As much as I like to complain about my weaknesses when it comes to writing, I’m happy to say that creating characters isn’t one of them. So for anyone who wants it- my quick guide on creating characters.
This list is for anyone who has a vague idea for a character but doesn’t have a plot or a role in the story for them to fill. It’s for people who have a plot in mind, but lack characters to place in it. It’s for people who love those long, detailed character spreadsheets, but don’t have the patience (or know all the answers) to fill them out. The points I’ve listed below will probably overlap heavily and influence one another- for instance, “societal/cultural influences“ may inform both “philosophy“ and “defining relationships“. It pulls the character together.
Keep in mind that this is not everything you want to know about your character- you should continue to flesh them out as you write them. This is just a baseline, a starting point, an I-just-want-to-write-something-with-this-character-but-I-know-absolutely-nothing-about-them list so you can jump into writing with or without a plot in mind. It describes them as they are on a typical, ordinary day. As you continue to write and develop them, they will become more nuanced and take on a life of their own.
Base Personality
Jot down some base personality traits. Don’t worry about getting an equal number of positive and negative traits down- or even which is which. Just feel out the character’s base personality.
Significant Historical Events
What events have had the greatest impact on your character (that you know of so far)? Again, don’t worry about getting everything- you can always add more here as they come to you later. Hit the major turning points in your character’s life.
Societal/Cultural Influences
What societal and cultural backgrounds do your characters have? Are they living/working/existing in an area where these influences are the majority or the minority?
Philosophy
What is your character’s default philosophy when it comes to right and wrong, or difficult moral choices? (I usually use the D&D alignment system for its simplicity- feel free to be as detailed or not as you wish).
Defining Relationships
What are this character’s defining relationships? Enemies, friends, and family are good places to highlight. Major conflicts and points of contention are great starting points for plots.
Goals
What does your character want more than anything? What are you preventing them from getting over the course of the story? If any minor goals pop up while you’re writing, jot those down too.
In public, Bruce is extremely well-mannered and classy when he eats, even going as far as to use the correct spoons and forks for what he’s eating. At the dinner table at home, he’s still pretty neat, eats politely. Down in the cave he just devours his snacks because Batman is gritty and also very extra.
Follows the etiquette fairly well, as far as the others know. Eats in reasonable portions, if a little fast. Saves the class for events, dates, and family meals. Can otherwise be found slumped over at the breakfast table shoveling cereal into his mouth with milk dripping down chin.
Doesn’t put much thought into how she eats. Dignified, never really messy. Big snacker, small eater. Very aware of what foods are too messy to eat in public without an accident, chooses her foods/serving sizes related to where she is/who she’s with. Likes to eat her sides before her main course.
Can actually be as well-mannered as Dick, contrary to what others might (annoyingly) think. Eats large portions at once, and eats them quicker than most (which Bruce suspects might be a habit from before he took him in, when he had to eat what he could when he could). Keeps napkins on hand always. Only really eats messily when trying to annoy/embarrass Bruce or when exhausted.
Raised to be, of course, very classy, neat, put-together, the absolute picture of etiquette. Puts on exactly that illusion when in public. When he’s alone, this boy is a mess just because he doesn’t care. Eats without really focusing on eating, which leads to a few messes. Will eat with any silverware that’s available, once ate his soup with a fork. Picks at his food a lot, doesn’t always finish his food.
Eats very politely, if a little slowly. Sometimes hesitates before taking a second serving. Takes small bites but finishes her plate. Doesn’t use the “proper” silverware, really enjoys sporks. Wipes mouth every few bites even if what she’s eating isn’t messy.
Gives no shits. Eats how she feels like eating. Will eat pie for breakfast and eggs and bacon for a snack. Is fairly neat with her eating in public and at the manor unless Tim says something, then she will purposefully eat everything with her hands and then chug his drink.
Little Bruce. A bit more dignified in private than Bruce is, though. Very classy. Does, however, eat a LOT. More than any of his siblings, because he’s growing, and because nobody else eats the food Alfred cooks for him because there’s no meat. Takes his time eating. May occasionally talk with his mouth full before correcting himself.
Average table manners and eating habits. Tries to make conversation during meals, always clears his plate. The person who drinks soup straight from the bowl and will eat cereal out of a cup. Never talks with his mouth open, will make you wait a good minute for a response while he is chewing. Spills things on occasion and makes sure Alfred isn’t around before muttering a few curses.
Changing shoes - Dick Grayson
“What? Like, a disabled protagonist? How would that even work? How could someone with a disability be the hero in an action show?” local anime trash boy wonders while sitting next to his box sets of Full Metal Alchemist, showing no hint of irony or self awareness.
This is the lucky clover cat. reblog this in 30 seconds & he will bring u good luck and fortune.
I was sick for all of Dick’s birthday, so it took me longer than usual to do this for him! Happy (one day late) birthday my most wonderful of boys, thanks for brightening my life.
Bless your face » Alphonse Elric
Hero walked through the mall stopping at a store looking at the window display. Someone grabbed their hand and pulled them away from the display.
"Someone is following you. I'll pretend to be your boyfriend so they'll leave you alone."
Hero's heart sank. They recognized that voice. They tried pulling their hand from Villain's, but Villain pulled them closer and draped their arm around them.
"Don't fight against me. We need to pretend we are dating." Villain whispered in Hero's ear.
"No one is following me. Let me go." Hero turned to face Villain. Villain looked down at them.
"Babe, you're acting hangry do we need to go get some Cinnabon for you." They leaned closer. "Can we please not act like enemies here. Let's just be friends before we try to rip eachothers heads off tonight."
Hero glared at them. "I am hungry. Cinnabon sounds good." They said through gritted teeth. They poked Villain in the chest. "But you're paying."
My copy of Dark Puppetry just came in the mail and I'm so excited about it!!
@darkpuppetry @evyptids @shadowstakeall @beerecordings @spicydanhowell @kisstheashes and @plutoandpolaris I'm so excited to read your stories!!
And @spicydanhowell and @jacksoopticboop the beautiful cover is beautiful!!
You guys are all awesome, and I am so happy I bought this!!
- Writing fight scenes are difficult so here are some of my tips that I like to keep in mind.
- Don’t drag it out longer than necessary. I know that this is sometimes really difficult because it is hard to tell if it is going on too long. When you feel like your grasping for more details to add in, that’s usually a good indicator that you need to stop. I would say a good limit to set for yourself (if you’re a beginner) is around 8 to 10 pages at most.
- But don’t make it too fast either. Reread it several times to make sure it doesn’t go so fast that your readers will have trouble keeping up. What this means is that you shouldn’t have the entire scene be action after action because it can become muddled really fast, especially if you’re trying to fit it in a couple paragraphs.
- Somethings to keep in mind when writing a fight scene include:
Who’s going to win?
Who do you want the readers to want to win?
Is your character trained or not?
Do your characters have weapons?
- If your character is a girl (this applies even more so if they are a small girl), they will not be able to defeat a much bigger man using strength alone. This is seen in a lot of books and it has never been understandable to me. Girls and boys are built very differently, so they have to fight differently. Men can rely on strength. Women have to rely on speed and tactic. This isn’t to say that your girl character can’t be strong, especially if she does train, this is just saying that the average girl won’t be able to hold up in a fight against a man double her size if she is only using strength. If she is small, make her fast so that she can easily dodge him and trip him up. Make her go for the legs, that is one of the best things to do so that you can get them off their feet and giver her an advantage. There are many ways a small girl can win without relying on only strength!
@badthingshappenbingo
Prompt: You Said You Would Let Them Go
Fandom: Original Work
Part 1
Ella teleported Todd off the roof and helped him get home. She started walking back to her apartment trying to think of what she was going to tell everyone.
She pushed the door to her apartment open, and Natalie and Jack were sitting on her couch. Natalie was braiding her long black hair, and Jack was picking at his fingernails. When she came in, they stood up quickly.
“What happened?” Jack stepped forward and grabbed her by her forearms.
She pulled her arms out of his grip and pulled her mask off setting it on the table. She sat down on the couch with a huge sigh.
“Babe, what happened?” Jack sat down next to her grabbing her hand,
“I can’t tell you.”
“What do you mean?” Natalie sat with a concerned look.
“He made me promise that I wouldn’t.” Ella could feel tears starting to form in her eyes. Pushing them back she pulled her hand from Jack’s and stood heading towards the kitchen.
She could hear someone rummaging around in her fridge. When she walked in Aaron, the tallest guy in the group, quickly stood up with a pop tart in his mouth and Tayler, the skinniest one of the bunch, froze reaching for the peanut butter above the fridge.
Ella sighed and threw up her hands, “Who else is here?”
Her bathroom door opened, and Laura walked out shaking her wet hands. “You don’t have any towels in there.” She said sheepishly.
“Get out.” Ella pointed to her front door the tears starting to run down her face.
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