My Comic For @aabadendingzine Which Is Out For Free Over Here.

The first page of a 4-page digital comic about the events of Turnabout Trump gone very wrong. The color palette uses a mix of desaturated colors with saturated colors used for emphasis.

The top panels show close-ups of Apollo’s hands behind his back with great emphasis on his bracelet, Olga Orly crying as she’s being taken away with Apollo and Kristoph watching in the background, and Phoenix’s face with a blank expression.

The next panel has Apollo looking at Kristoph, who has his arms crossed and is stone-faced, apprehensively. Olga’s hands and Phoenix are in the foreground.

The following panels show a close-up of a clock, Kristoph glancing to his right, Phoenix turning his head back, Kristoph’s raising his scarred hand to his mouth, a close-up of Phoenix narrowing his eyes at Apollo, and Apollo looking back scared, a reflection of Phoenix in his eyes.

Kristoph coughs to get Apollo’s attention, who looks at him with wide eyes. Kristoph turns to him with a disarming smile, the background of his panel is reminiscent of a halo. He says, “Ahem. I’ll see you on Tuesday then, Justice?” Apollo gives him an uneasy smile, plants with holes in them are shown in the background. Apollo says, “Oh- erm! Y-yes sir...! I-I’ll- see you…”

The next panel shows an extreme close-up of Kristoph’s blue eyes narrowing, a shadow casting over him. The next panel shows Phoenix who is turned away from them, looking on.
The second page of the comic. Apollo narrates throughout the page, “The backs were red.” The first panel is a whole illustration segmented into three panels.

The first box has Phoenix sitting at his swivel chair like the one in the Hydeout, cards in his hand as he leans forward, resting his arm on the table. The background has the forged painting Drew Misham made, there are cracks on the walls. The second has Apollo dressed like a waiter in the Borscht Bowl Club and posed like a figure of Themis. He is glancing at Kristoph on his left, his background is the courtroom. The third has Kristoph leaning down, smiling smugly as he looks at Phoenix, his glasses hide his eyes. A bloody grape juice bottle sits on the table, he has his hand on the arm of swivel chair where Shadi Smith dies.

The narration continues, “Mr. Gavin assumed they were blue.” The panel shows Apollo in Gavin Law Offices, absent-mindedly biting the tip of his pen as he reads a paper. In the foreground is Kristoph’s hand, putting two black pens on Apollo desk.

Apollo narrates, “Mr. Gavin thought they were blue.” The next panels show Trucy whispering in Apollo’s ear, Apollo visiting Phoenix in the Borscht Bowl Club, Apollo tensely writing at his desk as Kristoph watched over him, there are many clocks on the wall, Apollo shopping for groceries, and Apollo hanging out with Clay. Kristoph is present in all of them.

“Mr. Gavin said they were blue.” Apollo finishes. The next panel shows a newspaper clipping showing Zak Gramarye, a paused video of a 17-year-old Klavier Gavin during Zak’s trial, and Apollo hunched over, tiredly typing away on his laptop as Mikeko watches him.

He starts distractedly biting his pen again which is now looking rather chewed up, it pops, getting ink in his mouth. The next panel shows the two black pens Kristoph planted on his desk earlier. The color palette changes as he starts to reach for one of them.
The third page of the comic. The first panel has Mikeko standing on the kitchen counter meowing loudly. Apollo looks at him amused, he says, “Hellooo, Mik-Mik. Geez, I’ll feed you later! I gotta do some research first, ok?” The next panels show a newspaper clipping with Magnifi Gramarye on it, and Apollo writing things down.

“Ugh…” Apollo groans as bites his pen once again; he scratches his cheek. The next panels shifts the colors once again, it shows the clock behind him, which says that it is 4:00 P.M.

The next panel shows a close-up of Apollo’s finger pressing the delete key, he feels a bit shaky. The clock says that it is 4:01 P.M. On the next panel, Apollo starts coughing, he puts his palm against his throat as he drinks from his mug. The clock says that it is 4:05 P.M. The next panel starts to droop, Apollo’s shaky hand is shown, he says, “Ugh… My head’s spinning… Too much screentime maybe…” The clock says that it’s 4:09 P.M. The next panel shows a close-up of a sleeping Mikeko.

The bottom panels show a close-up of the clock striking 4:15 P.M. Apollo starts coughing violently, he is trembling and his eyes are starting to tear up. The next panel shows the coughs getting worse, he’s having a hard time breathing now.
The fourth panel of the comic. The colors are very dark compared to the other panels. The first panel is a close-up of Apollo’s eye, wide open and filled with tears. He starts choking. The second panel has him yelling, “K-KAH! HAHH- H-HELP!” He is hunched over crying; he has his hand against his throat. He starts coughing again, “I c-can’t- I-I…!” The following panels show him finally losing consciousness.

Time passes, it is now night. Apollo is dead on his desk, eyes still open. Mikeko is tapping his arm, meowing at him, waiting for a response, he can’t give one.

my comic for @aabadendingzine which is out for free over here.

extra stuff/commentary under the cut | like what i do? support me on ko-fi 💙

An image of the artist's selfsona (person with horns, short hair, and black clothes) redrawn as that one image where a figure is sitting with their knees close to each other, hands placed on their lap, and is looking at viewer mischeviously.

helloooo how's it going? i really hope you enjoyed the comic <3 it's rare for me to draw such wholesome things, i know [bats eyelashes]

A very messy sketch of the fourth page of the comic.

DFGHDJKF ok i know, it's evil, the entire zine is evil you should go read it!!!!!!! but also, i remember coming up with this prompt and the image of mikeko trying to wake a dead apollo up evoked such a visceral reaction in me that i audibly went "NOOOOOO" when i thought it up LOL

the fourth page is the first page i ever thumbnailed bc i knew EXACTLY how i wanted this thing to end!

A crop of the panels in the 2nd page. The panels show Trucy whispering in Apollo’s ear, Apollo visiting Phoenix in the Borscht Bowl Club, Apollo tensely writing at his desk as Kristoph watched over him, there are many clocks on the wall, Apollo shopping for groceries, and Apollo hanging out with Clay. Kristoph is present in all of them.

i think my favorite page of this comic is the 2nd page (the 4th page being my second favorite bc what can i say, i'm evil wheezes) i just really enjoyed drawing the montage of apollo going about his life and kristoph just. being there. always watching him.

i keep thinking about how spark brushel mentioned feeling like he was being watched those past 7 years. i imagined apollo would get a taste of that once he starts trying to find out the truth behind what happened in his first case.

A crop of the panels from the 2nd page.

The first box has Phoenix sitting at his swivel chair like the one in the Hydeout, cards in his hand as he leans forward, resting his arm on the table. The background has the forged painting Drew Misham made, there are cracks on the walls. The second has Apollo dressed like a waiter in the Borscht Bowl Club and posed like a figure of Themis. He is glancing at Kristoph on his left, his background is the courtroom. The third has Kristoph leaning down, smiling smugly as he looks at Phoenix, his glasses hide his eyes. A bloody grape juice bottle sits on the table, he has his hand on the arm of swivel chair where Shadi Smith dies.

and as for my favorite panel, I REALLY LIKE THIS ONE!! it's just fun shoving every important element alluding to the case 7 years ago to the moment when zak died!

and it's not very obvious but an element i really like about this one is zak still on the chair he died on. it's just his torso visible and i would've loved to make it more obvious that he's there but oh well.

i can't think of anything else to add about drawing this so i'll end it by saying: PLEASE GO READ THE ZINE, IT'S SO SOS SOSOSOS FULL OF LOVE FOR HURT AND TRAGEDY AND THE WAY MY FELLOW ZINEMATES EXPLORED THAT IS SUCH!!! GOOD AND HEARTWRENCHING STUFF!!!!!!!!!

i had to take a break from reading the zine when i went out to finish it bc my chest started to physically hurt bc ohhhhh lordy, it just hurt. it just hurt a lot! (please do read the trigger warnings before reading the thing bc this zine deals with a lot of heavy stuff!)

i like to joke about how i'm evil and enjoy evil things such as angst no comfort which. well, it's kind of true LMAO so i'm thrilled that i was able to be a part of this zine and cook up something completely terrible <3

here's the link for it again, go read it!

Google Docs

More Posts from The-doe-prince and Others

1 year ago

I have been analysing some of Snape’s scenes recently and when I was looking at his very first line in the books, I noticed something that I never really seem to see people point out.

“What would I get if I added powdered root of asphodel to an infusion of wormwood?” - The Philosopher’s Stone, The Potions Master

We all know that this scene can be interpreted as “I bitterly regret Lily’s death” but let’s focus more on asphodel.

In the past, asphodel was said to be used as a remedy for venomous snake bites.

What was Snape killed by again? Ah yes, a venomous snake bite. His death was foreshadowed all the back in his very first line of dialogue.

Snape could’ve survived Nagini’s bite if he simply had some asphodel but…

His Lily died a long time ago.


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9 months ago
Im Mr Edgeworth’s Favourite Little Inmate

im mr edgeworth’s favourite little inmate

5 months ago
Strega Character Design Analyses ❤️💛💚
Strega Character Design Analyses ❤️💛💚
Strega Character Design Analyses ❤️💛💚

strega character design analyses ❤️💛💚

(open images for higher quality)


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1 year ago

No but seriously why is Lily’s patronus so unnecessarily gendered?

JKR said this in a interview in 2007:

Question: James patronus is a stag and lilys a doe is that a coincidence? J.K. Rowling: No, the Patronus often mutates to take the image of the love of one's life (because they so often become the 'happy thought' that generates a Patronus).

I’m assuming it was Lily’s patronus that changed not James because he already had a stag animagus at 15 and the only other person we know both their patronus and animagus form is Mcgonagall and they are both cats. So if Lily's patronus changed to be “the image of the love of her life” why is it a doe not a stag? How is a doe the image of James? Snape's patronus is apparently the "image of lily" and it appears as a doe instead of a stag to match his respective gender. What is going on?

(also guys im looking for a watsonian reason. I know the real answer is JKR's adherence to the gender binary)

1 year ago
Tfw You Realize Your Boss And Mentor Is A Fucking Idiot

tfw you realize your boss and mentor is a fucking idiot

9 months ago

A Dad Lance Comic

Just a warning: There’s a panic attack. Also, there are bright and dark colors so eyestrain beware. The first image is a gif, and there’s a slight jitter so eyestrain warning x2. Please be safe and don’t read more if any of these will bother you.

Keep reading

1 year ago

A complex and many-layered thing

But Harry’s anger at Snape continued to pound through his veins like venom. Let go of his anger? He could as easily detach his legs. . . .

This is the first Occlumency lesson. Harry is right, of course. Feelings don’t go away because you want them to. To let go of them when they’ve not been addressed or validated can be as hard as detaching a leg. And yet, it’s what Dumbledore asked Snape to do, and it’s what Snape had to do to survive the first war as Dumbledore’s spy. You have to ask yourself… how?

Trapped animals chew off their own legs to escape. It’s a sacrifice they make to survive.

If there’s one thing in a fic that turns me off it, it’s the idea that Occlumency shields are a thing, that Severus was so gifted at it because he’s got some power like Second Sight or being a metamorphagus. I always preferred to think of Occlumency and Legilimency as skills that can be learned, even if some have more aptitude for it than others.

Severus entered Hogwarts with the kind of life experience that primed him for developing these skills, and left it with even more. Occlumency is magical dissociation, a post-traumatic coping mechanism, and Severus has C/PTSD. More under the cut; tw: just general angst.

To survive, he would have had to develop a knack for telling how explosive and unpredictable people feel. Over his life, he faced at least two egregious examples of what Pete Walker, author of “Complex PTSD” calls “the Charming Bully”.

Especially devolved fight types can become sociopathic. Sociopathy can range along a continuum that stretches from corrupt politician to vicious criminal. A particularly nasty sociopath, who I call the charming bully, probably falls somewhere around the middle of this continuum. The charming bully behaves in a friendly manner some of the time. He can even occasionally listen and be helpful in small amounts, but he still uses his contempt to overpower and control others. This type typically relies on scapegoats for the dumping of his vitriol. These unfortunate scapegoats are typically weaker than him. […] He generally spares his favorites from this behavior, unless they get out of line. If the charming bully is charismatic enough, those close to him will often fail to register the unconscionable meanness of his scapegoating. The bully’s favorites often slip into denial, relieved that they are not the target. Especially charismatic bullies may even be admired and seen as great.

These would be James Potter and Tom Riddle, who are distantly related, I might add. Harry inherited the tendency to default to the fight response, but since he grew up the scapegoat and not the golden child, he never becomes quite as appalling, and after all, a fight response is normal when they are after you. Even so, Harry, who has both James and Voldemort inside him, triggers Severus to no end. It’s not a coincidence that the memories Harry sees when he is with him are largely horrible, and vice versa. There had to be happy or at least neutral or even boring moments, but these two detest each other, and they know they detest each other. Negative emotions and associated memories are so close to the surface they can’t be contained. This is the purpose of the Pensieve in this context - to contain the emotions. Since Severus knew what was in there when he pulled Harry out, my theory is that you don’t suddenly forget the memories you placed there, but rather you make them less fraught with emotions.

“Get up!” said Snape sharply. “Get up! You are not trying, you are making no effort, you are allowing me access to memories you fear, handing me weapons!”

Harry stood up again, his heart thumping wildly as though he had really just seen Cedric dead in the graveyard. Snape looked paler than usual, and angrier, though not nearly as angry as Harry was. “I — am — making — an — effort,” he said through clenched teeth.

“I told you to empty yourself of emotion!”

“Yeah? Well, I’m finding that hard at the moment,” Harry snarled.

“Then you will find yourself easy prey for the Dark Lord!” said Snape savagely. “Fools who wear their hearts proudly on their sleeves, who cannot control their emotions, who wallow in sad memories and allow themselves to be provoked this easily — weak people, in other words — they stand no chance against his powers! He will penetrate your mind with absurd ease, Potter!”

A lot to unpack here.

“Memories you fear,” “weapons”, “easy prey”.

Fearing your own memories, viewing your own lived experiences as weapons to be used against you, being easy prey… Severus could not be speaking louder of himself here. He is the one whose mind had been penetrated with absurd ease, he is the one who handed weapons to Voldemort, and he is the one who had to do the psychological equivalent of detaching his own leg – again and again – to survive.

I’ll argue that Severus developed a fawn response and a flight response, as fighting had never really worked out for him if it was possible at all. He had at least two more people I’d describe as bullies in his life, Tobias and Lucius.

Again from Pete Walker:

These [fawn] response patterns are so deeply set in the psyche, that as adults, many codependents automatically respond to threat like dogs, symbolically rolling over on their backs, wagging their tails, hoping for a little mercy and an occasional scrap. Webster’s second entry for fawn is: “to show friendliness by licking hands, wagging its tail, etc.: said of a dog.” I find it tragic that some codependents are as loyal as dogs to even the worst “masters”.

Remember what Sirius called him? Lucius’s lapdog. Bellatrix called him Dumbledore’s pet, Dumbledore said he dangles on Voldemort’s arm, the narrative compares Snape to a rabbit in SWM and Harry compares the Half Blood Prince to a beloved pet who had gone feral (yes, this does mean a lot to me on a personal level, yes my username is not a coincidence).

His unconscious fawn response might have been his undoing, drawn as he was to figures like Lucius and Voldemort. As an adult, I think he utilized the skills he had developed to survive in order to stitch these people up, and involuntary dissociation and fawning became Occlumency, which to me, is his signature magic. Harry needed only to banish Voldemort from his mind; Severus could not settle for this. He had to give Voldemort something, and knowing how to fawn meant knowing what to give him and how to draw himself in such a light that Voldemort would believe it. We see how he wanted to be seen by the Death Eaters: a self-serving coward who sought to hide behind Dumbledore’s apron, playing his pet. But that’s Pettigrew, not Snape. Imagine the self-immolation, the self-violation, it must have taken to convince everyone that you’re an ersatz Wormtail! Snape is a man and a prince, and the text recognizes this as Harry calls him, in the end, Dumbledore’s man, the bravest man, and as that chapter is called “The Prince’s Tale”. Voldemort thought Snape was nothing more than a “good and faithful servant,” and that his last words were “My Lord”.

But Severus had an unequaled gift for Occlumency, specifically against Voldemort, because Voldemort could not legilimens what he couldn’t feel; and he couldn’t feel love, grief, guilt, and remorse. This was Severus’s secret weapon, which would not have worked against Harry - who can feel these things, and who is also Lily’s son. I can prove it. The first time Harry gets the hang of Occlumency is after Dobby dies:

His scar burned, but he was master of the pain; he felt it, yet was apart from it. He had learned control at last, learned to shut his mind to Voldemort, the very thing Dumbledore had wanted him to learn from Snape. Just as Voldemort had not been able to possess Harry while Harry was consumed with grief for Sirius, so his thoughts could not penetrate Harry now, while he mourned Dobby. Grief, it seemed, drove Voldemort out . . . though Dumbledore, of course, would have said that it was love. . . .

Harry learned to dissociate, though fortunately in a healthier way than many of us ever get to.

Of course, Snape was a good and faithful servant… to Dumbledore, which brings us to the flight response. The chapter wherein he escapes after killing Dumbledore is called “Flight of the Prince”. He should be fighting, he had just proven that he can cast a killing curse, and yet he flees. He can literally fly, in fact: He, Lily, and Voldemort are the only ones we see pulling this off.

As a child, we see this too: He copes with his home situation by reminding himself “it won’t be long and I’ll be gone.” He is thrilled when he imagines Hogwarts, his escape; he follows Lily out of the carriage instead of confronting James and Sirius head-on (which might have saved them all a lot of pain eventually). But this doesn’t work out, we see that in terrifying detail. The next attempt at an escape is joining the Death Eaters, but this too doesn’t work out.

He can’t flee anymore.

“Severus, you cannot pretend this isn’t happening!” Karkaroff’s voice sounded anxious and hushed, as though keen not to be overheard. “It’s been getting clearer and clearer for months. I am becoming seriously concerned, I can’t deny it —”

“Then flee,” said Snape’s voice curtly. “Flee — I will make your excuses. I, however, am remaining at Hogwarts.”

Shortly thereafter:

“Severus,” said Dumbledore, turning to Snape, “you know what I must ask you to do. If you are ready . . . if you are prepared . . .”

“I am,” said Snape.

He looked slightly paler than usual, and his cold, black eyes glittered strangely.

He was ready, and he was prepared. He didn’t fly; he walked toward what might well have been his end with open eyes, armed only with the strength of his mind. Before Voldemort killed him, he looked pale, again, and terrified.

“I sought a third wand, Severus. The Elder Wand, the Wand of Destiny, the Deathstick. I took it from its previous master. I took it from the grave of Albus Dumbledore.”

And now Snape looked at Voldemort, and Snape’s face was like a death mask. It was marble white and so still that when he spoke, it was a shock to see that anyone lived behind the blank eyes.

I ask myself if this was the moment he realized he had been betrayed, that by giving Dumbledore a painless death he had secured his own. Maybe he wasn’t pale because he was scared; maybe he was pale because he was shocked. He was at his absolute limit, Occluding with all his might when he could have easily saved himself. The dam is about to break. All the memories he feared, all the weapons, the entire content of his heart is about to spill through - literally.

He fawned for Voldemort, the worst of all possible masters, but in the end, he was Voldemort’s undoing. All the ways in which he was weak and powerless against Tobias, James, Lucius, et al., proved to be part of goodness and source of his power. It doesn’t surprise me in the least that Snape is so loved. I’ve never actually seen such love for any other fictional character. He represents a kind of courage that many of us need to get by, lest we simply become evil or give the fuck up (“I wish I was dead”). A kind of courage rarely celebrated. The more time I’ve spent in the fandom in general and in the Snapedom in particular, the more I am convinced of this.

1 year ago

He’s just like me fr

When Nothing Interesting Is Going On At 221B, Herlock Sholmes Entertains Everybody With A Dance Of Deduction!

When nothing interesting is going on at 221B, Herlock Sholmes entertains everybody with a Dance of Deduction!

Another drawing for Ace Attorney Aspec Week - Day 3: Investigation! Using this opportunity to spread my AroRuno propaganda @aspec-ace-attorney

(...Sure hope this doesn't spark some sort of identity crisis that I end up posting an entire fanfiction about)

Bonus!

When Nothing Interesting Is Going On At 221B, Herlock Sholmes Entertains Everybody With A Dance Of Deduction!
When Nothing Interesting Is Going On At 221B, Herlock Sholmes Entertains Everybody With A Dance Of Deduction!

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1 year ago

recent observation: kazuma's armband is loose on ryunosuke in all his sprite animations, because kazuma is more muscular than he is......the level of detail in this game is INSANE.

but beyond that, i also wanna point out that the armband is noticeably adjustable:

the back of kazuma's armband, which has laces that can be tied to adjust the size

he keeps it as kazuma's size by choice.....i'm so normal

1 year ago
“He’ll Wake Up, He Always Does.” - Snape Has An Unfortunate Habit Of Passing Out After Arriving

“He’ll wake up, he always does.” - Snape has an unfortunate habit of passing out after arriving home from a DE meeting and ensuring Potter was safe.

The cruciatus curse doesn’t leave physical marks. A mouth filled with blood from biting his tongue was always a tell tale sign to Harry that Snape was gonna be on the floor for awhile and would have shaky hands for a few days to come.

-holds out my mug to collect tears-

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Instead of using my autism for productivity I use it to overanalyse fictional characters ☠️Might have ADHD too

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