I Can't Get Her Design Out Of My Head

Why do they even make apps for ADHD. You want me to use my 24/7 handheld immediate distraction device? To manage my 'gets distracted too easily' disorder? Ooooh we developed the perfect tool for managing your anemia. Its hosted in Dracula's castle. 👍

I'm fighting my inner demons except the inner demons are bisexuality

Lee Garbett 🤝 German Peralta

I love this show so much.

New edit !!

I put a lot of work into this one and tried some new things !

I'm Crucified

Crucified, like my savior

Saint-like behavior

A lifetime I prayed

"Crucified" by Army of Lovers

I started digital art two years ago(doing art barely 3y) so a newbie, in past bc I wasn't good at art it was easier to get better, now I've been struggling for a while, i don't get better than last time(coloring and it lacks creativity). I feel stuck in a loop. so idk any tip I can get better? what artists do to get more creative?

Hey!

So I go through this a lot as well and what always helps me is to just draw something completely out of your comfort zone, something you've never drawn before. For example: You enjoy drawing people? Go fill a sketchbook page with only cars. You enjoy drawing dogs? Go fill a whole sketchbook page with toothbrushes.

Why do I do this? Because for me there's no expectations. I've never drawn this thing before so obviously it's gonna be shit in the beginning. But this way you will see your improvement so quickly. The first car you draw will look shit, but once you've filled a whole sketchbook page with just cars, the next one you draw will 100% look a lot better than the first one. While drawing them over and over again, you will subconsciously learn how a cars shape works.

And you can surprisingly improve your overall art by doing these studies of random things, because in the end all you need to know as an artist is how shapes work and interact with each other.

Just try something new, allow yourself to just learn and forgive yourself if something doesn't work out the way you want. You learn the most from mistakes after all!

Another one

...that your audience won't hate.

This is a method I started using when NFTs were on the rise - thieves would have to put actual work into getting rid of the mark - and one that I am now grateful for with the arrival of AI. Why? Because anyone who tries to train an AI on my work will end up with random, disruptive color blobs.

I can't say for sure it'll stop theft entirely, but it WILL make your images annoying for databases to incorporate, and add an extra layer of inconvenience for thieves. So as far as I'm concerned, that's a win/win.

I'll be showing the steps in CSP, but it should all be pretty easy to replicate in Photoshop.

Now: let's use the above image as our new signature file. I set mine to be 2500 x 1000 pixels when I'm just starting out.

Note that your text should not have a lot of anti-aliasing, so using a paint brush to start isn't going to work well with this method. Just use the standard G-Pen if you're doing this by hand, or, just use the text tool and whichever font you prefer.

Once that's done, take your magic wand tool, and select all the black. Here are the magic wand settings I'm using to make the selections:

All selected?

Good.

Now, find a brush with a scattering/tone scraping effect. I use one like this.

You can theoretically use any colors you want for this next part, but I'd recommend pastels as they tend to blend better.

Either way, let's add some color to the text.

Once that's finished,

You're going to want to go to Layer Property, and Border Effect

You'll be given an option of choosing color and thickness. Choose black, and go for at least a 5 in thickness. Adjust per your own preferences.

Now create a layer beneath your sig layer, and merge the sig down onto the blank layer.

This effectively 'locks in' the border effect, which is exactly what we want.

Hooray, you've finished your watermark!

Now let's place that bad boy into your finished piece.

You'll get the best mileage out of a mark if you can place it over a spot that isn't black of white, since you'll get better blending options that way. My preference is for Overlay.

From here, I'll adjust the opacity to around 20-25, depending on the image.

If you don't have a spot to use overlay, however, there's a couple other options. For white, there's Linear Burn, which imho doesn't look as good, but it still works in a pinch.

And for lots of black, you have Linear Light

Either way, you're in business!

As a note, I know it's a bummer for some people to "ruin" their work with watermarks, which is part of the reason I developed this mark in particular. Its disruption is about as minimal as I can make it while still being effective.

There's other methods, too, of course! But this is the one I use, and the one I can speak on. Hope it helps some of you!

It's a tough choice, really

I've been loving the podcast so far, almost done with season 4 🥲 can't wait for more trauma

Mizu, in every single episode, without fail: