One of the most important parts of writing MYSTERY is figuring out what to do with clues and red herrings - and how to use them effectively. Here’s some advice that’s never steered me wrong:
Hide the real clue before the false ones! Most people, so by extent your readers and your sleuth, tend to focus on the last piece of information presented to them. A good strategy is to mention/show your real clue and then quickly shift focus.
Do a clue cluster! Squeeze your real clue in among a whole pile of red herrings or other clues, effectively hiding it in plain sight. This works especially well with multiple suspect mysteries.
Struggling to think of what a clue could be? Try this list:
Physical objects: Letters, notes, tickets, emails, keepsakes, text messages, diaries, etc.
Dialogue: voicemail recordings, overheard conversations, hearsay, gossip, rumours. All of these can hold grains of truth!
Red herrings distract and confound your protagonist and your reader, so you should be careful not to overuse them. Well balanced, red herrings should lead your characters down false paths to create confusion, tension, and suspense.
Contradictions! Have characters claim they did so-and-so at such-and-such a time, but other characters have evidence that contradicts this.
Balance! Avoid a clue that’s so obvious it’s like a neon sign saying “Look at me, I’m a clue!” but don’t make it so obscure it’ll be missed entirely. A good clue should leave a reader saying “Damn, I should have noticed that”
Healing isn’t linear and Virgil is getting a taste of that hehe. Aka some trauma reveal with hurt/comfort and family bonding
Reblog if you write fic and people can inbox you random-ass questions about your stories, itemized number lists be damned.
chat reminder to just write whatever the fuck you want. write that overused trope. write that obscure shit that no one will have heard of. just. do it. your writing is yours stop depriving it of that.
I finished some family fluff with Logan and Virgil having fun together, set in the Damocle's Universe:
Saw someone refer to their hyperfixation as their muse and it’s the best thing ever. No this is not due to a chemical imbalance in my brain I have been touched by the gods with divine inspiration
Fanfic writers are like crows. If you give them treats (comments) they will bring you shiny things (fanfic)
They will be safe. It doesn't matter who else or what else burns as long as They will be safe.
I will be safe. The hunger and the cold will never touch me again.
Fuck any bitch who's prettier(/cooler/better-liked/better at making dumplings) than me.
Yes, Master
Love me. Love me. Love me. Love me. LOVE ME!
I know the terrible things these so-called "heroes" will do if I don't stop them (<- is absolutely wrong)
I don't want a better future, I want a better past!
No other way to get performance art funded these days
you ever accidentally create a recurring theme in your writing. you start putting together an outline for something you’ve never written before and get partway through planning, rearrange the pieces, and go “GODDAMMIT THIS IS ABOUT GRIEF AGAIN”? because let me tell you,
Years and years ago, I read a book on cryptography that I picked up because it looked interesting--and it was!
But there was a side anecdote in there that stayed with me for more general purposes.
The author was describing a cryptography class that they had taken back in college where the professor was demonstrating the process of "reversibility", which is a principle that most codes depend on. Specifically, it should be easy to encode, and very hard to decode without the key--it is hard to reverse the process.
So he had an example code that he used for his class to demonstrate this, a variation on the Book Code, where the encoded text would be a series of phone numbers.
The key to the code was that phone books are sorted alphabetically, so you could encode the text easily--picking phone numbers from the appropriate alphabetical sections to use ahead of time would be easy. But since phone books were sorted alphabetically, not numerically, it would be nearly impossible to reverse the code without exhaustively searching the phone book for each string of numbers and seeing what name it was tied to.
Nowadays, defeating this would be child's play, given computerized databases, but back in the 80s and 90s, this would have been a good code... at least, until one of the students raised their hand and asked, "Why not just call the phone numbers and ask who lives there?"
The professor apparently was dumbfounded.
He had never considered that question. As a result, his cipher, which seemed to be nearly unbreakable to him, had such an obvious flaw, because he was the sort of person who could never coldcall someone to ask that sort of thing!
In the crypto book, the author went on to use this story as an example of why security systems should not be tested by the designer (because of course the security system is ready for everything they thought of, by definition), but for me, as a writer, it stuck with me for a different reason.
It's worth talking out your story plot with other people just to see if there's a "Why not just call the phone numbers?" obvious plot hole that you've missed, because of your singular perspective as a person. Especially if you're writing the sort of plot where you have people trying to outsmart each other.
Hi, same anon here, wanted to thank you for the reply and also tell you that your writing is amazing, i enjoyed the story a lot it's one of my favorite anxceit stories I've ever read, I'm not sure if you already posted this story on ao3 or not but I'm pretty sure people on ao3 would appreciate it a lot :)
Aw I'm flattered that you like it! It's on ao3 but I still haven't added the last chapter (I should probably get to that oops). There's a link on the masterpost too if you want to show it some love on ao3 (no pressure, just a side note) <3
Call me Atlas | 26 | They/Them | All fictional content welcome
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