(via nashole)
If c1′s finale was a homage to a life well-lived, a heartfelt and bittersweet goodbye, with Liam O’Brien utilising his character to tell his friends how much they all mean to him, then c2 is a perfect parallel wherein everyone gets to finally say no to fate, to tell a friend that their life is worth everything, and also tell Taliesin Jaffe that through his character that they adore him.
Please don't. I don't need those mental images.
majestic portraits
Cartoon Network/Nicktoons redesigns I did last year
S5!Jon, deeply traumatised and waist-deep in The Eye: i am nothing more than a monster. who could ever love me? I have committed so many sins and I know I will never be forgiven for the blood on my hands. I will always be alone
Martin, standing with a knife in hand, ready to commit a murder, and having rejected a bunch of entities to chase after Jon: am I a joke to you?
Okay, so I don't know if anyone's talked about this yet, but while watching Gravity Falls I noticed something about the title sequence. The first few times I saw the part where Dipper is pointing out that huge footprint to Grunkle Stan I merely thought that the three Pines were going on a monster hunt and were tracking some sort of monster. You know, family fun time. When it became evident that Grunkle Stan 'didn't believe' about the supernatural stuff the scene became rather sad, as I then realised Dipper was trying his best to prove the supernaturals' existence to Grunkle Stan. The poor little noodle would probably take Grunkle Stan out on one of his and Mabel's explorations in the woods to prove that he wasn't merely a child making it all up. Then it was revealed that Grunkle Stan had known about the supernatural all along, and it all became clear to me. Grunkle Stan was merely pretending that he didn't know what Dipper and Mabel were talking about (you know, in order to protect them), but while he stood there putting on an air of scepticism for the kids, he was actually wondering what type of creature had made the footprint, and whether or not he needed to get his two kids out of there before it all went pear-shaped.
From the very beginning Alex has been hinting at Grunkle Stan's true persona, and it's simply amazing to see it all unfold and reveal it's true form.
Hiro: Tadashi is gone! *he slams his fist so hard on Baymax he pops a hole on his chest* ...T-that wasn't supposed to happen...
--------
Tadashi: Someone has to help! *runs but trips on the first few steps* D-darn, and I looked kinda cool running off like that...
------
Fred: ...D-Dad? *loud fart noise*
Stan: ...*gets up and leaves the set without saying a word*
------
Fred: Welcome to mi casa! That's Spanish for my house! Oh wait, was I supposed to get that wrong...?
-----
Tadashi: I'm not giving up on you. *grabs Hiro by the legs and tries to lift him but accidentally bumps his head on the floor and then on the bedpost*
Hiro: Times like this I wish I was the older brother in this movie so I can do that to you too.
------
Yokai: *when confronting Krei, his mask won't lift up* H-hey, I think this thing is stuck--h-help? I think we got a real setback here!
Krei: *mutters to someone offscreen* He doesn't know I tampered with his mask, don't tell him.
-------
Gogo: *runs Wasabi's car directly in the path of the camera*
Director: ...There goes a hundred thousand dollars off my paycheck again.
-------
Wasabi: We can't go up against that guy! We're--ummm--
Gogo: How hard is it to forget one word? Nerd!
-------
Yokai: *after a montage of him tripping off of his platform of microbots countless of times* I am getting too old for this...
-------
Baymax: *while Fred is singing Fred's Angels, he starts beatboxing*
Hiro: Okay, I didn't teach you that... *looks at everyone*
Everyone: *bursts into laughter*
-------
Gogo: *throws her disc, it hits the camera instead*
Director: Goddamn it, not again!
-----
Hiro: *falls off the moped as they were getting away from Yama*
Yama: *helps Hiro up* Whoa, that was one heck of a fall--you okay?
Hiro: ...are we filming Tadashi's death scene yet? *is dazed*
-----
Aunt Cass: Are you two okay?
Hiro and Tadashi: Yes, Auntie.
Aunt Cass: *pinches both their ears* Then what the f--- were you thinking--
Hiro: You can't swear in a Disney movie, Auntie.
Tadashi: See? He told her.
-----
Hiro: *throws Mochi up the stairs, glass breaking and other things breaking are heard*
Baymax: You missed, Hiro.
-----
Callaghan: I want my daughter back.
Krei: *on the side, making faces as he mimics Cal*
Callaghan: *looks at him, covers his face with microbots, and then chuckles about it* Not this time, Krei.
------
Cass: Stress eating! *chokes on donut* G-great, that's more stress that I don't need--cut! Cut!
------
Baymax: *in the middle of their fight with Yokai at Krei Tech* L-low batteryyyyyyy--
Yokai: Uh-oh, someone didn't charge their nursebot before filming...
Hiro: Could you not.
-------
Fred: School mascot by day, but by night-- *flips around, accidentally lets go of his sign and it flies into the camera, destroying it*
Director: GOD CAN WE NOT DO THIS AGAIN?
------
Tadashi: Hiro-- *signals for him to follow him to his lab, but forgets to open door and hits it facefirst*
------
Honey: *on the side, applying makeup to Baymax's face*
Baymax: I fail to see how makeup will make me a better healthcare companion.
Honey: Don't resist it; it brings out the roundness in your face.
Hiro: You know that'll all be ruined once we get to the fight scenes, right?
------
Baymax: On a scale of one to ten, how would you rate your pain? *displays Hiro's internet history on his chest rather than the chart* Oh no...
------
Callaghan: But you should know that Mr. Krei has cut corners and ignore sound science--
Krei: *on the side, mimicking Cal's words while making a face*
Callaghan: *makes a bewildered face at him*
Krei: Oh, I thought we weren't filming.
Hiro: Why do these two have a higher paycheck than I do again?
-------
Tadashi: Someone has to help!
*before he could run in, a sudden storm suddenly rages down on the entire set*
Hiro: I guess you're not gonna die today, huh, bro?
-------
Baymax: Tadashi is here. *points to Tadashi on the director's chair; everyone laughs*
Hiro: *laughs into the camera* And you thought we would kill him off, did you?
After watching FMA03 and getting to see the glorious sight of Winry pick locks in a matter of seconds (as well as the empowering duo of Winry and Sheska), I absolutely delight in headcannoning that Edward has no idea that she can do any of her neat tricks. More than once on their trips Winry has shown herself to be true MVP by fixing busted up vehicles and rigging up devices to fix situations that Ed's fists won't fix. Cue a situation (that's 110% Ed's fault, thank you very much) in which Winry and Ed are being held captive, chains and all. Ed doesn't have his alchemy anymore so he can't just bust through the chains, and it's tearing him up that he's putting Winry through this, especially after what happened at Briggs, she must be so scared and-- Meanwhile off to the side, Winry has already wriggled her tools from her sleeves, picked her locks, and is currently delightfully going through the dangerous materials the bad guys so stupidly left for them beside a bunch of scrap metal. A matter of seconds later, Winry has busted a shellshocked Ed from his chains and is shoving him up the stairs, nervously yet gleefully laughing all the way. "Winry, what the hell is going on?" Ed splutters as Winry uses her bare hands, toughened by years of automail work, to rip boards from the wall to make their exit. "How'd you get out? What's the rush? What the fuck, Win?" Winry giggles. "The bombs about to go off Ed. We gotta go." "BOMB? What bo-!" (On that day Ed was reminded of how terrifyingly brilliant his wife was, and how glad he was she had never been his enemy.)
Okay so one thing I get really frustrated with in post-canon FMA fanfics is how Winry always gets portrayed as frustrated, or even downright hating the fact that Ed is very much a wandering soul.
Disregard the fact that her last line in FMA:B is literally along the lines of “men who stay still are boring”.
Disregard that Winry always supported Ed and Al’s decisions to travel because she knew how much they needed to get distance, and later supported it because she knew that they just wanted to see the world.
Disregard Winry instantly jumping on the chance to travel whenever offered, including yearly travelling to Rush Valley and a clear enjoyment of her trip north before everything went to shit.
Just know that Winry, seven months pregnant and struggling to get around, just starts shoving shit into suitcases cause there was a skirmish to the west that resulted in plenty of casualties, including amputees, and fuck if they don’t need the greatest automail mechanic there to help them out. Es gets a few words of protest in before unceremoniously getting thrown into the train, Winry eagerly jumping in behind him cause she’s needed elsewhere and nothing will slow her down, not even pregnancy.
Down the line, family trips are common. Only they aren’t trips into Central like most country folk take. No. The Elric-Rockbells are wanders at heart, and the people on the railroads know each of their faces intimately due to their yearly trips to Xing, and their constant roaming across the country offering automail and handyman services.
They miss home on the road, but wouldn’t give up on seeing the world for anything.
Okay but…
Are we not going to talk about how hiro literally just met fred yet with the knowledge that hes into comics is totally willing to build him his own personal kaiju monster and all he wants in return is freaking praise and loyalty?
Hiro hamada, your precious cinnamon roll levels have just been raised by 10 trillion percent.
Hiro: I remember when I was five, hiding under this desk with all my Halloween candy. Had some peanut M&M’s, went into my first anaphylactic shock and had to be rushed to the hospital. Came home, celebrated with a Snickers, went into my second anaphylactic shock.
Fred: When did you figure out you were allergic to nuts?
Hiro: Sometime around the third Almond Joy.
I'm not gonna lie, the possibility of Deku growing up to be a Beefy Boy, whose muscular thighs makes all genders swoon, positively delights me. Like the people from his past school hear about this upcoming hero with the same name as that kid they once bullied and they're like "I bet that lame as Deku isn't even a good hero,..." And then they pull up the trending picture of Deku in his debut fight, and it's just this absolute God with a look pure determination on his bloodied face and a torn uniform that reveals rippling abs and biceps that make those ex-bullies fucking choke. Just give me a ripped af Deku that calls back to All Might's hero form in a less exaggerated manner and makes all the guys, gals and non-binary pals fall head over heels. ....,..,but also, the thought of Deku growing up with his gangly noodly self still intact is also interesting. Like he keeps his slender build and his pretty boy features become goDLIKE and everyone's still in love with him, but villains are super freaked out every time this slender and feminine looking boy just fuckING DESTROYS A BUILDING WITH A PUNCH. Just any form Deku takes will be amazing cause this boy his so good and will be a hero that goes down in history.