Immersive Gaming

In Defense of the Misunderstood Hero, Mori Ougai

I’m sure many would raise eyebrows when they read the title because, Mori? A hero?

Many people portrayed Mori as a sadistic devil, but in no canon situation has Mori ever shown any sadistic tendency (like Dazai has). In fact, I’d say he’s the reverse of that. He took care of Elise very well, despite/even though she’s his own ability. He never once has hurt people for the sake of hurting people.

In fact whenever he didn’t have any business to take care of, his true personality shone through and it was not of a cold, heartless man with no conscience. Rather it was one full of dorkiness and gentle patience. Here, he even contacted Ango (who was sweating bullet because holy shit he’s being called by the fucking boss of Port Mafia) just to ask what color of dress will fit Elise more.

(For the love of anything holy I’ve scoured Ango and Oda’s tag in tumblr yet I can’t find it. It’s the extra DVD comic featuring Buraiha trio drinking and talking shit about Mori. In exchange, have these dorky dad and son interacting;

First thing first, I will give you what I think is the most important fact about Mori. Look at his line in this scene

Now this is his true nature; his main motivation for doing everything he did. The good of the organization.

At no point has Mori’s action ever benefit only himself. At every instance he appeared in the story, he’s doing something for the Mafia and for Yokohama. The only self-centered thing he has ever done was asking Elise to wear what he wanted her to wear and that’s moot point anyway since she’s his Ability and presumably modeled after his ‘ideal’ little girl.

In this scene, he saved four members of ADA and even gave Atsushi an important lesson. Why would he do such a thing when he could literally immobilize Anne and Lucy by bloodlust alone? He could have let her take Tanizaki and Atsushi, then pressure her to let him out with his memory intact. Not to mention that his Ability, Elise, was waiting just outside, standing by ready to break him out any time.

If he does this, not only he will go free with the memory of the attack and thus the secret of Anne’s Room, he would also take care of not one but three ADA agents. Rather, he chose to save all of them plus every single person Anne has swallowed in the Dark Room.

Now here;

This is the scene where he took over as boss. The fact that the Old Boss was bedridden and hallucinating while seemingly so thin, also from the way he was narrated by Hirostu in episode 21, implicate that his condition was something he contracted at a long period of time rather than it being something sudden.

Notice the circumstance in which he did it. Mori only killed the boss after he issued the order that would bring destruction not only to the Mafia but also to the city and nation at large, killing many people whether criminal or innocent. He didn’t do it before even though he could have.

By becoming the biggest bad of the bad, he resolved himself to take care of the light from the shadows. And this is important because if he hadn’t stepped in at that time either the Old Boss would have burnt Yokohama down or another heinous criminal would have taken over and brings the nation down with them.

He is protecting Yokohama by not letting people worse than him to take control of its biggest criminal organization. Notice what Kouyou think about him;

She supported him because of this too. She knew what it felt like to under one of those leaders that cared only for money and power like the Old Boss. Kouyou will not support people if all they brought with them was suffering and death the way she was forced to feel when her dearest was taken away from her. Under Mori’s reign, our queen Kouyou pledge her loyalty not to him but the kinder way he brought.

It can also be seen in this scene.

Mori could have taken effort to keep Kouyou there, but his tone and body language are open. He knew that Kouyou can go anytime and he’s not fighting to keep her there; Kouyou decided to stay on her own free will and he is appreciative of knowing he had a single ally he can absolutely trust on who also knew of his true motivation.

In this scene

It was made clear that he respect the Old Boss, so much that the death of a hundred subordinate made him embarrassed.  He’s not upset that he lost some underlings, he’s upset that he lost them without a good reason to justify their death. A miscalculation has taken a hundred of his soldiers.

And you might think his reaction to this is rather cold, but remember that all of them were members of the mafia. All of them are criminals who would be executed if they fall into the hands of the police and they also knew what they’re getting into when they joined the Organization.

You can probably say what he did to Odasaku was horrible, sure. But it was expected for the boss of the Mafia to do so. (further reading for this topic)

But you have to admit it was a stroke of utter genius. With the gifted Business Permit and no longer fearing the government, Mori would be freer to take down opposing criminal organization that might bother the peace. Rather, he focused the Mafia to expanding its power and outwardly he did so, like this there will be very little chance for either a rebellion or an enemy organization attacking them in their HQ. This would also mean less threat to Yokohama.

Fukuzawa’s remark in this was absolutely true. Not only between the two organization but also for him and Mori specifically. Mori loved Yokohama, enough to dip into the darkest of dark to protect it. And Fukuzawa knew it too because look at his line here

In this, it can be said that he didn’t want a war to break in Yokohama that might disturb its peace. But then why say ‘balance’?

This is because Fukuzawa knew the extent of his subordinate’s strength also that they will be able to kill Mori if they go all out. This is what he feared the most. While if he died, the Agency can be well-taken care of in Kunikida’s hand, once Mori’s dead there’s no one to reign in the Port Mafia and keep it from wreaking havoc, thus destroying the balance of Yokohama city into what it was before; the Dragon Head Rush. (you might want to read the novel of dark era to really grasp the situation. But basically it was a gang war that led to many victims including the families of Odasaku’s orphans)

More than that, the people who might succeed Mori would not be as kind as him. They might do what the Old Boss did and try to burn Yokohama down.

And this, I think, is also the main reason why Mori sent Dazai away from the Mafia. It is, of course, easy to assume what Dazai remarked about Mori’s intention in chapter 30/episode 21 to be the truth; that he did it to remove a threat to his position.

But is this the whole story?

The fact that he kept Dazai’s spot empty rather than choosing someone else to fill it was a paradox if you were to look at him from the angle of a man hungry for power. He has anticipated Dazai’s return, was so sure of it in fact that he sacrificed monetary and workload gains of having another Executive. If he wanted Dazai back in the first place, then why drive him out of the Mafia and into the ADA?

For now, imagine what would have happened if Dazai took over as the Boss if he’s still the same man he was before Oda’s death. Cruel, ruthless and uncaring for people’s life as he was, he would have gone into the same track as the Old Boss and destroys Yokohama as his mental health eroded. Not even Odasaku would be able to save him from himself at this point.

This is also why he asked Dazai back to the Mafia after taking such extreme methods to drive him out. Of course there are another reason, that is he needed his right hand back to drive out the Guild as he remarked.

But the main reason why he asked back after all this time was because there are people in ADA who have taught him about having something worth loving and worth protecting.

Mori felt that Dazai has learnt enough about the light and why it is something worth protecting. With it, when Dazai inevitably take his seat as the Boss of Port Mafia, Dazai would be able to follow his legacy as the Darth Vader of Bungou Stray Dogs and The Dark Knight of Yokohama. This is Mori’s special way of grooming Dazai to become his successor.

All this was so Dazai can be his successor and not the Old Boss’.

Conclusion for those who are too lazy to read 2000+ words of Mori being awesome: no, Mori is not an evil incarnate born to manipulate everyone to his own amusement.

If anything, he’s the greatest hero of the story. The same way the ADA is protecting the city and Japan from the light, Mori is protecting it from the shadows. With the balance that has been made between him and Fukuzawa, it is imperative that he keep doing what he did, or the balance will fall and Yokohama condemned into a lake of fire.

Asagiri Kafka is truly an exceptional writer. They made Mori into this all-bad boss of the Mafia while slipping in his real face every so often. Here is the author who made every character complex and with their own motivation. What made you think they’ll make the ‘villain’ as simple as a man existing just to be a villain?

Even Fitzgerald and Fyodor got development and reasoning for doing what they did, but the difference is they’re arc-villain and not whole story-villain like Mori. Their reign will be over with their arc, but Mori’s will live as long as BSD continues, so it’s imperative that they got their development and exposition early on so the readers can sympathize with them.

Thus I concluded my exposition of the anti-hero that has been protecting Yokohama all this time not by bathing in sunlight but by submerging himself in blood yet capable of keeping his head out of it depth; Mori Ougai.

Happy late Valentine's Day or whatever

THIS LOOKS SO COOL?????

Inside the church

Based off this

Re-read this bit in Half-Blood Prince again and thinking about how blatantly it seems to be telling us that Harry is biased against Snape and our impression of him thus far has been clouded by seeing him through Harry's eyes (emphases mine):

‘The Dark Arts,’ said Snape, ‘are many, varied, ever-changing and eternal. Fighting them is like fighting a many-headed monster, which, each time a neck is severed, sprouts a head even fiercer and cleverer than before. You are fighting that which is unfixed, mutating, indestructible.’ Harry stared at Snape. It was surely one thing to respect the Dark Arts as a dangerous enemy, another to speak of them, as Snape was doing, with a loving caress in his voice? . . . ‘He tried to jinx me, in case you didn’t notice!’ fumed Harry. ‘I had enough of that during those Occlumency lessons! Why doesn’t he use another guinea pig for a change? What’s Dumbledore playing at, anyway, letting him teach Defence? Did you hear him talking about the Dark Arts? He loves them! All that unfixed, indestructible stuff -‘ ‘Well,’ said Hermione, ‘I thought he sounded a bit like you.’ ‘Like me?’ ‘Yes, when you were telling us what it’s like to face Voldemort. You said it wasn’t just memorising a bunch of spells, you said it was just you and your brains and your guts - well, wasn’t that what Snape was saying? That it really comes down to being brave and quick-thinking?’ Harry was so disarmed that she had thought his words as well worth memorising as The Standard Book of Spells that he did not argue.

Half-Blood Prince, Ch. 9

There's a direct contrast being drawn from one scene to the next between Harry's perception of Snape and Hermione's less-biased, more critical one. Where Harry hears a "loving caress" for the dark arts in Snape's voice, Hermione hears the passionate, determined explanation that Harry gave a year earlier - one based in a firsthand understanding of what it takes to protect oneself from harm against dark magic.

This is also the first scene in this book where we see Snape teaching a class. The first time he shows up in the book is when he's entrusted by Tonks to deliver Harry safely to the Great Hall from the school gates. So the first encounter with Snape in HBP is as Harry's protector, be it begrudging or not, and the second is one where an immediate parallel is drawn after between him and Harry, Hermione questioning the latter's bias and hinting to the reader that judging him based on Harry's perception may not paint an accurate picture of Snape. Through the rest of the book we see Harry have an increasingly hostile relationship with Snape while developing a great fondness for the Half-Blood Prince, despite it also being Snape, only Harry doesn't know that, so he's able to see his humor and cleverness.

This theme is a dominant one throughout the book, though it doesn't become clear until the end when we find out Snape was the Half-Blood Prince, but by then our impression of the Prince is murky given the unexpectedly violent outcome of Harry trying out Sectumsempra (and it can be argued he's to blame for doing so against another person instead of finding out what the spell does in a safer way), and our impression of Snape is even worse given that he'd just killed Dumbledore. We don't find out until the next book that Snape had been fighting on the same side as Harry the whole time, risking - and eventually losing - his life for the same cause. In retrospect, Rowling (boo, hiss) spends a lot of time in HBP dropping breadcrumbs that Harry's impression of Snape - and thus the reader's - is affected by bias and thus inaccurate.

“It’s alright, Professor.”

This idea has sat in my brain for far too long and my mug of tears needs refilling.

She was not pretty; she looked simultaneously cross and sullen, with heavy brows and a long, pallid face.

saviour complex

my comic for @aabadendingzine which is out for free over here.

extra stuff/commentary under the cut | like what i do? support me on ko-fi 💙

helloooo how's it going? i really hope you enjoyed the comic <3 it's rare for me to draw such wholesome things, i know [bats eyelashes]

DFGHDJKF ok i know, it's evil, the entire zine is evil you should go read it!!!!!!! but also, i remember coming up with this prompt and the image of mikeko trying to wake a dead apollo up evoked such a visceral reaction in me that i audibly went "NOOOOOO" when i thought it up LOL

the fourth page is the first page i ever thumbnailed bc i knew EXACTLY how i wanted this thing to end!

i think my favorite page of this comic is the 2nd page (the 4th page being my second favorite bc what can i say, i'm evil wheezes) i just really enjoyed drawing the montage of apollo going about his life and kristoph just. being there. always watching him.

i keep thinking about how spark brushel mentioned feeling like he was being watched those past 7 years. i imagined apollo would get a taste of that once he starts trying to find out the truth behind what happened in his first case.

and as for my favorite panel, I REALLY LIKE THIS ONE!! it's just fun shoving every important element alluding to the case 7 years ago to the moment when zak died!

and it's not very obvious but an element i really like about this one is zak still on the chair he died on. it's just his torso visible and i would've loved to make it more obvious that he's there but oh well.

i can't think of anything else to add about drawing this so i'll end it by saying: PLEASE GO READ THE ZINE, IT'S SO SOS SOSOSOS FULL OF LOVE FOR HURT AND TRAGEDY AND THE WAY MY FELLOW ZINEMATES EXPLORED THAT IS SUCH!!! GOOD AND HEARTWRENCHING STUFF!!!!!!!!!

i had to take a break from reading the zine when i went out to finish it bc my chest started to physically hurt bc ohhhhh lordy, it just hurt. it just hurt a lot! (please do read the trigger warnings before reading the thing bc this zine deals with a lot of heavy stuff!)

i like to joke about how i'm evil and enjoy evil things such as angst no comfort which. well, it's kind of true LMAO so i'm thrilled that i was able to be a part of this zine and cook up something completely terrible <3

here's the link for it again, go read it!

ohhh femslash feb… may i request either franmaya or ikuzono? :-3c

heres a franmaya for you :3c