the spirit world. It is her gate that spirits reach first on their walk towards the “Fields of Forever.” Mura is not an evil goddess, nor a goddess of judgement. Her role is that of a guardian of Daunnat. She is the recognizer and bestower of courage for spirits who are afraid of entering Daunnat. And at times even the living will call to Mura for courage. Especially those that have lost a loved one and do not know how to and scared to move on in life.
Mura (4th in line) leading souls along the path of Daunnat
As goddess of the Gate of Courage, Mura is one of the 7 gods of the sacred septagram, which is the symbol of the Bowynn Tradition. She also abstains from visiting Alaway, instead she spends time with her folks and the spirts of Daunnat feasting and making merry. Being Daunnat is endlessly vast souls will sometimes get lost and scared. When that is the case Mura is there for them.
Mura (second from the end) with souls and holding two spirit orbs
Mura has no known totem animal, instead always staying in her true godly form; that of a young lady dressed in green and white with green and white fillet and veil about her brow and head. some times she bears no veil. At times she carries a septagram dish or a shaft of wheat and sword. She is often seen holding spirit orbs that have separated from the soul (which is one of the transitions at death. Sacred to Mura is the septagram, sword and shaft of wheat. During funeral services, a bowl of milk and bread will be left to her and a statuette of the departed.
For the last couple of weeks I have been in the hospital. So that is the reason for the lack of posts. I will get back to more in a couple of days.
The info I post on my page is of the BOWYNN FAITH. It is not the beliefs of Wicca or other Pagan faiths. I got a couple of notes this morning slamming me saying the info I am posting is wrong. Point of fact - No it is not. It is of the beliefs of the Bowynn faith. It is NOT the beliefs of Wiccans, Hellenes, Nordic or Keltic. It is not the teachings of Buddha, Hindu or the Lakota.
So, if you are Wiccan and watching my page for more info for your Wiccan or Pagan faith, you are going to get very confused and find that the information is going to contradict Germanic and Keltic teachings. The meaning and pathways of elements will not be the same.
Also, I just need to stress, that the Bowynn faith is not a Cafeteria faith: You cannot pick and choose what fits your current belief and wedge it into your Saxon-Roman-Hermetic Pagan faith. Either embrace it in its totality or move on path.
I am not posting this in a bloggers rage. I am just stating this following a couple of private message I got because some people thought the Elemental information was wrong. It is not wrong, it just not Wiccan, HIndi or Huna beliefs.
I appreciate the notes and messages just please do not come at me with swords-a-blazing, saying "your information is wrong."
Second, I was asked if my images posted here are AI generated. No they are not AI. Some are photos I created almost a decade ago out in the woods around Seattle. Others are photo manipulated, using images of items I created myself. In the case of the Elements posts, the Numatam, cups and wood chalice are mine which I wood-burned myself. As previously noted, I am totally against AI Art and pretty much AI anything and everything. They are all signed with my name and dated (At least most are) and have hidden signatures as well.
Thankyou.
Abonna (Ah-bhon-nah) The Abonna at a multitude of gods and goddesses of music, dance and all of the fine arts. In some cases, the Abonna are considered a division of the Kii. {Fairy/Spirits/Nymphs} In other cases they are considered gods themselves, though there are no individual known names for each of the Abonna. And their number seems endless. Among their many attributes, the Abonna are the patrons of dancers and musicians, crafters of all sorts and fine arts.
The Abonna are both male and female and both sexes are depicted as patrons of the arts. As Kii (if so that they are Kii) they are the taller type and bare no wings as their diminutive cousins. Unlike the Kii, the Abonna did spend the “Seven Sacred Days” with mortals after the Great Migration. During this time each Abonna taught mankind the arts of dance, song, music, the arts of drawing and painting, carving and so many other arts and crafts. In Alaway, the Abonna are often scene decorating the many halls and during the nightly feasts, the Abonna will be seen dancing and playing for the other gods joyously as they meal together. Some are seen accompaning the god Drautmer as he played his drum of the assembly of the Nykua. Others will accompany the God Kane in his workshop. While they are divinities of the arts, they are not bestowers of the arts but instead merely the inspiration behind them. Being Kii, the Abonna are guardians of all the great and wonderful things in the world. And if indeed they are Kii, then they too were created by the gods Brand and Kord to ward off the malicious spirits known as Tii. No other parentage has been spoken of.
Sacred symbols and objects to the Abonna are the tools of the trades, such as musical instruments, paint and brush, carving knives, sewing kits and so on. Also sacred to the Kii is the Lark bird
The Abonna are depicted most of the time as young spirits in look. However there are older and elderly Abonna as well. Often the Abonna will appear in the guise of birds and when among mortals.
QUESTION: Is The Bowynn Faith and Tradition all inclusive? I mean would they embrace someone who is Gay?
ANSWER: Yes. We do not judge anyone by their life or love. And the gods we worship are also all embracing. We have conducted same-sex weddings in the past and we have never had any sort of incident or even a whisper of negativity. Who one loves is none of our business. We gather together as friends and family. And in our family all are welcome. So long as their actions and words are positive.
Small wood carving made for a pet burial area - made by Myself - 1999
Aetennii (Ae-ten-ni) The Aetennii are guardian Kii (spirits) of Bowynn cemeteries and protectors of tombs and cemetaries. These Kii are bird size and are much like the typical Kii with bird wings. They do not accompany the deliverer of the dead, Heron but will often signal to Heron that a loved one was just laid to rest, and its soul and spirit require his assistance. The Aetennii do not serve the soul, spirit or body but instead the cemetery itself and the tombs within. Making sure they do not suffer damage, be it natural or manmade.
Typically, images of the Aetennii are placed on the entrance way of the cemetery but also on the tombs themselves. In the Bowynn tradition, any bird seen in a cemetery is an Aetennii in disguise, particularly if a heron is with them.
Flowers and libation are gifted to the Aetennii my grounds keepers monthly and their images are cleaned and polished up.
Alaway (Al-lah-way) Alaway is the great house of the gods. To be more precise it is the "nightly" hall of the gods. Alaway was created by lord Anhur on earth, built alone, by his own hands, as asked by his bride-to-be Rhya. This she asked to prove his love to her, demanding the building be completed in 7 days. With godly strength, speed and skill Anhur did in fact complete the great structure.
While Alaway was originally only meant to be a dining hall of the gods, there are individual chambers for sleeping as well, though there are some gods do not use them, as their positions on are require them to be elsewhere, even Anhur at times. The Ano-Taya, goddesses of fate, reside in Alaway all the time, never leaving their work. They, and a small handful of other gods, reside in Alaway almost all the time.
Alaway is described as a grand building standing over the river Muet. There are said to be many posts holding up the roof, carved from solid trees. The windows are made of cut crystals, each one depicting the first 7 days of creation and divine weddings. At the double doors that lead inside stands young Drudenn, who is the key-holder to Alaway. The whole of inside of Alaway is said to be painted in a magnificent colors, with white decorative trim. Inside the great hall there is a magnificent hearth, encircled in green marble and lanterns made of amber hang everywhere; the great hearth is tended by the goddess’s Io and Phaenixx and the god Hyu. About the hearth are many mats, cushions and seats for each god. The great kitchen is maintained by a series of Kii, entrusted with cleaning and cleansing, preparing mighty feasts for the gods. In the great hall, the walls are lined with the four tapestries of life woven by the Ano Taya. The palace is said to be lit with alabaster and ivory lamps, decorated in the most highest of fashion. The bed chambers are said to be decorated with great tapestries and the beds covered with woven blankets and furs.
Though built on earth, Alaway is no longer visible nor reachable by mortal man. Very few mortals have ever found or been invited to Alaway mostly due to disbelief or other reason due to their individual sins. But it's really not a place for mortals.
Daunnat (Dawn-nat) “The next world.” Daunnat is the Bowynn version of heaven. However, it is neither a realm in the sky nor below. It is said to be a world that is much parallel to our own, only reachable by the dead and gods. The realm of Duannat is well describe from the travels of the gods Kord and Brenda, who had to travel there to return the god Brand:
After the soul and spirit leave the body with the help of the god Heron, it is traveled to a body of water. There sits a grand celestial ship which flows down the divine waters of Muet. This ship is guided from the dock to the beach of Daunnat. From there Heron departs and the god Dadjall takes over, starting to guide the soul-spirit through Duannat. The view is that of walking through the most enchanted land ever; Forested, plains, gardens, streams and waterfalls. Above the land of Daunnat is blessed with its own light, ruled by the god Saulnat.
Eventually Dadjall guides the soul-spirit to 7 natural gates. Each gate is guarded by a god or goddess. The first is the Gate of Courage and Strength, ruled by the goddess Mura. The second gate is the gate of Kindness, ruled by the god Naddas. The third is the Gate of Love, ruled by Orstal. The forth is the Gate of Balance, ruled by Odjett. The fifth is the Gate of Faith, ruled by Quatt. The sixth is the Gate of charity, ruled by Rhymar and the last gate is the Gate of Peace, ruled by Pedjet.
Past the gates, Dadjall leads the soul-spirit to Tsellet. The goddess separates the soul from the body, as once in Daunnat and past the gates, no harm can come to the spirit. The spirit now goes to be reborn in our world. The Soul is cleansed and purified and brought to the king and queen of Duannat, Chumash and Kalma, and to the Reader of Deeds, Ano Atanno If the soul is free of sin, it is then lead to the get valley where all souls dwells. A great valley that’s land is ever lush, fertile, abundant and beautiful. The water ways in Daunnat are fed by the great river Muet, and these waters are used to bath the soul to help release all guilt and earthly labors away. All of the nature in Daunnat, from field to flower, is rule over by the queen of Daunnat, Kalma herself.
If the soul is plague with sin beyond reason, then it is reunited with a spirit and he or she is reborn to earth to “get it right.” However, few are truly reborn, unless their crimes in their prior life are so great.
Each Soul in Duannat has their own home at night where they live with their past-away family members. But the greatest is the home of Chumash and Kalma. This home or hall rivals that of Alaway. Like Daunnat itself it is not a dark place but most pleasing to the eye, with eloquently carved wood and decorated with most respect. The great dining hall is said to be big enough to let 500 souls feast most comfortably.
The story of Daunnat speaks that originally it was just a barren Island across a great chasm, where the spirit's wandered. During the contest Chumash and his brothers Anhur and Tane contested for who was to rule what level of the earth said God would rule over. Chumash's arrow flew the furthest and into a chasm with represented Daunnat at the time. His brothers mocked him so badly till Chumash said he would make Daunnat more beautiful than the kingdom of the earth and sea combined. Chumash rerouted the divine river Muet to fill the chasm, with Kane's him built the ship for spirits to travel on and constructed the palace of Daunnat. He constructed the 7 great Gates and stations his children at each one. With his new wife Kalma, they planted every seed, tree and pod, plowed every field, gouged every valley and built every home for spirits. By decree, Kalma and Chumash dictated the afterworld's day and night and seasons to come into being. By want and desire, Chumash created special Kii to tend to all mortal's spirits, laying out grand banquets each night.
Indeed, Daunnat is the most beautiful kingdom.
Exploring the Faith, Sacred Way and Mystical Arts of the Bowynn Tradition
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