Duchy

editing is so fun. I'm learning what the story I wrote is about

Top Tips for Clues, Red Herrings, and Breadcrumbs

One of the most important parts of writing MYSTERY is figuring out what to do with clues and red herrings - and how to use them effectively. Here’s some advice that’s never steered me wrong: 

Hide the real clue before the false ones! Most people, so by extent your readers and your sleuth, tend to focus on the last piece of information presented to them. A good strategy is to mention/show your real clue and then quickly shift focus. 

Do a clue cluster! Squeeze your real clue in among a whole pile of red herrings or other clues, effectively hiding it in plain sight. This works especially well with multiple suspect mysteries. 

Struggling to think of what a clue could be? Try this list: 

Physical objects: Letters, notes, tickets, emails, keepsakes, text messages, diaries, etc. 

Dialogue: voicemail recordings, overheard conversations, hearsay, gossip, rumours. All of these can hold grains of truth! 

Red herrings distract and confound your protagonist and your reader, so you should be careful not to overuse them. Well balanced, red herrings should lead your characters down false paths to create confusion, tension, and suspense.

Contradictions! Have characters claim they did so-and-so at such-and-such a time, but other characters have evidence that contradicts this.

Balance! Avoid a clue that’s so obvious it’s like a neon sign saying “Look at me, I’m a clue!” but don’t make it so obscure it’ll be missed entirely. A good clue should leave a reader saying “Damn, I should have noticed that” 

someone: hey I noticed this thing you did in your writing!

me, kicking my feet up flirtatiously: oh??? do you want to hear my thoughts on why I did that? do you want a play-by-play of the language choices in every related sentence? do you want an exhaustive breakdown of The Themes???

newbie fic authors, shooting themselves in the foot: This fic is bad haha I suck at writing lol I am being mean to myself in the hopes that you will be nice to me but actually am dissuading anyone from even clicking on my fic because all I have done to advertise it is tell you why you shouldn't read it

me: I am King Big Dick of Fanfic Mountain and I have arrived in your fandom with the Express Intention of writing my Very Favorite Fics, which I will generously allow you to read. You're welcome.

Repeat after me:

The first draft just needs to exist

The second draft needs to be functional

The third draft needs to be effective

The first draft just needs to exist

The second draft needs to be functional

The third draft needs to be effective

The first draft just needs to exist

The second draft needs to be functional

The third draft needs to be effective

Remember, the second and third can't happen if you don't have something to work with. Your first draft will always be shit compared to your third, but at least it exists. The worst first draft is an unfinished one. The best first draft is a just completed one.

You read books/stories not in their first draft form-- only in their finished form (third, fourth, sometimes fifteenth draft). So stop comparing your first draft with a final one.

So, just write--you can make it better later. Perfectionism is the greatest weight a creator can carry.

Do I need a permit of some kind to fly a parachute to hear if the giant night cat purrs?

NO, BUT YOU WILL NEED APPROXIMATELY 17 POUNDS OF TUNA AND A FRIEND TO GET IT ON CAMERA. IF YOU GET BATTED OUT OF THE SKY BY A GIANT PAW, WE WIN 20 BUCKS FROM THE COUNCIL

How to write a good AO3 summary so people will actually want to read your fic

Summarize your story.  Don’t be vague or coy.  No hiding the pickle.  There are so many fics and so little time.  More people will skip over your fic if they don’t know what it’s about than will be turned away because it’s not about something they’re interested in.  Tell the reader what happens!

A snippet is not a summary.  People like to use lines of dialogue or excerpts to grab the reader’s attention.  Very rarely do these snippets provide enough information to summarize the story.  If you want to showcase a clever line of dialogue or the tone of the fic, include a line, but after the actual summary.

Make sure the summary is clear and written well.  If it is messy and full of errors, people will assume the same of the fic.

Focus the summary on the characters and what happens to them or how they feel about each other.  Fanfic readers come to see the characters they love do things they didn’t get to see in the source material.  Let the audience know what the characters are doing and feeling.

Don’t forget to tell the reader what makes your story unique.  Lots of fics are successful almost entirely because they follow a much-loved trope, so talk about that too (definitely in the tags at the very least), but when staring at the hundredth fic about one character pining for the other and deciding whether its worth it to read another, the reader is going to look for extra details that spike their interest.

Hint at the tone of your fic in the summary.  If it’s light, give the summary a chatty tone.  If it’s angst, make it hurt.  If it’s plot-driven, go matter-of-fact.  If it’s a character piece, meditative and dreamy.  

Don’t contradict yourself.  Don’t write a summary and then immediately undercut your description by trying to soften the blow.  Just get the summary right from the get-go rather than mischaracterizing the work and then backpedaling with “trust me, not as angsty as it sounds” or “this is actually total fluff.  And if it really is as angsty/dark as it sounds, let it be angsty with confidence.  There are readers out there who will love your fic for what it is and will be turned off by a waffling summary.

Don’t reference yourself.   The fic is the star of the summary, not your ego.  Don’t explain why you wrote it (unless you’re listing a short prompt).  And definitely don’t make any self-referential jokes, give your opinions on the characters, use the summary for foreshadowing, or compare it to other fics.  

The summary is not the place for self deprecating humor, false modesty or insecurity.  Don’t say it’s your first fic.  Don’t apologize.  Don’t say that English isn’t your first language.  If you must, do this in the author’s notes, but better to not do it at all.  The worst you might get if you don’t warn for these things is the suggestion you get a beta or some concrit.  Most people will just skip your work entirely.

One paragraph only!  Readers are skimming a list of summaries.  They probably won’t stop to read all of yours.  See points 10-13 for more on this.

Don’t use the summary for warnings.  Warnings are for tags and author’s notes.  Make sure you warn for all possible triggers, but these are reasons for people not to read the fic, not reasons to read it (if they are reasons to read it, then phrase them as part of the summary not as warnings).  Warnings can easily overwhelm a summary to the point that it becomes about why the reader should probably just not read it rather than an enticement to read.

Remember the reader can also see your tags and that tags help the reader find the right fics.  Put any tropes that might be selling points in the tags and leave the summary for information that is unique to the fic/gets at the backbone of the fic.

Remember you have the author’s notes.  This is great place to tell us why you wrote the story, give a long prompt word-for-word, thank your betas, give more detailed warnings, reference inspirations, and gab on about yourself.

The summary is not the place for worldbuilding.  Don’t explain the intricacies of your AU in the summary.  If it’s a very strange world, you get one sentence max to describe that world.  Spend the rest of the summary on the substantive character arcs.  If the reader can’t understand your AU from the text of the fic itself, you’re doing it wrong.

It doesn’t hurt to sell yourself.  Phrase things in a pithy, clever way, let the readers know you’re going to deliver on their favorite trope, and keep the tone confident.  This is the inside flap of your hardback.  This is the summary on amazon.  Think about what would make you buy.  

Do not write “I suck at writing summaries” in your summary.  If you can’t trust yourself to write a summary, why should the reader trust you to write a good story?

chat reminder to just write whatever the fuck you want. write that overused trope. write that obscure shit that no one will have heard of. just. do it. your writing is yours stop depriving it of that.

AO3 Etiquette

It would seem a whole new kind of AO3 reader/writer is emerging and it is becoming clear not everyone quite understands how the website community works. Here is some basic guidance on how most people expect you to go about using AO3 to keep this a fun community archive that funtions correctly:

Kudos is for when the story was interesting enough to make you finish reading. If it sucked or was badly written, you probably left. If you finished - you kudos.

If you liked it, you should comment. It can be long and detailed or a literal keysmash. Writers don't care, we just love comments.

No critisism unless the author has specifically asked or agreed to hear it. Even constructive critisism is a no-no unless an author note tells you it's okay. Many people write as a fun hobby or a way to cope with, among other things, insecurity. Don't ruin that for them.

Do not comment to ask the author to write/update something else. It's tacky and off-putting and will probably have the opposite effect than the one you want.

There is no algorithm, it's an archive. Use the search and filter function to add/remove the pairings/characters/tropes etc. you want to read about and it will find you the fics that fit the bill.

For this to work, writers must tag and rate stories. This avoids readers finding the wrong things and missing the stuff they want. I don't care how cringy that trope is in your eyes - it gets tagged.

Character A/Character B means a ROMANTIC or SEXUAL relationship of some kind. Character A&Character B is PLANTONIC, like friendship or family.

Nothing is banned. This is an implicit rule because banning one thing is a slipperly slope to banning another and another, until nothing is allowed anymore. Do not expect anyone to censor for you. Because of the tags system, you are responsible for your own reading experience.

People can create new chapters and sequels/fic series any time after they "complete" a story. So it's considered perfectly normal to subscribe, even to a finished story. You can even subscribe to the author instead just to cover your bases.

Do not repost stories or change the publishing date without an extremely good reason (like a complete top to bottom rewrite). It's an archive, not social media. No one cares what's the most recent, only what fits their tag needs.

Avoid deleting a story you wrote if you hate it - orphan it so others can still enjoy it, without it being connected to you anymore.

This is a creative fanfiction archive. No essays on your insights or theories please. There are other places for that.

I KNOW there's plenty more I missed but I'm trying to cover most of the basics that people seem to be struggling with.

I invite anyone to add to this, but please explain, don't berate.

Ah, yes, I see you’ve taken notice of the fine knight I keep dangling in a big gilded cage above my evil throne. Quite the pretty little ornament the would be savior makes, wouldn’t you agree~?

What? No, it IS a big cage. That’s- it’s the standard size for a knight’s cage I’m pretty sure. NO I’m not going to invest in 500 square feet of dungeon, it’s ONE knight! I’m pretty sure knights live in hovels in the wild anyways which is basically the same- Look, the cage is quite literally gilded. He loves the cage! He loves obediently preening in the cage! Yeah well, when you capture your own knight you can keep it in whatever size castle you want to, but this one’s mine. Especially since you’re so obviously jealous of me and my cute and awesome knight anyway.